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“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
The Wanderer”
Dion – From “A Teenager in Love” to “The Wanderer” Dion (left) and the Belmonts Although he originally emerged as a swaggering, Doo Wop-singing teen idol in the late 1950s, streetwise New Yorker Dion DiMucci (better known simply as Dion) quickly showed himself to be a sublimely soulful vocalist as well as an artist of depth and versatility. His musical sensibility was shaped by the Blues, R&B and Country records he heard while growing up in the Bronx in the pre- Rock and Roll 1950s. After an unsuccessful 1957 solo single, he recruited harmonizing neighborhood pals Carlo Mastrangelo, Fred Milano, and Angelo D'Aleo to form the Belmonts. With Dion singing lead, the foursome scored a series of hits — "I Wonder Why," "No One Knows," "A Teenager in Love," "Where or When" — whose adolescent orientation couldn't disguise DiMucci's fluid, deeply expressive singing. Dion went solo in 1960, and scored even greater success with such smashes as "Runaround Sue," "Lovers Who Wander" and the anthemic "The Wanderer" – adopting a more macho persona as credible as the youthful longing expressed in “A Teenager in Love.” After signing with Columbia Records in 1962, he began to emerge as a distinctive songwriter, while experimenting with a grittier Blues-Folk-Rock style that showed him to be in tune with the changing musical times. Little of that material was released at the time, and that which was released didn't sell well. A 1966 reunion album with the Belmonts was better received, and in 1968 Dion experienced a life-changing religious conversion and conquered a longstanding heroin addiction. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
Women in Rock OLLI Berkeley Course Material
Syllabus for Women in Rock: From the 1950s to the 1980s Instructor: Richie Unterberger, [email protected] OLLI Berkeley Week One: Women in Rock: The Early Years and The Girl Groups In the 1950s, rhythm and blues singers like Ruth Brown and LaVern Baker have some of the first rock’n’roll hits; Wanda Jackson and the Collins Kids are top rockabilly acts; and Brenda Lee becomes the first woman rock superstar. As New York’s Brill Building becomes established as the top place for rock publishers, women like Carole King, Cynthia Weil, and Ellie Greenwich become some of pop-rock’s most successful songwriters. Girl groups like the Shirelles, the Crystals, the Ronettes, the Chiffons, and the Cookies have numerous hits in the early 1960s, forming one of the major trends in rock of the period. In the early 1960s, some of the most R&B-oriented girl groups become some of the first soul stars, especially for Motown Records, with the Marvelettes, Martha & the Vandellas, the Supremes, and Mary Wells. Week Two: Women in Soul and British Rock Women soul singers emerge throughout the country, some of them more pop-oriented (Maxine Brown, Dionne Warwick), some of them earthier (Carla Thomas, Irma Thomas, Etta James). Aretha Franklin is anointed the Queen of Soul after moving to Atlantic Records and adopting a tougher, more spiritual sound. Other women soul singers with a forceful style emerge and increase in popularity, like Gladys Knight, Nina Simone, and the Staple Singers. Although all-male guitar bands dominate the British Invasion, a good number of women singers also make an impact both in their native UK and in the US. -
Jimi Hendrix the Collector’S 1969: Studio, Private, Related & Remixed Recordings
Jimi Hendrix The Collector’s 1969: Studio, Private, Related & Remixed Recordings Studio & Private pg. 2 – 115 Related & Remixed pg. 116 – 131 Cover Sources pg. 131 – 136 Brief CD Track List pg. 137 – 147 Song Index pg. 148 – 153 Flac Fingerprints pg. 154 – 161 The intention of this set is to bring together all 1969 Hendrix-related recordings in the best available sound quality and the most complete versions. As with all reference works of this magnitude there are likely unintended errors in spite of diligent efforts to be error free; corrections are encouraged. If you are aware of any upgrades, know of additional tracks that should be included, or have comments about the information presented here please contact [email protected] or [email protected]. This collection was assembled based on information contained at Doug Bell's website, which is compiled from several reference sources: http://home.earthlink.net/~ldouglasbell/jimi.htm. Further details were obtained from Jimpress (2014-2015, From The Benjamin Franklin Studios, 4th edition): http://www.jimpress.co.uk/, Ultimate Hendrix (2009, Backbeat Books), Jimi Hendrix: The Ultimate Lyric Book (2012, Backbeat Books), In From The Storm: http://infromthestorm.net/hendrix.html, and Discogs.com. All tracks are as they appear on their sources, though some sources are known to have utilized normalization, pitch correction, etc. A few tracks have had beginning/ending dead silence removed and are so noted, and track 127 has had a minor non-music patch. Four tracks are lossy and so noted. The track order is roughly from session takes to intermediate mixes to final and alternate mixes; complete versions precede incomplete versions. -
GREATEST Over 55 Pop Music Favorites
GREATEST PIANO • VOCAL • GUITAR HITS Over 55 Pop Music Favorites Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1701-3 ISBN-13: 978-1-4706-1701-1 Contents Title Artist AIN’T THAT A SHAME ........................................................Fats Domino ...................................................... 6 ANOTHER SATURDAY NIGHT ...............................................Sam Cooke ......................................................12 APRIL LOVE ....................................................................Pat Boone ......................................................... 8 BE-BOP-A-LULA ..............................................................Gene Vincent and The Blue Caps ........................... 17 BLUE VELVET ..................................................................Bobby Vinton ....................................................20 C’MON EVERYBODY ..........................................................Eddie Cochran ..................................................28 COME GO WITH ME ...........................................................The Dell-Vikings ................................................32 -
Read Book Lonely Avenue : the Unlikely Life and Times of Doc
LONELY AVENUE : THE UNLIKELY LIFE AND TIMES OF DOC POMUS PDF, EPUB, EBOOK Alex Halberstadt | 272 pages | 26 Feb 2008 | INGRAM PUBLISHER SERVICES US | 9780306815645 | English | Philadelphia, PA, United States Lonely Avenue : The Unlikely Life and Times of Doc Pomus PDF Book He later worked at the Brill building in Manhattan with his partner Mort Shuman. Shop Recordings Buyer's Guides More. Skip to main content. Pomus sometimes had anxiety attacks, and expressed in a journal entry his fear of becoming "a street beggar hustling quarters. Francis D Walker Jr rated it liked it Jun 03, There is no possibility whatsoever of there being another Doc Pomus. He was a master kibitzer, a great listener and, he said, "a mark" for every hustler in the music business. Great songwriter This was a great book, It was cool learning about Doc Pomus and the life he lived. Hardcover Alex Haley Collectibles. Oct 11, Mary Shanley rated it it was amazing. In his later years, Pomus became an elder statesman in the New York City songwriter set, a larger-than-life connection to a lost era, knocking around town with Dr. Best Selling in Nonfiction See all. Want to Read saving…. Options as a Strategic Investment by Lawrence G. About this product. While reading the book, I had to listen to what he had written. Error rating book. January Jazz Record Reviews. Spector refused to set foot in the Spindletop again. Doc Pomus was a brilliant man! Lonely Planet Hardcover Books. Recording of October Rough and Rowdy Ways. Search form Search. Bob Dylan even visited him once to get some help with writer's block. -
The Earl of Her Dreams Pdf, Epub, Ebook
THE EARL OF HER DREAMS PDF, EPUB, EBOOK Anne Mallory | 384 pages | 26 Jan 2007 | HarperCollins Publishers Inc | 9780060872953 | English | New York, United States The Earl of Her Dreams PDF Book Elvis was credited as coauthor of this love ballad, though it was actually composed by Ken Darby, who served as the vocal supervisor on the film. The rock 'n' roll songwriting duo was commissioned to write most of the songs for the movie Jailhouse Rock , though they were less than enthusiastic about the assignment. Ed Wood Elvis recorded hundreds of songs written by a variety of composers during his career, so it is not surprising that some of those songwriters might fall under the heading "peculiar. A dream is a series of sensations, images, or thoughts that pass through a sleeping person's mind. All the musicians contributed something in their own way. Many of Weisman's compositions were written for Elvis' movie soundtracks, so they were intended to fit into the story-line or advance the plot. Alone, Davis wrote two of Elvis' biggest hits of the s, the socially conscious "In the Ghetto" and the sentimental ballad "Don't Cry Daddy. Also consider installing dimmers so that you can control the amount of wattage used throughout the day. Worldwide sales of the tune, according to The Guiness Book of Recorded Sound , eventually exceeded 20 million copies. Selected by Baltimore with the second pick of the NBA draft, Monroe needed only two seasons to lift his team from last place to first, and two more to send the Bullets to the NBA Finals, where they lost to Milwaukee. -
The World of SOUL PRICE: $1 25
BillboardTheSOUL WorldPRICE: of $1 25 Documenting the impact of Blues and R&Bupon ourmusical culture The Great Sound of Soul isonATLANTIC *Aretha Franklin *WilsonPickett Sledge *1°e16::::rifters* Percy *Young Rascals Estherc Phillipsi * Barbara.44Lewis Wi gal Sow B * rBotr ho*ethrserSE:t BUM S010111011 Henry(Dial) Clarence"Frogman" Sweet Inspirations * Benny Latimore (Dade) Ste tti L lBriglit *Pa JuniorWells he Bhiebelles aBel F M 1841 Broadway,ATLANTIC The Great Sound of Soul isonATCO Conley Arthur *KingCurtis * Jimmy Hughes (Fame) *BellE Mg DeOniaCkS" MaryWells capitols The pat FreemanlFamel DonVarner (SouthCamp) *Darrell Banks *Dee DeeSharp (SouthCamp) * AlJohnson * Percy Wiggins *-Clarence Carter(Fame) ATCONew York, N.Y. 10023 THE BLUES: A Document in Depth THIS,the first annual issue of The World of Soul, is the initial step by Billboard to document in depth the blues and its many derivatives. Blues, as a musical form, has had and continues to have a profound effect on the entire music industry, both in the United States and abroad. Blues constitute a rich cultural entity in its pure form; but its influence goes far beyond this-for itis the bedrock of jazz, the basis of much of folk and country music and it is closely akin to gospel. But finally and most importantly, blues and its derivatives- and the concept of soul-are major factors in today's pop music. In fact, it is no exaggeration to state flatly that blues, a truly American idiom, is the most pervasive element in American music COVER PHOTO today. Ray Charles symbolizes the World Therefore we have embarked on this study of blues. -
ANSON FUNDERBURGH Is Back COLIN LINDEN from Canada to Nashville
The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL [email protected] WEB bluesmusicmagazine.com Issue Number One So here we go, our inaugural issue of Blues Music Magazine. This was not my original plan as my sixtieth birthday approaches. It was to slow down, travel the world, and play a little poker. Sometimes the path resets itself, available in this issue and in each issue of the and we are thrown headlong into a new magazine going forward. And our Digital adventure. So why continue on this path? Edition can be viewed on all mobile devices. It is because of the incredible blues In addition, you can participate on our community we have become a part of – our FaceBook page or Twitter and share some of subscribers, advertisers, musicians, and the your favorite blues experiences.