Blazing Baroque

Total Page:16

File Type:pdf, Size:1020Kb

Blazing Baroque BLAZING BAROQUE Sydney, Melbourne and Brisbane July/August 2016 Paul Dyer AO Artistic Director Shaun Lee-Chen Baroque Violin Australian Brandenburg Orchestra PROGRAM Sammartini Overture to the opera Memet, J-C 88 Vivaldi Concerto for violin in D major, RV 208, Grosso mogul Telemann Grand Concerto in D major, TWV deest Interval Vivaldi Concerto for several instruments in F major, RV 569 Telemann Concerto for flute & recorder in E minor, TWV 52:e1 Fasch Concerto in D major, FWV L:D4a Sydney Melbourne Brisbane City Recital Hall Melbourne Recital Centre Queensland Performing Arts Centre Wednesday 27 July, 7pm Saturday 30 July, 7pm Monday 8 August, 7:30pm Friday 29 July, 7pm Sunday 31 July, 5pm Wednesday 3 August, 7pm Friday 5 August, 7pm Saturday 6 August, 7pm Matinee Saturday 6 August, 2pm Chairman’s 11 Proudly supporting our guest artists The duration of this concert is approximately 2 hours including interval. We kindly request that you switch off all electronic devices during the performance. This concert will be broadcast on ABC Classic FM on Thursday 11 August, 1pm. SERIES PARTNER PRINCIPAL PARTNER 1 SHARED Artistic DIRECTOR'S VISIONS MESSAGE Macquarie Group is proud to continue its It’s pretty rare in our performing calendar to be able to enjoy the stage all by partnership with one of Australia’s foremost ourselves, and so I have assembled a dream team of Brandenburg artists for cultural treasures, the Australian Brandenburg this Blazing Baroque concert. The stars of the Australian Baroque scene! – Orchestra. and playing on period instruments of the eighteenth century. This is Macquarie Group’s ninth year as the Recently Shaun Lee-Chen (our concertmaster) and I performed with the Brandenburg’s principal partner and what West Australian Symphony Orchestra. Being part of Shaun’s performing makes this relationship so rewarding is our platform from coast to coast is such a privilege as he cements his character shared passion for the highest standards, and role within the Brandenburg, performing with WASO and teaching at underpinned by specialist skills and experience. the University of WA. I am thrilled to be part of this extraordinary musician’s journey and tonight he tackles the virtuosic concerto known as the As members of a peerless ensemble, the Grosso Mogul. Brandenburg is filled with extraordinary performers who shine as part of a team and as Every member of our orchestra is vital, professional, unique and extraordinary. soloists. There are a couple of special duos I’d like to spotlight: Melissa Farrow and Mikaela Oberg on baroque flute/recorder and sharing the stage with We congratulate the talented and charismatic them Emma Black and Kirsten Barry on baroque oboe. These four Artistic Director Paul Dyer on once again women illuminate our rehearsals and performances with programing a wonderful series. Our partnership cleverness, spontaneity, brilliance and determination. with the Orchestra in bringing these works to life means the immense talents of its musicians The onstage musicians trigger our wonderful baroque and visiting artists can be widely enjoyed and music, but it is the brilliant composers we feature in appreciated. this series – some not at all well-known who are the stars too. Researching the Blazing Baroque program uncovered a fascinating case of mistaken identity recently revealed at the Dresden Library. Being on the detective trail is one of the things I love about my role as Artistic Director, especially when we turn up these gems of discovery. I hope you enjoy this concert series, as the orchestra brings to life a trail of Blazing Baroque!!! Bill Marynissen Paul Dyer AO 2 Head of Wealth Management, Banking and Financial Services Artistic Director and Conductor 3 BLAZING BAROQUE MESSAGE FROM apa Australian Brandenburg Orchestra APA as the official Series Partner of Blazing Baroque Paul Dyer AO Artistic Director is proud to welcome you to today’s performance. Shaun Lee-Chen Baroque Violin This year we are celebrating 15 years of partnership with the Australian Brandenburg Orchestra. We THE MUSICIANS ON PERIOD INSTRUMENTS value our relationship and the opportunity to bring our partners and customers together to enjoy this Baroque Violin 1 Baroque Cello Baroque Horn sensational music. Matt Bruce, Sydney* Jamie Hey, Melbourne+* Darryl Poulsen, Perth+ Associate Concertmaster Anthea Cottee, Sydney Dorée Dixon, Perth Just as Telemann, Vivaldi, Sammartini and Fasch Matthew Greco, Sydney Rosemary Quinn, Sydney were innovative in providing energetic explorations Cath Shugg, Melbourne Dan Curro, Brisbane Baroque Trumpet of music in their time; APA innovatively connects Skye McIntosh, Sydney Leanne Sullivan, Sydney+ Australians to energy, safely and reliably. Natalia Harvey, Melbourne Baroque Double Bass Alex Bieri, Sydney Rob Nairn, Adelaide3 Helen Gill, Candelo We also want to stay true to our roots, and are Baroque Violin 2 pleased to be hosting this national series. As part Ben Dollman, Adelaide+* Baroque Flute Timpani of this series we will extend the beauty of baroque Rafael Font, Sydney Melissa Farrow, Sydney* Richard Gleeson, Melbourne music to metropolitan and regional communities in Simone Slattery, Adelaide which we operate. David Irving, Melbourne1 Recorder Theorbo/Baroque Guitar Stephanie Eldridge, Melbourne Mikaela Oberg, Sydney Tommie Andersson, Sydney* I applaud the innovation of the musicians of all ages and every musician performing today. May they all Baroque Viola Baroque Oboe Harpsichord continue to blaze a trail in sharing the music with a Monique O'Dea, Sydney+2 Emma Black, Vienna+ Paul Dyer, Sydney+ whole new generation of listeners, and continue to Marianne Yeomans, Sydney Kirsten Barry, Melbourne* make this series a success. Christian Read, Melbourne Simón Gangotena, Melbourne Baroque Bassoon Peter Moore, Perth *Denotes Brandenburg Core Musician +Section Leader 1David Irving appears courtesy of Melbourne Conservatorium of Music, The University of Melbourne 2Monique O’Dea appears courtesy of Presbyterian Ladies’ College, Sydney (staff) 3Rob Nairn appears courtesy of The Julliard School, New York Mick McCormack 4 Harpsichord preparation by Geoffrey Pollard in Sydney, Alistair McAllister in Melbourne and Joanna Tondys in Brisbane Managing Director, APA SERIES PARTNER 5 PAUL SHAUN DYER LEE-CHEN In January 2013 Paul Dyer AO was awarded Shaun Lee-Chen completed his Bachelor of Music (Performance) at the the Officer of the Order of Australia (AO) for University of Western Australia in 2000 with first class Honours, studying his ‘distinguished service to the performing under Paul Wright and Pal Eder. He was the most outstanding graduate arts, particularly orchestral music as a for music at the University of Western Australia in 2000, and in 2001 director, conductor and musician, through was accepted into the Australian National Academy of Music in the promotion of educational programs and Melbourne. support for emerging artists’ in recognition of his achievements as Co-founder and Artistic Director Shaun Lee-Chen is Artist-in-Residence at the University of Western of the Australian Brandenburg Orchestra and Australia and holds a part time position as Violinist in the West Brandenburg Choir. Australian Symphony Orchestra. In 2016 Shaun was announced the Brandenburg’s Concertmaster. Paul Dyer is one of Australia’s leading specialists in period performance styles. He founded the Shaun is at home on both Baroque and Modern violin and was ABC Orchestra in 1990 and has been Artistic Director Young Performer of the Year in 2007. He has appeared as Soloist with since that time. Paul has devoted his performing numerous groups including the West Australian Symphony Orchestra, life to the harpsichord, fortepiano and chamber Hidemi Suzuki, Manfredo Kraemer, Andrew the Queensland Symphony Orchestra and the Tasmanian Symphony organ as well as conducting the Australian Manze, Yvonne Kenny, Emma Kirkby, Philippe Orchestra. Shaun is one of the featured Soloists in the 2015 Aria- Brandenburg Orchestra and Choir. Jaroussky and many others. In 1998 he made nominated Brandenburg Celebrates CD. He has also performed as his debut in Tokyo with countertenor Derek Lee Guest Principal with the Sydney, West Australian and Tasmanian Paul completed postgraduate studies in solo Ragin, leading an ensemble of Brandenburg Symphony Orchestras. performance with Bob van Asperen at the Royal soloists, and in August 2001 Paul toured the Conservatorium in The Hague, performed with orchestra to Europe with guest soloist Andreas Shaun has played with various chamber music many major European orchestras and undertook Scholl. As a recitalist, he has toured Germany, groups including the Flinders Quartet, Pacifica ensemble direction and orchestral studies with France, Belgium, the Netherlands and the United Quartet and the Hilliard Ensemble. Sigiswald Kuijken and Frans Brüggen. States. Paul appears as a soloist, continuo player Paul is an inspiring teacher and has been and conductor with many major ensembles a staff member at various Conservatories including the Sydney Symphony Orchestra, throughout the world. In 1995 he received a West Australian Symphony Orchestra, Churchill Fellowship and he has won numerous Queensland Orchestra, Australia Ensemble, international and national awards for his CD Australian Chamber Orchestra, Opera Australia, recordings with the Australian Brandenburg Australian Youth Orchestra, Victorian State Orchestra and Choir, including the 1998, 2001, Opera, Malaysian Philharmonic Orchestra, the 2005, 2009 and
Recommended publications
  • Sebastian Lang-Lessing Chief Conductor & Artistic Director
    2 0 0 9 SEBASTIAN LANG-LESSING Chief Conductor & Artistic Director 3 2009 3 HIGHLIGHTS WORLD PREMIERES The TSO and TSO Chorus under conductor Richard Mills gave the world première of Mills’s Passion According to St Mark in Hobart on 4 April, a Ten Days on the Island event. Lux Aeterna, by New Zealand composer Kenneth Young, received its world première under conductor Nicholas Milton in Hobart on 24 July. AUSTRALIAN PREMIERE Elena Kats-Chernin’s Ornamental Air, co-commissioned by the TSO, received its Australian première under conductor Baldur Brönnimann in concerts in Launceston and Hobart on 3 and 5 December. CONTENTS ACOUSTIC UPGRADE Highlights 2 The acoustics in Federation Concert Hall received a significant upgrade thanks to an acoustic screen and purpose- Chairman 4 built risers funded by a special one-off grant from the State Government. Managing Director 4 AUSTRALIAN COMPOSER SERIES VOL 3 TSO Holdings Board of Directors 5 The Hon. Peter Garrett, Federal Minister for the Arts, launched the Australian Composer Series Volume 3 at Moorilla on Strategies, Goals, KPIs 7 31 March. The five-CD box set, which features the music of Gerard Brophy, Brett Dean, Peggy Glanville-Hicks, Concerts 9 Richard Meale and Malcolm Williamson, brings the total number of CDs in the Australian Composer Series to 18. Artists 10 (L-R) Richard Mills, Lyndon Terracini, Core Repertoire Sebastian Lang-Lessing, the Hon. Peter Garrett and Nicholas Heyward. Classical and Early Romantic Music 11 Australian Music 13 CD Releases 14 Recordings 16 Marketing and Business Development 17 Education and Training 17 ABAF AwaRDS Orchestra 19 The TSO took out national honours at the Australia Business Arts Staff 20 Foundation (AbaF) awards in the ‘Giving Award’ category at a ceremony TSO Chorus 20 held in Brisbane on 15 October.
    [Show full text]
  • Monteverdi's L'orfeo
    Australian Brandenburg Orchestra MONTEVERDI’S L’ORFEO Paul Dyer, Artistic Director and Conductor Brendan Ross, Staging Justin Nardella, Styling Teresa Desmarchelier, Italian Diction Coach Narelle French & Lynne Murray, Surtitles Joanna Tondys, Surtitle Operator SINGERS Markus Brutscher – Sara Macliver Fiona Campbell – Wolf Matthias Friedrich Tobias Cole – Robert MacFarlane – Morgan Pearse Sarah Ampil – Siobhan Stagg – Anna Sandström Richard Butler – Nick Gilbert – Paul Sutton ORCHESTRA Brendan Joyce – Aaron Brown – Monique O’Dea – Marianne Yeomans Jamie Hey – Kirsty McCahon – Laura Vaughan Melissa Farrow – Mikaela Oberg – Matthew Manchester – Russell Gilmour Roslyn Jorgensen – Nigel Crocker – Jamie Kennedy – Keal Couper – Brett Page Brian Nixon – Jess Ciampa – Tommie Andersson – Samantha Cohen Marshall McGuire – Paul Dyer – Donald Nicolson This concert will last approximately 2 1/2 hours including interval. We request that you kindly switch off all electronic devices during the performance. The Australian Brandenburg Orchestra is assisted The Australian Brandenburg by the Australian Government through the Australia Orchestra is assisted by the NSW 1 Council, its arts funding and advisory body. Government through Arts NSW. PRINCIPAL PARTNER LORFEO Program_FINAL.indd 1 13/09/12 7:37 PM CAST AND CHARACTERS PROLOGUE: La Musica (Music) Sara Macliver THE UPPER WORLD Apollo, god of music and the sun Morgan Pearse Orfeo, son of Apollo Eurydice, loved by Orfeo Markus Brutscher Sara Macliver La messagiera (Messenger), friend of Eurydice Fiona Campbell
    [Show full text]
  • Concert Season 34
    Concert Season 34 REVISED CALENDAR 2020 2021 Note from the Maestro eAfter an abbreviated Season 33, VoxAmaDeus returns for its 34th year with a renewed dedication to bringing you a diverse array of extraordinary concerts. It is with real pleasure that we look forward, once again, to returning to the stage and regaling our audiences with the fabulous programs that have been prepared for our three VoxAmaDeus performing groups. (Note that all fall concerts will be of shortened duration in light of current guidelines.) In this year of necessary breaks from tradition, our season opener in mid- September will be an intimate Maestro & Guests concert, September Soirée, featuring delightful solo works for piano, violin and oboe, in the spacious and acoustically superb St. Katharine of Siena Church in Wayne. Vox Renaissance Consort will continue with its trio of traditional Renaissance Noël concerts (including return to St. Katharine of Siena Church) that bring you back in time to the glory of Old Europe, with lavish costumes and period instruments, and heavenly music of Italian, English and German masters. Ama Deus Ensemble will perform five fascinating concerts. First is the traditional December Handel Messiah on Baroque instruments, but for this year shortened to 80 minutes and consisting of highlights from all three parts. Then, for our Good Friday concert in April, a program of sublime music, Bach Easter Oratorio & Rossini Stabat Mater; in May, two glorious Beethoven works, the Fifth Symphony and the Missa solemnis; and, lastly, two programs in June: Bach & Vivaldi Festival, as well as our Season 34 Grand Finale Gershwin & More (transplanted from January to June, as a temporary break from tradition), an exhilarating concert featuring favorite works by Gershwin, with the amazing Peter Donohoe as piano soloist, and also including rousing movie themes by Hans Zimmer and John Williams.
    [Show full text]
  • Sara Macliver with Wind Quintet Plus
    ONE & MANY SARA MACLIVER WITH WIND QUINTET PLUS Presented in association with Tura New Music Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Stay COVID-19 safe 1.5m Physical distancing Wash your hands Stay home if you are sick Register your attendance For latest health advice visit healthywa.wa.gov.au/coronavirus SARA MACLIVER WITH WIND QUINTET PLUS YANDILUP / NORTHBRIDGE HACKETT HALL, WA MUSEUM BOOLA BARDIP M T W T F S S FEBRUARY 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Fri - Sun 6pm Duration 60mins CONTENTS CONTENTS CONTENTS WELCOME WELCOME 6 Welcome 9 Credits CREDITS 10 Repertoire 11 A Note on the Repertoire BIOGRAPHIES REPERTOIRE 18 Sara Macliver 19 Wind Quintet Plus 21 Tura New Music BIOGRAPHIES ACKNOWLEDGEMENTS 22 Perth Festival Partners 23 Perth Festival Donors ACKNOWLEDGEMENTS * Just tap the interactive tabs on the left to skip to a specific section CONTENTS WELCOME CREDITS Image: Jess Wyld REPERTOIRE I grew up in a house filled with classical music, books and bones – objects emblematic of my parents’ voracious listening and reading habits and my BIOGRAPHIES dad’s work as a veterinary anatomist. I was intrigued by the beauty inside some of those antiquarian anatomy books, made aware of evolutionary secrets revealed by some of those bones and inexorably drawn towards the strange power inside the music ACKNOWLEDGEMENTS that emanated from the turntable in the disused fireplace.
    [Show full text]
  • (WA Opera Society
    W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season.
    [Show full text]
  • PROGRAM on 1 January 2018 – New Year Concert Antonio Vivaldi
    PROGRAM on 1 January 2018 – New Year Concert Antonio Vivaldi Le Quattro Stagioni for violin, strings and harpsichord Georg Friedrich Händel Arrival of the Queen of Sheba for strings and harpsichord Antonio Vivaldi La Follia for strings and harpsichord RV. 63 Antonio Bazzini La Ronde des Lutins for violin and strings op. 25 ______________________________________________ PROGRAM on 2 - 4 - 6 - 9 - 13 - 16 - 20 January 2018 Antonio Vivaldi Le Quattro Stagioni for violin, strings and harpsichord Johann Adolf Hasse Sinfonia for strings and harpsichord op. 5 n. 6 Johann Sebastian Bach Concerto for violin, strings and harpsichord BWV 1041 ______________________________________________ PROGRAM on 3 - 5 - 11 - 18 - 25 January 2018 Arcangelo Corelli Concerto Grosso for 2 violins, cello, strings and harpsichord op. 6 n. 9 Antonio Vivaldi Concerto for strings and harpsichord RV. 118 Antonio Vivaldi Concerto for violin, strings and harpsichord RV. 308 Antonio Vivaldi Concerto for 2 violins, strings and harpsichord RV. 512 Antonio Vivaldi Concerto for strings and harpsichord RV. 137 Niccolò Paganini Tarantella for violin and strings op. 33 ______________________________________________ PROGRAM on 23 - 27 - 30 January and 3 - 6 - 8 - 10 February 2018 Antonio Vivaldi Le Quattro Stagioni for violin, strings and harpsichord Luigi Boccherini Fandango for strings and harpsichord Marin Marais Suite for cello and strings Manuel De Falla Danza from La Vida Breve for violin and strings ______________________________________________ PROGRAM on 29 January and 2 - 5 - 7 - 9 February 2018 Antonio Vivaldi Concerto for violin, strings and harpsichord op. 4 n. 10 la Stravaganza Antonio Vivaldi Concerto for strings and harpsichord RV. 158 Antonio Vivaldi Concerto for violin, strings and harpsichord op.
    [Show full text]
  • Naxos Catalog (May
    CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 95 Alphorn 96 Easy Listening 113 Operetta 125 American Classics 96 Flute 116 Orchestral 125 American Jewish Music 96 Funeral Music 117 Organ 128 Ballet 96 Glass Harmonica 117 Piano 129 Baroque 97 Guitar 117 Russian 131 Bassoon 98 Gypsy 119 Samplers 131 Best Of series 98 Harp 119 Saxophone 132 British Music 101 Harpsichord 120 Timpani 132 Cello 101 Horn 120 Trombone 132 Chamber Music 102 Light Classics 120 Tuba 133 Chill With 102 Lute 121 Trumpet 133 Christmas 103 Music for Meditation 121 Viennese 133 Cinema Classics 105 Oboe 121 Violin 133 Clarinet 109 Ondes Martenot 122 Vocal and Choral 134 Early Music 109 Operatic 122 Wedding Music 137 Wind 137 Naxos Historical . 138 Naxos Nostalgia . 152 Naxos Jazz Legends . 154 Naxos Musicals . 156 Naxos Blues Legends . 156 Naxos Folk Legends . 156 Naxos Gospel Legends . 156 Naxos Jazz . 157 Naxos World . 158 Naxos Educational . 158 Naxos Super Audio CD . 159 Naxos DVD Audio . 160 Naxos DVD . 160 List of Naxos Distributors . 161 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2005 Catalogue $ Recording scheduled to be released before 31 March, 2006 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating.
    [Show full text]
  • Melbourne Symphony Orchestra Chorus 50Th Anniversary
    Melbourne Symphony Orchestra Chorus 50th Anniversary Concert Wednesday 7 October at 8pm Elisabeth Murdoch Hall, Melbourne Recital Centre WHAT’S ON OCTOBER – DECEMBER 2015 AN AMERICAN IN PARIS TCHAIKOVSKY AND GRIEG SIBELIUS’ FINLANDIA Friday 30 October Friday 13 November Thursday 19 November Saturday 14 November Friday 20 November Gershwin’s An American in Paris evokes a journey through the Asher Fisch conducts three Yan Pascal Tortelier celebrates the bustling streets of the French masterworks that defined the 150th anniversary of two Nordic capital, punctuated by taxi horns Romantic era. Tchaikovsky’s masters. Sibelius’ majestic Finlandia and a bluesy trumpet solo. Also stirring Romeo and Juliet is followed is balanced against Nielsen’s spirited featured in this program is by Grieg’s poignant Piano Concerto Violin Concerto. Also featured in this Ravel’s Piano Concerto in G and and the high-voltage intensity program is Sibelius’ Symphony No.5 Saint-Saëns’ Symphony No.3 Organ. of Tchaikovsky’s Fourth Symphony. and tone poem The Swan of Tuonela. BRAHMS AND TCHAIKOVSKY MESSIAH CHRISTMAS CAROLS Thursday 26 November Saturday 5 December Saturday 12 December Friday 27 November Sunday 6 December Sunday 13 December Saturday 28 November Join conductor Bramwell Tovey, Bramwell Tovey joins the MSO Divertimento, Bartók’s dark take the MSO Chorus and renowned as conductor, pianist and host on the Baroque, kick-starts this international soloists for one of in this celebration of the great night of European festivities. the MSO’s most beloved Christmas musical traditions of Christmas, Brahms’ Violin Concerto delivers traditions, Handel’s Messiah. from famous orchestral works and a fiery, gypsy-inspired rondo and favourite Christmas songs to the Tchaikovsky’s Serenade for Strings most beloved of Yuletide carols.
    [Show full text]
  • Thirty Years of BBS Performances 1990 - 2020
    Thirty Years of BBS Performances 1990 - 2020 Composer Nationality Composition Performed on Principal Performer/Conductor Andres, Timothy American Thrive on Routine 8/13/2010 American Contemporary Music Ensemble Anonymous Anonymous Anglicus-Praeambulum-Iag Bari 10/9/2010 Ensemble Caprice Anonymous Anonymous Balletti di Venezia 10/9/2010 Ensemble Caprice Anonymous Anonymous Hungaricus 12, 53, and 23 ("Les sept 10/9/2010 Ensemble Caprice sauts") Anonymous (aft Verdi) NA Il Trovatore Quadrilles (c. 1853) 10/19/2013 Cooper, Kenneth arr Robinson English All Ye Who Music Love 5/14/1998 Loder, Nancy Ascher, Joseph Dutch Sans Souci - Galop de bravoure (1858) 10/19/2013 Cooper, Kenneth Bach, C.P.E. German Quartetto for Flute, Viola, Cello, and 5/24/2014 Cooper, Kenneth Harpsichord, Wq 95 Bach, C.P.E. German Quartetto for Flute, Viola, Cello, and 10/7/1994 Cooper, Kenneth Harpsichord, Wq 95 Bach, C.P.E. German Sinfonia No. 3 in C Major, Wq 182, No. 3 8/26/2006 Cooper, Kenneth Bach, C.P.E. German Sinfonia No. 3 in C Major, Wq 182, No. 3 10/18/1996 Cooper, Kenneth 10/19/1996 Bach, C.P.E. German Sonata II in g minor, Wq. 70/4 4/9/2016 Sykes, Peter Bach, J.C. German Centone No.XII for Brass: Andante, 2/14/2010 Sykes, Peter Presto Bach, J.C. German Es ist nun aus mit meinem Leben (My life 2/20/2000 Metcalfe, Scott is now at an end) Bach, J.C. German Quintetto in D Major, Op. 22, No. 1 5/24/2014 Cooper, Kenneth Bach, J.C.F.
    [Show full text]
  • Michael Talbot Sommario Il Concerto Per Violino in La Maggiore, Rv 335
    Michael talbot MIGrazIonI dI un CuCulo e dI un usIGnolo : Il ConCerto rV 335 dI VIValdI e nuoVe ConsIderazIonI suI ConCertI rV 335 a e rV a nH . 14 sommario Il Concerto per violino in la maggiore, rV 335, di antonio Vivaldi, intitolato The Cuckow , godette di una straordinaria popolarità sul suolo britannico durante il diciottesimo secolo. Il brano si caratterizza per l’ampio uso del registro sovra - cuto, gli effetti onomatopeici che richiamano il canto degli uccelli e un tessuto orchestrale semplice e omofonico. Conosciuto in Inghilterra fin dal 1717, questo concerto rimase un vero e proprio cavallo di battaglia per molte generazioni di virtuosi, continuando a essere riproposto, sia pur attraverso versioni sempre più lontane dal testo originale, fino al secolo successivo. a prima vista, non sembra affatto che venga imitato il verso del cuculo, dal momento che l’intervallo discendente che ne imita il richiamo è una quarta anzi - ché una terza: questo ci spinge a ritenere spurio il titolo del brano. all’inizio della primavera, tuttavia, il verso del cuculo descrive un intervallo più ampio di una terza, ragion per cui la sua autenticità non può essere del tutto scartata, anche se Vivaldi, altrove, rappresenta il cuculo con un intervallo di terza. Il modello del movimento lento di rV 335 – otto battute il cui organico pre - vede solamente il solista sostenuto dal basso continuo – è uno dei prediletti da Vivaldi. l’influente musicista di origine tedesca J. C. Pepusch lo prese a prestito in un suo concerto per violino in la maggiore, integrando l’accompagnamento orchestrale con delle parti aggiuntive per gli strumenti ad arco mancanti.
    [Show full text]
  • Fünf Geistertrompeten Und Eine Nähmaschine
    26 Interview Fünf Geistertrompeten und eine Nähmaschine Im Gespräch: Peter Ryom Die Fragen stellte Johannes Jansen CONCERTO: Woran hat sich Ihr ganz persönliches Interesse für Antonio Vivaldi entzündet? RYOM: Mein Interesse an der Barockmusik ganz allgemein ist bei einer Vorlesung über die h-Moll-Messe von Bach an der Universi- tät von Kopenhagen erwacht, als der Professor die Anfangstakte des ›Gloria‹ vorspielte. Das war so fabelhaft schön und für mich eine solche Offenbarung, dass ich in diesem Moment beschloss, mich weiterhin mit Barockmusik zu befassen. Da ich als Kind dänischer Eltern in Paris aufgewachsen war, wo ich auch fast meine gesamte Schulzeit verbrachte, waren meine deutschen Sprachkenntnisse allerdings noch so gering, dass ein Bach- Thema für mich nicht in Frage kam. So kam ich zu Vivaldi, über den es bereits französische Literatur gab. Ich hatte mir das kleine Buch von Marc Pincherle ausgeliehen, das zu der Entscheidung ebenso beigetragen hat wie ein Konzertbesuch Anfang der sech- ziger Jahre in Kopenhagen. Meine Eltern hatten es mir und mei- ner Schwester ermöglicht, I Musici mit den ›Vier Jahreszeiten‹ zu hören – das war ein wunderschönes Erlebnis –, außerdem brachte mein Vater, der beruflich viel in Italien zu tun hatte, von dort viele Schallplatten mit. CONCERTO: Die erste Stereo-Aufnahme der ›Vier Jahreszeiten‹ mit dem Ensemble I Musici aus dem Jahr 1959 steht mit mehr als 10 Mio. Exemplaren unverrückbar auf einem Platz unter den Top Peter Ryom auf der Frankfurter Buchmesse bei der Entgegennahme seines Ten der meistverkauften Platten aller Zeiten. Insgesamt sollen bis frisch gedruckten Vivaldi-Verzeichnisses (Fotos: Ilse Ryom) heute mehr als 400 Aufnahmen allein mit diesen vier Konzerten aus Vivaldis Opus VIII entstanden sein.
    [Show full text]
  • Iron Sharpens Iron: Duets for Two Women in the Teaching/Instruction of Undergraduate Women
    IRON SHARPENS IRON: DUETS FOR TWO WOMEN IN THE TEACHING/ INSTRUCTION OF UNDERGRADUATE WOMEN Laurissa Backlin, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Lynn Eustis, Major Professor Richard Sparks, Committee Member Stephen Morscheck, Committee Member Jeffrey Snider, Chair of the Division of Vocal Studies Benjamin Brand, Director of Graduate Studies James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Backlin, Laurissa. Iron Sharpens Iron: Duets for Two Women in the Teaching/Instruction of Undergraduate Women. Doctor of Musical Arts (Performance), August 2013, 61 pp., 30 figures, bibliography, 77 titles. Duet literature remains largely untapped as a pedagogical tool in the undergraduate voice studio. This dissertation examines the ways in which eight duets for female voices, although not written primarily for pedagogical use, may be used to teach four main areas of voice technique: intonation, vocal agility, legato singing, and dramatic skills. Duets are chosen primarily from the standard repertoire and are in English, German, French, Italian and Latin. The compositional styles range from the Baroque period through the 20th century. Genres include art song, oratorio, and opera. Each chapter focuses on one of the four vocal skills listed above, and includes examinations of two duets whose vocal writing (rhythm, tessitura, intervals, tempi, and text) make them appropriate candidates for pedagogical use in the improvement of that specific skill. Both male and female teachers of singing may utilize this project as a practical resource and model in how to use other duets, including those for other voice types, for similar purposes in their teaching studio.
    [Show full text]