China Strategic Plan Progress Report
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4Q17 Earnings Call Presentation January 24, 2018
The Venetian Macao Sands Cotai Central, Macao Marina Bay Sands, Singapore The Parisian Macao 4Q17 Earnings Call Presentation January 24, 2018 Sands Macao Four Seasons Macao Sands Bethlehem The Venetian Las Vegas The Palazzo, Las Vegas Forward Looking Statements This presentation contains forward-looking statements that are made pursuant to the Safe Harbor Provisions of the Private Securities Litigation Reform Act of 1995. Forward-looking statements involve a number of risks, uncertainties or other factors beyond the company’s control, which may cause material differences in actual results, performance or other expectations. These factors include, but are not limited to, general economic conditions, competition, new development, construction and ventures, substantial leverage and debt service, fluctuations in currency exchange rates and interest rates, government regulation, tax law changes and the impact of U.S. tax reform, legalization of gaming, natural or man-made disasters, terrorist acts or war, outbreaks of infectious diseases, insurance, gaming promoters, risks relating to our gaming licenses, certificate and subconcession, infrastructure in Macao, our subsidiaries’ ability to make distribution payments to us, and other factors detailed in the reports filed by Las Vegas Sands with the Securities and Exchange Commission. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date thereof. Las Vegas Sands assumes no obligation to update such information. Within this presentation, -
Rainie Yang Ambiguous Download
Rainie yang ambiguous download LINK TO DOWNLOAD Las letras y el video de la canción Ambiguous de Rainie Yang: Ambiguous make people become greedy until waiting lost its means pity that me and you could not write out an renuzap.podarokideal.ru://renuzap.podarokideal.ru · Clip de Rainie Yang sur Ambiguous Pour le Drama "Devil Beside You" avec Mike He Jun Xiangrenuzap.podarokideal.ru Yesterday was Taiwanese actress-singer Rainie Yang’s 31st birthday and she posted a youthful-looking selfie on Weibo of herself with the peace sign. Her rumoured boyfriend, Chinese singer-songwriter Li Ronghao, posted an ambiguous birthday wish on Weibo yesterday morning without saying to whom the blessing was meant for, causing fans to renuzap.podarokideal.ru Ambiguous by Rainie Yang. Ambiguous let people feel wronged. Could not find the evidence of loving each other. When should go forward, when should give up. Even do not have courage to hug. Ambiguous make people become greedy. Until waiting lost its means. Pity renuzap.podarokideal.ru download it here at sugarpain_music the post will be public for 48 hours [: join to see more posts Yang began her career as a member of the all-girl singing group 4 in Love, where she was given the stage name of renuzap.podarokideal.ru://renuzap.podarokideal.ru Rainie Yang - Listen to Rainie Yang on Deezer. With music streaming on Deezer you can discover more than 56 million tracks, create your own playlists, and share your favourite tracks with your renuzap.podarokideal.ru://renuzap.podarokideal.ru Rainie Yang (traditional Chinese: 楊丞琳; simplified Chinese: 杨丞琳; pinyin: Yáng Chénglín; born June 4, in Taipei, Taiwan) is a popular Chinese singer, actress, and talk show host. -
Shadowrun: Hong Kong
SHADOWRUN HONG KONG MEL ODOM BASED ON A STORY BY HAREBRAINED SCHEMES PROLOGUE RAYMOND BLACK The Redmond Barrens Seattle United Canadian and American States 2044 I’ll never forget the night I met Raymond Black, mostly because I’d believed Duncan was going to die and leave me all alone. Raymond Black changed that. He changed a lot of things. Me and Duncan, we’d been alone for a long time. I was a couple years older than him, so I could remember back farther than he could, but every time I did, all I could recall were the foster homes I got bounced out of regularly. The longest I’d ever stayed in one was with the Croydon family for two years. They taught me how to pick pockets, hotwire a car, fight with a blade, and pick a lock. When I turned thirteen, I used those skills to get away from them and escape into the shadows. A few months after that, I found Duncan Wu living on dumpster food in an alley. He hadn’t run away from his foster home to find something better. He’d run for his life. His foster parents had set up a deal to sell him and the three other kids to a sex slave ring. He was the only one who’d gotten away. Part of me wanted to leave him there, but I couldn’t because I knew from the shape he was in, starving and covered in sores, he wouldn’t make it on his own. So I’d taken him with me, fed him, sheltered him, and gotten him as healthy as we could be under the circumstances. -
TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 Pm
TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 pm – Opening Film HEAVY CRAVING Billy Wilder Theater In a special celebration, UCLA Film & Television Archive and Taiwan Academy in Los Angeles are excited to accompany the North American premiere of the film with a guest appearance by the film’s acclaimed Director/Screenwriter Hsieh Pei-ju, who will participate in a post-screening Q&A. HEAVY CRAVING (2019) Synopsis: a talented chef for a preschool run by her demanding mother, Ying-juan earns praise for her culinary creations but scorn for her weight. Even the children she feeds have dubbed her “Ms. Dinosaur” for her size. Joining a popular weight loss program seems like an answer but it’s the unlikely allies she finds outside the program—and the obstacles she faces in it—that help her find a truer path to happiness. Writer-director Hsieh Pei-ju doesn’t shy away from the darker sides of self-discovery in what ultimately proves a rousing feature debut, winner of the Audience’s Choice award at this year’s Taipei Film Festival. Director/Screenwriter: Hsieh Pei-ju. Cast: Tsai Jia-yin, Yao Chang, Samantha Ko. October 19, 2019 3:00 pm – “Focus on Taiwan” Panel Billy Wilder Theater Admission: Free With the ‘Focus on Taiwan’ panel UCLA Film & Television Archive and Taiwan Academy in Los Angeles are thrilled to present a curated afternoon of timely conversations about issues facing the Taiwan film industry at home and abroad, including gender equality and inclusion of women and the LGBTQ community on screen and behind the camera, the challenges of marketing Taiwanese productions internationally and more. -
The Iafor Journal of Media, Communication & Film
the iafor journal of media, communication & film Volume 3 – Issue 1 – Spring 2016 Editor: James Rowlins ISSN: 2187-0667 The IAFOR Journal of Media, Communication & Film Volume 3 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum IAFOR Journal of Media, Communication & Film Editor: James Rowlins, Singapore University of Technology and Design, Singapore Associate Editor: Celia Lam, University of Notre Dame Australia, Australia Assistant Editor: Anna Krivoruchko, Singapore University of Technology and Design, Singapore Advisory Editor: Jecheol Park, National University of Singapore, Singapore Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-0667 Online: JOMCF.iafor.org Cover photograph: Harajuku, James Rowlins IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 Edited by James Rowlins Table of Contents Notes on Contributors 1 Introduction 3 Editor, James Rowlins Interview with Martin Wood: A Filmmaker’s Journey into Research 5 Questions by James Rowlins Theorizing Subjectivity and Community Through Film 15 Jakub Morawski Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers 22 Zoran Lee Pecic On Using Machinima as “Found” in Animation Production 36 Jifeng Huang A Story in the Making: Storytelling in the Digital Marketing of 53 Independent Films Nico Meissner Film Festivals and Cinematic Events Bridging the Gap between the Individual 63 and the Community: Cinema and Social Function in Conflict Resolution Elisa Costa Villaverde Semiotic Approach to Media Language 77 Michael Ejstrup and Bjarne le Fevre Jakobsen Revitalising Indigenous Resistance and Dissent through Online Media 90 Elizabeth Burrows IAFOR Journal of Media, Communicaion & Film Volume 3 – Issue 1 – Spring 2016 Notes on Contributors Dr. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). -
A Fervent Plea to Renew an Old Idea
14 書香人生 B O O K S & R E V I E W S SUNDAY, MARCH 21, 2010 • TAIPEI TIMES Hardcover: US CD Reviews: Taiwan A fervent plea to renew an old idea Leading historian and thinker Tony Judt explains how returning to social democracy can counter today’s social ills BY DWIGht Garner NY TIMES NEWS SERVICE, NEW YORK he British historian Tony Judt is dying, slowly and painfully, PUBLICATION NOTES T from a variant of amyotrophic lateral sclerosis (ALS), better known The Peppermints (薄荷葉) Windmill (風籟坊) Rainie Yang (楊丞琳) Various artists (合輯) as Lou Gehrig’s disease. He has written matter-of-factly about his Banished (流放地) Demo II (Demo 乙) Rainie & Love (雨愛) Monga Original Sound Track (艋舺原聲帶) condition — he is now, essentially, myspace.com/twpeppermints White Wabbit Records Sony Music Sony Music a quadriplegic — in The New York Review of Books. At some point he will be able to communicate only aving been together for more paper, Windmill (風籟坊) sounds ainie Yang (楊丞琳) has come a he blockbuster movie of the year by blinking an eye. For now he is than a decade — practically an ON like the typical Taiwanese indie long way, evolving from her girl- also comes with an envelope- dictating his words to assistants. H eternity for a Taiwanese indie band. Its sound is full of references to R next-door role in the landmark T pushing original sound track, Best known for his book Postwar: band — the Peppermints (薄荷葉) are Brit-pop, post-punk, post-rock and Neil idol soap opera The Meteor Garden (流 an extravagant double CD plus a A History of Europe Since 1945 showing their age, and in a good way. -
The Rural Chinese Town Becoming a Global Skiing Hub
The Rural Chinese Town Becoming a Global Skiing Hub Follow China Intercontinental Press Us on Advertising Hotline WeChat Now 城市漫步珠 国内统一刊号: 三角英文版 that's guangzhou that's shenzhen CN 11-5234/GO FEBRUARY 2018 02月份 让温暖住下来 Stay Warm About Lingnan Residence Lingnan Residence is a long-stay service apartment brand under the Lingnan Group. Heritage Lingnan hospitality boasts cutting-edge fashionable and warm living, as well as superior personalized services and Lingnan hotel star quality service. Apartment types: Studio, one bedroom, two bedrooms Experience traditional Lingnan hospitality and become part of this enticing lifestyle and culture, while enjoying the city and surrounding neighborhood! Relaxing Ambiance: Double-sided soft and hard mattress | Soundproof and shaded room | High-tech bathroom 'Smart' Home: Intelligent control panel | Environmentally-friendly materials | Intelligent app control | High-speed internet Housekeeping Service: Professional and accomodating hotel service | 24-hour housekeeping service Community Life: Library | Board game | Outdoor activities | VR viewing room | Common kitchen | O2O cross-border activities Service Facilities: Welcome fruit basket | Gym | Daily breakfast | International satellite TV system For any inquiries, please contact Ms. Huang at 020 8666 2023 or 181 2686 6762. Address: J block, China Hotel, A Marriott Hotel, 122 Liu Hua Road, Guangzhou that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : -
Bleeding Steel to Be Released in Imax® Theatres Across China on December 22
BLEEDING STEEL TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA ON DECEMBER 22 Beijing-December 11, 2017- IMAX China Holding, Inc. (HKSE:1970) today announced that Bleeding Steel will be digitally remastered into the IMAX 3D format and released in IMAX® theatres across China on December 22. The film is produced by Heyi Pictures Co.,Ltd and distributed by Alibaba Pictures. Bleeding Steel is also Jackie Chan’s sixth film on IMAX screens. Directed by Zhang Lijia, Bleeding Steel stars Jackie Chan and a list of Chinese and western talents, including Show Lo, Nana Ouyang, Yunshan Xiahou, Callan Mulvey, Tess Haubrich, Damien Garvey. It is the sixth Jackie Chan’s film presented in IMAX® theaters. The film is an action thriller with sci-fi elements, and it tells the story of a special policeman’s endeavor of rescuing his daughter from multiple dark forces, who are interested in the mysterious material injected into the girl’s heart as a way to save her life when she was little. The film will not only offer amazing action scenes by Jackie Chan on the roof of Sydney Opera House, but also features fierce gunfight and explosion scenes produced by top post production teams. On December 22, the audience will be able to join the heroic journey of Bleeding Steel in IMAX® theatres across China. The IMAX 3D release of Bleeding Steel will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal- clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie. -
Circular Is Important and Requires Your Immediate Attention
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION. If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer or other registered institution in securities, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in eSun Holdings Limited (the “Company”), you should at once hand this circular and the accompanying form of proxy to the purchaser(s), or the transferee(s) or to the licensed securities dealer or other registered institution in securities, bank or other agent through whom the sale or transfer was effected for transmission to the purchaser(s) or the transferee(s). This circular appears for information purposes only and does not constitute an invitation or offer to acquire, purchase or subscribe for securities of the Company. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. eSun Holdings Limited (Incorporated in Bermuda with limited liability) (Stock Code: 571) POSSIBLE VERY SUBSTANTIAL ACQUISITION AND NOTICE OF SPECIAL GENERAL MEETING Capitalised terms used in the lower portion of this cover page shall have the same respective meanings as those defined in the section headed “Definitions” in this circular. A letter from the Board is set out on pages 7 to 23 of this circular. -
Mourning Love: Queer Performativity and Transformation in Zero Chou's
Concentric: Literary and Cultural Studies 35.2 Sept. 2009: 277-307 Mourning Love: Queer Performativity and Transformation in Zero Chou’s Spider Lilies and Splendid Float Ivy I-chu Chang Foreign Languages and Literatures Department National Chiao Tung University, Taiwan Abstract This paper looks at the role of gay and lesbian performativity, mourning and (individual and communal) transformation in Zero Chou’s Spider Lilies (2007) and Splendid Floa t (2004). Chou shows us the close relation between loss of the love object, the ambivalence or destabilization of self-identity and the need for mourning that marks the gay and lesbian collective imagination. On the line between male/female, straight/gay, life/death and mourning/melancholia, the lesbian Po (Femme) in “Spider Lilies” and gay drag queen in “Splendid Float” perform a hyperbolically feminine role, thereby confusing heterosexual desire and parodying the binary logic of heterosexual representation. Also, through the force of their queer performativity, they transform their own shame and grief. Little Green as Po transforms her shame and is reconciled with the inner child of her past, thus re-affirming her lesbian desire and identity. Ai-wei/Rose and his drag queen friends open up a space of hybridization: their nightly show absorbs the force of communal, native Taiwanese village culture, and the patriarchal Taoist funeral for Rose’s lost love Sunny is infiltrated with queer desire, proliferating the possible forms of gay performativity and representation. Keywords Zero Chou ( 周美玲), gay, lesbian, queer, desire, identity, Taiwanese cinema, Tongzhi , performativity, shame, mourning, melancholia 278 Concentric 35.2 (Sept. 2009): 277-307 In Zero Chou’s (周美玲) gay and lesbian films, love and sex have always been recuperated in the form of mourning, as gay and lesbian characters struggle in vain to forsake their beloveds. -
Grooving with New Cultures
14 發光的城市 A R O U N D T O W N FRIDAY, SEPTEMBER 24, 2010 • TAIPEI TIMES BY DAVid CHEN COMPILED BY MUSIC STOP NOAH BUCHAN Grooving with new cultures etizens and paparazzi were Teacher (麻辣鮮師) and more Moving Sound (聲動劇場), one of abroad as a modern twist on traditional get a taste of different cultures — they says to expect a humorous presentation salivating at the prospect recently in Jay Chou’s flop Taiwan’s most prominent world Taiwanese musical theater combined with will be learning more about their own. with a guest male rapper decked out that Mando-pop diva Jolin Pandaman (熊貓人), is worried music troupes, is back with a set of melodies and grooves from Central Asia The group plans a special performance in traditional robes playing the 蔡依林 Anew material that will be presented in and India. of the song Toh De Gong (土地公伯), or part of the Earth God, as well as a NTsai ( ) might have a new about his image, he should follow man. The rumors began over the in the footsteps of singer Van two separate shows at the Red House Hsieh says they are making a “Earth God,” from their latest album, choreographed dance featuring Hsieh weekend when bloggers spotted Ness Wu (吳建豪) and become a Theater (紅樓劇場) tomorrow. conscious effort to present world music Starshine. Even though the Earth God and the a capella group. Tsai holding hands with Vivian born-again Christian. Then all past The group, led by co-founders Mia in Taiwan as a way “to understand is one of the most common folk deities, Dawson, a 26-year old half- indiscretions would be forgiven.