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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
1Monologues' Conclude on Campus Farley Refurbishing Begins
r----------------------------------------------------------------------------------------------------------------------------------------------~ THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 40: ISSUE 89 THURSDAY, FEBRUARY 16.2006 NDSMCOBSERVER.COM 1Monologues' conclude on campus STUDENT SENATE Leaders Jenkins' attendance, broad panel discussion cap off third and final night of perfomances push wage "I went to listnn and learn, and By KAITLYNN RIELY I did that tonight and I thank the • Nrw.,Writ<·r east," Jenkins said af'tnr the play. .Jenkins, who dedinml further calllpaign Tlw third and final production comment on the "Monologues" of "Tiw Vagina Monologues" at Wednesday, had mandated the By MADDIE HANNA Notrn Damn this y11ar was play be pnrformed in the aca Associate News Editor marknd by thn attnndancn of demic setting of DeBartolo Hall Univnrsily Prnsid1n1l Father .John this year, without the l"undraising .Jnnkins and a wide-ranging ticket sales of' years past. Junior After loaders of the Campus parwl discussion on snxual vio Madison Liddy, director of this Labor Aetion Projoct (CLAP) lnHrn, Catholic. teaching and ynar's "Monologues." and later delivered a eornprnhnnsivo ollwr lopks Wednesday night. the panelists thanked Jenkins for presentation on the group's .11~11kins saw the play per his prnsenen at the performance . living wage campaign to l"orrm~d for tho f"irst time During tho panel diseussion fol Student Senate Wednesday, W1Hfrwsday, just ovnr three lowing thn play, panelists senators responded by unani w1wks after hP initialed a applauded the efforts of the pro mously passing two rolated Univnrsity-widn discussion about duction toward eliminating vio resolutions - one basod on acadnmk l"mmlom and Catholic lence against women and policy, tho other on ideology. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Rupaul's Drag Race
HALLELOO! “RUPAUL’S DRAG RACE” RETURNS TO LOGO FOR A NEW SEASON OF OUTRAGEOUS REALITY COMPETITION IN JANUARY 2012 The Nation’s Most Elite Drag Performers Compete for $100,000 Cash and the Title of “America’s Next Drag Superstar” To Tweet This Release: http://logo.to/s6k7Wu NEW YORK - November 14, 2011 – RuPaul and Logo are prepping an all-new squad of 13 lucky contestants who will vie for the crown, an unprecedented $100,000 cash prize and the coveted title of “America's Next Drag Superstar.” Logo’s smash-hit reality competition show “RuPaul’s Drag Race” returns January 2012. Over three trail-blazing seasons, “RuPaul’s Drag Race” has taken the country by storm, evolving from a cult hit to a certified pop culture phenomenon. With a devoted and diverse following ranging from soccer moms to Hollywood royalty, “RuPaul’s Drag Race” has become appointment television for viewers who can’t get enough of the outlandish fun, drama, “eleganza” and most of all, heart that comes with the show. "We challenged ourselves to make TV's most outrageous show even more outrageous,” said Executive Producer, RuPaul. “And I'm happy to report we've succeeded." This season, a new crop of top-tier drag hopefuls are strapping on their helmets and revving their engines for the most competitive drag race and biggest grand prize yet. The following are the 13 season four “RuPaul’s Drag Race” contestants: · Alisa Summers Tampa, FL #DragRaceAlisaSummers, @alisasummers · Chad Michaels San Diego, CA #DragRaceChadMichaels, @chadmichaels1 · Dida Ritz Chicago, IL #DragRaceDidaRitz, @HelloDiDa · Jiggly Caliente Queens, NY #DragRaceJigglyCaliente, @JigglyCaliente · Kenya Michaels Dorado, Puerto Rico #DragRaceKenyaMichaels, @Kenya_Michaels · Lashauwn Beyond Tampa, FL #DragRaceLashauwnBeyond, @LashauwnBeyond · Latrice Royale Ft. -
3D Volumetric Modeling with Introspective Neural Networks
The Thirty-Third AAAI Conference on Artificial Intelligence (AAAI-19) 3D Volumetric Modeling with Introspective Neural Networks Wenlong Huang,*1 Brian Lai,*2 Weijian Xu,3 Zhuowen Tu3 1University of California, Berkeley 2University of California, Los Angeles 3University of California, San Diego Abstract Classification Decision Boundary In this paper, we study the 3D volumetric modeling problem by adopting the Wasserstein introspective neural networks method (WINN) that was previously applied to 2D static im- ages. We name our algorithm 3DWINN which enjoys the same properties as WINN in the 2D case: being simultane- Classification ously generative and discriminative. Compared to the existing Wasserstein 3D volumetric modeling approaches, 3DWINN demonstrates Distance competitive results on several benchmarks in both the genera- tion and the classification tasks. In addition to the standard in- ception score, the Frechet´ Inception Distance (FID) metric is also adopted to measure the quality of 3D volumetric genera- tions. In addition, we study adversarial attacks for volumetric Training Examples CNN Architecture Learned Distribution data and demonstrate the robustness of 3DWINN against ad- Synthesis versarial examples while achieving appealing results in both classification and generation within a single model. 3DWINN is a general framework and it can be applied to the emerging tasks for 3D object and scene modeling.1 Pseudo-negative Distribution Introduction The rich representation power of the deep convolutional neu- Figure 1: Diagram of the Wasserstein introspective neural ral networks (CNN) (LeCun et al. 1989), as a discrimina- networks (adapted from Figure 1 of (Lee et al. 2018)); the tive classifier, has led to a great leap forward for the im- upper figures indicate the gradual refinement over the clas- age classification and regression tasks (Krizhevsky 2009; sification decision boundary between training examples (cir- Szegedy et al. -
Natasha Bedingfield Leaves It Unwritten
20/20 BY CHERYLZHANG Natasha Bedingfi eld leaves it unwritten Leaving it ‘Unwritten’ has defi nitely gotten her name written down in the Billboard charts for Natasha Bedingfi eld. Since the overwhelming success of the album, which sold over 2.3 million copies worldwide, Natasha Bedingfi eld has been hard at work, releasing a second album in April 2007 entitled ‘N.B.’ (no, it’s not some dialect vulgarity, it’s her initials you foul-minded people). I’M A BOMB to be a bit more tough and I feel like I defi nitely have noticed a Bedingfi eld isn’t any prima donna who demands Perrier and red diff erence in myself when I’m in other countries and I feel more at carpets to be rolled out. In fact, she’s exactly like any other reader home when I’m here [in London].” of Choices! Currently dating someone whose identity she refuses “I love going to clubs and I love music that you can dance to. to reveal, Bedingfi eld had been incorrectly linked to several You know I put on the Justin Timberlake album at my birthday a celebrities such as Nick Lachey and Maroon 5 lead singer Adam few months ago and I hadn’t realised what a great album it was Levine. until it was actually like a party and I put it on and me and all my girlfriends were dancing in the kitchen (laughing). It was great, STARTING OUT it was actually… it just had a really good beat to dance to. And Despite being extremely proud of her British heritage, Bedingfi eld that’s the thing about music is that you’ve got to have something has spent most of the past 18 months in America, and lets us in for everything, and you need the music you can chill out to or on the reason why. -
Juvies by Dea Miranti, James Lim and Gloria Tanuseputra
Juvies By Dea Miranti, James Lim and Gloria Tanuseputra "Where there’s crime, there’s violence. Where there’s youth, there’s love" INT. THERAPY ROOM - DAY (Present) A therapy session where the juveniles are sitting in a circle and the counselor is encouraging them to share their stories. COUNSELOR Ryan, do you have something to share? RYAN Finally got into exercise mode. Did about 30 reps. COUNSELOR Wow, that’s an incredible progress Ryan. And how do you feel about that? RYAN Aite. I shoud’ve done more. COUNSELOR Well, we all need to take it one step at a time. But you keep that up. Anyone else? How about you Jules? Julie looks up and pauses before shaking her head, shy but discontent at the same time. COUNSELOR Hmm okay. Anything interesting during the weekend? JULIE None. Ryan looks at her with a little smirk of awkwardness. COUNSELOR Alright then, by the end of today find a partner. Someone you feel comfortable sharing your thoughts with. 2. EXT. FIELD AND COURTYARD - DAY (Present) Julie sits among the fences on the field alone, stares outward. Other juveniles separated from her but she likes it that way. Various background noises of chatters. After a moment she caught him looking at her as he walks towards her. RYAN Hey! You were in that session too. JULIE Yea, what do you want? Ryan smiles, looks down and up again. He thought for a few seconds. RYAN Partner up. JULIE As if! RYAN What’s with you and sharing? Julie stood still with crossed arms and looks away. -
Aquaris X2 X2 Pro Complete User Manual
Aquaris X2 (X2 / X2 Pro) Complete User Manual Aquaris X2 / X2 Pro The BQ team would like to thank you for purchasing your new Aquaris X2 / X2 Pro. We hope you enjoy using it. Enjoy the fastest mobile network speeds with this unlocked smartphone thanks to 4G coverage. Its dual-SIM functionality (nano-SIM) means you can use two SIM cards at the same time, even if they are from different operators. You can browse the internet rapidly, check your email, enjoy games and apps (which can be acquired directly from the device), read e-books, transfer files via Bluetooth, record audio, watch films, take photos and record videos, listen to music, chat with your friends and family and enjoy your favourite social networks. It also comes with a fingerprint scanner, enabling you to add a digital fingerprint to unlock your smartphone, authorise purchases or sign in to an application. About this manual · To make sure that you use your smartphone correctly, please read this manual carefully before you start using it. · Some of the images and screenshots shown in this manual may differ slightly from those of the final product. Likewise, due to firmware updates, it is possible that some of the information in this manual does not correspond exactly to the operation of your device. · BQ shall not be held liable for any issues relating to performance or incompatibility resulting from modification of the registry settings by the user. Nor shall it be held liable for any incompatibility issues with third-party applications available through the app stores. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
Script Identification in Printed Bilingual Documents
Script Identification in Printed Bilingual Documents D. Dhanya and A.G. Ramakrishnan Department of Electrical Engineering, Indian Institute of Science, Bangalore 560 012, India [email protected] Abstract. Identification of script in multi-lingual documents is essen- tial for many language dependent applications suchas machinetransla- tion and optical character recognition. Techniques for script identification generally require large areas for operation so that sufficient information is available. Suchassumption is nullified in Indian context, as thereis an interspersion of words of two different scripts in most documents. In this paper, techniques to identify the script of a word are discussed. Two different approaches have been proposed and tested. The first method structures words into 3 distinct spatial zones and utilizes the informa- tion on the spatial spread of a word in upper and lower zones, together with the character density, in order to identify the script. The second technique analyzes the directional energy distribution of a word using Gabor filters withsuitable frequencies and orientations. Words withvar- ious font styles and sizes have been used for the testing of the proposed algorithms and the results obtained are quite encouraging. 1 Introduction Multi-script documents are inevitable in countries housing a national language different from English. This effect is no less felt in India, where as many as 18 regional languages coexist. Many official documents, magazines and reports are bilingual in nature containing both regional language and English. Knowledge of the script is essential in many language dependent processes such as machine translation and OCR. The complexity of the problem of script identification depends on the disposition of the input documents. -
A Parent's Guide to Juvenile Transfer in Virginia
A Parent’s Guide to Juvenile Transfer in Virginia JustChildren, Legal Aid Justice Center 1000 Preston Avenue Charlottesville, Virginia 22903 434.977.0553 www.justice4all.org Campaign for Youth Justice 1012 14th St. NW, Suite 6 Washington, D.C. 20005 202.558.3580 www.campaignforyouthjustice.org Written & edited by Amy Woolard, Principle Author Abigail Turner Phillip T. Storey Andrew K. Block Alison M. Crane Jessica Sandoval December 2007 Introduction n Virginia, if your child is at least 14 years old and is charged with certain serious felonies, he or she may be prosecuted in the adult Icriminal court system, a process called juvenile transfer. Upon transfer to adult court, your child will be treated as an adult in the court. Transfer brings a different set of rights, restrictions and proce- dures than in the juvenile system. If you think this sounds serious, you’re right—the adult court Special thanks and appreciation to the fol- and adult prison systems are no place for children. Youths who are lowing for their support of this endeavor: tried and sentenced in the adult system live their daily lives among adult criminals, and are more likely to become repeat offenders than children placed in the juvenile system. While not perfect, the juvenile justice system strives to provide kids with treatment and rehabilitation. Parents of children involved in the courts who The juvenile system offers educational and mental health services suit- advised us on the content and format of the ed to a child’s age and experience—these are often scarce in the adult prison system.