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BOSTON Is More Than a Running Film. It Is a Timeless Story About Triumph Over Adversity for Runner and Non-Runner Alike. Film Sy
BOSTON is more than a running film. It is a timeless story about triumph over adversity for runner and non-runner alike. Film Synopsis BOSTON is the first ever feature-length documentary film about the world’s most legendary run- ning race – the Boston Marathon. The film chronicles the story of the iconic race from its humble origins with only 15 runners to the present day. In addition to highlighting the event as the oldest annually contested marathon in the world, the film showcases many of the most important moments in more than a century of the race’s history. from a working man’s challenge welcoming foreign athletes and eventually women bec me the stage for manyThe Bostonfirsts and Marathon in no small evolved part the event that paved the way for the modern into a m world-classarathon and event, mass participatory sports. Following the tragic events of. The 2013, Boston BOSTON Marathon a the preparations and eventual running of the, 118th Boston Marathon one year later when runners and community gather once again for what will be the most meaningful raceshowcases of all. for , together The production was granted exclusive documentary rights from the Boston Athletic Association to produce the film and to use the Association’s extensive archive of video, photos and memorabilia. Production Credits: Boston is presented by John Hancock Financial, in association with the Kennedy/Marshall Com- pany. The film is directed by award winning filmmaker Jon Dunham, well known for his Spirit of the Marathon films, and produced by Academy Award-nominee Megan Williams and Eleanor Bingham Miller. -
T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T
T h e U n i v e r s i t y o f W i s c o n s i n S y s t e m FFFeministeministeminist CollectionsCollectionsCollections A Quarterly of Women’s Studies Resources W OMEN’ S S TUDIES Volume 23, Number 4, Summer 2002 Published by Phyllis Holman Weisbard L IBRARIAN Women’s Studies Librarian Feminist Collections A Quarterly of Women’s Studies Resources Women’s Studies Librarian University of Wisconsin System 430 Memorial Library 728 State St. Madison, WI 53706 Phone: 608-263-5754 Fax: 608-265-2754 Email: [email protected] Website: http://www.library.wisc.edu/libraries/WomensStudies/ Editors: Phyllis Holman Weisbard, JoAnne Lehman Line drawings, including cover: Miriam Greenwald Graphic design assistance: Dan Joe Staff assistance: Lynne Chase, Teresa Fernandez, Ingrid Markhardt, Katie Roberts, Caroline Vantine Subscriptions: $30 (individuals or nonprofit women’s programs, outside Wisconsin); $55 (institutions, outside Wisconsin); $16 (Wisconsin individuals or nonprofit women’s programs); $22.50 (Wisconsin institutions); $8.25 (UW individuals); $15 (UW organizations). Wisconsin subscriber amounts include state tax, except for UW organization amount. Postage (for foreign subscribers only): surface mail (Canada: $13; all others: $15); air mail (Canada: $25; all others: $55). (Subscriptions cover most publications produced by this office, including Feminist Collections, Feminist Periodicals, and New Books on Women & Feminism.) Numerous bibliographies and other informational files are available on the Women’s Studies Librarian’s World Wide Website, -
Table of Contents
Media Table of contents Media information & fast facts ......................................................................................................... 3 Important media information ....................................................................................................................................................4 Race week Media Center..............................................................................................................................................................4 Race week schedule of events ..................................................................................................................................................7 Quick Facts ...........................................................................................................................................................................................8 Top storylines ......................................................................................................................................................................................10 Prize purse .............................................................................................................................................................................................13 Time bonuses ......................................................................................................................................................................................14 Participant demographics ............................................................................................................................................................15 -
Chicago Year-By-Year
YEAR-BY-YEAR CHICAGO MEDCHIIAC INFOAGO & YEFASTAR-BY-Y FACTSEAR TABLE OF CONTENTS YEAR-BY-YEAR HISTORY 2011 Champion and Runner-Up Split Times .................................... 126 2011 Top 25 Overall Finishers ....................................................... 127 2011 Top 10 Masters Finishers ..................................................... 128 2011 Top 5 Wheelchair Finishers ................................................... 129 Chicago Champions (1977-2011) ................................................... 130 Chicago Champions by Country ...................................................... 132 Masters Champions (1977-2011) .................................................. 134 Wheelchair Champions (1984-2011) .............................................. 136 Top 10 Overall Finishers (1977-2011) ............................................. 138 Historic Event Statistics ................................................................. 161 Historic Weather Conditions ........................................................... 162 Year-by-Year Race Summary............................................................ 164 125 2011 CHAMPION/RUNNER-UP SPLIT TIMES 2011 TOP 25 OVERALL FINISHERS 2011 CHAMPION AND RUNNER-UP SPLIT TIMES 2011 TOP 25 OVERALL FINISHERS MEN MEN Moses Mosop (KEN) Wesley Korir (KEN) # Name Age Country Time Distance Time (5K split) Min/Mile/5K Time Sec. Back 1. Moses Mosop ..................26 .........KEN .................................... 2:05:37 5K .................00:14:54 .....................04:47 -
Earshot Jazz Festival in November, P 4
A Mirror and Focus for the Jazz Community Nov 2005 Vol. 21, No. 11 EARSHOT JAZZSeattle, Washington Earshot Jazz Festival in November, P 4 Conversation with Randy Halberstadt, P 21 Ballard Jazz Festival Preview, P 23 Gary McFarland Revived on Film, P 25 PHOTO BY DANIEL SHEEHAN EARSHOT JAZZ A Mirror and Focus for the Jazz Community ROCKRGRL Music Conference Executive Director: John Gilbreath Earshot Jazz Editor: Todd Matthews Th e ROCKRGRL Music Conference Highlights of the 2005 conference Editor-at-Large: Peter Monaghan 2005, a weekend symposium of women include keynote addresses by Patti Smith Contributing Writers: Todd Matthews, working in all aspects of the music indus- and Johnette Napolitano; and a Shop Peter Monaghan, Lloyd Peterson try, will take place November 10-12 at Talk Q&A between Bonnie Raitt and Photography: Robin Laanenen, Daniel the Madison Renaissance Hotel in Seat- Ann Wilson. Th e conference will also Sheehan, Valerie Trucchia tle. Th ree thousand people from around showcase almost 250 female-led perfor- Layout: Karen Caropepe Distribution Coordinator: Jack Gold the world attended the fi rst ROCKRGRL mances in various venues throughout Mailing: Lola Pedrini Music Conference including the legend- downtown Seattle at night, and a variety Program Manager: Karen Caropepe ary Ronnie Spector and Courtney Love. of workshops and sessions. Registra- Icons Ann and Nancy Wilson of Heart tion and information at: www.rockrgrl. Calendar Information: mail to 3429 were honored with the fi rst Woman of com/conference, or email info@rockrgrl. Fremont Place #309, Seattle WA Valor lifetime achievement Award. com. 98103; fax to (206) 547-6286; or email [email protected] Board of Directors: Fred Gilbert EARSHOT JAZZ presents.. -
The Art Worlds of Punk-Inspired Feminist Networks
! The Art Worlds of Punk-Inspired Feminist Networks ! ! ! ! ! ! A social network analysis of the Ladyfest feminist music and cultural movement in the UK ! ! ! ! ! ! A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities ! ! ! 2014 ! ! Susan O’Shea ! ! School of Social Sciences ! ! Chapter One Whose music is it anyway? 1.1. Introduction 12 1.2. Ladyfest, Riot Girl and Girls Rock camps 14 1.2.1. Ladyfest 14 1.2.2. Riot Grrrl 16 1.2.3. Girls Rock camps 17 1.3. Choosing art worlds 17 1.4. The evidence: women’s participation in music 20 1.5. From the personal to the political 22 1.6. Thesis structure 25 Chapter Two The dynamics of feminist cultural production 2.1. Introduction 27 2.2. Art Worlds and Becker’s approach 29 2.3. Punk, Riot Grrrl and Ladyfest 32 2.3.1. Punk 33 2.3.2. Riot Grrrl 34 2.3.3. Ladyfest 40 2.4. The political economy of cultural production 41 2.5. Social movements, social networks and music 43 2.6. Women in music and art and the translocal nature of action 48 2.6.1. Translocality 50 2.7. Festivals as networked research sites 52 2.8. Conclusion 54 Chapter Three Methodology 3.1. Introduction 56 !2 ! 3.2. Operationalising Art Worlds, research aims and questions 57 3.3. Research philosophy 58 3.4. Concepts and terminology 63 3.5. Mixed methods 64 3.6. Ethics 66 3.6.1. Ethics review 68 3.6.2. -
Diving Into Chicana Reality by Diane Soles
I I I I Feminist Collections A Quarterly of Women's Studies Resources i I Women's Studies Libr'arian i University of Wisconsin System 430 Memorial Library 728 State St. Madison, WI 53706 I Phone: 608-263-5754 1 1 Fax: 608-265-2754 i I Email: [email protected] I I Editors: Phyllis Holman Weisbard, Linda Shult Drawings: Miriam Greenwald Staff assistance from: Ingrid Markhardt, Renee Beaudoin, Beth Harper, Christina Stross u Subscriptions: $30 (individuals or nonprofit women's programs, outside Wisconsin); $55 (institutions, outside Wisconsin); $1 6 (Wisconsin individuals or nonprofit women's programs); $22.50 (Wisconsin institutions); $8.25 (UW individuals); $15 (UW organiza- tions). Wisconsin subscriber amounts include state tax, except for UW organization amount. Postage (for foreign subscribers only): surface mail (Canada: $13; all others: $1 5); air mail (Canada: $25; all others: $55). (Subscriptions cover most publications produced by this office, including Feminist Collections,Feminist Periodicals, and New Boob on Women & Feminism.) Numerous bibliographies and other informational files are available on the Women's Studies Librarian's World Wide Web site. The URL: http://www.library.wisc.edu~ibraries~WomensStudies/You'll find I information about the office, tables of contents and selected full-text articles from recent issues of Feminist Collectiens, many Cere Lists in Women's Studies on such topics as aging, feminist pedagogy, film studies, health, lesbian studies, mass media, and women of color in the US, a listing of Wisconsin Bibliegraphies in Women's Studies, including full text of a number ofthem, a catalog of films and videos in the UW System W~men'sStudies Audiovisual Collection, and links to other selected websites on women and gender as well as to search engines and general databases. -
2019 #2 March/April
2019 #2 March/April In This Issue: Member Profiles Pages 3–6 Charlotte Lettis Pages 7–8 John Stifler Pages 9–10 Jeannie LaPierre Pages 11–12 Ben Bensen Page 13 Mike Murphy Pages 14–15 Runners’ Origins Pages 16–18 First SMAC Memories Page 19 SMAC Histories Pages 20–24 Annual Meeting Pages 25–26 Shorts Page 27 Ascutney Night Run Page 29 Indoor Track Meet Page 30 The Tuesday Rules Page 33 Birth of a Runner Page 34 Upcoming Races Wearing a Sugarloaf shirt, SMAC founder Charlotte Lettis (#105) chases down Doris Brown Heritage (running Page 35 with a broken arm!) at the 1974 National XC Championships; she got 5th. (photo courtesy C. Richardson) From the Editor Every Saga Has a Beginning... We all start somewhere. So do clubs like SMAC. While it chimed in too, and together with a bounty of great stories by may seem like the Sugarloaf Mountain Athletic Club has been current members, this issue not only presents a clear picture a stalwart presence in the Valley forever, it too had a first-day of the origins of SMAC but also features a broad overview of beginning. And one with a good story behind it too. the many years since. Thanks to everyone who contributed their memories and insights, including Ben Bensen, Jeff Lee, Past issues of the newsletter have explored various as- Tom Davidson, Tom Raffensperger, Bob Romer, Judy Scott, pects of the history of SMAC. This issue doesn’t really do that, John Stifler, David Martula, Mike Murphy, Paul Peele, Pat- although there are elements of club history throughout; here, rick Pezzati, JoEllen Reino, Garth Shaneyfelt, Pierre St. -
Los Dobles Especialistas En Distancias Consecutivas José María García
Los dobles especialistas en distancias consecutivas José María García 1 - INTRODUCCION 2 - TABLAS DE EQUIVALENCIAS PARA DOBLES ESPECIALISTAS 3 - LA REVOLUCION SINTETICA 4 - CRONOLOGIA MUNDIAL Y EUROPEA (desde el siglo XIX hasta 31.12.2004) 5 - RANKINGS MUNDIALES (200 atletas) 1 - INTRODUCCION A mediados de los años cincuenta (cuando era- mos jóvenes atletas) uno de los temas más inte- resantes para aquellos de nosotros que seguíamos el atletismo internacional, era conocer y valorar las marcas personales de los milleros y fondistas en todas las distancias (de 800 a 10000) y tratar de evaluar a partir de cada récord en una prueba qué marca podría conseguirse en las distancias pró- ximas. Las tablas de puntuación -finlandesa y sueca- ayudaban algo aunque sus carencias en mediofondo y fondo eran notorias; me refiero tanto a la au- Michel Jazy: en 1962 era el mejor en el “pentathlon sencia de las distancias en millas (la finlandesa pedestre” seguido de Murray Halberg. no recogía ninguna y la sueca sólo puntuaba la milla y las 2 millas es decir olvidándose de las 3 que en 1962 se había alcanzado la cifra de 100 y 6 millas) como al desequilibrio que se apreciaba carreras por debajo de dicha barrera. A conti- en la valoración de determinadas distancias. nuación me pareció oportuno -como segundo Era la época -primavera de 1954- del asalto al artículo- actualizar las marcas de los mediofon- muro de los 4 minutos en la milla (3.59.4 Bannister distas y fondistas (de 800 a 10000). Se me ocu- y al mes siguiente Landy 3.58.0), de las galopa- rrió que un buen título sería “El pentathlon pe- das solitarias de Zatopek quitándole el récord de destre”, es decir escogiendo en cada caso las 5 5000 al sueco Hägg por un segundo (13.57.2) y mejores pruebas de cada atleta y puntuándolas por derribando otra barrera (los 29 minutos en 10000 la tabla en vigor en aquel momento o sea la sue- con 28.54.2). -
Bank of America Chicago Marathon 1 Sunday, October 13, 2019 Media Course Record Progressions
Media Table of contents Media ......................................................................................................................................................... 3 Media information ............................................................................................................................................................................4 Race week schedule of events ..................................................................................................................................................7 Quick facts ............................................................................................................................................................................................9 By the numbers ..................................................................................................................................................................................10 Top storylines ......................................................................................................................................................................................11 Bank of America Chicago Marathon prize purse ...........................................................................................................13 Time bonuses ......................................................................................................................................................................................14 Participant demographics ............................................................................................................................................................15 -
Women in Rockabilly Music: Lavern Baker and Janis Martin Stephanie P
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin Stephanie P. Lewin-Lane University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Lewin-Lane, Stephanie P., "Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin" (2012). Theses and Dissertations. 11. https://dc.uwm.edu/etd/11 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee August 2012 ABSTRACT SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Dr. Gillian Rodger Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music. -
The Sounds of Queer Justice
The Queer Sounds of Justice: Contemporary Queer Musicking and Transformative Justice in The United States S.M. Gray Submitted in Partial Fulfillment of the Prerequisite for Honors in Peace and Justice Studies Program April 2012 © 2012, S.M. Gray Table of Contents Acknowledgements _____________________________________ i Introduction: Terminology, Process, and Construction of Narrative ___________________________________________ 1 1. Girlyman’s “Young James Dean”: A Tribute to the Pioneers of the Women’s Music movement__________________ 24 2. Positionality and Activism within Musicking: The Women’s Music movement of 1988__________________________35 3. From Ani DiFranco to Coyote Grace: A Queer and Feminist Blender of Politics, Gender, Genre, Sex, and Desire_______49 4. The Muses of Mustached ElectroLovers: Homos and Queer Punks, Angry Grrrl Feminists, and Lesbionic Dykes____________65 5. Contemporary Queer and Trans(Feminist) Musicking: Technology, Embodiment, Temporality, and Intersectionality__________91 Conclusion: Queer Musicking and A Broader Transformative Justice Framework______________________________117 Bibliography__________________________________________137 Acknowledgements I am so excited to finally be sharing my year-long endeavors with colleagues, friends, and family. It has been a long journey, and I am so grateful to all of you who have helped me along the way. Thank you so much to all of the musicians who have been so supportive through this process: the members of Girlyman, Coyote Grace, Katastrophe, Athens Boys Choir, Grygiel, The Shondes, Lovers, Des Ark, MC Micah, Kera Washington and Zili Musik, and Schmekel. I have been so inspired and supported by all of you through my research, and have learned so much from all of you. Thank you for sharing your sounds and stories with the world. I want to extend a huge thank you to Larry Rosenwald for his calming demeanor, quiet support, outgoing intellectualism, and laidback deadlines.