Bach: the Master and His Milieu June 23-30, 2019
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The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Guest Artist Cello Concert Bryan Hayslett
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Guest Artist Cello Concert Bryan Hayslett Tuesday, October 28, 2014 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performer. Please refrain from the use of all flash and still photography during the concert. Please turn off all pagers and cell phones. PROGRAM Please hold applause until intermission. Cello Suite No. 6 in D Major, BWV 1012 Johann Sebastian Bach • 1685 - 1750 I. Prelude Unlocked, 1. Make Me a Garment Judith Weir • b. 1954 Unlocked, 2. No Justice A Portrait in Greys Marissa Deitz Wall • b. 1990 Suite No. 6, 2. Allemande J.S. Bach Suite No. 6, 3. Courante Age of the Deceased (Six Months in Chicago) Drew Baker • b. 1978 INTERMISSION Suite No. 6, 4. Sarabande J.S. Bach Suite No. 6, 5. Gavotte A Portrait in Greys Keith Kusterer • b. 1981 Unlocked, 5. Trouble, trouble Judith Weir Suite No. 6, 6. Gigue J.S. Bach A Portrait in Greys by William Carlos Williams Will it never be possible to separate you from your greyness? Must you be always sinking backward into your grey-brown landscapes— And trees always in the distance, always against a grey sky? Must I be always moving counter to you? Is there no place where we can be at peace together and the motion of our drawing apart be altogether taken up? I see myself standing upon your shoulders touching a grey, broken sky— but you, weighted down with me, yet gripping my ankles,—move laboriously on, where it is level and undisturbed by colors. -
Violinist Rodolfo Richter Returns As Guest Director for a Grand Tour of Italy, December 1 to 4 & 6, 2016
Violinist Rodolfo Richter Returns as Guest Director for A Grand Tour of Italy, December 1 to 4 & 6, 2016 “Rodolfo Richter led with his violin; when his solo playing came to the fore he displayed a notably smooth, glowing tone.” (Concerto.net) Toronto, Canada, October 20, 2016 … Acclaimed violin virtuoso Rodolfo Richter returns as guest director for A Grand Tour of Italy, December 1 to 4 at Jeanne Lamon Hall, Trinity-St. Paul’s Centre, and December 6 at Toronto Centre for the Arts. This Tafelmusik program captures the ambitious, experimental energy that characterized the Seventeenth-century Italian music scene, and demonstrates how early innovators inspired later masters, including Vivaldi and Corelli. A Grand Tour of Italy features the Tafelmusik solo concerto debut of the orchestra’s own Cristina Zacharias, violin. Seventeenth-century Italy was at the vanguard of European musical trends, and tourists flocked there to devour the new “baroque” style, finding music that was fresh, exhilarating, and even shocking in its use of free form and improvisation. A Grand Tour of Italy includes music by Dario Castello and Giovanni Legrenzi, who experimented with the sonata form as early as 1629; a lively set of variations on the bergamasca bass line by Marco Uccellini; and selections by two well-travelled musicians, Antonio Bertali and Biagio Marini, who brought their compositions and musical influence to Austria, Germany, and Belgium. These early innovators paved the way for a subsequent generation of Italian composers whose music will be performed on the program: the Concerto grosso in A Minor by Giuseppe Valentini, the beloved Christmas Concerto by Arcangelo Corelli, and the Concerto no. -
Xavier Díaz-Latorre, Eorbo and Baroque Guitar Music for Kings And
Indianapolis Foundation, on the occasion of its 100th anniversary, is the presenting sponsor of the IEM 50th Anniversary Season Friday, June 24th, 2016 Xavier Díaz-Latorre, "eorbo and Baroque Guitar Music for Kings and Commoners Suite for "eorbo in A minor La Royalle Robert de Visée (ca. 1655 – Prelude 1732/1733) Allemande Courante Sarabande Masquerade Chaconne Suite for the "eorbo in C Minor Le Plainte Robert de Visée Prélude Allemande pour la mort de Mds. de Visée DIAZ-LATORRE // JUNE 24 JUNE // DIAZ-LATORRE Suite for the "eorbo in G Major Robert de Visée Musette Chaconne From Le Bourgeois Gentilhomme Jean-Baptiste Lully (1632-1687) Suite de dances Intermission Instrucción de música para la guitarra española (1697) Gaspar Sanz (1640-1710) Pavana al ayre español Xácara Passeos por el cuarto tono Tarantella ( improvisation) Poema harmónico (1694) Francisco Guerau (1659-1722) Marionas Instrucción de música para la guitarra española Gaspar Sanz Xácara Paradetas (improvisation) 22 THE 2016 INDIANAPOLIS EARLY MUSIC FESTIVAL Xavier Díaz-Latorre was born in Barcelona, Spain, in 1968. He studied in Basel with Oscar Ghiglia at the Musikakademie and with Hopkinson Smith at the Schola Cantorum. He has given concerts in major venues around the world, including Carnegie Hall (New York), Covent Garden (London), the Palaude la Música Catalana (Barcelona), the Teatro Real (Madrid), the Teatro Colón (Buenos Aires), the Wiener Philharmoniker (Vienna), and the Konzerthaus (Berlin). Díaz-Latorre performs regularly with such world-renowned ensembles as Hesperion XXI, La Capella Reial de Catalunya, and Le 24 JUNE // DIAZ-LATORRE Concert des Nations. He has also performed with Al Ayre Español, the Orquesta Nacional de España, Concerto Vocale, the Akademie für Alte Musik Berlin, and Concerto Köln. -
A CHAT with RODOLFO RICHTER You Were Born in Brazil, Have a German Last Name, and Are Now Based in the UK
British/Brazilian violinist Rodolfo Richter appears as soloist and director with, among others, Academia Montis Regalis (Italy), Bach Collegium San Diego (US), Barokkanerne (Norway), B’Rock (Belgium), Orchestra of the Age of Enlightenment, English Concert, and Academy of Ancient Music (UK) in concert halls around the world, including such prestigious venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw, Vienna’s Konzerthaus, Sydney’s City Hall, Chicago’s Orchestra Hall, and New York’s Alice Tully and Carnegie Halls. He is also very active as a chamber musician, and is a member of the acclaimed Palladian Ensemble. Rodolfo has recorded Vivaldi solo concertos, Bach and Telemann triple concertos, Bach Brandenburg Concertos with AAM, Handel Trio Sonatas op. 2 and op. 5, Petersen Violin Sonatas, Vivaldi Four Seasons, a CD of sonatas by Tartini and Veracini, and the first recording of the complete sonatas by Erlebach. Future recording plans include the premiere recording of Guretzkyi’s violin concerto, as well as sonatas and concertos by Bach. Rodolfo was trained as a modern violinist with Moysés de Castro, Klaus Wüsthoff, and Pinchas Zukerman, and studied composition with Hans-Joachim Koellreutter and Pierre Boulez. He later specialized in the baroque violin with Monica Huggett at the Royal Academy of Music. He was a prizewinner at the prestigious International Early Music Competition for Ensembles in Bruges (2000), and won first prize at the Antonio Vivaldi International Violin Competition (2001). Rodolfo Richter is concertmaster of the Academy of Ancient Music and B’Rock, professor of baroque violin at the Royal College of Music in London, and director of the Early Music Course and Festival at the Oficina de Música de Curitiba in Brazil. -
Bach Unbuttoned
Bach Unbuttoned ANA DE LA VEGA ALEXANDER SITKOVETSKY · RAMÓN ORTEGA QUERO CYRUS ALLYAR · JOHANNES BERGER WÜRTTEMBERGISCHES KAMMERORCHESTER HEILBRONN Johann Sebastian Bach (1685-1750) Suite No. 2 in B Minor (For Flute, Strings & Basso Continuo), BWV 1067 13 VII. Badinerie 1. 24 Brandenburg Concerto No. 5 in D Major (for Flute, Violin & Harpsichord), BWV 1050 Total playing time: 62. 26 1 I. Allegro 9. 22 2 II. Affetuoso 5. 54 3 III. Allegro 5. 11 Brandenburg Concerto No. 4 in G Major (for Violin, Flute & Oboe), BWV 1049 4 I. Allegro 6. 38 5 II. Andante 3. 43 6 III. Presto 4. 28 Brandenburg Concerto No. 2 in F Major (For Trumpet, Flute, Oboe & Violin), BWV 1047 7 I. [Allegro] 4. 35 8 II. Andante 3. 46 9 III. Allegro assai 2. 41 Ana de la Vega, flute Ramón Ortega Quero, oboe Concerto for Two Violins (Flute & Oboe) in D Minor, BWV 1043 Alexander Sitkovetsky, violin 10 I. Vivace 3. 34 Johannes Berger, harpsichord 11 II. Largo ma non tanto 6. 15 Cyrus Allyar, trumpet 12 III. Allegro 4. 38 Württembergisches Kammerorchester Heilbronn The magnificent statue of J.S. Bach outside Yet when you come closer to the statue, one of his solos (likely from a draft version St. Thomas’s Church in Leipzig is, from you see that this man’s buttons are done of Cantata BWV 150). afar, everything we expect: arresting, up incorrectly. austere, and commanding. The godfather Let’s take the case of the Brandenburg of Western classical music tradition, the Standing under the great Carl Seffner Concertos: he wrote several of them master of perfection, precision and balance, statue in Leipzig, I felt I understood for starting c. -
MAST03- Festive Cantatas
the artists programme musical direction & violin soloist Antonio Vivaldi Monica Huggett (1678-1741) oboe trumpet Debra Nagy Kris Kwapis Lætatus Sum rv 607 Concerto for Oboe and Trumpet in D major rv 563 CHORUS ORCHESTRA Debra Nagy oboe soloist soprano violin i Kris Kwapis trumpet soloist Linda Melsted Kathleen Allan 1. Allegro Emily Cheung Christi Meyers Angela Malmberg 2. Grave Arwen Myers 3. Allegro Margaret Obenza violin ii alto Chloe Meyers (principal second) Magnificat rv 610 Danielle Sampson Chloe Kim Jane Long 1. Magnificat Elyssa Lefurgey-Smith 2. Et exultavit Catherine Webster Noémy Gagnon-Lafrenais Quia respexit (Jane Long soprano; Debi Wong alto) tenor viola 3. Et misericordia Liz Hamel Mieka Michaux 4. Fecit potentiam Laura Pudwell Joanna Hood 5. Deposuit potentes Vicki St. Pierre 6. cello Esurientes implevit bass 7. Suscepit Israel Beiliang Zhu Christina Stelmacovich 8. Sicut locutus Marina Hasselberg Laura Beckel Thoreson 9. Gloria Debi Wong violone Natalie Mackie interval chorus master bassoon Vicki St. Pierre Katrina Russell ♭ lute Concerto for Oboe and Violin in B major rv 548 Deborah Fox Debra Nagy oboe soloist violin soloist organ & harpsichord Monica Huggett Christina Hutten 1. Allegro 2. Largo supported by 3. Allegro Bryan & Gail Atkins and 589 Anona Thorne & Takao Tanabe Gloria rv 1. Gloria in excelsis Deo 2. Et in terra pax 3. Laudamus te (Arwen Myers soprano i ; Danielle Sampson soprano ii) 4. Gratias agimus tibi In association with 5. Propter magnam gloriam Chan Endowment Fund at the University of 6. Domine Deus (Arwen Myers soprano) British Columbia 7. Domine, Fili unigenite Pre-concert chat at 6:45 with host Matthew White: 8. -
37563/Clasical Guitar/229-249
229 Classical Guitar 230 Solo Guitar Literature by Composer 242 Guitar Collections 245 Guitar Duos 246 Guitar Ensembles 247 Guitar with Various Instruments 249 Voice and Guitar 249 Mandolin 230 SOLO GUITAR LITERATURE J.S. BACH ______00006366 Bach Again for Guitar (Block) SOLO GUITAR Contents: Minuet In G; Gavotte; Minuet; Bouree In Em; Little Prelude; Gavotte In D; Short Prelude; Menuet; LITERATURE Fantasia In C Minor; Bouree. Marks M834.....................................................................$4.95 ______00006329 Bach for Guitar (Block) ANONYMOUS Contents: Minuet; Jesu, Joy Of Man’s Desiring; Rondo- ______50562985 Dindandon et tambourin joli (Pujol 2001) Gavotte; Awake, Awake, A Voice Is Calling; Gavotte; Minuet Eschig ME0784300........................................................$12.95 In G Minor; Sarabande; Polonaise; Concerto In The Italian Style ______00663025 Malagueña (Paul Henry) Marks M366.....................................................................$4.95 Hal Leonard .....................................................................$3.95 ______50250440 Bach For My Guitar ______50560305 Scottisch Madrilene (Pujol 1088) Ricordi R132592............................................................$12.00 Eschig ME0729700..........................................................$6.95 ______50560002 Canon (Pujol 2006) DIONISIO AGUADO Eschig ME0788100..........................................................$6.95 ______50015050 50 Studies (Gonzales) ______00315184 Classical Guitar of Bach Ricordi RLD546 ............................................................$10.95 -
Universiv Microtlms International 300 N
INFORMATION TO USERS This reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note w ill appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Music with a French Flavour
Press Release Arion Baroque Orchestra – Fourth Concert of the Montreal Series The Spectacular at Your Fingertips! Music with a French Flavour February 16, 17, 18, 19, 2017 at Bourgie Hall of the Montreal Museum of Fine Arts Montreal, January 30, 2017 – For the first time in Montreal with Arion Baroque Orchestra, the captivating violinist Rodolfo Richter will conduct the fourth concert of its Montreal Series, Music with a French Flavour, on February 16, 17, 18, and 19 at Bourgie Hall of the Montreal Museum of Fine Arts. Succumb to the French taste in music as created by the likes of Lalande, Rebel, Rameau, and even the German Telemann, whose mother tongue was so inspired by the French style. These great composers all testify to the French musical genius filled with a sense of grace, grandeur, and solemnity that reached its epitome in the eras of Louis XIV and Louis XV. Enjoy the most palatable of programs concocted by Arion! New this season: Discover the concerts of the Montreal Series in a short one-hour version without intermission. Experience music differently and gain a deeper understanding of the composers and their works as our guest conductor provides brief commentaries throughout the concert. For the present program, the concert of this Premiere Series will be on Thursday, February 16. It is always possible to take advantage of the after-concert talk for a friendly and informative exchange with Rodolfo Richter. “At Arion, we are all looking forward to delving once again into the superb French baroque repertoire, which so wonderfully touches the heart as well as the mind,” says Artistic Director Claire Guimond. -
BCAS 11803 Mar 2020 Program Rev3 28 Pages.Indd
ANTHONY BLAKE CLARK Music Director SUNDAY, MARCH 1, 2020 Baltimore Choral Arts Society Anthony Blake Clark 54th Season: 2019-20 Sunday, March 1, 2020 at 3 pm Shriver Hall Auditorium, The Johns Hopkins University, Homewood Campus Monteverdi Vespers Anthony Blake Clark, conductor Leo Wanenchak, associate conductor Baltimore Baroque Band, Peabody’s Baroque Orchestra, Dr. John Moran and Risa Browder, co-directors Peabody Renaissance Ensemble, Mark Cudek, director; Adam Pearl, choral coach Washington Cornett and Sackbutt Ensemble, Michael Holmes, director The Baltimore Choral Arts Chorus James Rouvelle and Lili Maya, artists Vespro della Beata Vergine Claudio Monteverdi I. Domine ad adiuvandum II. Dixit dominus III. Nigra sum IV. Laudate pueri V. Pulchra es VI. Laetatus sum VII. Duo seraphim VIII. Nisi dominus Intermission IX. Audi coelum X. Lauda Ierusalem XI. Sonata sopra Sancta Maria ora pro nobis XII. Ave maris stella XIII. Magnificat 2 Monteverdi Vespers is generously sponsored by the William G. Baker, Jr. Memorial Fund, creator of the Baker Artists Portfolios, www.BakerArtists.org. This performance is supported in part by the Maryland State Arts Council (msac.org). Our concerts are also made possible in part by the Citizens of Baltimore County and Mayor Jack Young and the Baltimore Offi ce of Promotion and the Arts. Our media sponsor for this performance is Please turn the pages quietly, and please turn off all electronic devices during the concert. The use of cameras and recording equipment is not allowed. Thanks for your cooperation. Please visit our web site: www.BaltimoreChoralArts.org e-mail: [email protected] 1316 Park Avenue | Baltimore, MD 21217 410-523-7070 Copyright © 2020 by the Baltimore Choral Arts Society Notice: Baltimore Choral Arts Society, Inc. -
Chatham Baroque a Musical Tour of Southern Europe
Early Music Hawaii presents Chatham Baroque A Musical Tour of Southern Europe Andrew Fouts, baroque violin Patricia Halverson, viola da gamba Scott Pauley, archlute and baroque guitar Saturday, May 6, 2017 • 7:30 pm Lutheran Church of Honolulu 1730 Punahou Street, Honolulu Sunday, May 7, 2017 • 3:30 pm Lutheran Church of the Holy Trinity Lako Street, Kailua-Kona This concert is supported, in part, by the Western States Arts Federation (WESTAF), the National Endowment for the Arts and the Hawaii State Foundation on Culture and the Arts Program Canarios Gaspar Sanz (1640 - 1710) Fandango Santiago de Murcia (1673 - 1739) Zarabanda various Sonata seconda Dario Castello (c. 1590 - c. 1658) from Sonata Concertate in Stil Moderno, Libro II Recercada Diego Ortiz (1525-1570) Vestiva i colli Bartolomé de Selma y Salaverde (c. 1595 - c. 1638) Sonata in F Major Op. 5 No. 10 Arcangelo Corelli (1653 - 1713) Preludio - Allemanda - Sarabanda - Gavotta - Giga Intermission Sonata in D Minor Op. 2 No. 3 Antonio Vivaldi (1678 - 1741) Preludio - Corrente - Adagio - Allegro Toccata Giovanni Girolamo Kapsperger (c. 1580 - 1681) Piva Canarios Sonata VI in G minor Op. 1 No. 6 Jean Baptiste Senaillé (1687 - 1730) Preludio - Allemanda - Adagio - Gavotta La Suave Melodia, sua corrente Andrea Falconieri (c. 1586-1656) Españoleta various Jota Santiago de Murcia 2 Program Notes Spanish musicologist José López-Calo remarked, “secular instrumental music in Spain during the 17th century constitutes one of the most sad and inexplicable gaps in all of our musical history.” He points out that while there exists a sizeable repertory for solo guitar, harp, and keyboard, there is virtually no surviving ensemble music.