KOFI MAKOWSKI PROJECT – MUSICIANS' Bios

Total Page:16

File Type:pdf, Size:1020Kb

KOFI MAKOWSKI PROJECT – MUSICIANS' Bios KOFI MAKOWSKI PROJECT – MUSICIANS’ BIOs TONY KOFI – SOPRANO, ALTO, BARITONE SAXOPHONE www.tonykofi.com www.myspace.com/tonykofi Winner, best instrumentalist of the year 2008 BBC Jazz awards Winner, best Ensemble at the 2005 Parliamentary Jazz Awards. Winner, Radio 3 Jazz line up album of the year 2005 BBC Jazz awards Born in Nottingham to West African parents, the playing career of saxophonist Tony Kofi began when he chanced upon a series of jazz workshops, run in Leicester by Nick Hislam. Tony was bitten by the jazz bug and made a point of making the journey to go along to each session. This laid the seeds for what was to come, and a stint at the legendary Berklee College of Music in Boston Mass. USA, on a full scholarship. While in the US, Tony studied with such musical luminaries as Andy Magee, Ernie Watts and Billy Pearce, gaining invaluable experience that he then put to best use when he returned to the UK. From 1991, Tony was part of the UK’s leading jazz group of the time – The Jazz Warriors. This band was (and, indeed, is, in its current form of Tomorrow’s Warriors) a hotbed of young talent from the UK jazz scene. Tony was also vital part of Gary Crosby’s Nu Troop; this was a big stepping stone for his solo and ensemble work, contributing massively to his own solo projects and 1 educational projects. Tony is still committed to this ethos, regularly running his own workshops and giving individual lessons. Throughout the nineties Tony was busy, appearing in the front line of innumerable high-profile musicians and groups, including Billy Higgins, Byron Wallen’s Indigo, Claude Deppa’s A.J.E. & Horns Unlimited ,Cheikh Tidiane Fall Quintet, Clifford Jarvis, Courtney Pine , Digable Planets, Donald Byrd , Dr Lonnie Smith, Eddie Henderson ,Gary Crosby’s Nu-Troop, Julian Joseph Big Band, Jazz Jamaica All Stars, The David Murray Big Band, David Murray and the World Saxophone Quartet, US-3, Tim Richards’ Great Spirit, The Grand Union orchestra, Andrew Hill’s Anglo- American Big band, Sam Rivers Rivbea Orchestra, and Lucky Ranku’s African jazz all stars, as well as composing original music for his Ten piece group, the Afro Jazz family. ŁUKASZ MAKOWSKI – DOUBLE BASS, BASS GUITARS www.lukaszmakowski.com www.myspace.com/kofimakowskiproject Lukasz Makowski was born in Gdansk in 1976.10.12. He got his first bass guitar in the age of 13, and his love for the deep sounds soon embraced the double bass as well. In 1992 he entered Fryderyk Chopin Secondary Music School in Gdansk. Right after graduating from secondary music school in 1998, he entered the Stanisław Moniuszko Music Academy in Gdansk in the double bass class (5-years Master study), which he graduated in 2003. His talent and hard work was rewarded by scholarships both from his Music Academy and from the mayor of the city of Gdansk. Since august 2005 he resides in Bergen, Norway where he graduated additional 2- years Master study in the double bass class at Grieg Academy. He cooperated with famous Polish jazz musicians such as sax players Piotr Baron and Adam Wendt. Since 2000, he is a member of fusion/latin jazz trio - Flaming Group, together with vibraphone and keyboard player Jan Freicher and drummer Grzegorz Lewandowski. He cooperates with Norwegian jazz musicians such as: pianist Norvald Dahl, guitarist Ole Thomsen, sax player Olav Dale and guitarist and pianist Alf Wilhelm Lundberg. In April 2008, he went on successful tour in Norway and Poland with international jazz quartet Kofi/Makowski Project, together with great musicians from Great Britain and Norway: sax player Tony Kofi, guitarist Alf Wilhelm Lundberg and drummer/vocalist Winston Clifford. The quartet performed at international jazz festivals in Cz ęstochowa (Spring Jazz Festival) and Świdnica (Świdnickie Noce Jazzowe). He has as well a rich musical experience from classical performances as well. In addition to various projects, he gave solo performances with orchestras in Poland and Norway (Music Academy Orchestra in Gdansk, Bergen Unge Kammerorkester/the youth chamber orchestra of Bergen). He cooperated with theatres in Gdansk, Gdynia and Sopot, as well as the Music Theatre in Gdynia. 2 ALF WILHELM LUNDBERG – GUITAR, PIANO www.norchestra.com www.myspace.com/alfwilhelmlundberg Guitarist, pianist and composer with a diploma from the Jazz-department of the conservatory at NTNU in Trondheim. After 4 years there with extra lessons in composing and arranging, he won the 1st prize as guitarist competing with over 280 talented musicians from all over the world during the during the Umbria Jazz Clinics in 2003.Has toured parts of Italy and France with the trio "All Strings Trio",and played at some of the greatest jazzfestivals in Norway, Italy and Poland such as Kongsberg Jazzfestival, Trondheim Jazzfestival, Sildajazz, Umbria Jazzfestival, Czestochowa, Swidnica & San Remo Jazzfestival. He also won several awards in Norway, amongst those Statoils Sildajazz Award and an Art Scholarship from the Municipality of Haugesund. He has received a lot of critical acclaim and praisings for his work as a classical guitarist, pianist and composer with the debut album "Norchestra" that was released early in 2008 WINSTON CLIFFORD – DRUMS, VOCAL Born September 1965. 1979 - Studied with ex-Tubby Hayes drummer Bill Eyden. 1985 studied drums with Trevor Tomkins at Guildhall School of Music. Has played with many musicians including Courtney Pine, Bheki Mseleku, Jason Rebello, Gary Husband, Pete King, Dick Heckstall-Smith, Iain Ballamy, Leroy Osbourne, Ronnie Scott Band, Julian Joseph, Andy Sheppard, Tony Remy, Steve Williamson Band, Jean Toussaint Band, Slim Gaillard, Bobby Watson, Monty Alexander, Gary Bartz, Art Farmer, Archie Shepp, Freddie Hubbard etc. Has appeared at many International Festivals & recorded albums with Frevo, Roadside Picnic, Jean Toussaint, Andy Hamilton, Brian Dee Trio, Harry Beckett Quintet & Jan Ponsford. Appeared on Channel 4, BBC 2 & ITV as well as radio broadcasts. 3 .
Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • This Is Our Music V.2-2
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by BCU Open Access 20/11/2015 16:38:00 This Is Our Music?: Tradition, community and musical identity in contemporary British jazz Mike Fletcher As we reach the middle of the second decade of the twenty-first century we are also drawing close to the centenary of jazz as a distinct genre of music. Of course, attempting to pinpoint an exact date would be a futile endeavour but nevertheless, what is clear is that jazz has evolved at a remarkable rate during its relatively short lifespan. This evolution, which encompassed many stylistic changes and innovations, was aided in no small part by the rapid technological advances of the twentieth century. Thus, what was initially a relatively localised music has been transformed into a truly global art form. Within a few short decades of the birth of the music, records, radio broadcasts and globe-trotting American jazz performers had already spread the music to a listening audience worldwide, and it was not long after this that musicians began to make attempts to ‘adapt jazz to the social circumstances and musical standards with which they were more familiar’.1 In the intervening decades, subsequent generations of indigenous musicians have formed national lineages that run parallel to those in America, and variations in cultural and social conditions have resulted in a diverse range of performance practices, all of which today fall under the broad heading of jazz. As a result, contemporary musicians and scholars alike are faced with increasing considerations of ownership and authenticity, ultimately being compelled to question whether the term jazz is still applicable to forms of music making that have grown so far away from their historical and geographic origins.
    [Show full text]
  • ALEXANDER HAWKINS TRIO 'Sounds Like All the Future Jazz You
    ALEXANDER HAWKINS TRIO 'Sounds like all the future jazz you might imagine without ever being able to conceive of the details' (The Guardian) Alexander Hawkins is a pianist, organist, composer and bandleader who is ‘unlike anything else in modern creative music’ (Ni Kantu) and whose recent work has reached a ‘dazzling new apex’ (Downbeat). Self-taught, he works in a vast array of creative contexts. His own highly distinctive soundworld is forged through the search to reconcile both his love of free improvisation and profound fascination with composition and structure. In 2012, he featured on the official ballot for the 75th Annual Downbeat Reader’s Poll in the organ category (as he had in 2010). The journal El Intruso voted him #1 in the keyboard category, and #5 in the piano category, in its 2010 poll; he also placed #4 in the keyboard category in 2011, and at #2 in 2012. His albums have for several years regularly featured in critics’ ‘end of year’ lists. Alongside his work as a bandleader, he regularly appears live and on record with many iconic figures of the music, including Louis Moholo-Moholo, Mulatu Astatke, and Joe McPhee. Other credits include Evan Parker, Wadada Leo Smith, Sonny Simmons, and Marshall Allen. He is also a collaborator in the Convergence Quartet with two important peers from the North American creative music scene – Taylor Ho Bynum and Harris Eisenstadt. He is increasingly also known for his writing, and in 2012 was chosen as a member of the first edition of the London Symphony Orchestra’s ‘Soundhub’ scheme for young composers.
    [Show full text]
  • The History of Women in Jazz in Britain
    The history of jazz in Britain has been scrutinised in notable publications including Parsonage (2005) The Evolution of Jazz in Britain, 1880-1935 , McKay (2005) Circular Breathing: The Cultural Politics of Jazz in Britain , Simons (2006) Black British Swing and Moore (forthcoming 2007) Inside British Jazz . This body of literature provides a useful basis for specific consideration of the role of women in British jazz. This area is almost completely unresearched but notable exceptions to this trend include Jen Wilson’s work (in her dissertation entitled Syncopated Ladies: British Jazzwomen 1880-1995 and their Influence on Popular Culture ) and George McKay’s chapter ‘From “Male Music” to Feminist Improvising’ in Circular Breathing . Therefore, this chapter will provide a necessarily selective overview of British women in jazz, and offer some limited exploration of the critical issues raised. It is hoped that this will provide a stimulus for more detailed research in the future. Any consideration of this topic must necessarily foreground Ivy Benson 1, who played a fundamental role in encouraging and inspiring female jazz musicians in Britain through her various ‘all-girl’ bands. Benson was born in Yorkshire in 1913 and learned the piano from the age of five. She was something of a child prodigy, performing on Children’s Hour for the British Broadcasting Corporation (BBC) at the age of nine. She also appeared under the name of ‘Baby Benson’ at Working Men’s Clubs (private social clubs founded in the nineteenth century in industrial areas of Great Britain, particularly in the North, with the aim of providing recreation and education for working class men and their families).
    [Show full text]
  • Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
    Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • ISSUE 22 ° May 2011
    Ne w s L E T T e R Editor: Dave Gelly ISSUE 22 ° May 2011 Ready for the Second Round We have now success- packs on the theme ‘The fully completed the devel- Story of British Jazz’, empha- opment phase of the sising the people and places Simon Spillett Talkin’ (and Access Development involved, and also the wider Playin’) Tubby Project for the Heritage social and cultural aspect of A celebration of the Music, Life Lottery Fund bid. Working the times. Some of these are NATIONAL JAZZ ARCHIVE JAZZ NATIONAL and times of the late, great British with Essex Record Office touched on in the Archive’s and Flow Associates, our exhibition at the Barbican jazz legend Tubby Hayes education and outreach Music Library (see below). With John Critchinson (piano), consultants, we have Alec Dankworth (bass) and developed our plans to Clark Tracey (drums) apply for the second NJA Exhibition Saturday 23 July 2011 round – funding of £388,000 opens at Barbican 1.30 - 4.30pm, at Loughton Methodist Church for a three-year delivery Music Library project. Tickets £10 from David Nathan at The Archive’s exhibition the Archive (cheques payable to This will involve building at the Barbican Music Library National Jazz Archive) on what we have so far is set to open on Tuesday 3rd See also Pages 5 & 6 achieved in increasing access May. It presents the people, to our collections during the places, bands and great jazz development phase - con- events, portrayed in rare serving, cataloguing, digitis- photos, posters, books, ing, developing outreach magazines and ephemera facilities, and collaborating from our fast-growing on projects with those who collection.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • October 2011
    SEPTEMBE R - OCTOBER 2011 Featuring: Wynton Marsalis | Family Stone | Remembering Oscar Peterson | Incognito | John Williams/Etheridge | Pee Wee Ellis | JTQ | Colin Towns Mask Orch | Azymuth | Todd Rundgren | Cedar Walton | Carleen Anderson | Louis Hayes and The Cannonball Legacy Band | Julian Joseph All Star Big Band | Mike Stern feat. Dave Weckl | Ramsey Lewis | James Langton Cover artist: Ramsey Lewis Quintet (Thur 27 - Sat 29 Oct) PAGE 28 PAGE 01 Membership to Ronnie Scotts GIGS AT A GLANCE SEPTEMBER THU 1 - SAT 3: JAMES HUNTER SUN 4: THE RONNIE SCOTT’S JAZZ ORCHESTRA PRESENTS THE GENTLEMEN OF SWING MON 5 - TUE 6: THE FAMILY STONE WED 7 - THU 8: REMEMBERING OSCAR PETERSON FEAT. JAMES PEARSON & DAVE NEWTON FRI 9 - SAT 10: INCOGNITO SUN 11: NATALIE WILLIAMS SOUL FAMILY MON 12 - TUE 13: JOHN WILLIAMS & JOHN ETHERIDGE WED 14: JACQUI DANKWORTH BAND THU 15 - SAT 17: PEE WEE ELLIS - FROM JAZZ TO FUNK AND BACK SUN 18: THE RONNIE SCOTT’S BLUES EXPLOSION MON 19: OSCAR BROWN JR. TRIBUTE FEATURING CAROL GRIMES | 2 free tickets to a standard price show per year* TUE 20 - SAT 24: JAMES TAYLOR QUARTET SUN 25: A SALUTE TO THE BIG BANDS | 20% off all tickets (including your guests!)** WITH THE RAF SQUADRONAIRES | Dedicated members only priority booking line. MON 26 - TUE 27: ROBERTA GAMBARINI | Jump the queue! Be given entrance to the club before Non CELEBRATING MILES DAVIS 20 YEARS ON Members (on production of your membership card) WED 28 - THU 29: ALL STARS PLAY ‘KIND OF BLUE’ FRI 30 - SAT 1 : COLIN TOWNS’ MASK ORCHESTRA PERFORMING ‘VISIONS OF MILES’ | Regular invites to drinks tastings and other special events in the jazz calendar OCTOBER | Priority information, advanced notice on acts appearing SUN 2: RSJO PRESENTS..
    [Show full text]
  • Alabama 3 ACOUSTIC and UNPLUGGED SUN 16 - MON 17 FEBRUARY • HOLBORN
    february 2020 FEBRUARY 2020 alabama 3 ACOUSTIC AND UNPLUGGED SUN 16 - MON 17 FEBRUARY • HOLBORN pizzaexpress jazz club soho pizzaexpress live holborn the pheasantry chelsea pizzaexpress live maidstone take pizzaexpress live birmingham m e pizzaexpresslive.com home 1 WELCOME TO PIZZAEXPRESS LIVE FEBRUARY 2020 calendar 4 THE HOME OF pizzaexpress jazz club soho 8 LIVE MUSIC pizzaexpress live holborn 18 AND GREAT FOOD Enjoy great Pizza and listen to incredible artists at the pheasantry chelsea 28 some of the UK’s finest venues - including the award winning PizzaExpress Jazz Club in Soho, The Pheasantry in Chelsea, our PizzaExpress Live pizzaexpress live Maidstone 34 venues in Maidstone, Birmingham, and our brand new venue in Holborn. pizzaexpress live birmingham 36 the live playlist 38 coming soon 40 pizzaexpresslive.com pizzajazzclub pizzaexpresslive 2 3 FEBRUARY 2020 SOHO PizzaExpress Jazz Club HOLBORN CHELSEA The Pheasantry SAT 1 FEBRUARY SAT 1 NICK COLIONNE & ERIC DARIUS MUNGO JERRY MARIA KESSELMAN SUN NICK COLIONNE & ERIC DARIUS KEITH RAMSAY (lUNCH) DEE ANDERSON 2 THE SNAKE DAVIS TRIO (eve) STEPHEN RAHMAN-HUGHES (eveNING) MON 3 BYRON WALLEN’S FOUR CORNeRs WEB WEB mungo jerry TUE RAXSTaR 4 HYPERNOvA + INeZA FRI 17 FEBRUARY WED 5 CrOWD COMPANY StONE JETS FRANK LOMAN THE DOWN FOR THE COUNT NAtTY CONGEROOS THU 6 ANtONIO SERRANO MOtoWN COLlECTIVe aisha khan FRI 7 ANtONIO SERRANO (2 x shows) TOyaH AISHA KHAN & THE RAJAHS THU 9 - FRI 10 FEBRUARY DURHAM UNIVERSITY BIG BAND (lUNCH) SIMPLY DAN LEW LEWIS & HIS ALL STAR TRIO SAT 8 SAlENA JONES (eveNING)
    [Show full text]
  • The Final BBC Young Jazz Musician 2020
    The Final BBC young jazz musician 2020 The Final The Band – Nikki Yeoh’s Infinitum Nikki Yeoh (piano), Michael Mondesir (bass) and Mark Mondesir (drums) Matt Carmichael Matt Carmichael: Hopeful Morning Saxophone Matt Carmichael: On the Gloaming Shore Matt Carmichael: Sognsvann Deschanel Gordon Kenny Garrett arr. Deschanel Gordon: Haynes Here Piano Deschanel Gordon: Awaiting Thelonious Monk: Round Midnight Alex Clarke Bernice Petkere: Lullaby of the Leaves Saxophone Dave Brubeck: In Your Own Sweet Way Alex Clarke: Before You Arrived INTERVAL Kielan Sheard Kielan Sheard: Worlds Collide Bass Kielan Sheard: Wilfred's Abode Oscar Pettiford: Blues in the Closet Ralph Porrett Billy Strayhorn arr. Ralph Porrett: Lotus Blossom Guitar John Coltrane arr. Ralph Porrett: Giant Steps John Parricelli: Scrim Boudleaux Bryant: Love Hurts JUDGING INTERVAL Xhosa Cole BBC Young Jazz Musician 2018 Saxophone Thelonious Monk: Played Twice Xhosa Cole: George F on my mind Announcement and presentation of BBC Young Jazz Musician 2020 2 BBC young jazz musician 2020 Television YolanDa Brown Double MOBO award winning YolanDa Brown is the premier female saxophonist in the UK, known for delicious fusion of reggae, jazz and soul. Her debut album, “April Showers May Flowers” was no.1 on the jazz charts, her sophomore album released in 2017 “Love Politics War” also went to no.1 in the UK jazz charts. YolanDa has toured with The Temptations, Jools Holland’s Rhythm and Blues Orchestra, Billy Ocean and collaborated with artists such as Snarky Puppy’s Bill Laurance, Kelly Jones from Stereophonics and the Royal Philharmonic Orchestra. A broadcaster too – working across TV and radio, including her eponymous series for CBeebies, "YolanDa’s Band Jam", which recently won the Royal Television Society Awards as Best Children’s Programme.
    [Show full text]