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4Q17 Earnings Call Presentation January 24, 2018
The Venetian Macao Sands Cotai Central, Macao Marina Bay Sands, Singapore The Parisian Macao 4Q17 Earnings Call Presentation January 24, 2018 Sands Macao Four Seasons Macao Sands Bethlehem The Venetian Las Vegas The Palazzo, Las Vegas Forward Looking Statements This presentation contains forward-looking statements that are made pursuant to the Safe Harbor Provisions of the Private Securities Litigation Reform Act of 1995. Forward-looking statements involve a number of risks, uncertainties or other factors beyond the company’s control, which may cause material differences in actual results, performance or other expectations. These factors include, but are not limited to, general economic conditions, competition, new development, construction and ventures, substantial leverage and debt service, fluctuations in currency exchange rates and interest rates, government regulation, tax law changes and the impact of U.S. tax reform, legalization of gaming, natural or man-made disasters, terrorist acts or war, outbreaks of infectious diseases, insurance, gaming promoters, risks relating to our gaming licenses, certificate and subconcession, infrastructure in Macao, our subsidiaries’ ability to make distribution payments to us, and other factors detailed in the reports filed by Las Vegas Sands with the Securities and Exchange Commission. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date thereof. Las Vegas Sands assumes no obligation to update such information. Within this presentation, -
Absolutely Fabulous, 世均) Offer an Example of a Dreamy Celebrity Mar- Sodagreen (蘇打綠) Is That Rare Indie Band Riage Gone Sour
14 發光的城市 A R O U N D T O W N FRIDAY, JANUARY 1, 2010 • TAIPEI TIMES BY AndreW C.C. HuanG MUSIC STOP COMPILED BY HO YI Chen (陳泰銘) held last Saturday? Never hap- Absolutely pened? And anyway, Chen was still married last time local paparazzi checked. As for Hong Kong’s former diva Cherie Chung (鍾楚紅), the 49-year-old widow personally denied the speculation about fabulous her upcoming wedding with a certain wealthy Jolin Tsai, below, businessman from Singapore. is moving on While Hou has found her Mr Right, Jolin from pretty-faced Tsai (蔡依林) is getting cozy with fast-rising idol Eddie Peng model Godfrey Kao (高以翔), whose previous to model Godfrey claim to fame was his pair of delectable pinkish Kao, right. nipples, which he flagrantly exposed in his photo PHOTOS: TAIPEI TIMES book. It’s only a matter of time before intimate comparisons will be made between Kao and Tsai’s old flame Jay Chou (周杰倫). So what is the Mando-pop king, self-made film director and occasional actor doing with his love life? Not much. Unless you count the banter and teasing exchanges between him and supermodel-turned-actress Lin Chi-ling (林志玲) during the promotions for the fantasy adventure The Treasure Hunter (刺陵). The way Pop Stop sees it, the real-life flirting between the two is more convincing that the on-screen romance that they share in the movie, which was killed by the embarrassingly coy lines and dumb jokes that filled the clunky script. Finally, model-turned-housewife Hung Hsiao-lei (洪曉蕾) and her CEO-husband Wang Shih-chun (王 ndisputedly talented and absolutely fabulous, 世均) offer an example of a dreamy celebrity mar- Sodagreen (蘇打綠) is that rare indie band riage gone sour. -
Rainie Yang Ambiguous Download
Rainie yang ambiguous download LINK TO DOWNLOAD Las letras y el video de la canción Ambiguous de Rainie Yang: Ambiguous make people become greedy until waiting lost its means pity that me and you could not write out an renuzap.podarokideal.ru://renuzap.podarokideal.ru · Clip de Rainie Yang sur Ambiguous Pour le Drama "Devil Beside You" avec Mike He Jun Xiangrenuzap.podarokideal.ru Yesterday was Taiwanese actress-singer Rainie Yang’s 31st birthday and she posted a youthful-looking selfie on Weibo of herself with the peace sign. Her rumoured boyfriend, Chinese singer-songwriter Li Ronghao, posted an ambiguous birthday wish on Weibo yesterday morning without saying to whom the blessing was meant for, causing fans to renuzap.podarokideal.ru Ambiguous by Rainie Yang. Ambiguous let people feel wronged. Could not find the evidence of loving each other. When should go forward, when should give up. Even do not have courage to hug. Ambiguous make people become greedy. Until waiting lost its means. Pity renuzap.podarokideal.ru download it here at sugarpain_music the post will be public for 48 hours [: join to see more posts Yang began her career as a member of the all-girl singing group 4 in Love, where she was given the stage name of renuzap.podarokideal.ru://renuzap.podarokideal.ru Rainie Yang - Listen to Rainie Yang on Deezer. With music streaming on Deezer you can discover more than 56 million tracks, create your own playlists, and share your favourite tracks with your renuzap.podarokideal.ru://renuzap.podarokideal.ru Rainie Yang (traditional Chinese: 楊丞琳; simplified Chinese: 杨丞琳; pinyin: Yáng Chénglín; born June 4, in Taipei, Taiwan) is a popular Chinese singer, actress, and talk show host. -
My Life in My Country Pong Zhi Chan My Life I Lived in Guangzhou. I
Class 2P: My Life in My Country Pong Zhi Chan My Life I lived in Guangzhou. I spent my childhood in Guangzhou. When I was seven years old, I went to Kwen Sin Elementary School and after that I went to No. 38 Middle School in 1968. I went to the countryside to be a farmer in 1980. Later I came back to Guangzhou to work in Nan Fong Hotel. In my free time, I went to the movies with my mother and father because I liked movies very much. Later my family immigrated to the U.S.A. My life is very simple because I don’t like to go anywhere. Xiu Jie Cui My Life in China I was born in Jilin, China. I have two brothers and two sisters. My family was big, but I was not happy because when I was twelve years old, my father passed away. So I didn’t have a happy childhood. I went to school for a total of ten years. I was a teacher. I worked hard. My classes had lots of students, so I had lots of stress. I didn’t have good health. Every day I felt tired. I worked for twenty-five years. I had a big home. My husband was a teacher too. He was a patient man. We had one son. I had a happy home. When I had free time, I cooked lots of food. I made some dumplings and put them in the freezer, so we could eat them anytime. It was convenient. -
Shadowrun: Hong Kong
SHADOWRUN HONG KONG MEL ODOM BASED ON A STORY BY HAREBRAINED SCHEMES PROLOGUE RAYMOND BLACK The Redmond Barrens Seattle United Canadian and American States 2044 I’ll never forget the night I met Raymond Black, mostly because I’d believed Duncan was going to die and leave me all alone. Raymond Black changed that. He changed a lot of things. Me and Duncan, we’d been alone for a long time. I was a couple years older than him, so I could remember back farther than he could, but every time I did, all I could recall were the foster homes I got bounced out of regularly. The longest I’d ever stayed in one was with the Croydon family for two years. They taught me how to pick pockets, hotwire a car, fight with a blade, and pick a lock. When I turned thirteen, I used those skills to get away from them and escape into the shadows. A few months after that, I found Duncan Wu living on dumpster food in an alley. He hadn’t run away from his foster home to find something better. He’d run for his life. His foster parents had set up a deal to sell him and the three other kids to a sex slave ring. He was the only one who’d gotten away. Part of me wanted to leave him there, but I couldn’t because I knew from the shape he was in, starving and covered in sores, he wouldn’t make it on his own. So I’d taken him with me, fed him, sheltered him, and gotten him as healthy as we could be under the circumstances. -
TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 Pm
TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 pm – Opening Film HEAVY CRAVING Billy Wilder Theater In a special celebration, UCLA Film & Television Archive and Taiwan Academy in Los Angeles are excited to accompany the North American premiere of the film with a guest appearance by the film’s acclaimed Director/Screenwriter Hsieh Pei-ju, who will participate in a post-screening Q&A. HEAVY CRAVING (2019) Synopsis: a talented chef for a preschool run by her demanding mother, Ying-juan earns praise for her culinary creations but scorn for her weight. Even the children she feeds have dubbed her “Ms. Dinosaur” for her size. Joining a popular weight loss program seems like an answer but it’s the unlikely allies she finds outside the program—and the obstacles she faces in it—that help her find a truer path to happiness. Writer-director Hsieh Pei-ju doesn’t shy away from the darker sides of self-discovery in what ultimately proves a rousing feature debut, winner of the Audience’s Choice award at this year’s Taipei Film Festival. Director/Screenwriter: Hsieh Pei-ju. Cast: Tsai Jia-yin, Yao Chang, Samantha Ko. October 19, 2019 3:00 pm – “Focus on Taiwan” Panel Billy Wilder Theater Admission: Free With the ‘Focus on Taiwan’ panel UCLA Film & Television Archive and Taiwan Academy in Los Angeles are thrilled to present a curated afternoon of timely conversations about issues facing the Taiwan film industry at home and abroad, including gender equality and inclusion of women and the LGBTQ community on screen and behind the camera, the challenges of marketing Taiwanese productions internationally and more. -
MAA AMC 8 C Summary of Results and Awards
A 2009 25th Annual M MAA AMC 8 C Summary of Results and Awards Learning Mathematics Through Selective Problem Solving amc.maa.org Examinations prepared by a subcommittee of the American Mathematics Competitions 8 and administered by the office of the Director ©2010 The Mathematical Association of America The American Mathematics Competitions are sponsored by The Mathematical Association of America and The Akamai Foundation Contributors: Academy of Applied Sciences American Mathematical Association of Two-Year Colleges American Mathematical Society American Statistical Association Art of Problem Solving Awesome Math Canada/USA Mathcamp Casualty Actuarial Society D.E. Shaw & Company IDEA Math Institute for Operations Research and the Management Sciences Math Zoom Academy Mu Alpha Theta National Council of Teachers of Mathematics Pi Mu Epsilon Society of Actuaries U.S.A. Math Talent Search W. H. Freeman and Company Wolfram Research Inc. Table Of COnTenTs 2010 USAMO Winners meet with John P. Holdren ............................................ 2 Report of the Director ..........................................................................................3 I. Introduction .................................................................................................... 3 II. General Results .............................................................................................. 3 III. Statistical Analysis of Results ......................................................................... 3 Table 1 - School & Student Registrations -
The Iafor Journal of Media, Communication & Film
the iafor journal of media, communication & film Volume 3 – Issue 1 – Spring 2016 Editor: James Rowlins ISSN: 2187-0667 The IAFOR Journal of Media, Communication & Film Volume 3 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum IAFOR Journal of Media, Communication & Film Editor: James Rowlins, Singapore University of Technology and Design, Singapore Associate Editor: Celia Lam, University of Notre Dame Australia, Australia Assistant Editor: Anna Krivoruchko, Singapore University of Technology and Design, Singapore Advisory Editor: Jecheol Park, National University of Singapore, Singapore Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-0667 Online: JOMCF.iafor.org Cover photograph: Harajuku, James Rowlins IAFOR Journal of Media, Communication & Film Volume 3 – Issue 1 – Spring 2016 Edited by James Rowlins Table of Contents Notes on Contributors 1 Introduction 3 Editor, James Rowlins Interview with Martin Wood: A Filmmaker’s Journey into Research 5 Questions by James Rowlins Theorizing Subjectivity and Community Through Film 15 Jakub Morawski Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers 22 Zoran Lee Pecic On Using Machinima as “Found” in Animation Production 36 Jifeng Huang A Story in the Making: Storytelling in the Digital Marketing of 53 Independent Films Nico Meissner Film Festivals and Cinematic Events Bridging the Gap between the Individual 63 and the Community: Cinema and Social Function in Conflict Resolution Elisa Costa Villaverde Semiotic Approach to Media Language 77 Michael Ejstrup and Bjarne le Fevre Jakobsen Revitalising Indigenous Resistance and Dissent through Online Media 90 Elizabeth Burrows IAFOR Journal of Media, Communicaion & Film Volume 3 – Issue 1 – Spring 2016 Notes on Contributors Dr. -
Tufts Student Life
Tufts University 1 7 - 1 8 Center for STEM Diversity Resume Book Full Time Interns Janani Baskaran Christopher Camacho Osvaldo Calzada Michelle Chan Raymond Fasano Donna Chen August Freshette Kathryn Elliott Aleksandr Kirpach Laurel Howell Chengli Li Vincent Hwang Millicent Lin Aruni Kacker Cionna Orr Martin Majkut Taseen Rahman Catherine Melsky Danielle Skufca Sarah Morton Megan Tse Erick Orozco Justin Reyes Gerson Salmeron Rubio Steven Schwab Katie Semple Isabel Smokelin Martina Tan Tufts Career Center | go.tufts.edu/careercenter | 617.627.3299 Center for STEM Diversity Members by Major Applied Mathematics Computer Science Chengli Li Michelle Chan Donna Chen Biochemistry Electrical Engineering Steven Schwab Kathryn Elliott Danielle Skufca Biomedical Engineering Janani Baskaran Mechanical Engineering Laurel Howell Osvaldo Calzada Millicent Lin Vincent Hwang Taseen Rahman Raymond Fasano Isabel Smokelin August Frechette Megan Tse Aruni Kacker Martin Majkut Chemical Engineering Catherine Melsky Justin Reyes Cionna Orr Katie Semple Civil Engineering Physics Aleksandr Kirpach Erick Orozco Sarah Martin Cognitive & Brain Sciences Martina Tan Computer Engineering Christopher Camacho Michelle Chen Gerson Salmeron Rubio Tufts Career Center | go.tufts.edu/careercenter | 617.627.3299 Janani Baskaran Acton, MA 01720 Tel: 978-844-6985 (cell) Email: [email protected] EDUCATION Tufts University School of Engineering, Medford, MA Bachelor of Science in Biomedical Engineering, Minor in Engineering Management, May 2019 GPA: 3.63, Dean’s List Relevant -
Shanghai and Beijing Travel Report 2010
Shanghai International Film Festival and Market, Shanghai and Beijing meetings Report by Chris Oliver and Ross Matthews To report that the China screen landscape is undergoing change is not new news. All facets of the screen industry development, production, distribution, exhibition and broadcasting are going through change – a change that is in a positive direction. The change in the way the Chinese industry is engaging with the rest of world’s screen industries, including the way Government instrumentalities are relating to other countries (eg treaties) will be of real benefit to the Chinese and the international screen industry. Australia is well placed to benefit from those changes if (that’s capital IF) Australian producers/players understand the rules of engagement with Chinese producers, broadcasters and exhibitors and the Chinese government departments involved in implementing government policy. Why should Australia engage with China? There are obvious commercial reasons. Firstly, the Chinese gross box office (GBO) has increased by at least 30 per cent in the last year to US$909 million – and has now surpassed Australia to be number six in the world. According to those we had discussions with in China and what can be gleaned from the screen press, the China GBO will grow by at least a further 40 per cent in the 2010 calendar year! Secondly, China’s population has an ever-increasing level of Abbreviations disposable income to underpin AIDC Australian International Documentary Conference the cinema ticket price of $6–10: CCTV China Central Television TRAVELREPORT it’s been reported that middle CFCC China Film Co-production Corporation class numbers will exceed those CFGC China Film Group Corporation in the US by 2020. -
Bsc (Honours) Tourism Management
Faculty of Organisation and Management BSc (Honours) Tourism Management Title File-induced tourism in Asia: A case study of Taiwanese television drama and Hong Kong adult’s viewers’ motivation to visit Taiwan Name Chan Po Kei Student No 91203295 Month Year April 2009 Sheffield Hallam University Faculty of Organisation and Management Title File-induced tourism in Asia: A case study of Taiwanese television drama and Hong Kong adult’s viewers’ motivation to visit Taiwan FULL NAME Chan Po Kei STUDENT No 91203295 Supervisor: Dr. Connie Mok In partial fulfilment of the requirements for the degree of Bachelor of Science in Tourism Management. Month Year April 2009 Acknowledgments I would like to express my sincere appreciation to my dissertation supervisor, Dr. Connie Mok for her guidance, patience and valuable advice given during the whole process of completing this study. I become relaxed and confident of my dissertation after she shared her self-experience and expression to me. I am pleased with the support and encouragement of my family and friends. I would like to thank Pako, Nick, Yan, Redness, Karen, William, Mayumi, Tracy and Gary. I would also like to thank every participant of the focus groups. They provided useful and valuable information and ideas for the primary research. Abstract It is believed that films or television dramas might have an impact on tourism by encouraging tourists to visit the places or attractions which were screened (Riley and Van Doren 1992, Busby and Klug 2001). Although there has been an increasing trend of tourism research about film-induced tourism, its focus was mostly on specific sites in western countries. -
Janus-Faced Hana Yori Dango : Transnational Adaptations in East Asia and the Globalization Thesis
Lingnan University Digital Commons @ Lingnan University Staff Publications Lingnan Staff Publication 3-2014 Janus-faced Hana yori dango : Transnational Adaptations in East Asia and the Globalization Thesis Tak Hung, Leo CHAN Lingnan University, Hong Kong Follow this and additional works at: https://commons.ln.edu.hk/sw_master Part of the Translation Studies Commons Recommended Citation Chan T.H.L (2014). Janus-faced Hana yori dango: Transnational Adaptations in East Asia and the Globalization Thesis. Asian Cultural Studies, 40, 61-77. This Journal article is brought to you for free and open access by the Lingnan Staff Publication at Digital Commons @ Lingnan University. It has been accepted for inclusion in Staff Publications by an authorized administrator of Digital Commons @ Lingnan University. Janus-faced Hana yori dango: Transnational Adaptations in East Asia and the Globalization Thesis Leo Tak-hung Chan Theories of regional formation need to be rigorously examined in relation to East Asian popular culture that has been in circulation under the successive “waves” of Japanese and Korean TV dramas from the 1990s onward. Most overviews of the phenomenon have concentrated on the impact on the region of Japanese, then Kore- an, TV products as they spread southward to the three Chinese communities of Taiwan, Hong Kong and Mainland China. In the voluminous studies devoted to the subject, most conspicuously represented by those of Iwabuchi Koichi, two outstand- ing points of emphasis are noteworthy.1) First, the majority of evidence is drawn from the so-called “trendy” love dramas, like Tokyo Love Story (1991), Long Vacation (1996), Love Generation (1996) and Beautiful Life (2000) from Japan as well as Autumn Tale (2000) and Winter Sonata (2002) from Korea.2) Many of them were so successful that they altered TV drama production in the receptor communities.