DOCSLIB.ORG

Audio Compact Discs Books

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Drive-By, by the Necks. Reviewed Music for the Feature Film The Boys 253 pp., illus. Paper. ISBN: 0-520- by Michael R. (Mike) Mosher. The Necks. ReR Megacorp, Thornton 23839-7. Heath, Surrey, U.K., 2004. Effigies in Cork, by VRIL. Reviewed Cult Television by Michael R. (Mike) Mosher. Music from the Ocean Sara Gwenllian-Jones and Roberta E. Bob L. Sturm. Composer Scientist Pearson, eds. University of Minnesota Essential Sources in the Scientific Study Recordings, U.S.A., 2002. Press, Minneapolis, MN, U.S.A., 2004. of Consciousness, edited by Bernard <Composerscientist.com>. 242 pp. Paper. ISBN: 0-8166-3831-4. J. Baars, William P. Banks and James B. Newman. Reviewed by Robert Probe Designing with Kanji: Japanese Character Pepperell. S.E.T.I. and Si_COMM. Vivo Records, Motifs for Surface, Skin and Spirit Zambrow, Poland, 2004. Shogo Oketani and Leza Lowitz. Stone Jaroslav Rössler: Czech Avant-Garde Pho- Bridge Press, Berkeley, CA, U.S.A., tographer, edited by Vladimir Birgus and Reveries of the Solitary Walker 2003. 144 pp., illus. Paper. ISBN: Jan Mlcoch; translated by Derek Paton. Nikola Kodjabashia. ReR Megacorp, 1-880656-79-5. Reviewed by Allan Graubard. Thornton Heath, Surrey, U.K., 2004. Drug Wars: The Political The Moving Image, Journal of the Associa- Slew Economy of Narcotics tion of Moving Image Archivists. Reviewed Thomas Dimuzio. ReR Megacorp, Curtis Marez. University of Minnesota by Michael R. (Mike) Mosher. Thornton Heath, Surrey, U.K., 2004. Press, Minneapolis, MN, U.S.A., 2004. 347 pp., illus. Paper. ISBN: 0-8166- Prints. Snapshots, Postcards, Messages and Tara’s Room: Two Meditations 4060-2. Miniatures 1987–2001, by Fred Frith. on Transition and Change Reviewed by Stefaan Van Ryssen. Pauline Oliveros. Deep Listening Publi- The Electric Guitar: A History cations, Kingston, NY, U.S.A., 2004. of an American Icon Spoors, by the Science Group and André Millard, ed. Johns Hopkins Crashing Icons, by Absolute Zero. Univ. Press, Baltimore, MD, U.S.A., Reviewed by Michael R. (Mike) Mosher. Books 2004. 226 pp., illus. Trade. ISBN: 0-8018-7862-4. Wenda Gu: Art from Middle Kingdom to Anime Explosion! The What? Why? Biological Millennium, edited by Mark And Wow! of Japanese Animation Experiencing Music Video: Aesthetics H.C. Bessire. Reviewed by Rob Harle. Patrick Drazen. Stone Bridge Press, and Cultural Context Berkeley, CA, U.S.A., 2003. 369 pp., Carol Vernallis. Columbia Univ. Press, YLEM Journal: Artists Using Science and illus. Paper. ISBN: 1-880656-72-8. New York, NY, U.S.A., 2004. 327 pp., Technology. Reviewed by Rob Harle. illus. Paper. ISBN: 0-231-11799-X. Architecture’s New Media: Principles, Theories, and Methods of Computer- Fractal Speech Processing Aided Design Marwan Al-Akaidi. Cambridge Univ. MATERIALS RECEIVED Yehuda E. Kalay. MIT Press, Press, New York, NY, U.S.A., 2004. 214 Cambridge, MA, U.S.A., 2004. 536 pp., pp., illus. Trade. ISBN: 0-521-81458-8. illus. Trade. ISBN: 0-262-11284-1. The Geometry of Multiple Images Audio Compact Discs Ask Not: The Necessary Stage Olivier Faugeras and Quang-Tuan in Singapore Theatre Luong. MIT Press, Cambridge, MA, Argon-Evolution: Human Tan Chong Kee and Tisa Ng, eds. Times U.S.A, 2004. 672 pp., illus. Paper. Scott Morgan, 2002. E-mail: Editions, Singapore, 2004. 390 pp., ISBN: 0-262-56204-9. <[email protected]>. illus. Paper. ISBN: 981-232-804-1. Imitation of Life: How Biology Ash in the Rainbow Audio Culture: Readings in Modern Music Is Inspiring Computing Haco and Sakamoto Hiromichi. ReR Christoph Cox and Daniel Warner, eds. Nancy Forbes. MIT Press, Cambridge, Megacorp, Thornton Heath, Surrey, Continuum International Publishing MA, U.S.A., 2004. 171 pp., illus. Trade. U.K., 2004. Group, New York, NY, U.S.A., 2004. ISBN: 0-262-06241-0. 417 pp. Paper. ISBN: 0-8264-1614-4. Electrotherapy Integration-Ready Architecture and Design: Scott Smallwood. Deep Listening Publi- Carnival of Perception: Software Engineering with XML, Java, cations, Kingston, NY, U.S.A., 2004. Selected Writings on Art .NET, Wireless, Speech, and Knowledge Guy Brett. Institute of International Technologies Middle of the Moment Visual Arts, London, U.K., 2004. 262 Jeff Zhuk. Cambridge Univ. Press, New Fred Frith. Fred Records/ReR pp., illus. Paper. ISBN: 1-899846-34-4. York, NY, U.S.A., 2004. 609 pp., illus. Megacorp, Thornton Heath, Surrey, Paper. ISBN: 0-521-52583-7. U.K., 2004. Conversation Pieces: Community + Communication The Interventionists: User’s Manual for Multiples and the Lost Project in Modern Art the Creative Disruption of Everyday Life Rocco Di Peitro. John Schwab Studio, Grant H. Kester. University of Califor- Nato Thompson and Gregory Sholette, Columbus, OH, U.S.A., 2004. nia Press, Berkeley, CA, U.S.A., 2004. eds. MIT Press, Cambridge, MA, Leonardo Reviews 79 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2005.38.1.79 by guest on 29 September 2021 U.S.A., 2004. 154 pp., illus. Trade. Porn Studies What the Body Cost: Desire, ISBN: 0-262-20150-X. Linda Williams, ed. Duke Univ. Press, History, and Performance Durham, NC, U.S.A., 2004. 528 pp., Jane Blocker. University of Minnesota Invisible Cities: A Metaphorical illus. Paper. ISBN: 0-8223-3312-0. Press, Minneapolis, MN, U.S.A., 2004. Complex Adaptive System 162 pp., illus. Paper. ISBN: 0-8166- Chloé E. Atreya. Edwards Brothers, Promises to Keep: Technology, Law, 4319-9. Ann Arbor, MI, U.S.A., 2004. 166 pp., and the Future of Entertainment illus. Paper. ISBN: 0-9754347-0-5. William W. Fisher III. Stanford Univ. The Yearbook of the Artificial Press, Stanford, CA, U.S.A., 2004. 340 Massimo Negrotti, Ed. Peter Lang Pub., Kunst als Sendung: Von der pp., illus. Trade. ISBN: 0-8047-5013-0. Bern, Switzerland, 2004. 379 pp., illus. telegrafie zum Internet Paper. ISBN: 3-03910-124-2. Dieter Daniels. Verlag C.H. Beck, Robert Smithson and the Munich, Germany, 2002. 268 pp., American Landscape illus. Paper. ISBN: 3-406-49509-5. Ron Graziani. Cambridge Univ. Press, Exhibition Catalogs In German. New York, NY, U.S.A., 2004. 219 pp., illus. Trade. ISBN: 0-521-82755-8. Intersections: The Art of Lacan to the Letter: Anna Campbell Bliss Sensory Design Reading Écrits Closely Utah Museum of Fine Arts, University Joy Monice Malnar and Frank Vod- Bruce Fink. University of Minnesota of Utah, Salt Lake City, UT, U.S.A., 23 varka. University of Minnesota Press, Press, Minneapolis, MN, U.S.A., 2004. May–3 August 2004. 192 pp., illus. Paper. ISBN: 0-8166- Minneapolis, MN, U.S.A., 2004. 356 pp., illus. Paper. ISBN: 0-8166-4353-9. 4321-0. Seurat and the Making of La Grande Jatte Spirit of the North: The Quotable Robert L. Herbert. University of Cali- Listening In: Radio and fornia Press, Berkeley, CA, U.S.A., 2004. the American Imagination Sigurd F. Olson David Backes, ed. University of Min- 307 pp., illus. Paper. ISBN: 0-520- Susan J. Douglas. University of Min- 24210-6. nesota Press, Minneapolis, MN, U.S.A., nesota Press, Minneapolis, MN, U.S.A., 2004. 415 pp., illus. Paper. ISBN: 2004. 149 pp. Trade. ISBN: 0-8166- 3934-5. 0-8166-4423-3. Multimedia The Subject of Documentary Lucien Herve: Building Images Michael Renov. University of Minnesota The Dawn of Dimi: A DVD Release Cele- Olivier Beer. Getty Publications, Los Press, Minneapolis, MN, U.S.A., 2004. brating the Works of Erkki Kurenniemi, Angeles, CA, U.S.A., 2004. 224 pp., 285 pp., illus. Paper. ISBN: 0-8166- an Unsung Pioneer of Electronic Art illus. Trade. ISBN: 0-89236-754-7. 3441-6. Kiasma, Museum of Contemporary Art. Helsinki, Finland. Making Beats: The Art Symmetry Comes of Age: of Sample-Based Hip-Hop The Role of Pattern in Culture Joseph G. Schloss. Wesleyan Univ. Press, Dorothy K. Washburn and Donald W. Periodicals Middletown, CT, U.S.A., 2004. 240 pp. Crowe, eds. University of Washington Paper. ISBN: 0-8195-6696-9. Press, Seattle, WA, U.S.A., 2004. 392 Art Inquiry: Recherches Sur Les Arts pp., illus. Trade. ISBN: 0-295-98366-3. Managing as Designing Volume V (XIV): “Cyberarts, Cyber- cultures, Cybersocieties,” 2003. Richard J. Boland, Jr. and Fred Collopy, Talking with Computers: Explorations in eds. Stanford Univ. Press, Stanford, CA, the Science and Technology of Computing Computer Music Journal U.S.A., 2004. 289 pp., illus. Trade. Thomas Dean. Cambridge Univ. Press, Vol. 28, No. 2, Summer 2004. ISBN: 0-8047-4674-5. New York, NY, U.S.A., 2004. 300 pp., illus. Paper. ISBN: 0-521-54204-9. M.C. Escher: Visions of Symmetry Kiasma Vol. 7, No. 23, 2004. Doris Schattschneider. Harry N. Things That Talk: Object Lessons Abrams, New York, NY, U.S.A., 2004. from Art and Science Kiasma 370 pp., illus. Trade. ISBN: 0-8109- Lorraine Daston, ed. Zone Books, Vol. 7, No. 24, 2004. 4308-5. Brooklyn, NY, U.S.A., 2004. 447 pp., illus. Trade. ISBN: 1-890951-43-9. Models: The Third Dimension of Science Soraya de Chadarevian and Nick Hop- Unforgiven Videos wood, eds. Stanford Univ. Press, Stan- Edward Buscombe. British Film Insti- ford, CA, U.S.A., 2004. 464 pp., illus. tute, London, U.K., 2004. 94 pp., illus. Charlotte: Life or Theater? Paper. ISBN: 0-8047-3971-4. Paper. ISBN: 1-84457-033-9. Richard Dindo. First Run/Icarus Films, Brooklyn, NY, U.S.A., 1992. The Motion of Light in Water: Sex and Wayward Reproductions: Genealogies Science Fiction Writing in the East Village of Race and Nation in Transatlantic Con Brio: Karl Ulrich Schnabel, Samuel R. Delany. University of Min- Modern Thought Master Teacher of Piano nesota Press, Minneapolis, MN, U.S.A., Alys Eve Weinbaum.
Recommended publications
  • Larry Ochs' Interview with Luca Canini for Allaboutjazzitalia.Com Via Email in Winter 2013.(Published April 2013.) Questions

    Larry Ochs' Interview with Luca Canini for Allaboutjazzitalia.Com Via Email in Winter 2013.(Published April 2013.) Questions

    Larry Ochs’ interview with Luca Canini for AllAboutJazzItalia.com via email in winter 2013.(published April 2013.) Questions in bold. Some years ago, when I first listened to “Electric Ascension”, I was shocked by the intensity and power of the performance: past/future, tradition/innovation. That disc and the few concerts around the world are a deep reflection on jazz, history, improvisation, sound. But everything started back in 1995, when Rova decided to celebrate the 30th anniversary of John Coltrane’s masterpiece. Can you tell me something about the birth of the project? How do you decide to approach such a “problematic” piece (if you consider Ascension a “piece”)? And do you remember the first time you listen to Ascension? I think Coltrane’s “Ascension” is one of the great jazz compositions of all time. A great formal structure; a great piece. Not that I consider myself an expert on all jazz music. I really don’t. But I am an expert on the greatness of that composition. We have played it 11 times as “Electric Ascension.” And yes it is true that we re- arranged the piece and changed the instrumentation, but the basic composition “Ascension” is absolutely at the center of “Electric Ascension;” it totally influences all the music we play in the spontaneous performance. There is no doubt of that. I remember seeing John Coltrane live at the Village Vanguard with his late great quartet in 1967. I was 18. The music overwhelmed me completely. There were maybe 20 people there for that second set of their night.
  • COMPLETED FINAL WRITE up 10.6.14 with Original Scores

    COMPLETED FINAL WRITE up 10.6.14 with Original Scores

    RADAR Research Archive and Digital Asset Repository A Portfolio of Compositions Expanding the Role of the Electric Bass Guitar in Contemporary Western Art Music Samuel C Roberts (2013) https://radar.brookes.ac.uk/radar/items/2170e787-93d7-4739-a7cd-ef6105beab6d/1/ Note if anything has been removed from thesis: fig. 36, p. 82; fig. 37, p. 83 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, the full bibliographic details must be given as follows: Roberts, S C (2013) A Portfolio of Compositions Expanding the Role of the Electric Bass Guitar in Contemporary Western Art Music PhD, Oxford Brookes University WWW.BROOKES.AC.UK/GO/RADAR A Portfolio of Compositions Expanding the Role of the Electric Bass Guitar in Contemporary Western Art Music Samuel Christian Roberts Commentary A portfolio of compositions and accompanying commentary submitted in partial fulfilment of the requirements of the award of Doctor of Philosophy to Oxford Brookes University Oxford Brookes University October 2013 Abstract My original contribution to knowledge is a portfolio of work that, through composition, improvisation and performance, expands the role of the electric bass guitar in contemporary Western art music.
  • Bad 6 4 Alchemy

    Bad 6 4 Alchemy

    BAD 64 ALCHEMY 1 BA GOODIES 2009 CHEER-ACCIDENT – FEAR DRAWS MISFORTUNE (CUNEIFORM) CIRCULASIONE TOTALE ORCHESTRA – BANDWIDTH (RUNE GRAMMOFON) FLAT EARTH SOCIETY - CHEER ME, PERVERTS! (CRAMMED DISCS) FRED FRITH – IMPUR II (ReR MEGACORP/FRED RECORDS) LAND OF KUSH – AGAINST THE DAY (CONSTELLATION) METALYCÉE – IT IS NOT (MOSZ) NIOBE – BLACKBIRD’S EYE (TOMLAB) QUINTE & SENS – COPEAUX (MADRECORDZ) GEDHALIA TAZARTES – REPAS FROID (TANZPROCESZ) WHEN – YOU ARE SILENT (JESTER) A musician is: a cartographer, a cook, a scavenger, a diviner, a preacher, an auctioneer, a hoarder, a thief, a diplomat, a dictator, an historian, an oracle, a travel agent, an organizer, a storyteller, a chemist, an alchemist, an epiphanist. Carla Kihlstedt: Confessions of a Sensualist Der WÜRZBURGER HAFENSOMMER lockte am 31.07.2009 allerhand Volk an, das sich im Midlifealltag nicht ungern zurück in Teenagerzeiten versetzen lässt. Was sind schon 40 Jahre? ‚Hendrix in Woodstock‘ war angesagt. Als Zeitmaschine stand das HENDRIX PROJECT auf der schwimmenden Bühne - STUCKY, DO- RAN, STUDER, TACUMA. Allesamt sind das Würzburg-vertraute Gestalten, der Bassist Jamaaladeen Tacuma war erst im März mit Brewed By Noon im Omnibus, wo Christy Doran & Fredy Studer schon vor Jahrzehnten öfters mit - kein Witz - mit OM gespielt hatten, 1972 - 1982 das Schweizer Electricjazzspitzenprodukt; die Stucky trieb das dritte Jahr hintereinander ihr exaltiertes Unwesen auf der Ha- fenbühne. Und: Wo Stucky drauf steht, ist auch Stucky drin. Ist ein größerer Gegensatz zu Jimi denk- bar? Oder ist dieses wie per UFO oder auf einem Besen aus dem Electric Ladyland angeflogene We- sen nicht auch die konsequente Er- füllung seiner Beschwörungen? Hendrix-Fans bekamen jedenfalls Einiges zu schlucken: Ein ‚Voodoo Child‘, das als Droge nur Musik und sich selber braucht - Stucky verkör- pert jeden Ton als hip-shaking Mama im swingenden Fransenkleid.
  • N a T H Entoffd

    N a T H Entoffd

    N°10 @ 128 rue du Bourg-Belé 72000 Le Mans - Tél 02 43 28 31 30 / Fax 02 43 28 38 55 - E-mail : all.jazz wanadoo.fr - Site : www.allumesdujazz.com Gratuit (free) L’autre Amérique de Nat Hentoff La 25ème heure d’Armand Meignan Les guitares de Poulsenet Benoist s’enflamment de joie François Corneloup espère en tout Cattaneo dessine le printemps Fred Frith guitare-héraut sans frontières Fred Frith Guy Le Querrec Magnum Malachi Favors - Art Ensemble of Chicago (1937 - 2004) Guy Le Querrec Magnum Les Allumés du Jazz N° 10 - 1er trimestre 2004 Le Jour Il est des signes qui ne trompent pas, des noms associés au voyage de la musique qui servent de boussole. En écou- tant Giant Steps ou Crescent de John Coltrane, Oh Yeah ou Mingus, Mingus, Mingus, Mingus,... de Charles Mingus, On this Night d’Archie Shepp, East Broadway run down de Sonny Rollins, Something Else ou Tomorrow is the Question d’Ornette Coleman, Greenwich village d’Albert Ayler, vous avez sans doute lu la prose intéressante de Nat Hentoff, Nat Hentoff j'avais envie. La scène de Boston était riche et de nombreux musi- ciens d'ailleurs venaient y jouer. On faisait des émissions en direct avec les musiciens et leurs orchestres sur le plateau, j'ai ren - contré Duke Ellington, ce qui était pour moi extraordinaire. J'ai pu approcher les gens que j'aimais. J'ai repris ensuite un peu mes études. Et puis, Leonard Feather a quitté Down Beat. Norman Granz, avec qui je me suis ensuite lié, m'a recommandé et j'ai travaillé à plein temps comme rédacteur en chef pour New York.
  • 13-03-01 Full Stock List

    13-03-01 Full Stock List

    DRONE RECORDS FULL STOCK LIST A-Z - 1. MARCH 2013 - (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Amish Glamour (Music for the Sixth Sense) (CD-R, 2008, Lucioleditions llns one , €9) Moune (CD, 2010, Nitkie patch four, €13) Yoshiwara (do-CD, 2011, Nitkie label patch seven, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10, 2007, Angle Records A.R.10.03, €10) New Travel (CD, 2007, Edgetone Records EDT4062, €13) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) Resting on A (CD, 2009, Edgetone Records EDT4088, €13) 1 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO The Culling is Coming (CD, 2003, LTM Publishing / Boutique BOUCD 6604, €15) Seven Songs (CD, 2008, LTM Publishing LTMCD 2528, €14.5) Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED The Religious Experience (LP, 2007, Soleilmoon Recordings SOL 147, €25) Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5F-X The Xenomorphians (CD, 2007, Hands Production D112, €15) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth
  • May 2021 New Releases

    May 2021 New Releases

    May 2021 New Releases SEE PAGE 58 what’s featured exclusives inside PAGE 3 RUSH Releases Vinyl Available Immediately 73 Music [MUSIC] Vinyl 3 CD 16 FEATURED RELEASES Video THE RESIDENTS - ARISTOCRATS - ORIGINAL LONDON 46 GINGERBREAD MAN FREEZE! LIVE IN CAST RECORDING - Film EUROPE 2020 MEL BROOKS’ YOUNG FRANKENSTEIN Films & Docs 48 MVD Distribution Independent Releases 72 Order Form 77 Deletions & Price Changes 80 800.888.0486 12 MONKEYS STEELBOOK KINKY BOOTS THE FINAL COUNTDOWN 203 Windsor Rd., Pottstown, PA 19464 (3-DISC LIMITED EDITION/ www.MVDb2b.com 4K UHD+BLU-RAY+CD) SLY & ROBBIE - REGGAE: 999 - RED HILLS ROAD LIVE IN JAMAICA BEST OF LIVE KINKO DE MAYO! We kick off May with KINKY BOOTS on! KINKY BOOTS, the Tony Award winner for Best Musical opens in your home this month, with a DVD and Blu-ray release of the stage play! Written by Harvey Fierstein with music by Cyndi Lauper, the play finds an unlikely pair teaming up to create a line of sturdy stilettos that will put spring in your step! More musicals to our ears this month come in the twisted form of Mel Brooks’ Original London Cast Recording CD of YOUNG FRANKENSTEIN. Its Alive again as Dr. Fronkenstein, Inga, Frau Blucher and Eyegor sing and hump their way through the scariest comedy of all time! Hump? What hump? The legendary Christopher Lee may have never played a hunchback, but he has all other creepy bases covered in the nine- disc collection THE EUROCRYPT OF CHRISTOPHER LEE COLLECTION Blu-ray! Features five classic Lee European films, a TV anthology, rare interviews, a book and soundtrack CD.
  • March 05 Prog

    March 05 Prog

    \ SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS David Milnes, Music Director Performers Tuesday, 22 March 2005 8 pm Tod Brody, flute Yerba Buena Center for the Arts - Theater Carey Bell, bass clarinet Agnes Lee, harp Michael Taddei, double bass PREMIERES: Daniel Kennedy, percussion JEANRENAUD AND CAMPION TERRY RILEY Tonight’s performance of Edmund Campion’s A Complete Wealth of Time is Olde English (2004) made possible in part by a generous grant from the Ross McKee Foundation. World Premiere The commissioning and tonight’s premiere performance of Edmund Campion’s Joan Jeanrenaud, cello Outside Music were made possible in part by a generous grant from the Fromm Music Foundation, which has also helped to underwrite this entire ANNIE GOSFIELD concert performance. The Harmony of the Body-Machine (2003) Fred Frith’s Save As was commissioned with gifts from John Chalik, Jane S. Joan Jeanrenaud, cello Dutcher, Joan Jeanrenaud, Nora Norden, Dick Sander, Tim Savinar, Stephen Singer and Michel Boynton, Curtis Smith and Susan Threlkeld, Lee Townsend, and Patricia Unterman. FRED FRITH Save As (2005) World Premiere, Commission Joan Jeanrenaud, cello William Winant, percussion ~ INTERMISSION ~ EDMUND CAMPION A Complete Wealth of Time (1990) Gloria Cheng and Vicki Ray, pianos EDMUND CAMPION Outside Music (2005) World Premiere, Commission Julie Steinberg, keyboard-controlled sampler/computer Program Notes Origins, this European sojourn gave Riley the opportunity to attend the Summer New Music Courses at Darmstadt and to use the elec- tronic music resources at the ORTF (l’Office de la radiodiffusion- TERRY RILEY (B. 1935) télévision française), where he produced a score for Ken Dewey’s play, The Gift (1963), that took Chet Baker’s recording of Miles Davis’ So feel it’s my field to try to create magic in sound.
  • 2007 Catalog

    2007 Catalog

    2 Table Of Contents / Welcome Where To Find Us 3 Table Of Contents Arhoolie Welcomes You How To ORDER Arhoolie’s History. 4 to the best authentic, and pure roots & You can order ALL items in this ARHOOLIE CATALOG and most items in the Arhoolie Foundation . 12 NEATWORK Catalog by filling out the enclosed ORDER FORM and enclosing the 40th Anniversary Box Set. 14-15 vernacular music on records! In the fall of correct amount, or you can order by phone TOLL FREE with VISA or Blues . 16-48 MASTERCARD by calling 888-ARHOOLIE (888-274-6654). (This is an order Cajun/Zydeco . 50-77 2005 Arhoolie celebrated its 45th year of number only – for all other Arhoolie business, please call 510-525-7471.) Or, you can order via our website, www.arhoolie.com. Mexican-American/Tejano/ presenting these traditions. Tex-Mex/Conjunto/Mexico . 79-115 Thank you, World Music . 116-130 This 2007 ARHOOLIE/FOLKLYRIC The ARHOOLIE staff Afghanistan . 116 CATALOG lists all items released through Caribbean/Bahamas . 116 Where To Find Us Caribbean/Belize . 117 JULY 30, 2007. For details about releases ARHOOLIE RECORDS ARHOOLIE WEBSITE: Caribbean/Dominican Rep. 117 10341 San Pablo Avenue Caribbean/Martinique . 117 after July 2007, please request our www.arhoolie.com El Cerrito, CA 94530 Keep up to date with our latest releases Caribbean/Trinidad . 118 CATALOG SUPPLEMENTS or visit our Carribbean/Puerto Rico . 119 Phone: (510) 525-7471 and news by visiting our website. You’ll Colombia . 119 WEBSITE: WWW.ARHOOLIE.COM. Fax: (510) 525-1204 find our complete catalog with full color Cuba.
  • Monsieur Délire: 2013-11-25/26: Copernicus, the Claudia Quintet

    Monsieur Délire: 2013-11-25/26: Copernicus, the Claudia Quintet

    Mer Nästa blogg» Skapa en blogg Logga in Portail du journalisme et de l'activisme musical de François Couture. INTRODUCTION | JOURNAL D'ÉCOUTE | DÉLIRE MUSICAL | DÉLIRE ACTUEL | FIMAV | MA PROPRE MUSIQUE Home of François Couture's music journalism and activism. INTRODUCTION | LISTENING DIARY | DÉLIRE MUSICAL | DÉLIRE ACTUEL | FIMAV | MY OWN MUSIC 2 0 1 3 - 1 1 - 2 7 CE François Couture 2013-11-25/26: Copernicus, The Claudia Quintet, Nouvel album solo / New solo Chrome Hoof, 21, Metal-o-Phone, Brigitte release Fontaine Libellés : 21, Brigitte Fontaine, Chrome Hoof, Claudia Quintet, Coax Records, Copernicus, Cuneiform, Journal d'écoute / Listening diary, Metal-o-Phone, Collaboration avec ®o©HLo / New Nevermore, Superior Viaduct collaboration with ®o©HLo Journal d'écoute / Listening Diary 2013-11-25/26 D'autres musiques sur / More music COPERNICUS / L’Éternité immédiate (Nervermore – merci à/thanks on: bandcamp soundcloud to Moonjune) J’aime bien Copernicus – son personnage, ses musiques, son propos. Les choix de Monsieur Délire / Or, avec L’Éternité immédiate, c’est la débandade. Je m’explique: en Monsieur Délire's current favs 2001, Copernicus enregistre Immediate Eternity en Équateur, avec des - Anthony Braxton: Quartet (FRM) musiciens équatoriens, en espagnol et en anglais. Il considère encore 2007 Vol. 4 aujourd’hui qu’il s’agit de son meilleur album en carrière. Au cours des - The Wrong Object: After the deux années suivantes, il a réenregistré des paroles en fançais et en Exhibition allemand. En 2013, à l’occasion d’une longue entrevue dans un - Dieuf-Dieul de Thiès: Aw Sa Yone, magazine français, son étiquette Nervermore a réédité L’Éternité Vol.
  • CHRIS CUTLER Composition and Experimentation in British Rock

    CHRIS CUTLER Composition and Experimentation in British Rock

    CHRIS CUTLER Composition and Experimentation in British Rock:1966-1976. Workshop – “Compositional Techniques in Progressive Rock Bands”* With Henry Cow, as with the Soft Machine, the method differed with the composer - and all of us came from quite different backgrounds - that was one of the more interesting things about the group: that such different people had somehow to get along and find a musical language they could all agree about. We employed several different compositional methods, and these, and the kinds of compositions we played, changed quite radically over the life of the group. We had four primary composers: Fred Frith, Tim Hodgkinson, Lindsay Cooper and John Greaves. Fred had studied violin but then took up the guitar, after which he – like me – joined a series of groups playing Shadows and Beatles covers - then R and B, then acoustic guitar in folk clubs. Tim Hodgkinson was pretty immersed in jazz, especially the free jazz of the early Sixties: Ornette Coleman, John Coltrane, and so on. John Greaves had worked in his father’s dance band in Wales, playing standards mostly, and show music. Lindsay Cooper had been in the National Youth Orchestra, and had studied at the Royal College and the Julliard. She was the only member of the group who was fully formally trained. Compositions came to us in the form of written scores, which might be in various states of completion, depending on whose score it was. When I joined, Fred produced fairly skeletal scores as I recall, with riffs, repeated sections, some closely written parts and space for solos.
  • Drone Records Full Stock List - 20

    Drone Records Full Stock List - 20

    DRONE RECORDS FULL STOCK LIST - 20. January 2011 This is a list of all titles / items we should have in stock by 20. Jan. 2011, or that can be ordered in a short period of time for you. Please note that some German umlauts are not displayed correctly, and there can be some mistakes included (showing titles that are already gone completely), but this list should be more or less up to date! Thanks! START (ETRE) A Post-Fordist Parade in the Strike of Events (CD, 2006, Baskaru karu:6, €13) (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) 1000SCHOEN Amish Glamour (Music for the Sixth Sense) (CD-R, 2008, Lucioleditions llns one , €9) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €13.5) Between Checks and Artillery. Between Work and Image (10, 2007, Angle Records A.R.10.03, €10) New Travel (CD, 2007, Edgetone Records EDT4062, €13) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) Resting on A (CD, 2009, Edgetone Records EDT4088, €13) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED The Religious Experience (LP, 2007, Soleilmoon Recordings SOL 147, €25) Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5F-X The Xenomorphians (CD, 2007, Hands Production D112, €15) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 87 CENTRAL Formation
  • Cash Box CCC \ K C— M

    Cash Box CCC \ K C— M

    ABC-Poramount Records is 10 years young and, to be sure, still growing. Its affiliates plus two nationally-distributed labels (Tangerine and Dunhill) are named at the left, while the imposing structure on the right will soon be the new home in New York of the operation. See page 8 for full details on the ABC-Paramount growth story. Cash Box CCC _ \ k c— m. » J INTERNATIONAL SECTION BEGINS PAGE 55 \MnH 4 Al Rmen THINK COLUMBIA ffl SINGLES LINDA GAYLE APRIL YOUNG THE MAUREEN EVANS STOP, LOOK, “RUN TO MY SPELLBINDERS “NEVER LET LISTEN” LOVIN’ ARMS” “FOR YOU” HIM GO” 4-43359 4-43392 4-43384 4-43354 ml © COLUMBIA <gMARCAS REG PRINTEO IN US A. I \ i Cash Box II Cash Bone « Vol. XXVM-Number 9 September 18, 1965 t FOUNDED BY BILL GERSH Gash Box (Publication Office) l 1780 Broadway New York, N. Y. 10019 , 8 (Phone: JUdson 6-2640) 8 CABLE ADDRESS: CASHBOX, N. Y. j JOE ORLECK President and Publisher « NORMAN ORLECK II Vice President 11 GEORGE ALBERT * Vice President Enter Big Season MARTY OSTROW J General Manager a MUSIC & RECORDS EDITORIAL j i IRV LICHTMAN Editor-in-Chief DICK ZIMMERMAN Associate Editor MIKE MARTUCCI Editorial Assistant I JERRY ORLECK Editorial Assistant MARV GOODMAN Editorial Assistant TOM McENTEE Editorial Assistant ! ADVERTISING 1 BILL STUPER The record business no longer finds made certain of in recent weeks, that HARVEY GELLER, Hollywood I ^ — its entry into the fall-winter selling sea- labels put their best feet forward in the l quality singles i ED ADLUM son the morning after.