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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Celebrity and Race in Obama's America. London
Cashmore, Ellis. "To be spoken for, rather than with." Beyond Black: Celebrity and Race in Obama’s America. London: Bloomsbury Academic, 2012. 125–135. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781780931500.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 05:30 UTC. Copyright © Ellis Cashmore 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 To be spoken for, rather than with ‘“I’m not going to put a label on it,” said Halle Berry about something everyone had grown accustomed to labeling. And with that short declaration she made herself arguably the most engaging black celebrity.’ uperheroes are a dime a dozen, or, if you prefer, ten a penny, on Planet SAmerica. Superman, Batman, Captain America, Green Lantern, Marvel Girl; I could fi ll the rest of this and the next page. The common denominator? They are all white. There are benevolent black superheroes, like Storm, played most famously in 2006 by Halle Berry (of whom more later) in X-Men: The Last Stand , and Frozone, voiced by Samuel L. Jackson in the 2004 animated fi lm The Incredibles. But they are a rarity. This is why Will Smith and Wesley Snipes are so unusual: they have both played superheroes – Smith the ham-fi sted boozer Hancock , and Snipes the vampire-human hybrid Blade . Pulling away from the parallel reality of superheroes, the two actors themselves offer case studies. -
Free Views Tiktok
Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos. -
Blu-Raydefinition.Com » X — the Unheard Music: Silver Edition Blu-Ray
Blu-rayDefinition.com » X — The Unheard Music: Silver Edition Blu-ray... http://www.blu-raydefinition.com/reviews/x-the-unheard-music-silver-edi... User Name Remember Me? Password Register Blu-rayDefinition.com Home News Reviews Hardware Contact Forum Community Movie Genre 20th Century Fox (91) 2L (5) A&E (15) ABC Family (1) ABC Studios (1) Accentus (7) Action (283) Adult Swim (2) Adventure (62) AIX (2) Anchor Bay Entertainment (39) Animation (157) Anime (82) Art House (44) Arthaus Musik (12) Artificial Eye (8) Asian Cinema (55) Astronomy (4) Australian (1) Automotive (4) Avant-garde (8) Ballet (15) BBC (41) Bel Air Classiques (1) BFI (31) Biopic (33) Blu-ray 3D (20) Blu-ray Audio (18) Blues (1) Bounty Films (2) British (52) 1 of 22 1/4/2012 2:20 PM Blu-rayDefinition.com » X — The Unheard Music: Silver Edition Blu-ray... http://www.blu-raydefinition.com/reviews/x-the-unheard-music-silver-edi... C Major (16) Capitol Records (2) Cartoon Network (4) Chamber Music (1) Chelsea Cinema (1) Choral/Oratorio (1) Classic Rock (3) Classical Music (85) Columbia Pictures (2) Columbia Records (1) Comedy (208) Comedy Central (2) Comic Books/Graphic Novels (19) Concert/Music (75) Crime (109) Criterion (50) Czech Language (1) Dacapo (1) Dance (16) Dark Comedy (20) Dark Sky Films (1) Demoscene (1) Dimension Films (2) Direct-to-Video (8) Discovery Channel (1) DisneyNature (3) Docudrama (31) Documentary (84) Drama (416) DreamWorks (6) Eagle Rock (32) Educational (19) Entertainment One (3) Environmental (1) Erotic (16) Eureka Entertainment (18) EuroArts (8) Exploitation (8) Fairy Tales (3) Family (34) Fan Service (2) Fantasy (96) Foreign (117) Fox Searchlight (9) French Language (22) French New Wave (8) Funimation (65) Fusecon (1) FX (1) German Language (1) Gospel/Christian Contemporary (1) 2 of 22 1/4/2012 2:20 PM Blu-rayDefinition.com » X — The Unheard Music: Silver Edition Blu-ray.. -
Board Packet
September Board Meeting To be held at the offices of Texas State Affordable Housing Corporation 2200 East Martin Luther King Jr. Blvd. Austin, TX 78702 Thursday, September 25, 2014 10:30 a.m. BOARD MEETING TEXAS STATE AFFORDABLE HOUSING CORPORATION To be held at the offices of Texas State Affordable Housing Corporation 2200 East Martin Luther King Jr. Blvd Austin, Texas 78702 September 25, 2014 at 10:30 am CALL TO ORDER, ROLL CALL Bob Jones CERTIFICATION OF QUORUM Chair The Board of Directors of Texas State Affordable Housing Corporation will meet to consider and possibly act on the following: PUBLIC COMMENT PRESIDENT’S REPORT David Long Tab A: Homeownership Finance Report Tab B: Development Finance Report Tab C: Monthly Budget and Investment Reports ACTION ITEMS IN OPEN MEETING: Tab 1 Presentation, Discussion and Possible Approval of Minutes of the Board Meeting held on August 21, 2014. Tab 2 Presentation, Discussion and Possible Approval of the 2014 Grant Awards for the Texas Foundations Fund. Tab 3 Presentation, Discussion and Possible Approval of a Resolution to Re-Appoint Mr. Russell Vandenburg to the Texas Foundations Fund Advisory Council Created by the Board of Directors of the Corporation and to Restate, Ratify and Affirm him as Vice-Chairperson of the Advisory Council to serve until his successor is elected and qualified or until his earlier removal or resignation. Tab 4 Presentation, Discussion and Possible Approval of the Publication for Public Comment of the Guidelines, Scoring Criteria and Targeted Housing Needs for the Allocation of Qualified Residential Rental Project Tax Exempt Bond Funds under the Multifamily Housing Private Activity Bond Program Request for Proposals and the 501(c)(3) Bond Program Policies for Calendar Year 2015. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Arthur Love Interview for the Charles Pankow Oral History Project
Oral History Interview with ARTHUR LOVE January 29, 2009 Surprise, Arizona By Michael R. Adamson Adamson: Let’s start with your background and your university training and how you came to work with Welton Becket, just until the time where you first had your relationship with Pankow; the broad overview. Love: University of Illinois undergraduate, worked for a firm during all the time I was in college. I worked in an architect’s office, because I basically even in those days paid your way through school. It was very cheap, but I still paid my way through school, and spent a couple of years after graduation working as a field superintendent, as I mentioned, for this firm, making decisions that architects are not legally allowed to do anymore. It was a very incredible learning experience, and maybe that’s where I developed my respect for contractors. Went to Colorado Springs. Really wanted to go to California, but I couldn’t get any jobs there unless I moved there, and I couldn’t afford to. Went to Colorado Springs and worked there for four years and ran into a high school buddy who was also an architect who was working on the Air Force Academy. We got reconnected. He went to California, went to work for Becket, called me one day and said, “We’ve got jobs out 1 here out the gazoo, if you want to come out here and interview,” which I did, and got a job. So in 1960, and this is really ancient history, 1960, my wife and I and three kids moved to California, and I started work for Becket as a designer. -
Exhibit O-137-DP
Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006. -
AL SCHMITT Al Schmitt Is a Renowned Recording and Mix Engineer Whose
AL SCHMITT Al Schmitt is a renowned recording and mix engineer whose acclaimed music career has spanned more than half a century. During that time Al has been awarded more accolades than any of his contemporaries including holding the record for most Grammy awards for a recording or mix engineer. To date, Al is the recipient of 23 Grammy Awards, including the Grammy Trustees Lifetime Achievement Award in 2006. In 2014, Al received the Honorary Doctorate from Berklee School of Music. Al is a New York native, of whom Barbra Streisand states, "as a fellow Brooklyn-ite, we speak the same language." He has worked on more than 150 gold and platinum albums, and was inducted into the TEC Awards Hall of Fame in 1997 to honor his technical and creative excellence in recording and sound. In the early days of his career, working at RCA, Al engineered albums for such legendary artists as Sam Cooke, Rosemary Clooney and Henry Mancini, featuring the Grammy Award winning title, "Moon River", which also won an Academy Award for Best Song, and for "Breakfast at Tiffany's." During this time he also worked on scoring for multiple motion pictures as well. In the mid 60's, while demand for his engineering services grew, Al also aspired to become an independent producer. In addition to recording all the last records of the legendary Sam Cooke, during this same period, Al also worked with Ann Margaret, Bobby Darin and Eddie Fisher. He also worked with newer, up and coming artists of the time including Jefferson Airplane, Jackson Browne and Neil Young. -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Florida Repertory Theatre 2 0
FLORIDA REPERTORY THEATRE 2015-2016 SEASON ARTSTAGE STUDIO THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS Featuring the Lyrics of JOHNNY MERCER Music by JEROME KERN, HENRY MANCINI, DUKE ELLINGTON, HAROLD ARLEN, & More Conceived, Written and Directed by ROBERT CACIOPPO SPONSORED BY THE GALLOWAY FAMILY OF DEALERSHIPS AND MADELEINE TAENI STARRING JOE BIGELOW* • DAVID EDWARDS* • JULIE KAVANAGH* • JAMES DAVID LARSON* MICAHEL McASSEY* • SOARA-JOYE ROSS* DIRECTED BY ensemble member ROBERT CACIOPPO** MUSIC DIRECTOR CHOREOGRAPHER SET DESIGNER MICHAEL McASSEY ARTHUR D’ALESSIO TIM BILLMAN LIGHTING DESIGNER COSTUME DESIGNER SOUND DESIGNER TODD O. WREN*** DINA PEREZ*** JOHN KISELICA ensemble member PRODUCTION STAGE MANAGER ASST. STAGE MANAGER AMY L. MASSARI* GRACIE DOD ensemble member 2015-16 GRAND SEASON SPONSORS Anonymous • The Fred & Jean Allegretti Foundation • Naomi Bloom & Ron Wallace Bruce & Janet Bunch • Gholi & Georgia Darehshori • Ed & Ellie Fox • Dr. & Mrs. Mark & Lynne Gorovoy John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists. CAST JOE BIGELOW* DAVID EDWARDS* JULIE KAVANAGH* JAMES DAVID LARSON* MICHAEL MCASSEY* SOARA-JOYE ROSS* Bartender: Kyle Ashe Wilkinson/Ryan Gallerani TOO MARVELOUS FOR WORDS: A SALUTE TO JOHNNY MERCER will be performed with one 15-minute intermission.