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Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Florida Repertory Theatre 2 0
FLORIDA REPERTORY THEATRE 2015-2016 SEASON ARTSTAGE STUDIO THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS Featuring the Lyrics of JOHNNY MERCER Music by JEROME KERN, HENRY MANCINI, DUKE ELLINGTON, HAROLD ARLEN, & More Conceived, Written and Directed by ROBERT CACIOPPO SPONSORED BY THE GALLOWAY FAMILY OF DEALERSHIPS AND MADELEINE TAENI STARRING JOE BIGELOW* • DAVID EDWARDS* • JULIE KAVANAGH* • JAMES DAVID LARSON* MICAHEL McASSEY* • SOARA-JOYE ROSS* DIRECTED BY ensemble member ROBERT CACIOPPO** MUSIC DIRECTOR CHOREOGRAPHER SET DESIGNER MICHAEL McASSEY ARTHUR D’ALESSIO TIM BILLMAN LIGHTING DESIGNER COSTUME DESIGNER SOUND DESIGNER TODD O. WREN*** DINA PEREZ*** JOHN KISELICA ensemble member PRODUCTION STAGE MANAGER ASST. STAGE MANAGER AMY L. MASSARI* GRACIE DOD ensemble member 2015-16 GRAND SEASON SPONSORS Anonymous • The Fred & Jean Allegretti Foundation • Naomi Bloom & Ron Wallace Bruce & Janet Bunch • Gholi & Georgia Darehshori • Ed & Ellie Fox • Dr. & Mrs. Mark & Lynne Gorovoy John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists. CAST JOE BIGELOW* DAVID EDWARDS* JULIE KAVANAGH* JAMES DAVID LARSON* MICHAEL MCASSEY* SOARA-JOYE ROSS* Bartender: Kyle Ashe Wilkinson/Ryan Gallerani TOO MARVELOUS FOR WORDS: A SALUTE TO JOHNNY MERCER will be performed with one 15-minute intermission. -
Final Schedule Gnnmittee Sokrtioii DAY CLASSES Meeting Exam Day and Hour 0700 MWF: Wednesday, Dec
Final Schedule GNnmittee sokrtioii DAY CLASSES Meeting Exam Day and Hour 0700 MWF: Wednesday, Dec. 19, 0800-1000 Stipend hassles to be resolved 0800 MWF: Friday, Dec. 21, 0800-1000 0900 MWF: Friday, Dec. 21, 1010-1215 The Associated Students p^ ;%"iw«,V>' '1 ment received $2900 to bring 1000 MWF: Friday, Dec. 21, 1245-1445 Senate formed an ad hoc the WestOTh Opera Company's 1100 MWF: Wednesday, Dec. 19, 1015-1215 committee to finally resolve the "Barber of Seville" to Nor 1200MWF: Wednesday, Dec. 19, 1245-1445 payment aspect of stipends thridge. The valley helpline wi^ 1300 MWF: Friday, Dec. 21, 1500-1700 awarded Sundial edit<Mr8 and awarded $250 for expenses. The 1400 MWF: Wednesday, Dec. 19, 1500-1700 A.S. Officers in last wedc's Moctel United Nations program I.'-JOO MWF: Wednesday, Dec. 19, 0800-1000 election. The committee, was given $528 to help send 11 0700 TTh: Wednesday, Dec. 19, 0800-1000 composed o4 Senators Scott ddegates to a conference in 0900 TTh: Thursday, Dec. 20, 0800-1000 Welch, Gary Williams, Petw Pordand. 0900 TTh: Tuesday, Dec. 18, 0800-1000 Paul, Elizabeth Anne King, and The Model United Nations is 0930 TTh: Tuesday, Dec. 18, 0800-1000 Brent Wat«in«n, is charged a program sponsored by the 1000 TTh: Thursday, Dec. 20, 1500-1700 with researching stipend norms U.N. which recreates a general 1030 TTh: Thursday, Dec. 20, 1500-1700 and deciding who will receive assembly meeting with 1100 TTh: Thursday, Dec. 20, 1015-1215 stipends. ] delegates from each of the 1200 TTh: Tuesday, Dec. -
CBS Raises Retailer & Sub -Distributor P
D RECORDING October 8, 1977 CBS Raises Retailer & Sub -distributor P Elvis LP Set Due New Artist LPs Total 25% Of Chart NAB Hits Lyrics Again ABC Indy Distributors Named More Pop To R&B Crossovers Capitol Announces. New Label Plans Motown Realigns Sales Dept. Debby Boone Shoots To #1 ASCAP Revenue Figures Wallichs in New Hands Ronstadt Has 2 Bulleting 45á New Directions For Casablanca (Ed) . www.americanradiohistory.com His name is Ronnie Dyson. His identifying marks are a fluid, sumptuous vocal style and a voracious appetite for love. His fast -breaking single goes by the name "Don't Be Afraid: But don't be deceived. This sly mover can 3-10599 murder you with melody. "LOVE IN ALL FLAVORS.'PC 34866 The new album by Ronnie Dyson. A most wanted man. On Columbia Records and Tapes. "COLUMBIA,"t .IARCAS REG. 5' 1977 CBS INC. www.americanradiohistory.com THE INTERNATIONAL MUSIC RECORD WEEKLY VOLUME XXXIX - NUMBER 20 - October 8. 1977 GEORGE ALBERT editorial President and Publisher cash box MEL ALBERT General Manager GARY COHEN Editor In Chief J. B. CARMICLE General Manager, East Coast East Coast Editorial KEN TERRY, Assistant Editor PHIL DIMAURO CHARLES PAIKERT MARK MEHLER A New Direction For Casablanca West Coast Editorial DAVE FULTON, Assistant Editor CHUCK COMSTOCK ALAN SUTTON RANDY LEWIS Along with the rest of the industry, we at Cash Box want to JEFF CROSSAN JEFFREY WEBER congratulate Neil Bogart on his recent partial sale of Casablanca to TERRY FULLERTON Account Director, West Coast Polygram and the new distribution set-up now being organized Research MARK ALDERMAN through Phonodisc. -
Kansas City Jazz: from Ragtime to Bebop—A History
Kansas City Jazz: From Ragtime to Bebop—A History Frank Driggs Chuck Haddix OXFORD UNIVERSITY PRESS Kansas City Jazz This page intentionally left blank Kansas City Jazz From Ragtime to BebopA History Frank Driggs and Chuck Haddix 2005 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2005 by Frank Driggs and Chuck Haddix Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Driggs, Frank. Kansas City jazz : from ragtime to bebop / Frank Driggs and Chuck Haddix. p. cm. Notes: Includes bibliographical references and index. Contents: Tales from Tom’s town—Carrie’s gone to Kansas City— Get low-down blues—The territories—Blue devil blues—Moten’s swing— Until the real thing comes along—Roll ’em, Pete—Hootie’s blues. ISBN-13: 978-0-19-504767-7 ISBN-10: 0-19-504767-2 1. Jazz—Missouri—Kansas City—History and criticism. -
CPY Document
DEPARTMENT OF C .Y OF Los ANGELES EXECUTIVE OFFICES CITY PLANNING CALIFORNIA IvRK WlNOGRONO 200 N. SPRINCSTRfET, ROOM532 INTERIM DIRECTOR Los ANGFI fS, CA 90012-4801 (2131978-1271 CULTURAL HER1TAGE COMMISSION GORDON S. HAMILTON OEPUTYDIRECTOR MARY KLAUS-MARTIN (2131978-1272 PR"IOENT ROBERT H. SUTTON RICHARD BARRON DfPUTYDIRlCTOR ALMA M. CARLlSLr (213) 978-1274 CARLOS SINGER STANLfY STALfORLJ JR. fAX, (213) 978-1275 COMMISSION m~ICE IN~ORMATiON U131 Y78-1300 ANTONIO R. VILLARAIGOSA (213) 978-1270 MAYOR www.lacity.orglPlN Date: October 3, 2006 Capitol-EM I Music Inc., Owner 1750 N. Vine Street Hollywood, CA 90028 CERTIFIED MAIL RETURN RECEIPT REQUESTED CASE NUMBER CHC-2006-3592-HCM CAPITOL TOWER AND ROOFTOP SIGN 1740-50 N. VINE, 6236 YUCCA As you will note from the attached copy of our communication to the Los Angeles City Council, the Cultural Heritage Commission has moved to include the above-referenced property (including the Les Paul Echo Chamber) in the list of Historic-Cultural monuments, subject to adoption by the City CounciL In due course, our transmittal will be given a council file number and will be referred to the Council's Planning and Land Use Management Committee for review and recommendation. If you are interested in attending the Council Committee meeting, you should call Barbara Greaves at (213) 978-1068 for information as to the time and place of the Committee and City Council meetings regarding this matter. Please give Ms. Greaves at least one week from the date of this letter to sche this item on the Committee Agenda before you call her. -
Kenny Gamble 5? Leon Huff SS
^HMT^RTEGjù^WARDn Kenny Gamble 5? Leon Huff SS BY BILLY ALYM AK here’s certainly a good ring - both lit' Jones,” “Love Train,” “For the Love of Money,” “Wake erally and figuratively - to the story Up Everybody,” “Rich Get Richer,” “Ain’t No Stoppin’ that Kenny Gamble and Leon H uff like Us Now,” “Do It Anyway You Wanna.” A s they - they to tell about meeting for the first time being Gamble and Huff themselves — would say: “The in a Schubert Building elevator on Message Is in the Music.” Philadelphia’s Broad Street in the summer of 1964. In Anyone familiar with New Orleans cooking will T tell you that regardless of where you want your dish to those days, the Schubert was Philly’s equivalent of New York’s Brill Building, its office space finish, you’d better start with that filled by virtually all o f the city’s key Holy Trinity foundation of onions, music'business movers and shak' These two distinctly celery, and bell peppers. Taste just ers. They were there because each different personalities about any Gamble and Huff musi' of these ambitious young African' quichjy discovered cal pot'au'feu from the more than American men - one (Gamble) a 1,000 entries in their songwriters’ singer, the other (Huff) a piano in each other cookbook, and you’ll invariably find player, and both aspiring songwrit' distinctly shared in the recipe another Holy Trinity ers — had gotten their feet in some musical roots base: blues, gospel, and jazz. When, newly opened doors of opportU' not long after that fateful elevator nity with established local writing/ ride, Philadelphia homeboy Gam' production companies hungry for a piece of the bub' ble (b.