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Sophocles' Antigone Reworked in the Twentieth
NEW VOICES IN CLASSICAL RECEPTION STUDIES Issue 12 (2018) SOPHOCLES’ ANTIGONE REWORKED IN THE TWENTIETH CENTURY: THE CASE OF HASENCLEVER’S ANTIGONE (1917) © Rossana Zetti (University of Edinburgh) INTRODUCTION AND CONTEXTUALIZATION This article examines a little-known example of Antigone’s reception in the twentieth century: the adaptation by the German expressionist writer Walter Hasenclever. This version is the first and arguably most innovative of several European adaptations of Sophocles’ play to appear in the first half of the twentieth century. Although successful at the time of its production, Hasenclever’s Antigone is scarcely read in contemporary scholarship and is discussed mainly in German-language scholarship.1 Whereas Flashar’s wide-ranging study, in German, refers to Hasenclever’s drama (Flashar 2009: 127– 29), in Fischer-Lichte’s 2017 book Tragedy’s Endurance, in English, Hasenclever appears only in one endnote (Fischer-Lichte 2017: 143). The only English translation of the play available (Ritchie and Stowell 1969: 113–60) is rather out of date and inaccessible. Hasenclever’s Antigone is briefly mentioned in Steiner’s essential reference book Antigones (Steiner 1984: 142; 146; 170; 218), in the chapter on Antigone in the recent Brill’s Companion to the Reception of Sophocles (Silva 2017: 406–7) and in Cairns’ 2016 book on Sophocles’ Antigone (Cairns 2016: 133). However, it is absent in some of the most recent contributions dedicated to the play’s modern reception, including Wilmer’s and Žukauskaitė’s edited collection on Antigone in postmodern thought (2010), Mee’s and Foley’s essays (2011) discussing adaptations of Antigone staged around the world, and Morais’, Hardwick’s and Silva’s recent volume (2017).2 The absence of Hasenclever from contemporary scholarship can be explained by the fact that his Antigone lacks the complexity of later adaptations, such as Anouilh’s and Brecht’s. -
Louise Michel
also published in the rebel lives series: Helen Keller, edited by John Davis Haydee Santamaria, edited by Betsy Maclean Albert Einstein, edited by Jim Green Sacco & Vanzetti, edited by John Davis forthcoming in the rebel lives series: Ho Chi Minh, edited by Alexandra Keeble Chris Hani, edited by Thenjiwe Mtintso rebe I lives, a fresh new series of inexpensive, accessible and provoca tive books unearthing the rebel histories of some familiar figures and introducing some lesser-known rebels rebel lives, selections of writings by and about remarkable women and men whose radicalism has been concealed or forgotten. Edited and introduced by activists and researchers around the world, the series presents stirring accounts of race, class and gender rebellion rebel lives does not seek to canonize its subjects as perfect political models, visionaries or martyrs, but to make available the ideas and stories of imperfect revolutionary human beings to a new generation of readers and aspiring rebels louise michel edited by Nic Maclellan l\1Ocean Press reb� Melbourne. New York www.oceanbooks.com.au Cover design by Sean Walsh and Meaghan Barbuto Copyright © 2004 Ocean Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise, without the prior permission of the publisher. ISBN 1-876175-76-1 Library of Congress Control No: 2004100834 First Printed in 2004 Published by Ocean Press Australia: GPO Box 3279, -
Communications from the International Brecht Society. Vol. XIII, No. 2 April 1984
Communications from the International Brecht Society. Vol. XIII, No. 2 April 1984 San Antonio, Texas: International Brecht Society, Inc., April 1984 https://digital.library.wisc.edu/1711.dl/M3HLL3GNJRCAF8S http://rightsstatements.org/vocab/InC/1.0/ Copyright International Brecht Society. Used with Permission. The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu - ORR IPE RII DENIC RIR SOCIO SSC Seca ON een er ORE Oo SAN RR NAR RCO SNR IN AN ga ad tease eRe NN = Te TR OMRON ANNs sR ae RR il 7~—_ Se MRS EE Sey Beene ME ee Ss Ber ae ee cee BSP ae NCR ee S nee Sea Renee . “OSI RRR nS NR BR CRE ER RCs. NEO SORES SS AOL ORCS Dt as ~ Perea pS VS ORR 5 cams Ee GENO. a Bee RRM Re Ree. TRNAS OO LE NERS mE REE SOS Pon an ME , BK tin, OSORRRR ED SS. : “UN SES ae San Gorter e " ie * OS Se a Re ae ee BBR Ss SO RR RES ROS nearer Besa cen: 8 >. BU ee : RRM Cm Ree MRR eg ESS BOR eget ne. oy BEES AFR ean Nan ee ee athe Ae oe i, a a _ ees AR, o 3 Eee era Ni OSE €i : RRS raster oe ne eA ge OR NDS SED TO a See ees BR SOR Sa Rea ss Se ee lee. -
Communications from the International Brecht Society. Vol. IX, No
Communications from the International Brecht Society. Vol. IX, No. 1-2 November 1979 / February 1980 [s.l.]: International Brecht Society, November 1979 / February 1980 https://digital.library.wisc.edu/1711.dl/M3HLL3GNJRCAF8S http://rightsstatements.org/vocab/InC/1.0/ Copyright International Brecht Society. Used with Permission. The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu pe communications e ° from the e international e brecht society 2 November 1979 / February 7980 from the (new) editor 2 report 7 - symposium 3 theater review 8 announcement 5 productions 15) forum 4 publications 15 ids membership 6 2 from the editor First and foremost: My sincere thanks and appreciation to Henry J. Schmidt for all of his knowledgeable assistance. He did a superb job of editing the COMMUNICATIONS of our Society for two years, and I shall try to maintain the same quality in forthcoming issues. Second: My earnest apologies to all of the members for the very long delay in getting out this first issue under my editorship. A hiatus of three months in the COMMUNICATIONS is no one's fault but mine. To those who have been uncomfortable about the delay, I assure you that things will move more smoothly henceforth. -
Cambridge University Press 978-1-108-42646-6 — Bertolt Brecht in Context Edited by Stephen Brockmann Index More Information
Cambridge University Press 978-1-108-42646-6 — Bertolt Brecht in Context Edited by Stephen Brockmann Index More Information Index Academy of the Arts, xvii, xx, 34, 98, 99, 100, Augsburg, xiii, xviii, 11, 17, 18, 20, 21, 22, 23, 24, 101, 102 25, 27, 36, 41, 42, 43, 45, 50, 51, 52, 55, 65, 66, Adams, John, works by 131, 151, 183, 191, 202, 327, 328 Dr. Atomic, 218 Austria, xix, xxviii, 89, 156, 218, 340 Adorno, Theodor W., 76–77, 127, 128, 196, 283, 304 Babylon Berlin, 42, 193 African National Congress, 208 Bach, Johann Sebastian, 53, 196 Agami, Danielle, 220 Bach, Johann Sebastian, works by agitprop, 40, 60, 160, 161, 164, 196, St. Matthew Passion, 53 209, 263 Bachmann, Ingeborg, 156 AIDS, 215 Bacon, Francis, works by A-I-Z, 135, 138 The New Organon, 27 Akiho, Andy, 219 Baden-Baden, 193, 197 Alberts, Jürgen, works by Baden-Baden Music Festival, xviii, 54, 159, 195 Hitler in Hollywood: Looking for the Ideal Badiou, Alain, works by Script, 275 Five Lessons on Wagner, 194 Allert de Lange (publishing house), 94 Bai Juyi, 184, 185 Allfree, Claire, 318 Banholzer, Paula, xviii, 22, 23 Altefrohne, Silke, 286 Bänkelsang, 22 Althusser, Louis, 128 Bantu People’s Theatre, 210 Amette, Jacques-Pierre, works by Barnett, David, 220, 293 Brecht’s Mistress, 276 Barthes, Roland, 128, 129, 331 Amin, Idi, 207 Baum, Kurt, 210 Amsterdam, 89 Bausch, Pina, xvi, 163 andcompany&Co., 288 Bautzen Festival, 307 André, Naomi, 221, 222 Bavaria, xviii, 22, 24, 275 anti-fascism, 10, 44, 45, 91, 92, 151, 160, 204, 228, Baxter Theatre, 215 242, 259 Bayreuth Festival, 53, 54, 218, 219 anti-Semitism, 71 BBC, 206 Archer, Robyn, xxvi Beaton, Alistair, 323 Arendt, Hannah, 278 Bebel, August, 203 Aristotle, 8, 28, 152, 270 Becher, Johannes R., 63, 71, 92, 102, 197 Armstrong, Louis, 6 Becher, Johannes R., works by Arons, Wendy, xxvii Winter Battle, 63, 83 Arribas, Sonia, 167 Beckett, Samuel, 163, 228 Artaud, Antonin, xxv, 163, 228, 253 Beckmann, Max, 34 Ashcroft, Peggy, 205, 206 Bel, Jérôme, 286 Auden, W. -
A/8Fj S/O. Nih
37<? A/8fJ s/o. niH EDUCATION THROUGH ALIENATION: ELEMENTS OF GESTALTIST LEARNING THEORY IN SELECTED PLAYS OF BERTOLT BRECHT DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF EDUCATION By Ted Duncan Starnes Denton, Texas December, 1982 Cj Copyright by Ted Duncan Starnes 1982 Starnes, Ted Duncan, Education Through Alienation; Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht. Doctor of Education (College Teaching of Theatre), December, 1982, 191 pp., bibliography, 184 titles. This study explored the relationship between the dramatic and the educational theories developed by Bertolt Brecht and selected twentieth-century theories of pedagogy. A survey of Brecht's life and works revealed that although the stimulus-response theories of the associationist psy- chologists were inappropriate to Brecht's concepts, the three principal aspects of Gestaltism—perception, insight, and life space, as formulated by Max Wertheimer, Kurt Koffka, Wolfgang Kohler, and Kurt Lewin—seemed profoundly related to Brecht's concern with man's ability to perceive and to learn about his environment. Brecht strove to create perceptual images of historical environments. The characters, who represented various ideologies and philosophies in situations which stimulated insightful learning, struggled with life spaces that accu- rately resembled life outside the theatre. Thus, Brecht utilized elements of the theories of perception, insight, and life space in his dramas as he strove to force his audiences to perceive the characters' environments, to grasp the significance and relationships between the characters' environments and their own social milieu, and to recognize those influences in one's life space which attract or repel the individual. -
Christopher Marlowe and His Use of the Morality Tradition • AUTHOR: Patricia Derners, B
MARLOWE "AND THE MORALITY TRADITION i1 CHRISTOPHER MARLOWE AND HIS USE OF THE MORALITY TRADITION By Patricia DeITlers, B. A. A Thesis SubITlitted to the School of Graduate Studies in Partial FulfilITlent of the RequireITlents for the Degree Master of Arts McMaster University NoveITlber, 1971 MASTER OF AR TS (1971) McMAS TER UNIVERSITY ( English) Hamilton, Ontario. TITLE: Christopher Marlowe and His Use of the Morality Tradition • AUTHOR: Patricia Derners, B. A. (McMaster University) SUPERVISOR: Professor R. W. Vince- NUMBER OF PAGES: v, 120 i~ ABSTRACT By fo.clising on Marlowe's borrowings from. the tradition of the m.orality play, the study endeavour s to form. a picture of this playwright as neither a teacher nor an iconoclast, but as a continuer of a debate. The debate involves the m.orality form. of his dram.as and their non-m.orality content. It rem.ains unresolved as an indication of Marlowe's own irresolution. Tam.burlaine dram.atizes· the debate between accepting or rejecting a'world conqueror; The Jew of Malta vacillates between pitying andcondem.ning its villain-hero, Barabas;. Edward the Second has the curious appeal of a study in weakness; Doctor Faustus exposes the double culpability of its rebellious scholar-hero and of the ·restricting Christian system. which Faustus discards. The study analyzes these four plays to by subm.itting this tradition to m.anipulation, perversIon, debilitation and violation, the playwright rem.ains clearly in control of the m.orality structures he uses. Two discoveries result from. an exam.ination of such control: Marlowe's artistry in being unresolved continues to be an area of fascination and his deliberate irresolution m.ilitates against calling him. -
Brecht in Britain
Brecht in Britain a display from the University of Bristol Theatre Collection Brecht in Bristol Turandot. University of Bristol Department of Drama 1987. Director: Günter Berghaus Baal. Phoenix 1963. (William Gaskill) Starring Peter O’Toole & Harry Andrews Berliner Ensemble at the Palace Theatre 1956. This visit, along with George Devine’s production of The Good Woman of Setzuan and Sam Wanamaker’s of The Threepenny Opera, sparked off a wave of interest in Brecht, ironically at the same time as his death. The Caucasian Chalk Circle. RSC Aldwych 1962. (William Gaskill) Starring Roy Dotrice The Days of the Commune. RSC Aldwych 1977. (Howard Davies) Starring Alfred Molina National Theatre productions, and the 1965 visit of the Berliner Ensemble Edward II. 1968. (Frank Dunlop) Starring John Stride The Life of Galileo. Mermaid 1960. Directed by & starring Bernard Miles Schweyk in the Second World War. 1982. (Richard James) Starring Bill Paterson The Resistible Rise of Arturo Ui. 1991. (Di Trevis) Starring Antony Sher The Threepenny Opera. 1986 (Peter Wood) Starring Tim Curry The Life of Galileo. 1980 (John Dexter) Starring Michael Gambon The Good Person of Sichuan. 1989. (Deborah Warner) Starring Fiona Shaw The Good Woman of Setzuan. Royal Court 1977. (Keith Hack) Starring Janet Suzman. Originally produced at the University Theatre, Newcastle-Upon-Tyne. With review from The Daily Telegraph The Good Person of Szechwan. Greenwich 1977. (David Thompson) All male cast starring Paul Alexander The Good Woman of Setzuan. Royal Court 1956. (George Devine) Starring Peggy Ashcroft, with review from Punch & article by Kenneth Tynan Happy End. Royal Court 1965. -
Bridging Contradictions: Socialist Actresses and Star Culture in East Germany
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks@UMass Amherst University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses October 2018 Bridging Contradictions: Socialist Actresses and Star Culture in East Germany Victoria Rizo Lenshyn University of Massachusetts - Amherst Victoria Isabelle Rizo Lenshyn Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Film and Media Studies Commons, German Language and Literature Commons, Performance Studies Commons, and the Women's Studies Commons Recommended Citation Rizo Lenshyn, Victoria and Rizo Lenshyn, Victoria Isabelle, "Bridging Contradictions: Socialist Actresses and Star Culture in East Germany" (2018). Doctoral Dissertations. 1384. https://scholarworks.umass.edu/dissertations_2/1384 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Bridging Contradictions: Socialist Actresses and Star Culture in East Germany A Dissertation Presented By VICTORIA I. RIZO LENSHYN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2018 German and Scandinavian Studies Languages, -
Walter Benjamin and Bertolt Brecht This Page Intentionally Left Blank Erdmut Wizisla
Walter Benjamin and Bertolt Brecht This page intentionally left blank Erdmut Wizisla Walter Benjamin and Bertolt Brecht – the story of a friendship translated by Christine Shuttleworth Yale University Press New Haven and London First published as Walter Benjamin und Bertolt Brecht – Die Geschichte einer Freundschaft by Suhrkamp Verlag, Frankfurt, 2004. First published 2009 in English in the United Kingdom by Libris. First published 2009 in English in the United States by Yale University Press. Copyright © 2009 Libris. Translation copyright © 2009 Christine Shuttleworth. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Kitzinger, London. Printed in the United States of America. Library of Congress Control Number: 2009922943 isbn 978-0-300-13695-1 (hardcover : alk. paper) A catalogue record for this book is available from the British Library. This paper meets the requirements of ansi/niso z39.48‒1992 (Permanence of Paper). 10987654321 Contents List of Illustrations vi Publisher’s Note vii Chronology of the Relationship ix Map and time chart of Benjamin and Brecht xxvi I A Significant Constellation May 1929 1 A Quarrel Among Friends 9 II The Story of the Relationship First Meeting, A Literary Trial, Dispute over Trotsky, 1924–29 25 Stimulating Conversations, Plans for Periodicals, ‘Marxist Club’, -
I on 10 May 1945, a Short Prose Text by Bertolt Brecht
Bertolt Brecht’s Utopian Historical Optimism ‘good building’ at the End of World War II GERHARD FISCHER — I On 10 May 1945, a short prose text by Bertolt Brecht appeared in New York in the Austro- American Tribune, one of the numerous literary journals run by writers exiled from Nazi Germany to the far corners of the world. The text, entitled Der Städtebauer (‘The City Builder’), is set in a timeless and nameless no-man’s land, a stark, un-historical and un-geographical, fairy-tale like setting.1 To be sure, the date of publication leaves no doubt about the con- temporary relevance of Brecht’s parable, and its readers would have had no difficulty locating and identifying the precise historical-social background before which Brecht’s text unfolds: Germany at the end of World War II, her cities in ruins, disgraced after her fatal submission to fascism; a country defeated and devastated materially as much as emotionally and intel- lectually; a disintegrating society facing the overwhelming task of providing for the elementary survival (food and shelter) of its population as well as the rebuilding of the socio-cultural infrastructure of a democratic, civil society. At this crucial point in time, in German historical mythology often referred to as Stunde Null (Zero Hour), Brecht offers his suggestion concerning the rebuilding of Germany according to the principles of what he describes as ‘good building’. I quote the parable in full: The City Builder After they had built the city, they came together and presented to each other their houses and showed one another the work of their hands. -
The Caucasian Chalk Circle
The Caucasian Chalk Circle BERTOLT BRECHT The Caucasian Chalk Circle English Version by Eric Bentley University of Minnesota Press E Minneapolis so Ia Copyright 1947 (unpublished manuscript), 1948, 1961, 1963, 1983 by Eric Bentley. Prologue copyright 1959, 1983 by Eric Bentley. Preface copyright 1999 by Eric Bentley. Excerpts from material previously published in Bentleyon Brecht (pages 169-82) are reproduced with permission of Applause Books; copyright 1998 by Eric Bentley. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. This play may not be acted, read aloud to an audience, broadcast, televised, performed, or presented in any way, as a whole or in part, without permission; inquiries should be addressed to Samuel French Inc., 45 West 25th Street, New York, NY I00 I 0. Published by the University of Minnesota Press Ill Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress. umn.edu Library of Congress Cataloging-in-Publication Data Brecht, Bertolt, 1898-1956. [Kaukasische Kreidekreis. English] The caucasian chalk circle I Bertolt Brecht ; English version by Eric Bentley. p. em. Originally published in Parables for the Theatre: Two Plays by Bertolt Brecht (Minneapolis: Universiry of Minnesota Press, 1948). Includes bibliographical references. ISBN 0-8166-3528-5 (pbk.: alk. paper) I. Bentley, Eric, 1916- II. Tide. PT2603.R397.K3913 1999 832'.912 99-046426 Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportuniry educator and employer.