The Art Institute of Chicago Matisse and Shchukin: A Collector's Choice Author(s): Albert Kostenevich Source: Art Institute of Chicago Museum Studies, Vol. 16, No. 1, Aspects of Modern Art at the Art Institute: The Artist, The Patron, The Public (1990), pp. 26-43+91-92 Published by: The Art Institute of Chicago Stable URL: http://www.jstor.org/stable/4101567 Accessed: 08-06-2017 18:56 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Institute of Chicago Museum Studies This content downloaded from 198.40.29.65 on Thu, 08 Jun 2017 18:56:50 UTC All use subject to http://about.jstor.org/terms Matisse and Shchukin: A Collector's Choice ALBERT KOSTENEVICH Curator of Modern European Painting The Hermitage Museum, Leningrad FIGURE I. Sergei Ivanovich Shchukin (1854- tudents and scholars of the work of Henri Matisse would agree that his Joy of Life (fig. 2), exhibited for the first time in 1906, at the Salon des 1936). Private collection. Shchukin was a Independants in Paris, became the source for a major series of works leading Russian collector of French art in the late nineteenth and early twentieth centuries.