The Energy Expenditure of Heavy Metal Drummers
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The Percussion Family 1 Table of Contents
THE CLEVELAND ORCHESTRA WHAT IS AN ORCHESTRA? Student Learning Lab for The Percussion Family 1 Table of Contents PART 1: Let’s Meet the Percussion Family ...................... 3 PART 2: Let’s Listen to Nagoya Marimbas ...................... 6 PART 3: Music Learning Lab ................................................ 8 2 PART 1: Let’s Meet the Percussion Family An orchestra consists of musicians organized by instrument “family” groups. The four instrument families are: strings, woodwinds, brass and percussion. Today we are going to explore the percussion family. Get your tapping fingers and toes ready! The percussion family includes all of the instruments that are “struck” in some way. We have no official records of when humans first used percussion instruments, but from ancient times, drums have been used for tribal dances and for communications of all kinds. Today, there are more instruments in the percussion family than in any other. They can be grouped into two types: 1. Percussion instruments that make just one pitch. These include: Snare drum, bass drum, cymbals, tambourine, triangle, wood block, gong, maracas and castanets Triangle Castanets Tambourine Snare Drum Wood Block Gong Maracas Bass Drum Cymbals 3 2. Percussion instruments that play different pitches, even a melody. These include: Kettle drums (also called timpani), the xylophone (and marimba), orchestra bells, the celesta and the piano Piano Celesta Orchestra Bells Xylophone Kettle Drum How percussion instruments work There are several ways to get a percussion instrument to make a sound. You can strike some percussion instruments with a stick or mallet (snare drum, bass drum, kettle drum, triangle, xylophone); or with your hand (tambourine). -
Acepta Haber Agredido a Su Mamá En Pelea
JUEVES 16 Nogales, www.eldiariodesonora.com.mx DE JULIO DE 2020 Sonora, México Sección B Tom Holland presume cuerpazo ›› El actor ha compartido una foto en Instagram en la que luce su nueva musculatura, dándole los créditos de la transformación a su compañero Wahlberg esPECIAL Cristian Castro Acepta haber agredido a su mamá en pelea ›› Hace unos días Yolanda Andrade reveló que Verónica Castro terminó en el hospital tras unos golpes que recibió por parte de su hijo Cristian Lana Del Rey anuncia CDMX.-Hace unos días Yo- ja y que era cosa entre él su madre. entre la opinión pública, landa Andrade reveló que y ‘la vero’, minimizando el Fue por esta razón que pues ahora que se sabe que Verónica Castro terminó asunto. el cantante admitió, de pro- el cantante tiene un tempe- su primer libro con en el hospital tras unos gol- Sin embargo, Cristian pia voz, que sí hubo jalone- ramento difícil y conductas pes que recibió por parte de nuevamente habló del te- os con su mamá y destacó un tanto extrañas, el escán- su hijo Cristian. ma, ya que según él la cua- que, pese a todo, su madre dalo de Valeria Liberman más de 30 poemas Luego de las acusa- rentena le ha servido mu- ha podido perdonarlo. ha vuelto a resurgir, siendo ciones, el cantante, de 45 cho para reflexionar sobre No obstante la declara- esta vez ella, la posible víc- CDMX the Grass’ acompañada de años, contestó que ese plei- sus relaciones familiares, ción de Cristian Castro ha tima de Castro. -
May the Best Man Win': SA Election Race
OPEN EVERY DAY MIDNIGHT RECYCLE News Entertainment youn MoVIE DVDs Complete Ds, VHS & GAMES TOO VdINGE Buggley BUY — SELL — TRADE — RENT SA eyes at CHOOgE6REIER election NOFX coverage show RECYCLE DVDs Page 3 Page 10 DVDs, VHS s GAMES TOO The Red River College's newspaper 113 e r April 8, 2002 May the best man win': SA election race By Natalie Pona andshaking, debates and free bubble gum — Hit must be time for Red River College's student body to elect the new executive officers of the Students' Association. The campaigning officially kicked off midnight on March 25, with two candidates in the race to become the new SA president, David Lyman and Daniel Kreutzer. "As president, you're not speak- ing as one person," says Lyman, who is currently the vice-presi- dent of finance and administra- tion, "you're speaking on behalf of 5,500 people." Lyman is running against Kreutzer, a second-year Business Administration student. "May the best man win," Kreutzer says, the atmosphere rife with the formality and prudence of politick as both men consider every word spoken in front of a Projector reporter. Three hopefuls are vying for the position of Vice-President of Student Affairs: Shubert Beaubrun, Ethan Stock and Jonathan Menec. The final posi- tion of Vice-President of Financial and Support Services has only one nominee, Lars Vik. Daniel Kreutzer (left) and David Lyman are vying for your vote in the Students' Association presidential race. Candidates were given a list of important RRC issues, including being subject to penalty points, or about the vandalism. -
African Drumming in Drum Circles by Robert J
African Drumming in Drum Circles By Robert J. Damm Although there is a clear distinction between African drum ensembles that learn a repertoire of traditional dance rhythms of West Africa and a drum circle that plays primarily freestyle, in-the-moment music, there are times when it might be valuable to share African drumming concepts in a drum circle. In his 2011 Percussive Notes article “Interactive Drumming: Using the power of rhythm to unite and inspire,” Kalani defined drum circles, drum ensembles, and drum classes. Drum circles are “improvisational experiences, aimed at having fun in an inclusive setting. They don’t require of the participants any specific musical knowledge or skills, and the music is co-created in the moment. The main idea is that anyone is free to join and express himself or herself in any way that positively contributes to the music.” By contrast, drum classes are “a means to learn musical skills. The goal is to develop one’s drumming skills in order to enhance one’s enjoyment and appreciation of music. Students often start with classes and then move on to join ensembles, thereby further developing their skills.” Drum ensembles are “often organized around specific musical genres, such as contemporary or folkloric music of a specific culture” (Kalani, p. 72). Robert Damm: It may be beneficial for a drum circle facilitator to introduce elements of African music for the sake of enhancing the musical skills, cultural knowledge, and social experience of the participants. PERCUSSIVE NOTES 8 JULY 2017 PERCUSSIVE NOTES 9 JULY 2017 cknowledging these distinctions, it may be beneficial for a drum circle facilitator to introduce elements of African music (culturally specific rhythms, processes, and concepts) for the sake of enhancing the musi- cal skills, cultural knowledge, and social experience Aof the participants in a drum circle. -
Basic Snare Drum Tuning
Basic Snare Drum Tuning by Tom Freer Please follow these simple and basic instructions for tuning and adjusting your Pearl snare drum. In order for you to get and maintain the best possible sound out of your instrument, it will be important to save this sheet so that you can "tune up" the drum as the heads become broken in, and replace heads when necessary. YOU WILL NEED THE FOLLOWING TOOLS TO PROCEED: 1. DRUM KEY 2. RULER STEP ONE: Loosen the top head completely. Place the drum on a flat surface and unscrew all the tension rods so that there is no tension on the top head. You don't need to take them out, just loosen them all the way. Next, begin to tighten down each rod just until they touch the counter hoop (or rim) WITHOUT PULLING IT DOWN. Just screw the tension rod down until it just touches. Go across the drum and do the same to the opposite tension rod and repeat, always working across the drum head in opposites, this keeps the head very even. When all the tension rods are seated and just touching the counter hoop, take your ruler and beginning with the tension rod directly beside the strainer, measure the distance from underneath the counter hoop to the top of the lug. Repeat this process with the lug directly across the drum and repeat until all measurements are the same. Remember we are not concerned with how tight the head is right now, just how even the tension is. Now that the head is evenly tensioned, bring the top head up to pitch. -
Metallica by DEBORAH FROST
PERFORMERS Metallica BY DEBORAH FROST appy families, Leo Tolstoy noted, are all From the moment a diminutive Danish motormouth alike; every unhappy family is unhappy who’d been around the world a handful of times before in its own way. That goes double, if not kindergarten fast-talked his way onto ah indie compila quadruple, for bands, particularly those tion though he’d barely assembled a trap kit, never mind who achieve greatness. The picture has a band, Metallica has always marched to its own drum Hnever been painted so graphically as in Some Kind of mer. The son of a bohemian tennis pro who dabbled in Monster, the 2004 documentary that chronicled the arts criticism and the godson of jaZZ saxophonist Dexter previous three years and crack-up of Metallic®, at the Gordon, Lars Ulrich could not fit into a mold — much very pinnacle of its fortune and fame. less that of a typical heavy-metal fan or musician - if you Of course, few bands hold on to the wild ride of the paid him. By the time his family relocated from Copen bitch success for twenty minutes — never mind twenty hagen to L.A. in 1980 so the sixteen-year-old could make years. Perhaps not since Who’s Afraid ofVirginia Woolf? the leap from the junior circuit to follow in the old man’s or Ingmar Bergman’s equally vituperative and excruciat sneakers, he’d been seduced by European punk and the ing Scenes From a Marriage has Monster’s load of dirty new wave of British metal that emulated its DIY philos laundry and uberdomestic drama been dumped on any ophy and breakneck tempos. -
A Nickel for Music in the Early 1900'S
A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
2006 Adams Timpani and Mallet Catalog
Adams Soft Cases & Accessories Trust the safety of your prized instruments to the feature 8 soft bags sets, the 4.3 octave marimbas bags feature company that knows them best, Adams. Each cover 6 soft bag sets, and the 4.0 or 3.5 octave xylophone bags and bag is designed to fit perfectly and securely to feature 3 soft bags sets. These bags are the perfect ensure years of service. Our Marimba soft bags instrument compliment and enable the performer to protect compliment the unique breakdown design of all Adams their instrument during transport. Voyager Frames. The 5.0 and 4.6 octave marimba bags Timpani and Mallet Instruments Long Timpani Cover Short Timpani Cover PM-100 Timpani Key MLBK Chime Mallet Universal Timpani Soft Bag Marimba Soft Bags Product and specifications are subject to change without notice. ©Copyright 2006. Printed in the U.S. Adams Percussion Instruments are proudly distributed in the U.S. by Pearl Corporation. For more information contact any Pearl Educational Percussion Dealer, or write to Pearl Corporation, 549 Metroplex Drive, Nashville, TN 37211. Adams Percussion Instruments can also be found on the web at www.pearldrum.com ITEM # ADM106 THE SOUND OF QUALITY Philharmonic Light Timpani Cloyd Duff Model Dresden Style Original Berlin Style Philharmonic Light Timpani Philharmonic Light Timpani dams Philharmonic Light Timpani represent the ultimate expression of quality in timpani sound and design. Two he classic European style of the Adams Frame, in combination with the latest computer aided machine technology, distinct models are available, distinguished by a choice between our original Berlin style pedal, or our Cloyd results in timpani frame construction that is unmatched in precision, quality and attention to detail. -
Written by James Hetfield/Lars Ulrich/Cliff Burton Transcribed by Stuart Clayton Performance Notes
orion Written by James Hetfield/Lars Ulrich/Cliff Burton Transcribed by Stuart Clayton performance notes ‘Orion’, the classic Metallica track that features bassist Cliff Burton in a lead role, was an obvious choice for this month’s transcription. To this day - nearly thirty years after it was recorded - it’s a track that is studied and dissected by metal-loving bass players all over the world. The recent release of the isolated bass part from this and other Metallica songs has given us all the chance to hear Cliff Burton’s original parts without the distractions of the other instruments, and in many cases this has proved to be a revelation: what were previously thought to be synth parts or guitar solos in fact turned out to be Cliff, using effects and guitar-like techniques such as upper-register soloing and tapping to take the bass player’s role to new heights. ‘Orion’ opens with a series of sustained bass chords from Cliff. These are heavily effected with distortion, and each needs to be allowed to ring fully throughout the bar - try to avoid large gaps as you switch between the chords - the transitions need to be fluid. At letter A Cliff begins playing a simple eighth note groove based on octaves and chord tones. This four bar line is played three times, then begins to develop, with extra sixteenth notes added to the rhythm. This section leads into letter B, a distorted lead bass section in which Cliff plays an upper egisterr line that sets up the heavy riff that arrives at letter C. -
Instrument: Tabla, Classical Kettledrums for Meditation Country
ROOTS OF RHYTHM - CHAPTER 14: THE TABLA FROM INDIA Instrument: Tabla, classical kettledrums for meditation Country: India Flag: The flag has three equal horizontal bands with saffron, a subdued orange, on the top, white in the middle, and green at the bottom. A blue chakra (sha-krah) or 24-spoked wheel is centered in the white band. Size and Population: The country has an area of 179,744 square miles with 1,858,243 square miles of land surface and 196,500 square miles of water. India has 4375 miles of coastline and is slightly more than one- third the size of the US. The population of India is estimated at 1,220,800,359 as of July 2013; ranked 2nd in the world. Geography and Climate: India’s landscape contains great variety including a desert, tropical forests, lowlands, mighty rivers, fertile plains and the world’s highest mountain ranges, the Himalayas. With the enormous wall of the Himalayas on the north, the triangular-shaped subcontinent of India borders the Bay of Bengal to the east, the Arabian Sea to the west, and the India Ocean to the south. From the Chinese border on the north, India extends 2000 miles to its southern tip, where the island nation of Sri Lanka is located. Going northeast of the Himalaya mountain range, India’s borders constrict to a small channel that passes between Nepal, Tibet, Bangladesh, and Bhutan, then spreads out again to meet Burma in an area called the “eastern triangle.” India’s western border is with Pakistan. India has three main land regions: the Himalaya, the Northern Plains, and the Deccan or Southern Plateau. -
Bass Drum Journal May 2018 of the Harvard University B and Vol
the bAss Drum JournAl May 2018 of the hArvArD university b AnD Vol. 98 No. 1 three Cheers for 100 yeArs ne of the really special things to me about the band is our Ohistory and the traditions that have emerged from it. When I was interviewing everyone running for junior staff, I asked each of them what their favorite silly band tradition was. I originally intended this to reduce tension and allow any nervous freshmen to relax with an easy frst question, but the responses I received highlighted many of the wonderful aspects of band. My most shocking takeaway from that question was that no two people had the same answer. All 24 people who were interviewed each had The Band caroling in downTown BosTon To spread The holiday spiriT a unique favorite tradition. While many we lead the band into its 100th year, answers were the ones I would expect: as many playing the bottle cheer. Looking maintaining its history and adding to it march down, flower/flour, confetti, forward, planning for the 100th Reunion is while we go. I’ve loved working with verse 2, cuts, and Bagpipes, there well underway. The reunion will take place on you all these past six months, and I were also many traditions the weekend of October 12th, 2019 when our have no doubts that you will all be great I had never even thought football team takes on Cornell. We’d love going forward and make the band even of, such as the trumpets to have as many crusts as possible, and I better.