Drive-By, by the Necks. Reviewed Music for the Feature Film The Boys 253 pp., illus. Paper. ISBN: 0-520- by Michael R. (Mike) Mosher. The Necks. ReR Megacorp, Thornton 23839-7. Heath, Surrey, U.K., 2004. Effigies in Cork, by VRIL. Reviewed Cult Television by Michael R. (Mike) Mosher. Music from the Ocean Sara Gwenllian-Jones and Roberta E. Bob L. Sturm. Composer Scientist Pearson, eds. University of Minnesota Essential Sources in the Scientific Study Recordings, U.S.A., 2002. Press, Minneapolis, MN, U.S.A., 2004. of Consciousness, edited by Bernard . 242 pp. Paper. ISBN: 0-8166-3831-4. J. Baars, William P. Banks and James B. Newman. Reviewed by Robert Probe Designing with Kanji: Japanese Character Pepperell. S.E.T.I. and Si_COMM. Vivo Records, Motifs for Surface, Skin and Spirit Zambrow, Poland, 2004. Shogo Oketani and Leza Lowitz. Stone Jaroslav Rössler: Czech Avant-Garde Pho- Bridge Press, Berkeley, CA, U.S.A., tographer, edited by Vladimir Birgus and Reveries of the Solitary Walker 2003. 144 pp., illus. Paper. ISBN: Jan Mlcoch; translated by Derek Paton. Nikola Kodjabashia. ReR Megacorp, 1-880656-79-5. Reviewed by Allan Graubard. Thornton Heath, Surrey, U.K., 2004. Drug Wars: The Political The Moving Image, Journal of the Associa- Slew Economy of Narcotics tion of Moving Image Archivists. Reviewed Thomas Dimuzio. ReR Megacorp, Curtis Marez. University of Minnesota by Michael R. (Mike) Mosher. Thornton Heath, Surrey, U.K., 2004. Press, Minneapolis, MN, U.S.A., 2004. 347 pp., illus. Paper. ISBN: 0-8166- Prints. Snapshots, Postcards, Messages and Tara’s Room: Two Meditations 4060-2. Miniatures 1987–2001, by Fred Frith. on Transition and Change Reviewed by Stefaan Van Ryssen. Pauline Oliveros. Deep Listening Publi- The Electric Guitar: A History cations, Kingston, NY, U.S.A., 2004. of an American Icon Spoors, by the Science Group and André Millard, ed. Johns Hopkins Crashing Icons, by Absolute Zero. Univ. Press, Baltimore, MD, U.S.A., Reviewed by Michael R. (Mike) Mosher. Books 2004. 226 pp., illus. Trade. ISBN: 0-8018-7862-4. Wenda Gu: Art from Middle Kingdom to Anime Explosion! The What? Why? Biological Millennium, edited by Mark And Wow! of Japanese Animation Experiencing Music Video: Aesthetics H.C. Bessire. Reviewed by Rob Harle. Patrick Drazen. Stone Bridge Press, and Cultural Context Berkeley, CA, U.S.A., 2003. 369 pp., Carol Vernallis. Columbia Univ. Press, YLEM Journal: Artists Using Science and illus. Paper. ISBN: 1-880656-72-8. New York, NY, U.S.A., 2004. 327 pp., Technology. Reviewed by Rob Harle. illus. Paper. ISBN: 0-231-11799-X. Architecture’s New Media: Principles, Theories, and Methods of Computer- Fractal Speech Processing Aided Design Marwan Al-Akaidi. Cambridge Univ. MATERIALS RECEIVED Yehuda E. Kalay. MIT Press, Press, New York, NY, U.S.A., 2004. 214 Cambridge, MA, U.S.A., 2004. 536 pp., pp., illus. Trade. ISBN: 0-521-81458-8. illus. Trade. ISBN: 0-262-11284-1. The Geometry of Multiple Images Audio Compact Discs Ask Not: The Necessary Stage Olivier Faugeras and Quang-Tuan in Singapore Theatre Luong. MIT Press, Cambridge, MA, Argon-Evolution: Human Tan Chong Kee and Tisa Ng, eds. Times U.S.A, 2004. 672 pp., illus. Paper. Scott Morgan, 2002. E-mail: Editions, Singapore, 2004. 390 pp., ISBN: 0-262-56204-9. . illus. Paper. ISBN: 981-232-804-1. Imitation of Life: How Biology Ash in the Rainbow Audio Culture: Readings in Modern Music Is Inspiring Computing Haco and Sakamoto Hiromichi. ReR Christoph Cox and Daniel Warner, eds. Nancy Forbes. MIT Press, Cambridge, Megacorp, Thornton Heath, Surrey, Continuum International Publishing MA, U.S.A., 2004. 171 pp., illus. Trade. U.K., 2004. Group, New York, NY, U.S.A., 2004. ISBN: 0-262-06241-0. 417 pp. Paper. ISBN: 0-8264-1614-4. Electrotherapy Integration-Ready Architecture and Design: Scott Smallwood. Deep Listening Publi- Carnival of Perception: Software Engineering with XML, Java, cations, Kingston, NY, U.S.A., 2004. Selected Writings on Art .NET, Wireless, Speech, and Knowledge Guy Brett. Institute of International Technologies Middle of the Moment Visual Arts, London, U.K., 2004. 262 Jeff Zhuk. Cambridge Univ. Press, New Fred Frith. Fred Records/ReR pp., illus. Paper. ISBN: 1-899846-34-4. York, NY, U.S.A., 2004. 609 pp., illus. Megacorp, Thornton Heath, Surrey, Paper. ISBN: 0-521-52583-7. U.K., 2004. Conversation Pieces: Community + Communication The Interventionists: User’s Manual for Multiples and the Lost Project in Modern Art the Creative Disruption of Everyday Life Rocco Di Peitro. John Schwab Studio, Grant H. Kester. University of Califor- Nato Thompson and Gregory Sholette, Columbus, OH, U.S.A., 2004. nia Press, Berkeley, CA, U.S.A., 2004. eds. MIT Press, Cambridge, MA,

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Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2005.38.1.79 by guest on 29 September 2021 U.S.A., 2004. 154 pp., illus. Trade. Porn Studies What the Body Cost: Desire, ISBN: 0-262-20150-X. Linda Williams, ed. Duke Univ. Press, History, and Performance Durham, NC, U.S.A., 2004. 528 pp., Jane Blocker. University of Minnesota Invisible Cities: A Metaphorical illus. Paper. ISBN: 0-8223-3312-0. Press, Minneapolis, MN, U.S.A., 2004. Complex Adaptive System 162 pp., illus. Paper. ISBN: 0-8166- Chloé E. Atreya. Edwards Brothers, Promises to Keep: Technology, Law, 4319-9. Ann Arbor, MI, U.S.A., 2004. 166 pp., and the Future of Entertainment illus. Paper. ISBN: 0-9754347-0-5. William W. Fisher III. Stanford Univ. The Yearbook of the Artificial Press, Stanford, CA, U.S.A., 2004. 340 Massimo Negrotti, Ed. Peter Lang Pub., Kunst als Sendung: Von der pp., illus. Trade. ISBN: 0-8047-5013-0. Bern, Switzerland, 2004. 379 pp., illus. telegrafie zum Internet Paper. ISBN: 3-03910-124-2. Dieter Daniels. Verlag C.H. Beck, Robert Smithson and the Munich, Germany, 2002. 268 pp., American Landscape illus. Paper. ISBN: 3-406-49509-5. Ron Graziani. Cambridge Univ. Press, Exhibition Catalogs In German. New York, NY, U.S.A., 2004. 219 pp., illus. Trade. ISBN: 0-521-82755-8. Intersections: The Art of Lacan to the Letter: Anna Campbell Bliss Sensory Design Reading Écrits Closely Utah Museum of Fine Arts, University Joy Monice Malnar and Frank Vod- Bruce Fink. University of Minnesota of Utah, Salt Lake City, UT, U.S.A., 23 varka. University of Minnesota Press, Press, Minneapolis, MN, U.S.A., 2004. May–3 August 2004. 192 pp., illus. Paper. ISBN: 0-8166- Minneapolis, MN, U.S.A., 2004. 356 pp., illus. Paper. ISBN: 0-8166-4353-9. 4321-0. Seurat and the Making of La Grande Jatte Spirit of the North: The Quotable Robert L. Herbert. University of Cali- Listening In: Radio and fornia Press, Berkeley, CA, U.S.A., 2004. the American Imagination Sigurd F. Olson David Backes, ed. University of Min- 307 pp., illus. Paper. ISBN: 0-520- Susan J. Douglas. University of Min- 24210-6. nesota Press, Minneapolis, MN, U.S.A., nesota Press, Minneapolis, MN, U.S.A., 2004. 415 pp., illus. Paper. ISBN: 2004. 149 pp. Trade. ISBN: 0-8166- 3934-5. 0-8166-4423-3. Multimedia The Subject of Documentary Lucien Herve: Building Images Michael Renov. University of Minnesota The Dawn of Dimi: A DVD Release Cele- Olivier Beer. Getty Publications, Los Press, Minneapolis, MN, U.S.A., 2004. brating the Works of Erkki Kurenniemi, Angeles, CA, U.S.A., 2004. 224 pp., 285 pp., illus. Paper. ISBN: 0-8166- an Unsung Pioneer of Electronic Art illus. Trade. ISBN: 0-89236-754-7. 3441-6. Kiasma, Museum of Contemporary Art. Helsinki, Finland. Making Beats: The Art Symmetry Comes of Age: of Sample-Based Hip-Hop The Role of Pattern in Culture Joseph G. Schloss. Wesleyan Univ. Press, Dorothy K. Washburn and Donald W. Periodicals Middletown, CT, U.S.A., 2004. 240 pp. Crowe, eds. University of Washington Paper. ISBN: 0-8195-6696-9. Press, Seattle, WA, U.S.A., 2004. 392 Art Inquiry: Recherches Sur Les Arts pp., illus. Trade. ISBN: 0-295-98366-3. Managing as Designing Volume V (XIV): “Cyberarts, Cyber- cultures, Cybersocieties,” 2003. Richard J. Boland, Jr. and Fred Collopy, Talking with Computers: Explorations in eds. Stanford Univ. Press, Stanford, CA, the Science and Technology of Computing Computer Music Journal U.S.A., 2004. 289 pp., illus. Trade. Thomas Dean. Cambridge Univ. Press, Vol. 28, No. 2, Summer 2004. ISBN: 0-8047-4674-5. New York, NY, U.S.A., 2004. 300 pp., illus. Paper. ISBN: 0-521-54204-9. M.C. Escher: Visions of Symmetry Kiasma Vol. 7, No. 23, 2004. Doris Schattschneider. Harry N. Things That Talk: Object Lessons Abrams, New York, NY, U.S.A., 2004. from Art and Science Kiasma 370 pp., illus. Trade. ISBN: 0-8109- Lorraine Daston, ed. Zone Books, Vol. 7, No. 24, 2004. 4308-5. Brooklyn, NY, U.S.A., 2004. 447 pp., illus. Trade. ISBN: 1-890951-43-9. Models: The Third Dimension of Science Soraya de Chadarevian and Nick Hop- Unforgiven Videos wood, eds. Stanford Univ. Press, Stan- Edward Buscombe. British Film Insti- ford, CA, U.S.A., 2004. 464 pp., illus. tute, London, U.K., 2004. 94 pp., illus. Charlotte: Life or Theater? Paper. ISBN: 0-8047-3971-4. Paper. ISBN: 1-84457-033-9. Richard Dindo. First Run/Icarus Films, Brooklyn, NY, U.S.A., 1992. The Motion of Light in Water: Sex and Wayward Reproductions: Genealogies Science Fiction Writing in the East Village of Race and Nation in Transatlantic Con Brio: Karl Ulrich Schnabel, Samuel R. Delany. University of Min- Modern Thought Master Teacher of Piano nesota Press, Minneapolis, MN, U.S.A., Alys Eve Weinbaum. Duke Univ. Press, Mary Lou Chayes and Beverly Jones. 2004. 572 pp. Paper. ISBN: 0-8166- Durham, NC, U.S.A., 2004. 348 pp. The Cinema Guild, New York, NY, 4524-8. Paper. ISBN: 0-8223-3315-5. U.S.A., 2003. ISBN: 0-7815-1009-0.

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Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2005.38.1.79 by guest on 29 September 2021 Earth and Women You Can’t be Neutral on a album, What a Way to End It All, was Lyndol Michael. The Cinema Guild, Moving Train: Howard Zinn released in late 2003. Between 1978 and New York, NY, U.S.A., 2003. ISBN: Deb Ellis and Denis Mueller. First 1988 Wood was deputy head of the Fine 0-7815-0958-0. Run/Icarus Films, Brooklyn, NY, Art Department at Goldsmiths College, U.S.A., 2004. University of London. Between 1990 Empathy and 1994, he led a funded research Amie Siegel. First Run/Icarus Films, project to develop a SGML-based Brooklyn, NY, U.S.A., 2003. authoring system (called IDEAbase— INTRODUCING THE the Interactive Database of Enabling The Holocaust Experience LR PANELISTS Arguments) that was designed to bring Oeke Hoogendijk. First Run/Icarus authors in contact with one another Films, Brooklyn, NY, U.S.A., 2002. over the Internet. An author of many published papers and articles on ecol- The Junction Dene Grigar is an associate professor ogy, cybernetics and design, Wood Ilan Ziv. First Run/Icarus Films, of English at Texas Woman’s University contributed to the inaugural confer- Brooklyn, NY, U.S.A., 2003. and specializes in electronic literature, ence submissions to the International Greek literature and culture, rhetoric Sociology Association that led to the Knock Off: Revenge on the Logo and feminist theory. Her book New acceptance of Sociocybernetics Anette Baldauf and Katharina Wein- Worlds, New Words: Exploring Pathways in (Research Centre 51) as a new disci- gartner with Reverend Billy of the and about Electronic Environments (with pline. Recently he co-founded Attain- Church of Stop Shopping. First John Barber, Hampton Press, 2001) able Utopias, an altruistic open-source Run/Icarus Films, Brooklyn, NY, speculates about the ways in which network of creative thinkers across U.S.A., 2004. writing and thinking change when many areas of industry. Contact John moved to electronic environments, Wood at 144, Albyn Road, Deptford, Kuxa Kanema: The Birth of Cinema such as the World Wide Web, MOOs, London SE8 4JQ, U.K. E-mail: Margarida Cardoso. First Run/ and e-mail. She is the founder of the . Web: Icarus Films, Brooklyn, NY, U.S.A., virtual spaces TWUMOO and Nou- . 2003. space, and was the 2001 recipient of TWU’s Innovation in Academia Award Singaporean Nisar Keshvani is a free- Panopticon in the field of computer science. Also lance Internet journalist, web devel- Relja Penezic. The Cinema Guild, New in 2001 Grigar attended a National En- oper, educator and new media York, NY, U.S.A., 2003. ISBN: 0-7815- dowment for the Humanities Summer specialist. He has written for various 0972-6. Seminar at U.C.L.A. led by N. Kath- publications, including The Straits Times erine Hayles. Currently, she is under- (Singapore), worldroom.com, movies- Sandcastles: Buddism taking a one year post-doctoral study online and smallplaces.com, and has cor- and Global Finance with the Center of Advanced Inquiry responded for the Asian Sources Media Alexander Oey. First Run/Icarus in the Interactive Arts-Science Technol- Group (Philippines). Keshvani is editor Films, Brooklyn, NY, U.S.A., 2003. ogy and Art Research (CAiiA-STAR) in of fineArt forum, a 14-year old interna- the area of hypermedia and interactive tional on-line art and technology news Santiago Calatrava’s Travels arts. E-mail: . service; he has extensive experience Christoph Schaub. First Run/Icarus developing and maintaining web sites. Films, Brooklyn, NY, U.S.A., 1999. John Wood is an artist, performer, He was an on-line journalism educator educator and author. As a practicing at Queensland University of Technol- Science Wages War on Hunger: artist in the late 1960s, Wood developed ogy, Australia, and has examined inter- Modifying Africa through interactive electronic installations and nationalization issues and the changing Biotechnology “toys” that were exhibited in over 20 work practices of the on-line news- Denny Hooten. The Cinema Guild, countries. Working solo and collabo- room. He is currently the Singapore New York, NY, U.S.A., 2003. ISBN: ratively, Wood has exhibited in many International Film Festival publicist. 0-7815-1002-3. galleries and museums including the His areas of interest include new media Australian Biennial (1988). As a per- technologies, media convergence, web The World Stopped Watching former he has recorded four albums content management, web develop- Peter Raymont. First Run/Icarus and toured extensively with the rock ment and desktop publishing and lay- Films, Brooklyn, NY, U.S.A., 2003. band Deaf School, whose most recent out. E-mail: .

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