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Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Mica Paris My One Temptation Mp3, Flac, Wma
Mica Paris My One Temptation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: My One Temptation Country: Japan Released: 1988 Style: Soul MP3 version RAR size: 1454 mb FLAC version RAR size: 1425 mb WMA version RAR size: 1644 mb Rating: 4.6 Votes: 631 Other Formats: TTA MP1 AUD AAC VQF ADX WMA Tracklist Hide Credits My One Temptation (Club Mix) A Engineer – Lee HamblinProducer – L'EquipeWritten-By – Leeson*, Waters*, Vale* My One Temptation (Radio Version) B1 Engineer – Lee HamblinProducer – L'EquipeWritten-By – Leeson*, Waters*, Vale* Rock Together B2 Producer – Leon WareWritten-By – L. Ware*, M. Paris* Companies, etc. Phonographic Copyright (p) – Island Records Ltd. Distributed By – Dischi RICORDI S.p.A. Credits Photography By – Lawrence Watson Notes ℗ 1988 Island Records Ltd. Distribuzione Dischi RICORDI S.p.A. Made in Italy Barcode and Other Identifiers Barcode: 014474 810855 Matrix / Runout (Runout area A-side): AS BRWX 85 A Matrix / Runout (Runout area B-side): AS BRWX 85 B Matrix / Runout (Side A Label): BRWX 85/1 Matrix / Runout (Side B Label): BRWX 85/2 Other versions Category Artist Title (Format) Label Category Country Year My One Temptation (12", 12 BRW 85 Mica Paris 4th & Broadway 12 BRW 85 UK 1988 Single) My One Temptation (12", 12 BRW 85 Mica Paris 4th & Broadway 12 BRW 85 UK 1988 Promo) My One Temptation 611 631 Mica Paris (Reproduction Remix) (12", Island Records 611 631 Europe 1988 Maxi) My One Temptation (7", 111 015 Mica Paris Island Records 111 015 Europe 1988 Single) My One Temptation (CD, PR 2567-2 -
Au Revoir Les Enfante
witty by the occasionsw hen the play- connection with his work: it DAVID HARE's painful, wright puts it on hold and listens does, however, bear out the and moving new play The to file pretty patterns he makes ancient principle that successful Secret Rapture (NT, Lyttelton) which place sound before sense. jazz is written not for instru- is a morality of modern behav- Passion in public 'Why is the sun bleedin'?' 'In a ments but for players . iour in which the people who f ace way, we all died.' McGuinness "Mt The three-part suite by the have all the answers , buy can do better than that. He does tnRudue Kid. Wshicheveir it cis, I out and destroy the people who JOHN PEEL at the West Indian composer Herman so elsewhere in the Dublin The- hope the oaf ish name will not Wilson did not work on thought there were no questions atre Festival, in a marvellously discourage readers from seeing Wednesday night at the Queen to ask. The elements are tradi- good version of 'Peer Gynt' at Mean Fiddler this extraordinary band. Elizabeth Hall because it had tional but neglected: a represen- the Gate (to which I shall return Rapeman was suppor ted by clearly not been conceived with tative of earthly government , an artis t of , next week) and be does so in FOR OVER a year now I have New York's Band of Susans, this band in mind: they were so , an artisan, a man God *P.nrtha gminn«' with a plain Ut- had to endure the horr id busy concentrating on being a witch. -
The Final BBC Young Jazz Musician 2020
The Final BBC young jazz musician 2020 The Final The Band – Nikki Yeoh’s Infinitum Nikki Yeoh (piano), Michael Mondesir (bass) and Mark Mondesir (drums) Matt Carmichael Matt Carmichael: Hopeful Morning Saxophone Matt Carmichael: On the Gloaming Shore Matt Carmichael: Sognsvann Deschanel Gordon Kenny Garrett arr. Deschanel Gordon: Haynes Here Piano Deschanel Gordon: Awaiting Thelonious Monk: Round Midnight Alex Clarke Bernice Petkere: Lullaby of the Leaves Saxophone Dave Brubeck: In Your Own Sweet Way Alex Clarke: Before You Arrived INTERVAL Kielan Sheard Kielan Sheard: Worlds Collide Bass Kielan Sheard: Wilfred's Abode Oscar Pettiford: Blues in the Closet Ralph Porrett Billy Strayhorn arr. Ralph Porrett: Lotus Blossom Guitar John Coltrane arr. Ralph Porrett: Giant Steps John Parricelli: Scrim Boudleaux Bryant: Love Hurts JUDGING INTERVAL Xhosa Cole BBC Young Jazz Musician 2018 Saxophone Thelonious Monk: Played Twice Xhosa Cole: George F on my mind Announcement and presentation of BBC Young Jazz Musician 2020 2 BBC young jazz musician 2020 Television YolanDa Brown Double MOBO award winning YolanDa Brown is the premier female saxophonist in the UK, known for delicious fusion of reggae, jazz and soul. Her debut album, “April Showers May Flowers” was no.1 on the jazz charts, her sophomore album released in 2017 “Love Politics War” also went to no.1 in the UK jazz charts. YolanDa has toured with The Temptations, Jools Holland’s Rhythm and Blues Orchestra, Billy Ocean and collaborated with artists such as Snarky Puppy’s Bill Laurance, Kelly Jones from Stereophonics and the Royal Philharmonic Orchestra. A broadcaster too – working across TV and radio, including her eponymous series for CBeebies, "YolanDa’s Band Jam", which recently won the Royal Television Society Awards as Best Children’s Programme. -
So Good (Mica Paris Album)
So Good (Mica Paris album) Mica Paris (born Michelle Antoinette Wallen 27 April 1969 in Islington, London) is an English soul singer, presenter on radio and television and occasional actress. Singer. Beginnings. Paris appeared on their album, If (1985). In 1988, she released her debut, platinum-selling album So Good with 4th & Broadway when she was 19 years old. "My One Temptation" was the lead single. This led to a collaboration with American soul singer Will Downing on a cover version of a classic "Where Is the Love", made famous by Donny Hathaway and Roberta Flack in the early 1970s. Read more. This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Mica_Paris. So Good (Mica Paris album). So Good is the debut album by British recording artist Mica Pari... Find album reviews, stream songs, credits and award information for So Good - Mica Paris on AllMusic - 1989 - A gospel-influenced soul/pop singer with a fineâ¦Â Though not a remarkable effort, her debut album, So Good, was a respectable and decent one indicating that she had much potential. Among the CD's more noteworthy cuts are the haunting "My One Temptation," the jazz-influenced "Sway (Dance the Blues Away)" and the sizzling "Nothing Hits Your Heart like Soul Music" (which also seems like a statement of purpose, and points to Paris' devotion to more traditional R&B elements). âœSo Goodâ Q&A. More Mica Paris albums. Born Again. Soul Classics. Show all albums by Mica Paris. Home. M. Mica Paris. So Good. About Genius Contributor Guidelines Press Advertise Event Space. -
Ravi Coltrane Steps out of His Parents' Shadows And
001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
KOFI MAKOWSKI PROJECT – MUSICIANS' Bios
KOFI MAKOWSKI PROJECT – MUSICIANS’ BIOs TONY KOFI – SOPRANO, ALTO, BARITONE SAXOPHONE www.tonykofi.com www.myspace.com/tonykofi Winner, best instrumentalist of the year 2008 BBC Jazz awards Winner, best Ensemble at the 2005 Parliamentary Jazz Awards. Winner, Radio 3 Jazz line up album of the year 2005 BBC Jazz awards Born in Nottingham to West African parents, the playing career of saxophonist Tony Kofi began when he chanced upon a series of jazz workshops, run in Leicester by Nick Hislam. Tony was bitten by the jazz bug and made a point of making the journey to go along to each session. This laid the seeds for what was to come, and a stint at the legendary Berklee College of Music in Boston Mass. USA, on a full scholarship. While in the US, Tony studied with such musical luminaries as Andy Magee, Ernie Watts and Billy Pearce, gaining invaluable experience that he then put to best use when he returned to the UK. From 1991, Tony was part of the UK’s leading jazz group of the time – The Jazz Warriors. This band was (and, indeed, is, in its current form of Tomorrow’s Warriors) a hotbed of young talent from the UK jazz scene. Tony was also vital part of Gary Crosby’s Nu Troop; this was a big stepping stone for his solo and ensemble work, contributing massively to his own solo projects and 1 educational projects. Tony is still committed to this ethos, regularly running his own workshops and giving individual lessons. Throughout the nineties Tony was busy, appearing in the front line of innumerable high-profile musicians and groups, including Billy Higgins, Byron Wallen’s Indigo, Claude Deppa’s A.J.E. -
THE HISTORY of UK BLACK MUSIC a Soundtrack to Everyone’S Lives
THE HISTORY OF UK BLACK MUSIC A soundtrack to everyone’s lives flashbackprojectuk.com | © Flashback Film Productions Ltd Contents • An introduction 3 • About Flashback 4 • Key facts 6 • Leee & the cast of FLASHBACK 7 • Team profiles 8 • Contributors 12 2 An introduction Imagination, my group from the 80’s, were one of the most popular Brit soul funk groups to come out of the UK with hits like Body Talk, Just An Illusion and Music And Lights, to name but a few. My inspiration for music came from the history of so many “FLASHBACK is a documentation pioneers from America; the Afro-Caribbean and Asian of the impact black artists from influences. In the UK, I discovered an industry that was not an the UK have had around the easy road for people of colour. However, they managed to uplift world: culturally, musically themselves beyond those issues and share their legacy of music and politically. It’s a story of to the world. The influences and achievements of these people far history. You can’t talk about out-merit the awards themselves. Preparing for this film documentary it without uncovering opened the doorway to the lives of so many musical artists, DJ’s, British history...” record producers, writers and musical icons who influenced not just the UK, but the world. DIZZEE RASCAL FLASHBACK highlights through time, a wealth of knowledge and discovery. 3 “ Our evolution through jazz funk and soul, inspired About FLASHBACK the Americans to do what they’re doing...” FLASHBACK is a universal journey COURTNEY PINE that takes you through the decades of change and evolution of British black music. -
South African Jazz and Exile in the 1960S: Theories, Discourses and Lived Experiences
South African Jazz and Exile in the 1960s: Theories, Discourses and Lived Experiences Stephanie Vos In fulfilment of the requirements for the degree of Doctor of Philosophy in Music Royal Holloway, University of London September 2015 Declaration of Authorship I, Stephanie Vos, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 August 2016 2 Abstract This thesis presents an inquiry into the discursive construction of South African exile in jazz practices during the 1960s. Focusing on the decade in which exile coalesced for the first generation of musicians who escaped the strictures of South Africa’s apartheid regime, I argue that a lingering sense of connection (as opposed to rift) produces the contrapuntal awareness that Edward Said ascribes to exile. This thesis therefore advances a relational approach to the study of exile: drawing on archival research, music analysis, ethnography, critical theory and historiography, I suggest how musicians’ sense of exile continuously emerged through a range of discourses that contributed to its meanings and connotations at different points in time. The first two chapters situate South African exile within broader contexts of displacement. I consider how exile built on earlier forms of migration in South Africa through the analyses of three ‘train songs’, and developed in dialogue with the African diaspora through a close reading of Edward Said’s theorization of exile and Avtar Brah’s theorization of diaspora. A case study of the Transcription Centre in London, which hosted the South African exiles Dorothy Masuku, Abdullah Ibrahim, and the Blue Notes in 1965, revisits the connection between exile and politics, broadening it beyond the usual national paradigm of apartheid politics to the international arena of Cold War politics. -
25 Years of the London Jazz Festival
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster. -
Mica Paris So Good Mp3, Flac, Wma
Mica Paris So Good mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: So Good Country: Australia Style: Contemporary R&B, Soul MP3 version RAR size: 1899 mb FLAC version RAR size: 1879 mb WMA version RAR size: 1788 mb Rating: 4.6 Votes: 342 Other Formats: AUD FLAC MP1 MIDI WMA VOC MP4 Tracklist Hide Credits Like Dreamers Do A1 4:22 Featuring – Courtney PineWritten-By – M. Waters*, P. Vale*, S. Shifrin* My One Temptation A2 4:34 Written-By – M. Leeson*, M. Waters*, P. Vale* Nothing Hits Your Heart Like Soul Music A3 4:25 Vocals – Roger Christian Written-By – M. Leeson*, P. Vale* Sway (Dance The Blues Away) A4 4:51 Written-By – M. Leeson*, P. Vale* Don't Give Me Up A5 3:39 Vocals – Will DowningWritten-By – M. Paris*, P. Powell* Breathe Life Into Me B1 4:58 Written-By – M. Leeson*, P. Vale* I'd Hate To Love You B2 4:48 Vocals [Spoken Intro] – The Wallen SistersWritten-By – M. Waters*, P. Vale* Great Impersonation B3 3:42 Written-By – M. Leeson*, P. Vale* Words Into Action B4 4:47 Producer – Will DowningWritten-By – M. Leeson*, P. Vale* So Good B5 4:52 Written-By – M. Waters*, P. Vale*, S. Shifrin* Credits Backing Vocals – L'Equipe, Mica Paris, Paul Johnson Bass – L'Equipe, Paul Powell Choir [The Parisienne Choir] – Candy McKenzie, Danny Ricketts, Janice Hoyte, Katie Kissoon, Neil Lockwood, Paula Wallen Drums, Percussion – L'Equipe, Steve Ferrera Engineer – Chris Burkett, Raine Shine Engineer [Assistant] – Ed Buller, Hugo Nicholson*, Ingmar Kiang, Jaybee, Michael J.