DOCSLIB.ORG

10 Lab Test Assette Deck Reports

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MARCH 1974 $1.25 08398 cy, dmusical america ST. LOUISCOUNTYLIDRAiwneRecordings Of Maria Callas HitEchi Model TRQ-2040D 10 Lab Test assette deck Reports Radforc SPA -60 Mk. II rower amplifier Ace Audio Zero -Distortion preamp I I AA. I Superex PEP -79 electrostatic headphones Concord CR-250 receiver ) I) 11 11.1 110 /111// 1 1 1 A Kenwood KR -9340 quadriphonic receiver Rectilinear Xla speaker system Shure SFG-2 trEcking-force gauge If size doesn't impressyou,perhaps the numbers will. SPECIFICATIONS OF FISHER CUSTOM -COMPONENT SPEAKERS :1 XP -7-S XP -65-S XP -56-S XP -55-S XP -44S PL -6 Sound Panel Price: $169.95 S109.95 $89.95 $59.95 $49.95 $138.00 Frequency response: 33-20.0(X) Hz 33-20,(XX) 112 35-20,(X1) Hz 37-20,000 Hz 39-19,(XX) liz 40-18,000 Hz Maximum music power: 45 Watts 30 Watts 30 Watts 3() Watts 20 Watts 50 Watts Bass speaker diameter: 12 inches 10 inches 8 inches 8 inches 6 inches Voice coil diameter: 112 inches 1 inch 1 inch 1 inch 1 inch 1 inch Free air resonance: 2()117 25 Hz 38 Hz 38 Hz 38 Hz Magnet structure: 3 p(nids 2 pounds 2 pounds 2 pounds 2 pounds 2.64 pounds Mid -range: 5 inches 5 inches Mice coil diameter: 34 inch inch Magnet structure: p(mnd pound Treble speaker diameter: 3 inches 3 inches 3 inches 3 inches 3 inches Voice coil diameter: 9i6 inch 9/16 inch ?is inch 9s inch 9/16 inch 1 inch Sound dispersion: 91) degrees 90 degrees 90 degrees 90 degrees 00 degrees 360 degrees Crossover frequencies: 8(X). 4010 liz 6(X). 3,01X) liz 1,500 Hz 1.50011z 1,500 Hz Impedance: 8 ohms 8 ohms 8 oh s 8 ohms 8 ohms 8 ohms Dimensions: 2436" x 13946" 23" x 13" 21" x'11'," 90" x10" 15%" x812 " 233,rx 29.34" x 12" deep x 10" deep x 9" deep x7'2" deep x 6Y.4" deep x 274"deep Weight: 32 pounds 27 pounds 20 pounds 18 ixmnds 16 pounds 21 pounds Cabinet: Walnut Vinyl Walnut Vinyl Walnut Vinyl Walnut Vinyl Walnut Vinyl \Valnut or White Available at all Fisher dealers. ST- 127) ST -465 ST -4 -ti ik louder than words. ortant specifications of I' -7-S peaker that suits your budget, ieaker in its category. made us the world's S. NumbersThe speak Fisher louder than words. SPECIFICATIONS OF FISHER STUDIO STANDARD SPEAKERS:" ST -550 ST -530 ST -500 ST -465 ST -445 ST -425 Price: S349.95 $249.95 $199.95 $169.95 $99.95 $79.95 Effective frequency response. on axis. (Pink -noise source, l3 octave bands.): 35-20.()(X)112 38-20,000 Hz 40-20,000 liz 40-20,000 Hz 50-20,000 Hz 55-20,10) Hz Impedance, nominal: 8 ohms 8 ohms 8 ohms 6-8 ohms 6-8 ohms 6-8 ohms Continuous power -handling capacity. 2 -second duration: 300 Watts 21X)Watts 100 Watts 100 Watts 90 Watts 80 Watts 60 -second duration: 1(X) Watts 100 \\'atts 54) Watts 50 Watts 45 Watts 40 Watts Long-term duration: 50 Watts 50 Watts 25 Watts 25 Watts 22 Watts 20 Watts Minimum continuous power requirement: 25 Watts 25 Watts 25 Watts 25 Watts 15-20 Watts 15-20 Watts at 8 ohms at 8 ohms at 8 ohms at 8 ohms at 8 ohms at 8 ohms Total number of drivers: 7 6 4 3 3 2 12" I," 10" 10" Woofer cone diameter: 15" 15" ,,, 1 y Voice -coil diameter: 2" 2" 2" 1%" Magnet stnicture: 13 lbs. 13 lbs. 6 lbs. 5 lbs. 4 lbs. 2% lbs. Midrange speaker type: soft dome soft dome soft dome flare dome cone I y I 1%" Diameter: 11'2 3%" 4%" 1p%, 1%, Voice -coil diameter: 1 %" PA" kt" Magnet structure: 6 lbs. 6 lbs. Ells. 2% lbs. 11,E lbs. Tweeter type: 2 cones 4 cones 2 cones dome dome dom-e Dome or cone diameter: 2" 2" 2" 1" 1" 1" 9, Voice -coif diameter: Y16" 9/16" 116I 1" 1" 1" Side dispersion speakers: 2 soft domes - - - - Voice -coil diameter: 1A" - - - - Crossover frequencies: 600, 6,(XX). 6(X), 6,00() Hz 600, 6,000 Hz 450, 5,000 Hz 650, 5,5(X) Hz 2,5(X) liz 1 ,(XX) Liz Controls: 3 2 2 2 1 Midrange: 3 pos. 3 pos. 3 pos. 3 pos. - Treble: 3 pos. 3 pos. 3 pos. 3 pos. 3 pos. 3 po- s. Side -dispersion: 3 pos. - - - - Weight: 75 lbs. 56 lbs. 45 lbs. 39 lbs. 30 lbs. 25 lbs. Dimensions: 30" x 17" 27" x 16V 26" x 15" 24%" x 141/4" 23'2" x 13" 22%" x 12%" x 12%" deep x 13" deep x 12" deep x 111716" deep x II " deep x 10" deep Cabinet finish: Walnut Walnut Walnut Walnut Walnut Vinyl Walnut Vinyl Studio -Standard speakers are available only at Fisher Studio -Standard dealers. Fair trade prices where applicable. Prices slightly higher in the Far West and Southwest. S I -WO At Fisher, we believe that numbers spe; book $2 value! Mail this coupon for your free copy of So for your convenience, we list here the imp The Fisher Handbook. This entirely new, revised edition the Fisher loudspeakers. Pick out the Fisher of the famous Fisher reference guide to high fidelity, stereo and 4 -channel is a magnificent 68 -page book. and compare its numbers with those of any sr Fisher Radio, Box 1001, Long Lsland City, N.Y. 11101. It's just this sort of comparison that has I largest manufacturer of high-fidelity speaker Name Address City State Zip (For same -day reply. enclose Si.) Fisher is probably the world's largest manufacturer of high-fidelity speakers. ST -425 ST- 16 ST -445 XP -7-S HIGH FIDEL111111r March 1974 VOL. 24 NO. 3 and musical america music and musicians Edward Greenfield MOZART VS. THE GREMLINS 20 Behind the scenes in London Gene Lees DICK HAYMES COMES HOME 26 A top singer of the '40s rebuilds his career David Hamilton THE RECORDINGS OF MARIA CALLAS 40 John McDonough GENE KRUPA: THE BEAT GOES ON 50 audio and video TOO HOT TO HANDLE 28 NEWS AND VIEWS 36 Another stab at stereo AM ... The tube lives! Upbeat on drumming. See page 50 EQUIPMENT IN THE NEWS 36 1 EQUIPMENT REPORTS 57 Microtower MT -2 speaker system ... Radford SPA -60 Mk. II power amplifier ... Kenwood KR -8340 quadriphonic receiver ... Superex PEP -79 headset... Hitachi Model TRQ-2040D cassette deck ... Dual 701 turntable ... Rectilinear Xla speaker system... Lab Test Concord R-250 receiver ... Shure SFG-2 tracking -force gauge ... Ace Audio Zero -Distortion preamp record reviews John Rockwell, Abram Chipman eports THE SYMPHONIES OF SCHUBERT AND SIBELIUS 75 Balm and Karajan's complete sets are more DG birthday presents Royal S. Brown LILY: CHALLENGING MUSICAL THEATER 79 The first part of Kirchner's opera -in -progress reaches disc CLASSICAL 80 Rachmaninoff's Vespers . Mercury makes a comeback IN BRIEF 104 Robert Long FOUR -CHANNEL DISCS AND TAPES 106 Four-sided Night Music . ForeverSousa LIGHTER SIDE 108 Loudon Wainwright Ill . Joni Mitchell ... Charlie Pride JAZZ 114 Lily blooms. See page 79. Ben Webster ... Marian McPartland ... Duke Ellington High Fidelity and Musical America are published monthly by Billboard Publications. R. D. Darrell THE TAPE DECK 124 Inc at I Astor Plaza. New York. New York 10036 Copyright c 1971 by Bollboard Publications. Inc The design and concerts of Nigh Fidelity and Musical America ate Ambience vs. surround sound ... A better Boherne fully protected by copyright and must not be reproduced in any manner Application to mail at second class postage paid at New York. New York and al additional mailing ewes Yearly saurus bon so the USA and Possessions $11 elsewhere Sit Subscription including Concert Artists IN rectory 620 on USA elsewhere $21Single copy $125 Indeed in Reader's Guide to Periodical etc. Literature Change of address notoces and undel.nred wpm Non 35711 shenld Be sant in INp Fidelity and &nal Amen.. Sabundbon Department. P.O. Mt 14156, Cinanaah, Oho 45214. LETTERS 6 Plea* state WO old and new whims when manta.' chap Sousa corrections .. Finding four -channel discs Current and back copies of High Fidelity and High Fidelity and Mu- PRODUCT INFORMATION 10 sical America are available on microfilm from University Micro- An "at-home" shopping service 117 films, Ann Arbor, Michigan 48106. Microfiche copies of these magazines (1913 forward) are available through Bell & Howell Mi- ADVERTISING INDEX 116 cro Photo Division, Old Mansfield Road, Wooster, Ohio 44691. LEONARD MARCUS Editor NORMAN EISENBERG From here Executive Editor WAYNE ARMENTROUT Managing Editor KENNETH FURIE Music Editor ROBERT LONG Audio -Video Editor SHIRLEY FLEMING Editor, Musical America Section EDITH CARTER Associate Editor VIOLA MATSON Assistant Editor WILLIAM TYNAN Special Projects Editor ROY LINDSTROM Art Director ROBERT MADDOCKS Associate Art Director MORGAN AMES ROYAL S. BROWN to hear R. D. DARRELL PETER G. DAVIS With Superex Stereophones, you've got the best seat in HENRY EDWARDS Philharmonic Hall. You're in the control room at every record- ALFRED FRANKENSTEIN HARRIS GOLDSMITH ing session. And you can change seats simply by changing DAVID HAMILTON the volume. DALE HARRIS MIKE JAHN Transport yourself to the center of the brass section, or MILES KREUGER see what it feels like to sit under the cymbals. PAUL HENRY LANG GENE LEES The Superex PEP 79 will carry you there. According to ROBERT C.
Recommended publications
  • 56 0809Englisch.Pdf

    56 0809Englisch.Pdf

    A Wien Holding Company Intendant Roland Geyer General sponsors of the Theater an der Wien The Theater an der Wien recieves subsidies from the Cultural Department of the City of Vienna insNoten130x205_4c_E_TheaterRZ 04.06.2008 13:53 Uhr Seite 1 „WHOEVER HEARS BUTTERFLIES LAUGHING, KNOWS THE SCENT OF CLOUDS“ (Novalis) he butterfly is a wonderful symbol of transformation and freedom. And this is a requirement that art repeatedly demands, too. The mysterious Tmetamorphosis of the ugly caterpillar into the magnificent butterfly has sti- mulated man’s imagination from time immemorial. Everyone who watches Where does a butterfly is struck by its beauty, elegance and lightness. The ancient ability to think in images and symbols is inside each one of us – and in the world of opera, too. The opera is a treasure-house of the music call the tune? irrational. It unfolds “our imagination’s most beautiful alternative world.” Mozart himself confessed, “I need only to hear talk about opera, I need only to be in the theatre and hear voices – it suffices to transport me utterly.” The Theater an der Wien, the new opera house, is aiding a development in our city that no one can now fail to notice: more and more people with an interest in culture, and younger people too, are going to the opera! They are looking for a space where dreams and longings can unfold freely with great emotion and even pathos – and the opera provides a meeting place for them: everything appears bathed in “bright” light, and in this light one is drawn in by enchanting sounds.
  • Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996

    Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996

    BOSTON > V SYMPHONY ORCHESTRA ft SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A CLumlc Composition Fidelity Just as a Beethoven score is at its best when performed by a world- Pergonal class symphony — so, too, should your trust assets be managed by Triittt a financial company recognized Serviced globally for its investment expertise. Fidelity Investments. That's why Fidelity now offers a % managed trust or personalized estment management account or your portfolio of $400,000 or more/ For more information, visit Fidelity Investor Center or call Fidelity Pergonal Trust Services at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments' SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes Chairman-elect William F.
  • 75Thary 1935 - 2010

    75Thary 1935 - 2010

    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt

    Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt

    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
  • La Traviata Stagione D’Opera 2013 / 2014 Giuseppe Verdi La Traviata

    La Traviata Stagione D’Opera 2013 / 2014 Giuseppe Verdi La Traviata

    G L a i 1 u t r s a e v p i p a e t a V e r d i S t a g i o n e d ’ O p e r a LaGiutsrepapevVeiradi ta 2 0 1 3 / 2 0 1 4 Stagione d’Opera 2013 / 2014 La traviata Melodramma in tre atti Libretto di Francesco Maria Piave Musica di Giuseppe Verdi Nuova produzione Teatro alla Scala EDIZIONI DEL TEATRO ALLA SCALA TEATRO ALLA SCALA PRIMA RAPPRESENTAZIONE Sabato 7 dicembre 2013, ore 18 REPLICHE dicembre Giovedì 12 Ore 20 - Turno D Domenica 15 Ore 20 - Turno B Mercoledì 18 Ore 20 - Turno A Domenica 22 Ore 15 - Turno C Sabato 28 Ore 20 - Turno E Martedì 31 Ore 18 - Fuori abbonamento gennaio Venerdì 3 Ore 20 - Turno N Anteprima dedicata ai Giovani LaScalaUNDER30 Mercoledì 4 dicembre 2013, ore 18 In copertina: La traviata di Giuseppe Verdi. Regia e scene di Dmitri Tcherniakov, costumi di Yelena Zaytseva, luci di Gleb Filshtinsky. Allestimento realizzato per l'inaugurazione della stagione scaligera 2013-14, rendering di una delle scene ideate da Dmitri Tcherniakov. SOMMARIO 5 La traviata. Il libretto 34 Il soggetto Emilio Sala Argument – Synopsis – Die Handlung ––࠶ࡽࡍࡌ Сюжет 46 L’opera in breve Emilio Sala 48 ...la musica Claudio Toscani 53 Splendeurs et misères des courtisanes in terra italina Antonio Rostagno 71 Fisiologia della Traviata Emilio Sala 93 Eros e charitas nella Traviata Paolo Gallarati 131 Un mondo a parte Benedetta Craveri 147 Nota sull’edizione della Traviata Daniele Gatti 149 “Di quell’amor...” (Note di regia) Dmitri Tcherniakov 154 La traviata alla Scala dal 1859 al 2008 Andrea Vitalini 203 Daniele Gatti 205 Dmitri Tcherniakov 206 Gleb Filshtinsky 207 Yelena Zaytseva 208 La traviata.
  • The Late Choral Works of Igor Stravinsky

    The Late Choral Works of Igor Stravinsky

    THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY _________________________________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ____________________________ by RUSTY DALE ELDER Dr. Michael Budds, Thesis Supervisor DECEMBER 2008 The undersigned, as appointed by the dean of the Graduate School, have examined the thesis entitled THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY presented by Rusty Dale Elder, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________________ Professor Michael Budds ________________________________________ Professor Judith Mabary _______________________________________ Professor Timothy Langen ACKNOWLEDGEMENTS I would like to express my deepest gratitude to each member of the faculty who participated in the creation of this thesis. First and foremost, I wish to recognize the ex- traordinary contribution of Dr. Michael Budds: without his expertise, patience, and en- couragement this study would not have been possible. Also critical to this thesis was Dr. Judith Mabary, whose insightful questions and keen editorial skills greatly improved my text. I also wish to thank Professor Timothy Langen for his thoughtful observations and support. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………...ii ABSTRACT……………………………………………………………………………...v CHAPTER 1. INTRODUCTION: THE PROBLEM OF STRAVINSKY’S LATE WORKS…....1 Methodology The Nature of Relevant Literature 2. “A BAD BOY ALL THE WAY”: STRAVINSKY’S SECOND COMPOSITIONAL CRISIS……………………………………………………....31 3. AFTER THE BOMB: IN MEMORIAM DYLAN THOMAS………………………45 4. “MURDER IN THE CATHEDRAL”: CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS………………………………………………………...60 5.
  • WNIB Program Schedule December 1971

    WNIB Program Schedule December 1971

    u 1 , 1 The Advent Mode! 201 Tape Deck is, to our way of thinking, the ideal source for playing music in the home. It combines the important characteristics of a high-performance open-reel tape recorder with the convenience of cassettes. The Advent I Model 201 wit! make recordings that are indistinguishable from most source material, including the best stereo records and FM broadcasts. Of equal importance, the Mode! 201 realizes the full potential of the new "Dolbyized" commercially recorded cassettes, the most significant source I of recorded music since the introduc­ tion of the stereo disc. The best of the "Dolbyized" pre-recorded cas­ settes are easily the equivalent of the best disc recordings, and the number of releases will be continually in­ creasing. The Mode! 201 has the ruggedness and day-to-day operating dependability of the best home recorders, and wi!I maintain its original performance over long and constant use. $2 Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E.Oak 5700 W Dempster 7045 W. North The performance of the Model 201 337-4\50 967-6690 38'.l-7006 is the result of several important departures in the design and manu­ 1\JfS()AY. WHJN(Sl)AY FRIDA.¥ & SATURDAY JOAM- 6 PM; MONDAY & THURSDAY 1D AM-9l'M facture of a cassette recorder. "Seigneur, dans votre main''; Louis BROQUET ''Beau Chevalier''; Otto BARBLAN "Hymne a la PROGRAM HEDUlE patrie"; Robert MERMOUD "Pour toi, pays"; Carlo HEMMERLING "0 petit pays"; Gustave DORET "Priere du Ruetli"; Carlo BOLLER I fm December, 1971 "Chant du drapeau"; Emile JAQUES-DALCROZE "Los Vieux11 ; Jean APOTHELOZ "Grand Guillau­ me"; Joseph BOVET "L'Alpee"; Hermann LANG "Mon pays, rustique sejour''; Henri PLUMHOF "La chanson des etoiles"; Joseph BOVET "La montee a l'alpage"; Gustave DORET "Le peuple des bergers" - Choeurs d'homrnes remands/ Andre Charlet (Swiss Composers CT 64-28) WNIB P rog-ram Schedule is published by Radio Station WNIB, 25 East Chestnut, Chicago, Illinois 60611.
  • Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996, Subscription, Volume 02

    Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996, Subscription, Volume 02

    BOSTON ii_'. A4 SYMPHONY . II ORCHESTRA A -+*\ SEIJIOZAWA MUSIC DIRECTOR 9 6 S E SON The security of a trust, Fidelity investment expertise. A CLjmIc Composition Just as a Beethoven score is at its Fidelity i best when performed by a world- Pergonal ** class symphony — so, too, should your trust assets be managed by Trudt r a financial company recognized Serviced globally for its investment expertise. Fidelity Investments. hat's why Fidelity now offers a naged trust or personalized estment management account ** »f -Vfor your portfolio of $400,000 or ^^ more. For more information, visit -a Fidelity Investor Center or call Fidelity Pergonal Triut Serviced at 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity Investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. Carol Scheifele-Holmes William F.
  • David Dichiera

    David Dichiera

    DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story.
  • Spoleto Festival Usa Program History 2017 – 1977

    Spoleto Festival Usa Program History 2017 – 1977

    SPOLETO FESTIVAL USA PROGRAM HISTORY 2017 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 2017 .................................... 3 2016 .................................... 6 1996 .................................... 76 2015 .................................... 10 1995 .................................... 79 2014 .................................... 13 1994 .................................... 82 2013 .................................... 16 1993 .................................... 85 2012 .................................... 20 1992 .................................... 88 2011 .................................... 24 1991 .................................... 90 2010 .................................... 27 1990 .................................... 93 2009 .................................... 31 1989 .................................... 96 2008 .................................... 34 1988 .................................... 99 2007 .................................... 38 1987 .................................... 101 2006 .................................... 42 1986 .................................... 104 2005 .................................... 45 1985 .................................... 107 2004 .................................... 49 1984 .................................... 109 2003 .................................... 52 1983 .................................... 112 2002 .................................... 55 1982 .................................... 114 2001 ...................................
  • Xavier University Newswire

    Xavier University Newswire

    Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1973-03-28 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1973). All Xavier Student Newspapers. 2280. https://www.exhibit.xavier.edu/student_newspaper/2280 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. '' .,...______________ •................... • I f j .... I 6 ~I I• I • • " ______ ...._._ .............. .-i ..... __ -...:·-.- ......... ·"'-' VOL. LVlll NO. 18 XAVIER UNIVERSITY CINCINNATI, OHIO I XAVIER NEWS WEDNESDAY, MARCH 28; 1973 Slates debate issues• by Steve Kunath crete reasons why people are diuatiefied News Staff Reporter with. Xavier. He maintained. that student Thursday night, March 22, Brockman government has givven people a right to be Hall hosted the first of three scheduled de­ unhappy. Saracina feels that the primary bates between the slates contending for thrust of student government should be President and Vice-President of Xavier's academic reform. He also stated that Xa­ student government. The debates have vier needs a study of the dorms and that been set up to enable students to hear and student government should help get the question the slates. Thus informed, the stu­ small things done, such as getting "oli the dent body will be better able to make a back of a janitor to fix a window fast.er." wise decision in voting.
  • Copyright by Melody Marie Rich 2003

    Copyright by Melody Marie Rich 2003

    Copyright by Melody Marie Rich 2003 The Treatise Committee for Melody Marie Rich certifies that this is the approved version of the following treatise: Pietro Cimara (1887-1967): His Life, His Work, and Selected Songs Committee: _____________________________ Andrew Dell’Antonio, Supervisor _____________________________ Rose Taylor, Co-Supervisor _____________________________ Judith Jellison _____________________________ Leonard A. Johnson _____________________________ Karl Miller _____________________________ David A. Small Pietro Cimara (1887-1967): His Life, His Work, and Selected Songs by Melody Marie Rich, B.M., M.M. Treatise Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2003 ACKNOWLEDGEMENTS The journey to discovering Pietro Cimara began in 1996 at a summer workshop where upon first hearing “Ben venga amore,” I instantly knew that I had to have more of Cimara’s music. Since then, the momentum to see my research through to the finish would not have continued without the help of many wonderful people whom I wish to formally acknowledge. First, I must thank my supervisor, Dr. Andrew Dell’Antonio, Associate Professor of Musicology at the University of Texas at Austin. Without your gracious help and generous hours of assistance with Italian translation, this project would not have happened. Ringraziando di cuore, cordiali saluti! To my co-supervisor, Rose Taylor, your nurturing counsel and mounds of vocal wisdom have been a valuable part of my education and my saving grace on many occasions. Thank you for always making your door open to me.