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'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
CRY NOW Is a Tale of Passion That Takes Us on a Journey Into Los Angeles’ Eclectic Music and Art Scenes
Miguel Angel Caballero [email protected] www.CryNowMovie.com 310.621.2827 Table of contents ! Synopsis………………………………............... 3 Teaser Link .......................................................4 Press ................................................................5 Press Hooks..................................................... 6 Cast…………………………………………….. 7 Producers / Team………………………………. 10 Collaborators ....................................................12 Director's Biography .........................................15 About Us………………………………………… 16 Contact…………………………………………….18 ! !! ! Logline A restless street artist determined to find the pulse of the city embarks on a journey !where a muse, a wise woman and a lone wolf help him reveal it.! Short Synopsis! CRY NOW is a tale of passion that takes us on a journey into Los Angeles’ eclectic music and art scenes. VINCENT, a restless street artist in search for inspiration meets his muse, LUZY, a tattoo artist, at a backyard boogie. But, when SOFIA, his vengeful ex-girlfriend finds out, she uses his art against him and accuses him of criminal vandalism. With the LAPD in close pursuit, Vincent embarks on a journey where he meets LOBO, a musician, who helps him get away. While on the run, ROSARIO, a wise elder, talks to him about the importance of love and community and reveals to him what inspiration is really about. Reinvigorated, Vincent heads back to find the pulse of the city and plaster its walls with a compelling and uplifting !poster campaign.! ! "3 Teaser Link ! ! ! ! \ ! ! ! ! ! ! ! ! ! ! ! Click here to see the Cry Now teaser (formerly titled Vincent & Luzy) https://vimeo.com/88257531 ! 19 ! “Deeply romantic” American Quarterly ! ! ! ! “Fresh, exuberant!” Indiwire ! ! ! “A stylish Chicano/a reality rarely seen on the big screen” Alegria Magazine PRESS HOOKS ! //Amores Perros Editor of Iñarritu’s Amores Perros and Cary Fukunaga's Sin Nombre, Luis Carballar, couldn’t resist the challenge of making Cry Now a better movie after watching our first assembly. -
Spring 2014 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2014 May 12 - 16, 2014 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Beat the Heat
To celebrate the opening of our newest location in Huntsville, Wright Hearing Center wants to extend our grand openImagineing sales zooming to all of our in offices! With onunmatched a single conversationdiscounts and incomparablein a service,noisy restaraunt let us show you why we are continually ranked the best of the best! Introducing the Zoom Revolution – amazing hearing technology designed to do what your own ears can’t. Open 5 Days a week Knowledgeable specialists Full Service Staff on duty daily The most advanced hearing Lifetime free adjustments andwww.annistonstar.com/tv cleanings technologyWANTED onBeat the market the 37 People To Try TVstar New TechnologyHeat September 26 - October 2, 2014 DVOTEDO #1YOUTHANK YOUH FORAVE LETTING US 2ND YEAR IN A ROW SERVE YOU FOR 15 YEARS! HEARINGLeft to Right: A IDS? We will take them inHEATING on trade & AIR for• Toddsome Wright, that NBC will-HISCONDITIONING zoom through• Dr. Valerie background Miller, Au. D.,CCC- Anoise. Celebrating• Tristan 15 yearsArgo, in Business.Consultant Established 1999 2014 1st Place Owner:• Katrina Wayne Mizzell McSpadden,DeKalb ABCFor -County HISall of your central • Josh Wright, NBC-HISheating and air [email protected] • Julie Humphrey,2013 ABC 1st-HISconditioning Place needs READERS’ Etowah & Calhoun CHOICE!256-835-0509• Matt Wright, • OXFORD ABCCounties-HIS ALABAMA FREE• Mary 3 year Ann warranty. Gieger, ABC FREE-HIS 3 years of batteries with hearing instrument purchase. GADSDEN: ALBERTVILLE: 6273 Hwy 431 Albertville, AL 35950 (256) 849-2611 110 Riley Street FORT PAYNE: 1949 Gault Ave. N Fort Payne, AL 35967 (256) 273-4525 OXFORD: 1990 US Hwy 78 E - Oxford, AL 36201 - (256) 330-0422 Gadsden, AL 35901 PELL CITY: Dr. -
The Walking Dead,” Which Starts Its Final We Are Covid-19 Safe-Practice Compliant Season Sunday on AMC
Las Cruces Transportation August 20 - 26, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Jeffrey Dean Morgan Call us to make is among the stars of a reservation today! “The Walking Dead,” which starts its final We are Covid-19 Safe-Practice Compliant season Sunday on AMC. Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com PHARMACY Providing local, full-service pharmacy needs for all types of facilities. • Assisted Living • Hospice • Long-term care • DD Waiver • Skilled Nursing and more Life for ‘The Walking Dead’ is Call us today! 575-288-1412 Ask your provider if they utilize the many benefits of XR Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. almost up as Season 11 starts Learn more about what we do at www.rxinnovationslc.net2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section August 20 - 26, 2021 What’s Available NOW On “Movie: We Broke Up” “Movie: The Virtuoso” “Movie: Vacation Friends” “Movie: Four Good Days” From director Jeff Rosenberg (“Hacks,” Anson Mount (“Hell on Wheels”) heads a From director Clay Tarver (“Silicon Glenn Close reunited with her “Albert “Relative Obscurity”) comes this 2021 talented cast in this 2021 actioner that casts Valley”) comes this comedy movie about Nobbs” director Rodrigo Garcia for this comedy about Lori and Doug (Aya Cash, him as a professional assassin who grapples a straight-laced couple who let loose on a 2020 drama that casts her as Deb, a mother “You’re the Worst,” and William Jackson with his conscience and an assortment of week of uninhibited fun and debauchery who must help her addict daughter Molly Harper, “The Good Place”), who break up enemies as he tries to complete his latest after befriending a thrill-seeking couple (Mila Kunis, “Black Swan”) through four days before her sister’s wedding but decide job. -
SUBJECT INDEX Volume 1
SUBJECT INDEX A Volume 1 B A–I —Arthur Turns Green. 2014. (Arthur Adventures Ser.). (J). lib. —Who’s in Love with Arthur? (Arthur Chapter Bks.: Bk. 10). —The Errand Boy: Or, How Phil Brent Won Success. 2013. A bdg. 17.20 (978-0-606-34069-4(6)) Turtleback. 57p. (J). (gr. 3-6). pap. 3.95 (978-0-8072-1306-3(3), (Works of Horatio Alger Jr.). 425p. reprint ed. lthr. 79.00 —Arthur Writes a Story. 2004. (Arthur Adventure Ser.). (J). (gr. Listening Library) Random Hse. Audio Publishing Group. (978-0-7812-3566-2(9)) Reprint Services Corp. k-3). spiral bd. (978-0-616-01604-6(2)); spiral bd. Brown, Marc & Sarfatti, Esther. Arturo y la Navidad. 2004. Alonso, Manuel L. Rumbo Sur. 2005. (978-84-263-5948-3(5)) (978-0-616-01605-3(0)) Canadian National Institute for the (SPA.). (J). pap. 6.95 (978-1-930332-48-5(3)) Lectorum Vives, Luis Editorial (Edelvives). ABCBOOKS Blind/Institut National Canadien pour les Aveugles. Pubns., Inc. Baratz-Logsted, Lauren. Jackie’s Jokes. 2009. (Sisters Eight see Alphabet Books —Arthur Writes a Story. 2003. (Arthur Adventure Ser.). (Illus.). deRubertis, Barbara. Marty Aardvark: Vowel Combination Ar. Ser.: 4). (ENG., Illus.). 128p. (J). (gr. 1-4). pap. 6.99 A. D. C. 14.95 (978-1-59319-021-7(2)) LeapFrog Enterprises, Inc. Cockrille, Eva Vagreti, illus. 2006. (Let’s Read Together (r) (978-0-547-05328-8(2), 1036247) Houghton Mifflin Harcourt see Child Welfare —Arthur’s Birthday Surprise. 2004. (ENG., Illus.). 24p. (J). (gr. Ser.). (ENG.). 32p. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Chicano Cinema: ; /2 7 1 a Panoramic View IV David R
Voices of Mexico /April • June, 1995 19 I 0 1: I FM Chicano cinema: ; /2 7 1 a panoramic view IV David R. Maciel* The origins and development of an alternative cinema mid-seventies. Since then, it continues to evolve and develop Chicano narrative cinema is a very recent development in the aesthetically through increasingly compelling stories, strong business of movie-making in the United States, an industry characterization, varied genres and original and innovative that originated almost a century ago. Creatively self- narrative styles. Its evolution in filmic focus and style, which determined, full-length narrative features —written, directed covers its less than 20-year history, reflects the times in or produced by Chicanos— first received wide theatrical which the works were produced and mirrors an implied distribution as late as the 1980s. audience and community posture. As an artistic body of work, Chicano narrative cinema, The small handful of male Chicano directors, writers defined as films with substantial artistic control by and producers is largely perceived by the industry as a Chicanos, debuted only a few years earlier, in the marginal creative community with high-risk, unmarketable product. In fact, even today, Chicanos are the most * Professor in the Department of History at the University of New Mexico. under-represented ethnic group in influential positions which L.A. deportation raid in the 1930s (scene from Break of Dawn). 20 Voices of Mexico /April • lune, 1995 exert artistic control or foster cinema projects.' Not Continental Films. By the early 1980s, however, the three surprisingly, as twice a minority, Chicana filmmakers have features, along with the director, disappeared from sight. -
KAREN RADZIKOWSKI 1St Assistant Director
KAREN RADZIKOWSKI st 1 Assistant Director Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. BILLIONS (seasons 5-6) Various Showtime EP: Brian Koppelman, David Levien, Andrew Ross Sorkin COLIN IN BLACK & WHITE (season 1) Ava DuVernay Netflix NY Unit EP: Ava DuVernay, Colin Kaepernick / Prod: Lyn Pinezich FBI: MOST WANTED (season 1) Various CBS / Universal Television EP: Dick Wolf, Arthur Forney, Peter Jankowski / Prod: Tom Sellitti ALTERNATINO (season 1) Various Comedy Central / Avalon Television EP: Jay Martel, Arturo Castro / Prod: Ayesha Rokadia AT HOME WITH AMY SEDARIS (seasons 1-2) Various truTV / A24 2018 + 2019 Emmy Nomination: Outstanding Variety/Sketch Series EP: Paul Dinello, Vernon Chatman, John Lee / Prod: Inman Young GOATFACE (variety/sketch) Asif Ali Comedy Central Cast: Hasan Minhaj EP: Asif Ali, Fahim Anwar / Prod: Steve Ast MARVEL’S IRON FIST (season 2) Various Netflix / Marvel Studios ep. 213 | tandem unit: ep. 204, 206 | 2nd unit: ep. 207 EP: Jim Chory, Dan Buckley / Prod: Lyn Pinezich RAMY (pilot presentation) Harry Bradbeer Hulu / A24 World Premiere: SXSW Film Festival EP: Jerrod Carmichael, John Hodges, Ravi Nandan Prod: Jamin O’Brien THE BREAKS (season 1) Various VH1 / Atlantic Pictures EP: Susan Levison, Bill Flanagan / Prod: Gary Giudice BALLERS (seasons 1-2) Simon Cellan Jones HBO EP: Dennis Biggs / Prod: Karyn McCarthy BURN NOTICE (2nd unit) Artie Malesci USA / Fox Television Studios EP: Terry Miller MAGIC CITY (season 1) Various Starz / Media Talent Group EP: Mitch Glazer, Ed Bianchi UNITED STATES OF TARA (season 3) Various Showtime / Dreamworks Television EP: Craig Zisk, Brett Baer, Dave Finkel / Prod: Dan Kaplow MAD MEN (2nd unit, season 4) Various AMC / Lionsgate Television EP: Matthew Weiner, Scott Hornbacher WARREN THE APE (season 1) Various MTV / MTV Productions EP: Kevin Chinoy GREG THE BUNNY (season 1) Various Fox / 20th Century Fox Television EP: Kevin Chinoy Features PROJECT DIRECTOR STUDIO / PRODUCTION CO. -
Wingmanmagazine
BECAUSE EVERY MAN NEEDS ONE ISSUE 9 |2018 WINGMANMAGAZINE JON HUERTAS From “THIS IS US,” MARTHA HIGAREDA From “ALTERED CARBON,” + RICK GONZALEZ From “ARROW” Prove The Importance Of Latin Visibility And Live... THE AMERICAN DREAM! MORE STARS! ROBERT PATRICK REBECCA DE MORNAY JAMES DEVELINSHAMARKO THOMAS MICHAEL FISHMAN ALEX RUSSELL LILY JI PLUS! - KELSEY ASBILLE Helps Pay Tribute To Iconic Director PLUS MORE! JOEL SCHUMACHER! www.wingmanmagazine.com WINGMAN MAGAZINE EDITOR’S WINGMAN ISSUE 9 / 2018 NOTE Being in my 30’s I have grown up in a time where “The Goonies” were able to run around like explorers, Zack and Slater were best friends and the coolest guys at Bayside High, Cory and Topanga were the couple that everyone wanted to be like, MTV actu- ally played music videos, and unfortunately endured one of the worst attacks on American soil on 9/11. The 80’s and 90’s were the time that shaped my generation and made them into hardworking, respectful men and women. What can we expect from the generations to come? The older generations lined up to defend their countries, work in INDEX factories, scrounge to pay bills and live without a lot so their kids 4- Editor’s Note 5- Table Of Contents didn’t have to. So many of us grew up in single parent homes and still FASHION do and saw our parents struggle to make ends meet. They would take 8- Winter Wardrobe Update! every bit of overtime to make sure the mortgage was paid, food was ICON SECTION on the table and we got what we needed.