CINECENTA.COM DOLBY STEREO FEB-MAR 2019

veryone is welcome at Cinecenta! We are a non-profit division of the University of Victoria Students’ Society, conceived as an inexpensive FEB - MAR 2019 alternative for students, the University community and the public. The theatre is in the Student Union Building at UVic. Many buses come E $5.75 to UVic and stop right outside the SUB. UVic charges for parking except on UVSS Students Sundays and Holidays, when it is free. PARKING HELP LINE: 250-721-6386. Special for UVSS students Tickets and memberships go on sale 40 minutes before showtime. Please arrive 9pm shows (or later) $4.75 early to avoid disappointment. Seniors, Children (12 & under) $5.75 LOCATED IN THE STUDENT UNION BUILDING, UVIC Other Students $6.75 Everyone is welcome at Cinecenta! Cinemagic Members $6.75 But if you aren’t affiliated with UVic Alumni, Faculty, Staff, UVic and are going to come and guests (1 only) of above $6.75 more than once a year, you can save money by purchasing a 50 cinemagic Non-members $7.75 Cinemagic Membership! MEMBERSHIP All films are in English, or with TWO COMPLIMENTARY TICKETS Matinees $4.75 English subtitles where noted. $6.75 ADMISSION FOR YOU + TEN FILM DISCOUNT PASS UVSS $17. 1 ANNUAL SUBSCRIPTION Cinecenta office: 250-721-8364 Students, Seniors $50.00 24-hour info Line: 250-721-8365 Members, UVic Staff (unavailable to non-members) $57.50 MANAGER: LISA SHEPPARD PROGRAMMER: MICHAEL HOPPE ART + DESIGN: BRENT PARRISH

FEB 16 & 17 - 12:45pm fantasticfantastic THE PRINCESS BRIDE USA, 1987, 96 min, rated G Kids FEB 23 & 24 - 12:45pm FOREIGNFOREIGN MAR 19, 20, 21, 23 & 24 - MIRAI OF 12:30pm THE FUTURE Japan, 2018, 99 min; PG – may frighten SPIDER-MAN INTO Matinees! young children, age 8+ THE SPIDER-VERSE 75 FILMSFILMS MAR 2 & 3 - 1:00Pm USA, 2018, 117 min, PG – violence, age 9+ RACETIME MAR 26, 27, 28, 30 & 31 - Canada, 2018, 90 min, rated G 12:30pm $4. CAPERNAUM WOMAN AT WAR COLD WAR SHOPLIFTERS MAR 9 & 10 - 12:45pm RALPH BREAKS THE SMALLFOOT INTERNET USA, 2018, 97 min, rated G USA, 2018, 114 min, rated G MAR 16 & 17 - 12:45pm APR 6 & 7 A DOG’S WAY HOME To Be Announced USA, 2019, 96 min, PG – violence, ages 10+, CC CINECENTA.COM

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY

FEB 17 KIDS MATINEE 12:45PM THE PRINCESS BRIDE FEB 23 KIDS MATINEE 12:45PM MIRAI OF THE FUTURE

NOMINEE FOR 6 NOMINated Academy Awards Academy Awards Academy Awards Academy Awards FOR 10 including Nominee: Nominee: Nominee: BEST BEST BEST BEST Academy ACTRESS ACToR DOCUMENTARY Awards PICTURE! Feb 17 (3:00 matinee & 6:45) FEB 18 (6:45 ONLY) Feb 19 (6:45 & 9:20) Feb 20 (7:00 & 9:10) Feb 21 (7:00 & 9:15) FEB 22 & 23 (3:00 Matinee, 7:00 & 8:45) ROMA BLACKKKLANSMAN THE WIFE AT ETERNITY’S GATE HALE COUNTY THIS MORNING, THIS EVENING Alfonso Cuarón, Mexico, 2018, 135 minutes, Spanish with subtitles; PG Spike Lee, USA, 2018, 136 min 14A UK, 2017, 101 min; 14A, CC Julian Schnabel, 2018, 112 min; PG RaMell Ross, USA, 2018, 76 min, PG If this is the film Alfonso Cuarón has been working up to his entire career, what a The true story of Ron Stallworth (John Under the cool exterior, much is roil- There have been films about Vincent Van A poetic documentary with a gift for making enrapturing imagery out of what sound like thrill for it to come off with such soaring, symphonic mastery. The year in the life David Washington), an African-American ing. We meet Joe (Jonathan Pryce) on Gogh, but none as affecting, featuring a ordinary, everyday events. These ordinary moments come from the everyday lives of a young nanny (Yalitza Aparicio) and the family she works for in Mexico City police officer in the 1970s who managed the morning he wins the Nobel Prize. monumental performance from Willem of African Americans in the deep South state of Alabama. The film’s 76 minutes unfolds in big-screen, intricately choreographed panoramas that contain both the to infiltrate the local Ku Klux Klan (with Buoying him up is his wife Joan (Glenn Dafoe as the tortured Dutch artist. This were culled from over a five-year period. Though words can describe what “Hale County” startlingly intimate and the sweepingly epic, often in a single shot. --Vulture the help of Adam Driver), is outrageous- Close), who long ago subsumed her is a ravishment of the senses. It’s also a shows, they really can’t convey how involving this visual symphony is. The film is a tribute ly brought to the big screen via auteur ambitions to support his. They travel to study of the agony Van Gogh endured to the mystical power of the moving image, and to RaMell Ross’ keen and empathetic “IT WOULD BE A SIN NOT TO SEE THIS ON THE BIG SCREEN” --L.A. WEEKLY Spike Lee. --The Bijou Oslo to prep for the Nobel ceremony. in his final years….An artistic triumph. eye. --L.A. Times --Globe and Mail --Rolling Stone “DEMANDS TO BE SEEN ON THE BIGGEST CANVAS POSSIBLE.” --GLOBE AND MAIL “THERE IS SOMETHING VISIONARY IN THIS FILM. FIVE STARS!”--THE GUARDIAN FEB 23 KIDS MATINEE 12:45PM MIRAI OF THE FUTURE Special Event! MAR 2 KIDS MATINEE 1:00PM RACETIME

FEB 24 (12:45, 3:00 dubbed; 5:00, 7:00 SUBTITLED) Paul Katz will be here Academy Awards NOMINated to present the film! Nominee: FOR 8 MIRAI OF THE FUTURE FEB 26, 27 & 28 (6:45 & 9:10) BEST FOREIGN & matinee & & Academy Mamoru Hosoda, Japan, 2018, 99 min; PG – FEB 25 (7:00) FILM MAR 1 2 (3:00 6:45 9:20) may frighten young children, age 8+ Awards A daringly original, animated story of love passed down through generations. TALENT HAS HUNGER SHOPLIFTERS A STAR IS BORN When four-year-old Kun meets his new Josh Aronson, USA, 2016, 81 min Hirokazu Kore-eda, Japan, 2018, 122 min, PG, Japanese with subtitles Bradley Cooper, USA, 2018, 136 min, 14A, CC baby sister, his world is turned upside An illuminating celebration of music and Japan’s Hirokazu Kore-eda (“Nobody Knows”) took the Palme d’Or at Cannes for this gentle story of a multi-generational It’s the romantic epic of male sacrificial woundedness. Bradley Cooper plays the boozy down. One day Kun encounters his sister the art of teaching. A profile of New Eng- family of grifters that slowly reveals its secrets. Our first inclination is to marvel at the brazen ingenuity of a man and boy seen and downwardly mobile alpha-star laying his pride on the showbiz altar of the woman Mirai, as a teenager. Together, they go land Conservatory of Music master cello casing a grocery store and then smoothly making off with purloined edibles. But then, heading home, on a cold winter’s day, he loves. Cooper directs and co-stars in this outrageously watchable and colossally on a journey through time and space, teacher Paul Katz and his relationship with the pair discover a 4-year-old girl freezing on an apartment balcony, apparently abandoned. What begins as a heist movie is enjoyable new version. He appears opposite a sensationally good , whose uncovering their family’s incredible sto- four of his young students over the course transformed into a moving meditation on what truly constitutes a family. --Toronto Star ability to be part ordinary person, part extraterrestrial celebrity empress functions at the ry….A sumptuous, magical, and emotion- of seven years, it scintillates and engrosses highest level at all times. --The Guardian ally soaring adventure. with its coming-of-age drama. “THIS EXQUISITELY PERFORMED FILM WILL STEAL THE HEARTS OF BOTH ART-HOUSE “YOU’LL BE ENCHANTED.” --Boston Globe “A TRANSCENDENT HOLLYWOOD MOVIE.” --VARIETY --Rolling Stone Sponsored by UVIC’s School of Music. AND MAINSTREAM AUDIENCES.” --VARIETY LEARN FROM ALL DRESSED THE PAST, HOUSE CHIPS

are you SELL YOUR IMMUNE JUICE reading this? TEXTBOOKS WE AFTER THE MOVIE BOOKS PAST PREPARE FOR if so, perhaps consider GRAB A BITE! placing an ad here. contact: MONDAY, TUESDAY, WEDNESDAY & FRIDAY THE FUTURE 11:30AM – MIDNIGHT TREAT YO-SELF! EXAMS THURSDAY SNACKS DRINKS MAGAZINES 11:30AM – 1 AM MON-FRI 10AM-4PM [email protected] SATURDAY ZAPCOPY.COM IN THE SUB, UVIC FELICITAS.CA 4 PM – MIDNIGHT SUBTEXT_UVSS SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY JAN 13 KIDS MATINEE 12:15PM THE INCREDIBLES 2 MAR 3 KIDS MATINEE 1:00PM RACETIME BACK BY POPULAR DEMAND! MAR 9 KIDS MATINEE 12:45PM SMALLFOOT

Academy Awards NOMINATED FOR 5 Nominee: Academy Awards BEST FOREIGN including BEST MAR 3 (3:00 matinee & 5:00 & 7:00) MAR 4 (7:00 & 8:45) MAR 5, 6 & 7 (7:00 & 9:25) FILM MAR 8 & 9 (3:00 MATINEE 6:45 & 9:20) PICTURE & BEST ACTOR! NOTHING LIKE A DAME CAPERNAUM BOHEMIAN RHAPSODY THIS MOUNTAIN LIFE Bryan Singer, USA, 2018, 135 min, PG, CC Grant Baldwin, Canada, 2018, 78 minutes; PG Nadine Labaski, Lebanon, 2018, 124 min, subtitles, 14A AKA TEA WITH THE DAMES A stunning visual experience and a Winner of the Grand Jury Prize at the Cannes Film Festival, Nadine Labaki’s film tells the story of Zain (Zain al Rafeea), a Lebanese A whirligig tour through Freddie Mercury (Rami Malek)’s rise and tragic end (he died from Roger Mitchell, UK, 2018, 84 minutes; PG profound spiritual journey. Chances are, you boy who sues his parents for the “crime” of giving him life. It follows Zain, a gutsy streetwise child as he flees his negligent parents, AIDS-related pneumonia in 1991),”Bohemian Rhapsody” might have started out as an ode The laughter and pure hysteria are have never seen British Columbia quite like survives through his wits on the streets and takes care of Ethiopian refugee Rahil (Yordanos Shiferaw) and her baby son, Yonas to the supernatural talent of one man. It ends as a testament to a band, and simply how infectious in this wildly enjoyable round- this before. Our province is 75% mountains, (Boluwatife Treasure Bankole). “Capernaum” was made with a cast of non-professionals playing characters whose lives closely good they made their fans feel. --Washington Post table chat between four of British theatre’s but few of us have ventured as far as the parallel their own. A film with an expansive palette: without warning it can ignite with emotional intensity, surprise with unexpected most famed dames: Judi Dench, Joan hardy folk profiled here, such as: a mother tenderness, and inspire with flashes of poetic imagery. Although it is set in the depths of a society’s inhumanity, “Capernaum” is Plowright, Eileen Atkins and Maggie Smith. and daughter who embark on a daunting ultimately a hopeful film that stirs the heart as deeply as it cries out for action. Labaki does beautiful work with her nonprofessional --The Guardian six-month trek through the Coast Mountain cast, most of whom are refugees.” --Minneapolis Star-Tribune “THERE’S ONLY PRAISE TO HEAP ON RAMI MALEK WHOSE TOUR DE FORCE “A CONSISTENTLY HILARIOUS 90-MINUTE CHAT.” Range from Squamish to Skagway. --VIFF “IT’S A FAIRY TALE AND AN OPERA, A POTBOILER AND A NEWS BULLETIN, A HOWL OF PROTEST AND AN ANTHEM OF RESISTANCE.” --NEW YORK TIMES PERFORMANCE AS FREDDIE MERCURY WILL DEFINITELY ROCK YOU.” --ROLLING STONE --THE WRAP MAR 10 KIDS MATINEE 12:45PM SMALLFOOT Special Event! MARJAN 16 30 KIDS KIDS MATINEE MATINEE 12:45PM 1PM THE A DOG’SPEANUTS WAY MOVIE HOME

MAR 10 (3:00 matinee, 5:30 & 8:00) MAR 11 (6:45 & 9:10) MAR 12 & 13 (7:00 & 9:10) MAR 14 (7:00) Tickets: $5.75 - $7.75 MAR 15 & 16 (3:00 matinee, 6:45 & 9:15) “A HUGELY AMBITIOUS Cinecenta passes and comps not valid.. THE MULE WHAT IS DEMOCRACY? DOCUMENTARY.” GREEN BOOK Clint Eastwood, USA, 2018, 117 min, 14A, CC Astra Taylor, Canada, 2018, 107 min. --NEWS YORK TIMES VIPIRG FILMS Peter Farrelly, USA, 2018, 131 min, PG, CC It’s the fact-based story of a down-on-his-luck horticulturist (Clint Eastwood) who’s Starting in Greece, where the philosophical concept of liberal democracy first flourished, Viggo Mortensen and Mahershala Ali are masterful in this rousing period piece, alternat- recruited by drug runners to make cross-country drives while looking like the world’s this incisive documentary unravels an inquiry that’s actually a lot more complicated than & PANEL DISCUSSION ing belly laughs with an unflinching view of a nation at war with itself. “Green Book” least-likely drug mule, an old white guy who never breaks the speed limit. As grim it sounds. “It’s a question that almost defeats the purpose of asking it,” posits one young may well move you, possibly to tears, at the thought of real social change and kindness as the above might sound, it’s also a spry, funny, moving film that never heads in the woman interviewed by Canadian filmmaker Astra Taylor, who talks to academics, activists, #WakandaForever: A Conversation about (at a time when we need it badly). It’s a true tale that happened in 1962. “Tony Lip” direction in which it looks like it’s about to head, kind of like its protagonist. historians, politicians, immigrants, and ordinary citizens in places as varied as Florida and Black & Indigenous Cinema. Following Vallelonga (Mortensen) is a NYC club bouncer. He gets an unlikely gig at the invitation --Slate Italy. Quotations from Plato are elaborated upon by folks like professor Cornel West. Most the success of movies like ‘Get Out,’ of Don Shirley (Mahershala Ali, superb), a finicky black jazz pianist who requires a tough of the interview subjects ponder the taming of the “unruly passions” endemic to democ- ‘Black Panther,’ and ‘Moonlight,’ artists driver to escort him on a tour of the Deep South. --Time Out With Dianne Wiest, Bradley Cooper, Taissa Farmiga. racy, since they always allow for the possibility of fascism. West quotes Dostoyevsky as and educators look at diversity in media, saying that many people gravitate toward authoritarianism “because they are afraid to moving beyond tokenism, and why “AUDIENCES WILL BE RIGHTLY CHEERING THIS HILARIOUS AND HEARTFELT TRUE STORY.” “SHOWS THAT EASTWOOD’S STILL GOT IT, BOTH AS A DIRECTOR AND ACTOR.” --HOLLYWOOD REPORTER authorize themselves”. --Georgia Straight representation matters. --ROLLING STONE More info: www.vipirg.ca/conference MAR 17 KIDS MATINEE 12:45PM A DOG’S WAY HOME SPRING BREAK MATINEES: “SPIDER-MAN: INTO THE SPIDER-VERSE”, PG AGES 9+ MAR 19, 20, 21 at 12:30 MAR 23 KIDS MATINEE 12:30PM SPIDER-MAN: INTO THE SPIDER-VERSE

NOMINATED FOR 8 MAR 17 (3:00 matinee, 5:30 & 8:00) AUGMAR 28 18 (7:00 (6:45 & &9:00) 9:10) Mar 19, 20 & 21 (7:00 & 9:00) MAR 22 & 23 (3:00 matinee, 7:00 & 9:15) Academy Awards! MARY QUEEN OF SCOTS COLD WAR VICE Josie Rourke, UK, 2018, 125 min, 14A Pawel Pawlikowski, Poland, 2018, 88 min, subtitles, 14A Matthew Heineman, UK, 2018, 111 minutes; 14A, CC Saoirse Ronan and Margot Robbie earn all the bows and curtsies coming their way for Ironically enough, “Cold War” tells the story of a passionate romance. Beginning in post-World War II Poland and crisscrossing the A gonzo anti-biopic that limns Dick Cheney (Christian Bale)’s rise from alcoholic Yale breathing feminist fire into this 16th-century drama. Ronan brings her talent to the title Iron Curtain over several decades and many hairpin curves of the heart, the movie floats the heresy that all love is political. Directed dropout to cunning Washington insider to shadow president—whoops, vice president— role of the Catholic queen who believed she had more of a right to the British throne and co-written by Pawel Pawlikowski (“Ida”), it’s partly a eulogy for the filmmaker’s parents but mostly a great love story. Shot in alongside George W. Bush. “Vice” is an involving satire, in no small part because Adam than her Protestant cousin, Elizabeth I, the virgin queen (Robbie). Ronan (“Lady Bird”) lucid, all-seeing black and white, “Cold War” is about the gray areas of the human heart. It’s 1949 when Wiktor (Tomasz Kot) and McKay positions the viewer as a participant. Characters talk to you; constant shifts in and Robbie (“I, Tonya”) were both nominated for a Best Actress Oscar last year, and even Zula (Joanna Kulig) meet: He is a talented pianist and conductor pressed into service as a musicologist by the new Communist narrative style and tone snap you to attention. You cannot simply sit and absorb this when the pace of the film falters, these two performers hold you in thrall.That’s royalty. government, and she is a teenage singer auditioning for a state-sponsored folklore troupe. movie. Love it or hate it, you are one of its characters. --Chicago Reader --Rolling Stone “Cold War” is a ravishment, a cinematic feast for the senses… A simple filmic jewel of a story, about a couple swimming hard against the currents of history and governments until they only have each other to cling to. --Boston Globe “RONAN’S FIERY MARY AND ROBBIE’S EMOTIONALLY COMPLEX “A NEAR-PERFECT FILM, AN ARTFULLY CRAFTED, FLAWLESSLY ACTED “BRAINY, AUDACIOUS, OPINIATED AND FUN” ELIZABETH TRULY REIGN DIVINE ON SCREEN.” --THE WRAP MEDITATION ON LOVE, MEMORY AND INVENTED HISTORY.” --WASHINGTON POST --LOS ANGELES TIMES MAR 24 KIDS MATINEE 12:30PM SPIDER-MAN: INTO THE SPIDER-VERSE SPRING BREAK MATINEES: RALPH BREAKS THE INTERNET, RATED G MAR 26, 27, SPOTLIGHT28 at 12:30 ON INGMAR BERGMAN MAR 30 KIDS MATINEE 12:30PM RALPH BREAKS THE INTERNET

Academy Awards Nominee: BEST FOREIGN MAR 24 (12:30 & 3:00 matineE, 5:30 & 8:00) MAR 25 (7:00 & 9:15) MAR 26, 27 & 28 (7:00 only) FILM MAR 29 & 30 (3:00 MATINEE, 7:00 & 9:15) SPIDER-MAN: INTO THE SPIDER-VERSE NEVER LOOK AWAY ON THE BASIS OF SEX Bob Persichetti, Peter Ramsey & Rodney Rothman, USA, 2018, 117 min, PG – violence, Florian Henckel von Donnersmarck, Germany, 2019, 190 min, subtitles, 14A Mimi Leder, USA, 2018, 121 min, PG, CC ages 9+, CC Ruth Bader Ginsburg — the Notorious RBG to those who cheer her 25 years of defiantly This animated feature is here to prove new life can be injected into the franchise by From the director of the Oscar-winning “The Lives of Others.” This sweeping romantic historical drama follows thirty years in the life independent thinking on the U.S. Supreme Court — sure as hell deserves a biopic. At reminding us all where Spider-Man comes from: the comic books. Unlike any other of a great artist - loosely based on Gerhard Richter, one of the 20th century’s most admired visual artists - played by Tom Schilling superhero or animated film that has come before, the animation style is like watching a (“Woman in Gold,” “Generation War”). The film goes from a childhood witnessing Nazi Germany, to post-war East Berlin, where he 85, the jurist is a cultural icon. This catches Ginsburg in the enthralling act of inventing comic book come to life. The delights of “Spider-Verse” bring a newfound sense of joy falls in love with a young woman (Paula Beer, “Frantz,” “Transit”) whose father is an ex-Nazi murderer in hiding (Sebastian Koch, “The herself, highlighting the ups and downs of the trailblazer’s formative period. Felicity and playfulness to the beloved character – in every iteration. --Tribune News Service Lives of Others”), to escaping to the West at the time of the Berlin Wall, and ultimately being part of the exciting new movement in Jones (“Rogue One”) has no trouble finding the intellectual rigor and propulsive drive “MIGHT BE THE BEST SPIDER-MAN FILM EVER MADE.” --Globe and Mail contemporary art. that define this 5’1″ dynamo. Even the title reflects Ginsburg’s career-long battle against gender discrimination — so it’s fitting that the film is directed by a woman. Mimi Leder “FRESH, FUNNY, FIERCE AND REVOLUTIONARY. WITH A MIXED-RACE HERO AT ITS CORE, THIS “A FILM THAT RESTORES OUR SENSE OF WONDER.” --THE FILM STAGE forgoes cinematic innovation to tell her subject’s story in the clearest, bluntest, most RBG- IS THE GREATEST SPIDER-MAN EPIC OF THEM ALL-AND THE COOLEST.” --ROLLING STONE “IT’S NEVER LESS THAN EXHILARATING.” --ROLLING STONE appropriate way possible. --Rolling Stone MAR 31 KIDS MATINEE 12:30PM RALPH BREAKS THE INTERNET APR 6 KIDS MATINEE: TBA

MAR 31 (3:00, 5:00 & 7:10) APR 1 (7:00 & 9:00) APR 2 & 3 (7:00 & 9:15) APR 4 (7:00 & 9:00) APR 5 & 6 (3:00 MATINEE, 7:00 & 9:00) “A GRIPPING AND EFFICIENT ADDITION TO THE ARCTIC RUGGED SURVIVALIST THRILLER GENRE.” VOX LUX WOMAN AT WAR Joe Penna, Iceland, 2018, 99 min, PG, CC --THE GUARDIAN , USA, 2018, 115 min, 14A Benedikt Erlingsson, Iceland, 2018, 101 min, subtitles, PG Danish actor Mads Mikkelsen does wonders with the role of Overgård, the downed pilot of Brady Corbet’s knockout feature damn near explodes off the screen. You should be pre- The Icelandic director Benedikt Erlingsson’s “Woman at War” is a wry, idiosyncratic comedy that communicates important topical a small cargo plane who’s awaiting a rescue that may never come. Overgård carves a giant pared to be wowed by , who delivers a take-no-prisoners performance messages while never being less than a joy to watch. Halldóra Geirharðsdóttir is something to behold as Halla, a mild-mannered, SOS in the snow and pokes holes in the ice to catch fish. This potent feature is compel- as Celeste, a swaggering rock diva who tends to burn down everything in her path. This middle-aged choir mistress who seriously dabbles in ecoterrorism. A Tai Chi enthusiast, a fan of Gandhi and Mandela, and an excellent lingly practical about showing what it takes to stay alive in the frozen wilderness. (Iceland singer-songwriter is a tiny time-bomb of talent and ruthless need. There’s tremendous saboteur, she invokes ancestral law and messes with hydro towers in her quest to make her ruggedly beautiful land safe for future filled in for the North Pole as a location.) A rescue chopper crashes in the howling winds. momentum to the scenes of a young woman’s rise in a broken pop universe — she’s generations, which happen to include a small child from Ukraine she seeks to adopt as a single mother. Filmmaker Erlingsson has a One of the two pilots survives (Maria Thelma Smáradôttir), but she is barely conscious. , Britney and Katy rolled into one confused pop princess. The film creates a uni- flair for the absurd – a sousaphone-based trio pops up here and there – and a deft touch with social commentary and political satire. Packing her up on a sled, he begins a trek toward what seems likes an increasingly hal- verse where fame crowds out humanity. You can’t stop thinking about it. --Rolling Stone --Globe and Mail lucinatory deliverance… Mikkelsen invests Overgård with a bracing humanity that you root for every step of the way. –Rolling Stone “’VOX LUX’ ASPIRES TO TELL THE MORAL HISTORY OF THE 21ST “IS THERE ANYTHING RARER THAN AN INTELLIGENT FEEL-GOOD FILM THAT KNOWS HOW TO TACKLE URGENT CENTURY. AND IT DOES.” --SAN FRANCISCO CHRONICLE GLOBAL ISSUES WITH HUMOR AS WELL AS A SATISFYING SENSE OF JUSTICE?” --VARIETY

PAY YOUR Everyone Welcome! Isley Photo: Luke Trust Balanchine The George © . Choreography Rubies The Grad House is open AGE 11:30am-10:00pm on weekdays FOR 12–29 YEAR OLDS Amazing dance. Incredible savings. & 10:00am-2:00pm on Saturdays DanceVictoria.com Side Project open 7:30am weekdays 250.356.5013 * You must be between 12 and 29 on the date of purchase. You don’t have to be a grad student

to get the best food on campus! Balanchine’s in George Adams Artist Emily Principal West Ballet PAY YOUR AGE PROGRAM SPONSOR 9 gss.uvic.ca 25 Crease Ave. www.recyclistas.ca 250-418-8867