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Faith, Memory, and Barnyard Fowl 57 Faith, Memory, and Barnyard Fowl The Hen and Chicks Sculpture of the Basilica di Giovanni Battista at Monza ELIZABETH ROSE* Within the treasury of the Basilica di San Giovanni Battista, in Monza, Northern Italy, one object stands out: a golden statue of a hen, surrounded by her seven chicks, all placidly pecking grain from a large disk (figure 1). According to local tradition, the hen and her brood were discovered in the thirteenth century within the sarcophagus of Queen Theodelinda (c. 570-628 C.E.), when her remains were transferred from their original resting place in the chapel of her sixth-century palace to Monza’s newly-built basilica.1 * University of Toronto 1 Graziano Alfredo Vergani, Museum and Treasury of Monza Cathedral: Concise Guide (Milano: Silvana, 2007), 14; Matthias Hart, “Royal Treasures and Representation in the Early Middle Ages,” in Strategies of INTAGLIO: University of Toronto Art Journal, Vol. 1, Spring 2019 Elizabeth Rose 58 Among the remnants of medieval treasuries that have managed to survive to the present day, the hen is undoubtedly an unusual piece. Yet it is often described as unique, “un unicum assoluto” without any point of comparison2—an assertion that is patently untrue. The image of a hen and chicks can be traced through diverse media, from art objects to theological tracts, dating from the late Antique to the early Modern era. Figure 1. Statue of a hen and Chicks, gilded silver These repeated applications of and gems. Hen is 40 cm long, 27 cm high; chicks are roughly 7 cm high.
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