Breaking the Spiral of Silence: Unpacking the “Media Debate” Within Global Justice Movements
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September-December Bloomsbury Fall 2015 • September Through December
September-December Bloomsbury Fall 2015 • September through December PICTURE AND BOARD BOOKS MIDDLE GRADE BOOKS SEPTEMBER SEPTEMBER Penguin’s Big Adventure Princess Ponies: A Special Surprise Snow Bear Princess Ponies: A Singing Star Zombelina Dances the Nutcracker A Curious Tale of the In-Between My Jolly Red Santa Activity and Sticker Book Little Shaq Draw It! Christmas The Quirks and the Freaky Field Trip The Awesome Book of Awesomeness OCTOBER OCTOBER The Quirks and the Quirkalicious Birthday Draw It! Animals The Golden Match The Silly Book of Sidesplitting Stuff The Fairy-Tale Matchmaker The Day the Mustache Took Over NOVEMBER Magic in the Mix Specs for Rex Zoo Zoom! NOVEMBER Apocalypse Meow Meow DECEMBER Monkey Business Groundhog’s Day Off Chick ‘n’ Pug: The Love Pug DECEMBER Carry and Play I Love You . Women. Who Broke the Rules: Coretta Scott King . The Shape of My Heart . .Women . Who Broke the Rules: Mary Todd Lincoln. TEEN BOOKS DISTRIBUTION TITLES SEPTEMBER SEPTEMBER Queen of Shadows Archie Loves Skipping Heir of Fire Dino-Daddy The Cloudspotter OCTOBER Yikes, Stinkysaurus! Red Girl, Blue Bloy The Wombles: Great Uncle Bulgaria Takes Charge The Extraordinary Adventures of Alfred Kropp The Wombles: Orinoco Follows His Nose Alfred Kropp and the Seal of Solomon The Royal Wedding Crashers Alfred Kropp and the Thirteenth Skull OCTOBER NOVEMBER Yikes, Santa-CLAWS! Undeniable First Animal Encyclopedia Polar Animals Everything But the Truth Curse of the Evil Custard Mutant Rising Cover image from A Curious Tale of the In-Between by Lauren DeStefano NOVEMBER For the most update-to-date Edelweiss catalog information, Yikes, Ticklysaurus! visit www.edelweiss.abovethetreeline.com Fearless DECEMBER Sir Scaly Pants the Dragon Knight BLOOMSBURY USA CHILDRENS • SEPTEMBER 2015 JUVENILE FICTION / SOCIAL ISSUES / FRIENDSHIP SALINA YOON Penguin's Big Adventure Salina Yoon's beloved character Penguin returns in a story about taking chances and trying new things. -
Tol, Xeer, and Somalinimo: Recognizing Somali And
Tol , Xeer , and Somalinimo : Recognizing Somali and Mushunguli Refugees as Agents in the Integration Process A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Vinodh Kutty IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David M. Lipset July 2010 © Vinodh Kutty 2010 Acknowledgements A doctoral dissertation is never completed without the help of many individuals. And to all of them, I owe a deep debt of gratitude. Funding for this project was provided by two block grants from the Department of Anthropology at the University of Minnesota and by two Children and Families Fellowship grants from the Annie E. Casey Foundation. These grants allowed me to travel to the United Kingdom and Kenya to conduct research and observe the trajectory of the refugee resettlement process from refugee camp to processing for immigration and then to resettlement to host country. The members of my dissertation committee, David Lipset, my advisor, Timothy Dunnigan, Frank Miller, and Bruce Downing all provided invaluable support and assistance. Indeed, I sometimes felt that my advisor, David Lipset, would not have been able to write this dissertation without my assistance! Timothy Dunnigan challenged me to honor the Somali community I worked with and for that I am grateful because that made the dissertation so much better. Frank Miller asked very thoughtful questions and always encouraged me and Bruce Downing provided me with detailed feedback to ensure that my writing was clear, succinct and organized. I also have others to thank. To my colleagues at the Office of Multicultural Services at Hennepin County, I want to say “Thank You Very Much!” They all provided me with the inspiration to look at the refugee resettlement process more critically and dared me to suggest ways to improve it. -
Culture Jamming
Acknowledgements First and foremost, I would like to thank Vincent de Jong for introducing me to the intricacy of the easyCity action, and for taking the time to answer my questions along my exploration of the case. I also want to thank Robin van t’ Haar for his surprising, and unique, contribution to my investigations of the easyCity action. Rozalinda Borcila, the insights you have shared with me have been a crucial reminder of my own privilieged position – your reflections, I hope, also became a marker in what I have written. Also, I would like to thank others that somehow made my fieldwork possible, and influenced my ‘learning’ of activism and culture jamming. Of these I would especially like to thank Nina Haukeland for introducing me to the politics of activism, Kirsti Hyldmo for reminding me of the realities of exploitation, Åse Brandvold for a skilled introduction to the thoughts and tools of culture jamming, and Maria Astrup for showing me the pleasures and powers of aesthetics. Also, I would like to thank the Norwegian Adbusters Network, and the editorial groups of Vreng. To my main advisor Professor Kristian Stokke, I would like to thank you for the excellent support you have given me throughout my master studies. Your insights have been of grate value, and I cannot thank you enough for continually challenging me. Also, the feedback from Olve Krange, my second advisor, was crucial at the early stage of developing the thesis, to defining its object of inquiry, and finally when writing my conclusion. I would also like to express my appreciation to Professor Oddrun Sæther for an excellent introduction to the field of cultural studies, to Professor Matt Sparke at the University of Washington for demonstrating the intriguing complexities of political geography, and to PhD candidate Stephen Young, for proof reading and fruitful inputs at the final stage of writing. -
Mobbing, Suppression of Dissent/Discontent, Whistleblowing, and Social Medicine
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2012 Mobbing, suppression of dissent/discontent, whistleblowing, and social medicine Brian Martin University of Wollongong, [email protected] Florencia Pena Sanit Martin University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Martin, Brian and Pena Sanit Martin, Florencia, Mobbing, suppression of dissent/discontent, whistleblowing, and social medicine 2012, 205-209. https://ro.uow.edu.au/artspapers/1569 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] EDITORIAL Mobbing, Suppression of Dissent/Discontent, Whistleblowing, and Social Medicine Brian Martin, Florencia Peña Saint Martin Humans can be ruthless in attacking each other – extremely difficult, often with serious health conse- even without any physical violence. Individuals can quences, emotional, physical and mental. Most re- be targets, sometimes inside organizations, some- search on mobbing deals with these sorts of attacks times in domestic or public arenas. In workplaces, within workplaces, but mobbing can also occur in for example, individuals can be singled out for at- other arenas. Some researchers call this “workplace tack because they are different or because they are a bullying”: this is like bullying between children, threat to or unwanted by those with power. Those except it involves adults. However, “bullying” often who are attacked often suffer enormously, with se- implies that one person, the bully, is harassing an- vere effects on their health and well-being. -
TRASH CONVERTER: the Process of Contemporary Alchemy Collecting, Copying and Arranging in Sculptural Forms
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2018 TRASH CONVERTER: The Process of Contemporary Alchemy Collecting, copying and arranging in sculptural forms Sarah Goffman University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Goffman, Sarah, TRASH CONVERTER: The Process of Contemporary Alchemy Collecting, copying and arranging in sculptural forms, Doctor of Creative Arts thesis, School of the Arts, English and Media, University of Wollongong, 2018. -
Socially Mediated Visibility: Friendship and Dissent in Authoritarian Azerbaijan
International Journal of Communication 12(2018), 1310–1331 1932–8036/20180005 Socially Mediated Visibility: Friendship and Dissent in Authoritarian Azerbaijan KATY E. PEARCE1 University of Washington, USA JESSICA VITAK University of Maryland, USA KRISTEN BARTA University of Washington, USA Socially mediated visibility refers to technical features of social media platforms and the strategic actions of individuals or groups to manage the content and associations visible on social media channels, as well as inferences and consequences resulting from that visibility. As a root affordance, the visibility of content and associations shared in mediated settings can vary, with users typically retaining only partial control over visibility. Understanding how social and technical factors affect visibility plays a critical role in managing one’s online self-presentation. This qualitative study of young dissident Azerbaijanis (N = 29) considers the management strategies as well as the risks and benefits associated with increased visibility when sharing marginalized political views through social media. Socially mediated visibility helps dissidents advocate and connect with like-minded others, but also increases the likelihood that their dissent is visible to those who may disagree with it and can punish them for it. This study considers the effect of the visibility of dissent on peer relationships. Keywords: visibility, Azerbaijan, social media, dissident, affordances, authoritarianism Social media afford users opportunities to broadcast information to small and large audiences, find information, and connect and interact with others who have shared interests. Social media activity is simultaneously mass and interpersonal—or “masspersonal communication” (O’Sullivan & Carr, 2017)— Katy E. Pearce: [email protected] Jessica Vitak: [email protected] Kristen Barta: [email protected] Date submitted: 2017‒02‒08 1 The authors would like to thank the editors and reviewers for their feedback. -
A Moral Right to Dissent? the Case of Civil Disobedience
A MORAL RIGHT TO DISSENT? THE CASE OF CIVIL DISOBEDIENCE A thesis submitted to the faculty of San Francisco State University In partial fulfillment of The Requirements for The Degree ?W\L -02T5 Master of Arts in Philosophy By Juan Sebastian Ospina San Francisco, California May 2016 CERTIFICATION OF APPROVAL I certify that I have read A Moral Right to Dissent? The case of civil disobedience by Juan Sebastian Ospina, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Philosophy at San Francisco State University. Kevin Toh, Ph.D. Associate Professor, Philosophy Department Shelley Wilcox, Ph.D. Professor, Assistant Chair, Philosophy Department A MORAL RIGHT TO DISSENT? THE CASE OF CIVIL DISOBEDIENCE Juan Sebastian Ospina San Francisco, California May 2016 Joseph Raz has argued that in liberal states there is no moral right to disobedience. Raz claims that all states ought to be what he calls “liberal states,” which do not require a moral right to civil disobedience. Broadly, my focus in this paper is on describing how civil disobedience can be understood as a moral right to be included in the framework of political rights recognized in liberal states. I try to demonstrate that Raz’s argument proceeds from a limited understanding of political rights and political actions, and suggest that his conclusion is invalid or extremely exaggerated. I advance a tentative argument about the importance of this moral right to the political process of deliberative democracies, and of its inclusion in limited form among political participation rights. -
MUSICAL MERTON QUIZ: ANSWERS Merton Has Many Links to the World of Music, from Composers and Song Writers, to Choirs, Operatic Stars and Concert Venues
MUSICAL MERTON QUIZ: ANSWERS Merton has many links to the world of Music, from composers and song writers, To choirs, operatic stars and concert Venues. Test your knowledge of the borough’s musical history with our quiz. SECTION 1. Can you match these local venues with particular styles of music? MITCHAM FAIR STEAM ORGAN MERTON PRIORY PLAINSONG ST. JOHN’S CHURCH, WIMBLEDON WIMBLEDON MUSIC FESTIVAL WIMBLEDON THEATRE D’OYLEY CARTE OPERA COLOUR HOUSE THEATRE WIZZ JONES SECTION 2. These performers have all appeared at Wimbledon Music Festival. See if you can match them to the correct instrument or vocal style. ISTA CRISPIN THE KATONE WILLARD KANNE MASON STEELE PERKINS TWINS WHITE = = = = PIANIST TRUMPETER GUITARISTS BASS BARITONE SECTION 3. 1. When Wimbledon Palais opened in 1922, what was its intended use? C) Dance Hall 2. Which famous band appeared at Wimbledon Palais in 1963? THE BEATLES 3. Can you name one of the other Popular bands who performed there during the 1960s? CLUE: They are still performing today. ROLLING STONES or THE WHO 4. Hosted by DJ Tony Blackburn, which pirate radio stations were based at the Palais in 1964? RADIO CAROLINE and RADIO LONDON_ SECTION 4. 1. Child prodigy Roy Budd was born in Mitcham in 1947. What type of instrument did he play? C) The piano 2. For which famous science fiction series did he provide music> A ) STAR WARS 3. For which Andrew Lloyd Webber stage musical did Roy Budd write an orchestral score in 1993? C) Phantom of the Opera SECTION 5. Jazz singer, Annie Ross, was born in Mitcham in 1930. -
The Wombles Go Round the World Free
FREE THE WOMBLES GO ROUND THE WORLD PDF Elisabeth Beresford,Nick Price | 256 pages | 10 Apr 2012 | Bloomsbury Publishing PLC | 9781408808351 | English | London, United Kingdom Elisabeth Beresford obituary | Television & radio | The Guardian The magic of the Wombles is brought to life in this fresh new series for younger readers. Great Uncle Bulgaria is planning an acrobatic Womble extravaganza: Bungo will perform the tight rope, Alderney will learn the trapeze and Orinoco can be a clown! But Tomsk would rather practise his climbing The Wombles Go Round the World than rehearse for the show. If only climbing wasn't such a dangerous sport Luckily, Great Uncle Bulgaria always knows how best to rescue a Womble in need. This Womble story, full of colourful costumes, high-flying acrobatics and an amazing rescue, is perfect for today's younger readers. The Wombles is the first ever Wombles book and introduces the The Wombles Go Round the World but kindly Great Uncle Bulgaria; Orinoco, who is particularly fond of his food and a subsequent forty winks; general handyman extraordinaire Tobermory, who can turn almost anything that the Wombles retrieve from Wimbledon Common into something useful; Madame Cholet, who cooks the most delicious and natural foods to keep the Wombles happy and contented; and last but not least, Bungo, one of the youngest and cheekiest Wombles of all, who has much to learn and is due to venture out on to the Common on his own for the very first time. There has been a huge festival and no end of rubbish has been left behind - everything from umbrellas to shoes, drinks cans and bottles. -
The Wombles Free Ebook
FREETHE WOMBLES EBOOK Elisabeth Beresford | none | 11 Oct 2012 | Bloomsbury Publishing PLC | 9781408825655 | English | London, United Kingdom The biggest problem with the Wombles’ ‘woke’ makeover – kids will hate it Mar 9, But the son of Wombles creator Elisabeth Beresford, Marcus Robertson (61), has voiced his fears that these new Wombles are to be preachy and. The Wombles first aired on 5 February The series was based on the books written by Elizabeth Beresford, about a secretive group of creatures who live. Humans are disgustingly messy. The wombles are cute furry little anthropomorphic intelligent things that live on Wimbledon common, as a small family. The Wombles (1970s TV series) Apr 28, The Wombles are the most famous residents of Wimbledon Common. Like the other Wombles around the world, they have given themselves. The Wombles first aired on 5 February The series was based on the books written by Elizabeth Beresford, about a secretive group of creatures who live. Humans are disgustingly messy. The wombles are cute furry little anthropomorphic intelligent things that live on Wimbledon common, as a small family. The Wombles (band) The Wombles were a British novelty pop group, featuring musicians dressed as the characters from children's TV show The Wombles, which in turn was based. Mar 9, But the son of Wombles creator Elisabeth Beresford, Marcus Robertson (61), has voiced his fears that these new Wombles are to be preachy and. Feb 5, Wombles are stuffed, and have no such motivational issues. Wombles, unlike Teletubbies, have vicious little eyes and snouts that suggest. The Wombles at 40 – why we need them more than ever The Wombles were a British novelty pop group, featuring musicians dressed as the characters from children's TV show The Wombles, which in turn was based. -
Psychotherapy in Dissent Some of the Objections to the Rise and Rise of CBT Are Not Based on Fact
DavidVealeFINAL.qxd 31/1/08 1:16 pm Page 1 Psychotherapy in dissent Some of the objections to the rise and rise of CBT are not based on fact. Equally, CBT itself is changing in line with research that advances our understanding of what needs to be integrated within its approach by David Veale I have borrowed the title of defence of the profession Access to Psychological ‘There should be greater this article from the book when it was under heavy Therapies programme (IAPT) patient choice between Psychiatry in Dissent criticism, and argued which has been vilified in different types of therapies published in 1976 by passionately for an evidence- some quarters. I have tried to offered in the NHS’ Professor Anthony Clare, who based approach. I write in a extract the common themes The National Institute for sadly died last year. The book similar vein to correct some of from the various articles and Health and Clinical was very influential in the myths and letters that have been Excellence (NICE) is helping me to decide to train misunderstandings about published in therapy today responsible for guiding the as a psychiatrist. In it, cognitive-behavioural therapy and in the media, and NHS. Its remit is to Professor Clare came to the (CBT) and the Increasing respond. recommend treatments that 4 therapy today February 2008 DavidVealeFINAL.qxd 31/1/08 1:16 pm Page 2 are cost effective and the process and quality of life practitioners so that they therapy for severe minimise the burden for the for the many people with can collect and evaluate depression1,2. -
Blurring the Boundaries
International Central Institute for Youth and Educational Television (IZI) Special English Issue No. 12/1999/2: "The Teletubbies" David Buckingham Blurring the Boundaries "Teletubbies" and Children’s Media Today Two and half years after its first appearance on British screens, "Teletubbies" continues to arouse an extraordinary level of interest and controversy. It is a media phenomenon, not merely a programme - something that is known to millions who have never seen it, and on which strong opinions have become almost compulsory. The notoriety of "Teletubbies" is not just a reflection of its success in terms of ratings or overseas sales. It is also, I shall argue, a symptom of the tensions that currently surround children’s media culture.1 "Teletubbies" blurs the boundaries between the public and the private; between education and entertainment; and between child and adult audiences. This blurring of boundaries is, I suggest, characteristic of contemporary media - and particularly of media aimed at children. And yet, far from being just another manifestation of ‘postmodernity’, the programme also displays significant continuities with the past. In several respects, "Teletubbies" represents something distinctively contemporary; yet paradoxically, a good deal about it is also far from new. The public and the private "Teletubbies" is commissioned and broadcast in Britain by the BBC - that is, by a non- commercial, public service broadcasting company. The controversy it has aroused needs to be understood in the light of contemporary changes at the BBC - and indeed in terms of the broader move away from national public service broadcasting towards a global, market-led, multi-channel environment.