Eating Apes CALIFORNIA STUDIES in FOOD and CULTURE Darra Goldstein, Editor

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Eating Apes CALIFORNIA STUDIES IN FOOD AND CULTURE Darra Goldstein, Editor This series considers food broadly, in its relationship to society and the environment. Food is explored as a vital medium through which cultures, societies, and civilizations can be more deeply understood. Subjects range from ethnic foodways, culinary his- tory, and gendered approaches to food, to the psychology of eating and food technology. EATING APES Dale Peterson With an Afterword and Photographs by Karl Ammann Foreword by Janet K. Museveni UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London Excerpts from “Burnt Norton” from Four Quartets by T. S. Eliot, copyright 1936 by Harcourt, Inc. and renewed 1964 by T. S. Eliot, reprinted by permission of the publisher. Excerpt from “East Coker” in Four Quartets, copyright 1940 by T.S. Eliot and renewed 1968 by Esme Valerie Eliot, reprinted by permission of Harcourt, Inc. Excerpt from “The Dry Salvages” in Four Quartets, copyright 1941 by T.S. Eliot and renewed 1969 by Esme Valerie Eliot, reprinted by permission of Harcourt, Inc. Excerpts from “Little Gidding” from Four Quartets, copyright 1942 by T. S. Eliot and renewed 1970 by Esme Valerie Eliot, reprinted by permission of Harcourt, Inc. Distribution maps on pages 249–50 were adapted from Great Apes and Humans: The Ethics of Coexistence, edited by Benjamin A. Beck, et al.; copyright © 2001 by the Smithsonian Institution. Used by permission of the publisher. A portion of the proceeds of this book will be donated by the publisher to the Great Ape Project. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2003 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Peterson, Dale. Eating apes / by Dale Peterson ; with an afterword and photographs by Karl Ammann. p. cm. Includes bibliographical references (p. ). ISBN 0–520–23090–6 (Cloth : alk. paper) 1. Apes—Africa, Central. 2. Wildlife conservation—Africa, Central. 3. Ape meat industry—Africa, Central. I. Title. QL737.P96 P463 2003 333.95'98'0967—dc21 2002009715 Manufactured in the United States of America 13 12 11 10 09 08 07 06 05 04 10987654 321 The paper used in this publication is both acid-free and totally chlorine-free (TCF). It meets the minimum requirements of ANSI/NISO Z39.48–1992 (R 1997) (Permanence of Paper). To the memory of Martha P. Thomas This page intentionally left blank .

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J.M. Reibetanz Four Quartets As Poetry of Place One Thinks of Four
J.M. Reibetanz Four Quartets as Poetry of Place One thinks of Four Quartets preeminently as a religious and philosophical poem; yet its argument does not proceed simply or preeminently on an abstract level. Rather, ideas enter our consciousness and our understanding through felt experience. Whether it be the paradox of the still point, the mystical negative way of illumination, the attitude of humility, the nature of time, the relationship of attachement, detachment, indifference and history, the necessity for atonement, or any of the other difficult ideas Eliot argues, the poetry leads us into a full experience of concepts by grounding them in places. Thus, we know the still point primarily through our vision in the rose-garden of Burnt Norton; the negative way of ilJumination is presented spatially as a descent into the darkness beneath the level of the London underground; the attitude of humility is derived out of the atmosphere of death that pervades East Coker; the nature of time is seen through our experience of the river and the sea; the thorny relationship of attachment, detachment, indifference and history is argued through the paradigm of the nettles on the hedgerow of Little Gidding; and the necessity for atonement arises from our experience of the tongues of fire that descend on wartime London. Even the primary religious concept of the Quartets. the Incarnation, is not fully argued in conceptual terms until three quarters of the way through the poem, at the end of The Dry Salvages. Long before that, however, its mystery is revealed to us in particular moments of illumination that transpire in time and also in place.
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