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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
VII Chemical Bond
VII. INTO THE UNKNOWN 7-1 THE ELECTRON DENSITY Now we are ready to look at lowest level of engineering structure—the level at which everything else is determined—the relation between the structure of the electron density and properties. Most importantly, we are going to associate a properties with the structure of that thing we have heard of, but never seen—the chemical bond--begining with the moving electron and electron density. As you know, atomic electrons are in constant motion about the tiny but massive nucleus. An electron’s mass is about 1/2000 that of a proton or neutron and it is moving very fast compared to the nucleus. While an electron is traveling at 3 to 10 million meters per second, as we know from the Boltzmann equation, at the temperature that concern us— < 3000K—even a fast nucleus is moving at less than one thousandth this speed— 1000 or so meters per second. As a mental image, think of an atom as a bee hive. At the center of the hive is the queen bee, which we will take as the location of an atomic nucleus. The electrons are the worker bees, making circuits about the hive. If the beekeeper moves the hive a bit, the circling bees simply move along with the hive—their motion is fast compared to that of the hive. But how fast? Well, the “electron bees” are moving much faster than the ordinary bees of our experience. 16 17 In one second, an individual electron bee will make between 10 and 10 Fig. -
Zatanna and the House of Secrets Graphic Novels for Kids & Teens 741.5 Dc’S New Youth Movement Spring 2020 - No
MEANWHILE ZATANNA AND THE HOUSE OF SECRETS GRAPHIC NOVELS FOR KIDS & TEENS 741.5 DC’S NEW YOUTH MOVEMENT SPRING 2020 - NO. 40 PLUS...KIRBY AND KURTZMAN Moa Romanova Romanova Caspar Wijngaard’s Mary Saf- ro’s Ben Pass- more’s Pass- more David Lapham Masters Rick Marron Burchett Greg Rucka. Pat Morisi Morisi Kieron Gillen The Comics & Graphic Novel Bulletin of satirical than the romantic visions of DC Comics is in peril. Again. The ever- Williamson and Wood. Harvey’s sci-fi struggling publisher has put its eggs in so stories often centered on an ordinary many baskets, from Grant Morrison to the shmoe caught up in extraordinary circum- “New 52” to the recent attempts to get hip with stances, from the titular tale of a science Brian Michael Bendis, there’s hardly a one left nerd and his musclehead brother to “The uncracked. The first time DC tried to hitch its Man Who Raced Time” to William of “The wagon to someone else’s star was the early Dimension Translator” (below). Other 1970s. Jack “the King” Kirby was largely re- tales involved arrogant know-it-alls who sponsible for the success of hated rival Marvel. learn they ain’t so smart after all. The star He was lured to join DC with promises of great- of “Television Terror”, the vicious despot er freedom and authority. Kirby was tired of in “The Radioactive Child” and the title being treated like a hired hand. He wanted to character of “Atom Bomb Thief” (right)— be the idea man, the boss who would come up with characters and concepts, then pass them all pay the price for their hubris. -
PDF Download Green Arrow a Celebration of 75 Years
GREEN ARROW A CELEBRATION OF 75 YEARS: A CELEBRATION OF 75 YEARS PDF, EPUB, EBOOK Various | 500 pages | 12 Jul 2016 | DC Comics | 9781401263867 | English | United States Green Arrow a Celebration of 75 Years: A Celebration of 75 Years PDF Book We also get to see the beginning and continuing friendship of Green Lantern and Green Arrow. Use your keyboard! If you're interested in the Green Arrow's evolution, you might like this book as a primer to jump to other stories. Reviewed by:. Dan Jurgens Artist ,. Adam Peacock rated it it was amazing Feb 21, I have mixed feelings about this story. Batman knocks Ollie out to have a closer examination and see if he is the real deal. Hardcover , pages. Get A Copy. This issue was most recently modified by:. To see what your friends thought of this book, please sign up. Green Arrow: A Celebration of 75 Years. Select Option. So many reboots and rebirths over the years make a book like this necessary so you can have an idea of what is going on. We're given the dramatic endings but I have no idea who any of these characters are or what is going on. Mike Cullen rated it really liked it Feb 16, Go to Link Unlink Change. Story Arcs. Two thousand one saw filmmaker Kevin Smith pick up torch and move the original GA into a new century. We're committed to providing low prices every day, on everything. Jan 04, Simone rated it really liked it. Release Date:. This edit will also create new pages on Comic Vine for:. -
X-Men Epic Collection: Children of the Atom Free
FREE X-MEN EPIC COLLECTION: CHILDREN OF THE ATOM PDF Stan Lee,Jack Kirby | 520 pages | 31 Dec 2016 | Marvel Comics | 9780785189046 | English | New York, United States X-Men Epic Collection: Children Of The Atom - Comics by comiXology Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. X-Men Epic Collection Vol. Jack Kirby. Now, in this massive Epic Collection, you can feast your eyes as Stan, Jack and co. You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man Billed as "The Strangest Super-Heroes of All! You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man and mutant; their first battle with arch-foe Magneto; the dynamic debuts of Juggernaut, the Sentinels, Quicksilver, the Scarlet X-Men Epic Collection: Children of the Atom and X-Men Epic Collection: Children of the Atom Brotherhood of Evil Mutants. Get A Copy. Paperbackpages. More Details Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jun 27, Sean Gibson rated it really liked it. And, I love me X-Men Epic Collection: Children of the Atom Stan Lee—the guy is one of my real-life heroes, and Spider-Man is my all- time favorite superhero. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
2021 Program
SPONSORS TITLE SPONSOR City of Seabrook LEGACY SPONSORS $50,000 Kevin Brady $10,000 Moody Bank | Tom Koger PLATINUM SPONSORS Bayway Auto Group Evergreen Environmental Services Chesapeake Bay Luxury Senior Living Tony Gullo City of Nassau Bay Meguiar’s Classic Cars of Houston UTMB GOLD SPONSORS Barrett-Jackson Marine Max Yachts Houston Edna Rice, Executive Recruiters McRee Ford Garage Ultimate MSR Houston Generator Exchange Paulea Family Foundation Golf Cars of Houston Ron Carter Clear Lake Cadillac Honda of Houston Star Motor Cars - Aston Martin John Ebeling Technical Automation Services Company Kendra Scott Texas Coast Yachts 6 | Concours d’ Elegance 2021 SPONSORS SILVER SPONSORS Associated Credit Union of Texas Georg Fischer Harvel Beck Design Glacier Pools & Spas Dean & Draper Insurance Company Hagerty Insurance Discover Roofing Hibbs-Hallmark Insurance Dockside Development & Construction LeafGuard Holdings Drilltec Patents & Technologies Co. Pfeiffer & Son Ltd. DriverSource Ranco Industries Frost Bank Reunion Court/12 Oaks - Clear Lake Galati Yacht Sales Shaw Systems Garages of Texas Temperature Solutions Gateway Classic Cars The Delaney at South Shore Geico Insurance Upstream Brokers Generator Supercenter BRONZE SPONSORS Art Jansen Rocking F Ranch - Janet & Dave Foshee Big 4 Erectors Rolli McGinnis Caru West Cargo Containers RV Insurance Solutions LLC John Wilkins South Land Title Lakeside Yachting Center Y.E.S. Yacht Equipment Maudlin & Sons Mfg. Co. Concours d’ Elegance 2021 | 7 CLUB CONCOURS TEXAS MATTRESS MAKERS $1,000 - $2,000 CLUB CONCOURS lub Concours is a new family, or entertain clients. You and unique feature will have exclusive access to the at Keels & Wheels Concours event, upgraded food Concours d’Elegance and beverage service, a private event. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
U.S. Grant May Benefit 4 County Bus Lines Democrats Readying Economic
The Daily Register VOL. 97 NO.145 SHREWSBURY, N. J. MONDAY, JANUARY 13, 1975 TEN CENTS U.S. grant may benefit 4 county bus lines NEWARK — Two commuter bus lines and two other bus were jointly announced yesterday by Sens. Clifford P. Case. panies, renovate them and lease them back to the companies: Coach Company, Somerset Bus Co.. Suburban Transit Corp.. lines that serve Monmouth County are eligible to benefit from R-N.J., and Harrison A. Williams, Jr., D-N.J., and Gov. Bren- New Jersey will also buy new buses and lease them to the Rockland Coaches, Real Transit Co.. West Huiiterdon Transit, one of two federal grants totaling $130.5 million the state has dan T. Byrne. The federal funds will be supplemented by $34 companies. and Maplewood Equipment Co received under the Urban Mass Transportation Capital Assis- million in state money, according to stipluations in the grants. The new buses will be equipped to serve the elderly and Transit buses — Klizabeth-Union-Hillside-lrvington Bus tance Program (UMTCAP). One of the two grants will provide approximately $76.5 handicapped with improved lighting, non-skid flooring, grab Line, Middlesex Bus Co., Passaic-Athenia Bus Co.. Plainfield The Asbury Park-New York Transit Corp., Asbury Park, million in federal funds for improvment to the Erie l.aik- Tails and, in some cases, stanchions. Transit, Watchung Mountain Transit. Marathon Bus Line. M and the New York-Keansburg-Long Branch Bus Co., Keans- awanna Railway. This grant will be supplemented by approxi- Additional assistance for the bus industry and riders in- & G Bus Co. -
By JOHN WELLS a M E R I C a N C H R O N I C L E S
AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of