Miserables. ORIES

Total Page:16

File Type:pdf, Size:1020Kb

Miserables. ORIES THE FOUR SEASONS OF BLACK­ best be described as old-school British. POOL. Arnold Loxam at the Tower The recording job makes it sound as if Ballroom Wurlitzer. Available from: The you were right on top of the shutters, Organ Literature Foundation, 45 Norfolk add to that the brightness of the instru­ Road, Braintree, MA 02184-5915. Price ment, and it can get to be just a little much is: CD $20.00, plus $2.00 postage per order. after awhile. Selections include: Spring (Vivaldi) ex­ It should be noted that this recording cerpt, In The News, The Cuckoo Waltz, ses.5ionwas done in 1972, and some of this Easter Parade, Jeepers Creepers, Summer material was released on an LP titled "Lady (Vivaldi) excerpt, Sohre Las Olas, Stan­ Be Good." Because of the time frame, and ley Park, Autumn (Vivaldi) excerpt, the fact that some of these takes were on October Twilight, Mack the Knife, Can't vinyl, you would have to assume that the We Sing Love's Old Sweet Song Again, master was analog. The transfer to digital September Song, Winter (Vivaldi) ex­ was so well done that you would be hard cerpt, Sleigh Ride in Alaska, The Dance pressed to know that it was an analog of the Icicles, You Made Me Love You. master. ORGAN: BRIGHT AND PRETTY This recording is recommended. PERFORMANCE: VERY WELL DONE RECORDING: CLEAN AND FULL WITH A TOUCH OF MAGIC. Searle If you notice some similarities between Wright at the Forum Theatre 4/24 BLACKPOOL REVISITED. Robert this recording and the one of Robert Wolfe, Robert-Morton, with Judy Giblin, soloist. Wolfe at the Tower Ballroom Wurlitzer. they were produced and recorded by the Available from: BC Pops, 1 Marine Mid­ Available from: The Organ Literature same man, on the same instrument. That's land Plaza, 6th Floor West Tower, Bing­ Foundation, 45 Norfolk Road, Braintree, where the similarities end. It's always in­ hamton, New York 13901. ~tte $10.50 MA 02184-5915. Prices are: ~tte $9.00, teresting to hear two performers get quite postpaid. CD $20.00, plus $2.00 postage per order. different things from the same instrument. Selections are: Luck be a Lady Tonight, Selections are: High School Cadets Arnold Loxam could perhaps best be One Morning in May, Valse In A, It All March, The Wind Beneath My Wings, described as traditional old school British Depends on You, Beginner's Luck, My Meditation, South American Joe/Tequila, stylings. He is a very competent organist Heart Tells Me It's So, Kitten on the Unchained Melody/True Love Ways, who obviously enjoys what he is doing, Keys, Claire de Lune, Jeanine I Dream of Selections from Annie, Spanish Flea/The and I feel that it is quite impossible for it Lilac Time, ATOS March, Desafinado Wedding Samba/Cumana, As I Love not to rub off on the listener. Also, I found (Off Key), I've Got the World on a String, You/Once In a While/Sentimental Journey, his ballads to be superb. Jitterbug Waltz, A Stranger in Town, Money /Money is the Root of all Evil, This recording was an enjoyable 74 Paris in New York, The Way You Look We're in the Money, Somewhere Out minutes and is recommended. Tonight, Serenade for a Wealthy Widow, There, Jerome Kern Medley No. 1, Jerome Suddenly, It's So Peaceful in the Country, Kern Medley No. 2, Selections from Les MANCHESTER GAUMONT MEM­ Everything's Coming Up Roses. Miserables. ORIES. Doreen Chadwick at the 4/14 ORGAN: VERY NICE ORGAN: BRIGHT & PRETTY Wurlitzer. Available from: Lawrence PERFORMANCE: WELL DONE PERFORMANCE: WELL DONE Whitfield, 11 Horseshoe Drive, Etching RECORDING: TOO CLOSE? RECORDING: ~LEAN AND FULL Hill, Rugeley, Staffs, WS15 wRF, Eng­ While this was overall an enjoyable re­ As you might expect from the title there land. Prices are $21.00 for the CD, and cording, there were lots of little things are several Blackpool-style dance numbers $14.00 for the Cassette, postpaid airmail. wrong with it. It is my irnpres.sion that not included in this recording. There are also No credit card or COD orders. enough time was spent on the project, or many straightforward theatre organ style Selections are: Doreen, Nights of Glad­ there may not have been enough time to arrangements. There should be enough nes.s, Phantom Brigade, Fats Waller Selec­ spend. Mr. Wright's performance was here to please just about everybody. Unles.s tion, El Mosquito, Petula ciark Hits, Sleepy creditable and competent, but there were I miss my bet, Robert Wolfe set out to do Shores, Girls Are Made to Love and Kiss, several small fluffs. While I'm not qualified just that. Mr. Wolfe has progressed much Tell Me I'm Forgiven, Forgotten Dreams, to review vocals, I can say that Ms. Giblin since the last time I heard him. His playing Singin' in the Rain Medley, Punch and was not always exactly on pitch, and I is less frantic and much more refined. Judy Polka, Theme from Exodus, Doreen. personally found the quality of her voice With the exception of the opener, ''High ORGAN: BRIGHT to be perhaps a touch shrill. This might be School Cadets March," I enjoyed listening PERFORMANCE: BUBBLY explained by a lack of time to warm up. to this recording. From time to time I did RECORDING: CLOSE The organ was my favorite part of this find myself taking exception to the way Every time I listen to a Doreen Chad­ recording, but there was a lot of mechan­ he did some things, but that's just a matter wick recording I always enjoy myself. Her ical noise, shutters and tremulants being of taste. active and gutsy arrangements never cease the most noticeable. The recording engineer, John R. Taylor, to be a pleasure. Her ballads are lush and My overall impression of the recording recorded this organ more like I remember lovely as well. The one thing that impressed job is that it was miked too close. Some the old Reginald Dixon vinyl recordings. me the most, perhaps, was the flawless of the mechanical noise might have been He captured the lively room acoustics very timing. reduced if the mikes had been farther back. well. An excellent job in my opinion. The organ is almost overwhelmingly There were also a couple of editing boo­ I have always like the Blackpool Tower bright. It sounds as if it is half reeds, done hoos. Wurlitzer. It is sweet and bright. in the typical British style of tonal finish­ In spite of all of these little problems, I I feel most people will enjoy this re­ ing. The tremulants are old-school British, thoroughly enjoyed this recording. I feel cording. fast and nervous. Overall the organ could that it is well worth the money. 16 • SEPTEMBER/OCTOBER1991 THEATREORGAN The recording makes me feel like I am right there in this cavernous theatre . Since "Hobbyist Division" the room is the 'soundboard' for an organ, of the it is essential to capture the room as well Young Theatre Organist as the organ, and not sacrifice one for the Competition other, as is too often the case. Jim Stemke This new division was established to has done a masterful job accomplishing it, help all you hobbyist organ players be­ as usual. come more familiar with the theatre I don't usually comment on any aspect pipe organ . Every entrant will receive of packaging, but this time I will make an helpful written evaluations from our exception. I found the 1iner notes ' to be obscure, unamusing, and an insult to my judges and your $5.00 entry fee will help intelligence. raise funds for the YTOC. Your taped entry will be judged on the following: I can almost guarantee that if you don't buy this recording you will hate yourself. • Accuracy and Clarity • Registrations It gets the highest possible recommenda­ • Phrasing and Dynamics • Use of The­ Elliott at the Shea's Buffalo Wurlitzer. tion. atre Organ Stylings and Resources, and Available from: Crystell Productions, Thanks to all who were involved for • General Musicality. The judges for P .0. Box 705, Menlo Park, CA 94026. this first annual hobbyist division com­ producing this recording. Prices are: CD$18. 75, Cassette $12. 75, petition will be JOHN LEDWON and postpaid. Outside continental U.S. add JIMRIGGS . $3.00 per item, U.S . funds only. Calif. BRIGHTLY SHINING. Carlo Curley ENTRY REQUIREMENTS: residents add sales tax. at the 4/118 E.M. Skinner at Girard C,ol­ The hobbyist division is open to all Selections are: Shuffle Off to Buffalo , lege, Philadelphia. Available from your non-professional organists, ages 22 to Wait for Tomorrow, Espana Cani , Kiss local music store, or ask for Argo 430 837-2. 105. (If you're older, enter anyway ... Me Kate Medley, Isn't it Romantic , The There are 11 selections of Romantic Organ we11 fudge the rules a bit!) Lady is a Tramp, Loving, The Phantom of Music. Included are such composers as All entries must be played on a THE­ the Opera Selections, In My Garden , Reger, Franck, Dupre, Langlais, etc . ATRE PIPE ORGAN. (Sorry . no Bess You Is My Woman , South Pacific ORGAN: KILLER electronics, please!) Symphonic Scenario . PERFORMANCE: EXCELLENT Each individual entry must be sub­ ORGAN: CREAM OF THE CROP RECORDING: CLEAN mitted on a separate cassette tape. You must play TWO selections of PERFORMANCE: SUPERB Oassical organ recordings are not usually your choice. (We suggest you select RECORDING: TOP NOTCH done in these pages. I felt that this one music that best shows off your playing BRAVO! There has been such a rash of was so exceptional that we could make an ability.) Both selections combined well-done recordings of late that coming exception.
Recommended publications
  • Full Results of Survey of Songs
    Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents.
    [Show full text]
  • '54 Class Notes Names, Topics, Months, Years, Email: Ruth Whatever
    Use Ctrl/F (Find) to search for '54 Class Notes names, topics, months, years, Email: Ruth whatever. Scroll up or down to May - Dec. '10 Jan. – Dec. ‘16 Carpenter Bailey: see nearby information. Click Jan. - Dec. ‘11 Jan. - Dec. ‘17 [email protected] the back arrow to return to the Jan. – Dec. ‘12 Jan. - Dec. ‘18 or Bill Waters: class site. Jan. – Dec ‘13 July - Dec. ‘19 [email protected] Jan. – Dec. ‘14 Jan. – Dec. ‘20 Jan. – Dec. ‘15 Jan. – Aug. ‘21 Class website: classof54.alumni.cornell.edu July 2021 – August 2021 Since this is the last hard copy class notes column we will write before CAM goes digital, it is only fitting that we received an e-mail from Dr Bill Webber (WCMC’60) who served as our class’s first correspondent from 1954 to 1959. Among other topics, Webb advised that he was the last survivor of the three “Bronxville Boys” who came to Cornell in 1950 from that village in Westchester County. They roomed together as freshmen, joined Delta Upsilon together and remained close friends through graduation and beyond. They even sat side by side in the 54 Cornellian’s group photo of their fraternity. Boyce Thompson, who died in 2009, worked for Pet Milk in St. Louis for a few years after graduation and later moved to Dallas where he formed and ran a successful food brokerage specializing in gourmet mixed nuts. Ever the comedian, his business phone number (after the area code) was 223-6887, which made the letters BAD-NUTS. Thankfully, his customers did not figure it out.
    [Show full text]
  • Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone
    Ac-cent-tchu-ate The Positive Baltimore Bluesette Achin Hearted Blues Barbados Bluesology After Youve Gone Basin Street Blues Bluin The Blues Afternoon In Paris Battle Hymn Of The Republic Body And Soul Again Baubles Bangles And Beads Bohemia After Dark Aggravatin Papa Be My Love Bouncing With Bud Ah-leu-cha Beale Street Blues Bourbon Street Parade Aint Cha Glad Beale Street Mama Breeze And J Aint Misbehavin Beau Koo Jack Breezin Along With The Breeze Aint She Sweet Beautiful Love Broadway Air Mail Special BeBop Brother Can You Spare A Dime Airegin Because Of You Brown Sugar Alabama Jubilee Begin The Beguine Buddy Boldens Blues Alabamy Bound Bei Mir Bist Du Schoen Buddys Habits Alexanders Ragtime Band Believe It Beloved Budo Alice Blue Gown Bemsha Swing Bugle Boy March All Alone Bernies Tune Bugle Call Rag All Gods Chillun Got Rhythm Besame Mucho But Beautiful All I Do Is Dream Of You Besie Couldnt Help It But Not For Me All My Life Best Things In Life Are Free Button Up Your Overcoat All Of Me Between The Devil And The Deep Buzzy All Of You Blue Sea By The Beautiful Sea All Or Nothing At All Bewitched By The Light Of The Silvery Moon All That Meat And No Potatoes Beyond The Blue Horizon By The River Sainte Marie All The Things You Are Biden’ My Time By The Waters Of Minnetonka All Through The Night Big Butter And Egg Man Bye And Bye All Too Soon Big Noise From Winnetka Bye Bye Blackbird Alligator Crawl Bill Bailey Bye Bye Blues Almost Like Being In Love Billie Boy C Jam Blues Alone Billies Bounce Cakewalking Babies From Home Alone Together
    [Show full text]
  • CHRISTO and JEANNE-CLAUDE: the TOM GOLDEN COLLECTION at the Loveland Museum
    Fall 2015 September through December CHRISTO AND JEANNE-CLAUDE: THE TOM GOLDEN COLLECTION at the Loveland Museum VIENNA BOYS CHOIR at the Rialto Theater Loveland Museum/Gallery Susan P. Ison From the Curator Director of Cultural Services “Learning is not attained by chance. It must be sought for with Dave Brull, Technical Coordinator ardor and attended to with diligence.” ~Abigail Adams Maureen Corey, Curator of Art Jennifer Cousino, Curator of History Roberta Cox, Theater Coordinator What’s the process to create a relief print? What is the Jenni Dobson, Curator of Education evolution of photography as an art form? How did Loveland Sandi Elliott, Front House/Event Coordinator gain its status as a center for sculpture? These and many Dennis Fisher, Asst. Technical Coordinator Katie Fowers, Office Support Specialist, AIPP other integral questions about art are addressed through the Tegan Hollen, Office Support Specialist Museum’s Gallery 101 training program. Last fall, 40 people Kimber Kreutzer, Business Svcs. Coordinator began a journey through a wide variety of art topics to learn, Erika Lehman, Marketing Coordinator discuss, explore, and experience, hands-on, the beauty and Jim Prohaska, Exhibits Preparator Alison Seeberger, Registrar potential of art. Encompassing the worlds of art creation, Michelle Standiford, Graphic Designer collecting, and academic discovery, this group worked together to learn through lectures, studio visits, and interactive CULTURAL SERVICES BOARD activities. More than simply an “art appreciation” class, this Desiree Eremondi, Chair Juanita Cisneros program gave behind-the-scenes access to a fine art printing Dr. Dierdre Cook press (pictured), a photographer’s studio, and a private Jan DesJardin collector’s home.
    [Show full text]
  • Wedding Ceremony Jazz and Blues
    Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St.
    [Show full text]
  • A Performer's Guide to the American Theater Songs of Kurt Weill
    A Performer's Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) Item Type text; Electronic Dissertation Authors Morales, Robin Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:09:05 Link to Item http://hdl.handle.net/10150/194115 A PERFORMER’S GUIDE TO THE AMERICAN MUSICAL THEATER SONGS OF KURT WEILL (1900-1950) by Robin Lee Morales ________________________________ A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 8 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As member of the Document Committee, we certify that we have read document prepared by Robin Lee Morales entitled A Performer’s Guide to the American Musical Theater Songs of Kurt Weill (1900-1950) and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Faye L. Robinson_________________________ Date: May 5, 2008 Edmund V. Grayson Hirst__________________ Date: May 5, 2008 John T. Brobeck _________________________ Date: May 5, 2008 Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Hire SFCM Musicians Singer with Piano Sample Song List
    Hire SFCM Musicians Singer with Piano Sample Song List Classical Favorites Frank Sinatra Alleluia (Exultate Jubilate) MOZART All of Me I’ve Got a Crush On You Amazing Grace TRADITIONAL All or Nothing Just in Time Ave Maria BACH/GOUNOD Autumn in New York Learnin’ the Blues Ave Maria SCHUBERT Come Dance with Me Love and Marriage Ave Verum Corpus MOZART Cycles My Heart Stood Still Bist du bei mir J. S. BACH Day in – Day Out Nice ‘n’ Easy Caro mio ben GIORDANI Don’t Worry ‘Bout Me Night and Day Dedication SCHUMANN Embraceable You Pocketful of Miracles Du bist die Ruh SCHUBERT Five Minutes More September Song Du Ring an meinem finger SCHUMANN A Foggy Day Time After Time Et Incarnatus Est MOZART The Good Life You Got to My Head Funiculi, Funicula DENZA How Little We Know Young at Heart Let the bright seraphim (Samson) HANDEL Love Me Sweet CARL VINE The Beatles My Faithful Heart J.S. BACH It Won’t Be Long Sun King Nessun Dorma (Turandot) PUCCINI It’s Only Love Tell Me Why Panis Angelicus FRANCK Julia There’s a Place O mio babino caro (Gianni Schicchi) PUCCINI Kansas City Ticket to Ride O Sole Mio DECAPUA Lady Madonna Twist and Shout On Winds of Song MENDELSSOHN Let it Be Two of Us Pie Jesu FAURE Matchbox Wait The Lord’s Prayer TALBOT Michelle What Goes On Time Stands Still DOWLAND Mr. Moonlight When I Get Home Vaga Luna BELLINI No Reply When I’m Sixty-Four Vedrai Carino (Don Giovanni) MOZART Nowhere Man Yellow Submarine Where’er You Walk (Semele) HANDEL One After 909 Yesterday Paperback Writer Yes It Is Rain You Won’t See Me Popular Pieces Duke
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • MCA Discography
    MCA-1 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA Discography Note: When MCA discontinued Decca, Uni, Kapp and their subsidiary labels in late 1972, they started the new MCA label by consolidating artists from those old labels into the new label. Starting in 1973, MCA reissued hundreds of albums from all of those labels with new catalog numbers under the new MCA imprint. They started these reissues in the MCA-1 reissue series, which ran to MCA-299. MCA MCA-1 Reissue Series: MCA 1 - Loretta Lynn’s Greatest Hits - Loretta Lynn [1973] Reissue of Decca DL7 5000. Don't Come Home A Drinkin'/Before I'm Over You/If You're Not Gone Too Long/Dear Uncle Sam/Other Woman/Wine Women And Song//You Ain't Woman Enough/Blue Kentucky Girl/Success/Home You're Tearin' Down/Happy Birthday MCA 2 - This Is Jerry Wallace - Jerry Wallace [1973] Reissue of Decca DL7 5294. After You/She'll Remember/The Greatest Love/In The Misty Moonlight/New Orleans In The Rain/Time//The Morning After/I Can't Take It Any More/The Hands Of The Man/To Get To You/There She Goes MCA 3 - Rick Nelson in Concert - Rick Nelson [1973] Reissue of Decca DL7 5162. Come On In/Hello Mary Lou, Goodbye Heart/Violets Of Dawn/Who Cares About Tomorrow-Promises/She Belongs To Me/If You Gotta Go, Go Now//I'm Walkin'/Red Balloon/Louisiana Man/Believe What You Say/Easy To Be Free/I Shall Be Released MCA 4 - Sousa Marches in Hi-Fi - Goldman Band [1973] Reissue of Decca DL7 8807.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Thomas Allen: September Songs
    THOMAS ALLEN: SEPTEMBER SONGS with Lucy Crowe soprano Stephen Higgins piano FOREWORD What is it, do you suppose, about the ‘Great American Songbook’ that still has There is a fascinating history of opera singers crossing such allure and fascination? This period of intensive music writing, during the the Great White Way from New York’s golden age of Broadway and Hollywood, with its melodic beauty, lyrical Metropolitan Opera down 42nd Street to inventiveness and emotional directness has, to many of us, never been equalled. the bright lights of Broadway. This is our It may seem madness to add to the plethora of recorded versions of this fertile choice of music that reflects a journey repertoire – but the passion and enthusiasm that both of us share for this music, along that same path. So enjoy this along with our wish to record it with a sense of intimacy, simplicity and direct small selection from one of the most communication has resulted in this disc. It is our feeling that these songs are, at inventive periods in songwriting of the their best, able to stand alongside the great output of lieder writers such as last century. As Weill’s ‘September Schubert, or mélodie composers like Duparc and Fauré. To hear the masterworks Song’ suggests – it will be a of Kern, Gershwin, Weill and the many other composers making up this disc, guaranteed ‘plentiful waste of time’! without the swinging horns or swooping strings of a Sinatra-style big band, no bass, no drums – simply voice and piano – is to assess them afresh, with the directness that such an intimate duo can provide.
    [Show full text]