JUL184619 FLYER NEW.Indd

Total Page:16

File Type:pdf, Size:1020Kb

JUL184619 FLYER NEW.Indd CIRCUMNAVIGATION OF AUSTRALIA GRAND VOYAGE ROUNDTRIP SYDNEY December 15, 2018 | 36 Nights | Seven Seas Mariner® True travel adventurers will greatly appreciate our Circumnavigation of Australia Grand Voyage. This is a once-in-a-lifetime opportunity aboard the luxurious Seven Seas Mariner® and really see it all, from the sails of the famed Opera House in Sydney to the underwater wonder of the Great Barrier Reef. Explore Melbourne’s cultural side with tours through its finest museums and most architecturally rich neighborhoods, and in Perth sample exquisite wine and encounter Australia’s famous wildlife. Aboard Seven Seas Mariner®, enjoy an exclusive performance by Opera Australia in the intimate Constellation Theater plus an exclusive enrichment program which offers a variety of sessions with thought-provoking lectures by renowned experts. In addition to our standard all-inclusive amenities of FREE Unlimited Shore Excursions, FREE Unlimited Beverages including fine wines and spirits,FREE Specialty Dining, FREE Pre-Paid Gratuities, FREE Transfers between airport and ship, and FREE Unlimited WiFi guests on the Circumnavigation of Australia Grand Voyage will also enjoy the following Bespoke Amenities: • FREE Roundtrip Business Class Air* • FREE Pre-Cruise 1-Night Hotel Stay and Dinner in Sydney • FREE Exclusive Shoreside Experience - Australian Open Centre Court • FREE Exclusive New Year’s Eve Party in Bali • FREE Comprehensive Visa Package • FREE Phone Time per Suite • FREE Commemorative Gift • FREE Unlimited Laundry including Dry Cleaning and Pressing continued... FREE PRE- CRUISE 1 - NIGHT HOTEL STAY AND DINNER Sydney, Australia | DECEMBER 14 , 2018 Begin your unforgettable vacation with a FREE 1-Night Hotel stay at the Four Seasons Sydney. Be swept away by the beauty of the iconic Sydney Harbour Bridge and Opera House at your doorstep, and in the evening, meet and mingle with your fellow circumnavigators at an exclusive dinner at your luxurious hotel. FREE EXCLUSIVE NEW YEAR’S EVE PARTY IN BALI Bali, Indonesia | DECEMBER 31, 2018 Ring in the New Year in Nusa Dua, Bali’s premier resort area, where an unforgettable evening awaits. The theme of this uniquely designed private event is a Balinese Night Market, highlighting all the exotic elegance and joyful excitement of traditional Indonesian life, complete with musicians performing time-honored songs and a fascinating performance of the folkloric Kecak Dance, as well as local artists offering beautiful batik designs. Delight in an exquisite Royal Balinese Rijsttafel Dinner under the stars before enthusiastically counting down to 2019 in the company of your fellow travelers. continued... FREE EXCLUSIVE SHORESIDE EXPERIENCE - AUSTRALIAN OPEN CENTRE COURT Melbourne, Australia | JANUARY 16, 2019 The sporting capital of Australia and host to some of the nation’s biggest and best events welcomes the guests of Seven Seas Mariner’s® Circumnavigation of Australia Grand Voyage. We are pleased to present you with the opportunity to experience the only Grand Slam tennis tournament that takes place in the Southern Hemisphere. The event begins with a coach ride from Station Pier to Melbourne Park, the home of the Australian Open. Here, you will be welcomed to the Glasshouse for dinner before attending the evening tennis session taking place on Centre Court — Rod Laver Arena. The Glasshouse is located on the banks of the Yarra River and just a two-minute walk to Centre Court. Enjoy an indulgent three-course meal in the spacious dining room with panoramic windows that look onto Melbourne Park. This is the ideal location to experience one of Australia’s premier sporting events. In addition, a special guest speaker will be in attendance and provide some insight to the tennis circuit. Following dinner, take a short two-minute walk before entering Rod Laver Arena where you will enjoy Category 1 Seats around Centre Court. Following the evening session, you will be transported back to the pier and the Seven Seas Mariner®; taking home some wonderful memories of Melbourne and the Australian Open. continued... A RECITAL WITH STARS OF OPERA AUSTRALIA What is more remarkable than taking in the view of the iconic Sydney Opera House from the bow of Seven Seas Mariner®? Attending a private concert by the virtuoso singers who perform on that very stage. Celebrate the first evening of your 36-night circumnavigation of the continent in grand fashion, as stars of Opera Australia, the national opera company, perform for you at the intimate Constellation Theater. Headlining the recital are soprano Lorina Gore and tenor Simon Kim, accompanied by maestro Tahu Matheson on piano. This is truly a once-in-a-lifetime voyage. LORINA GORE, SOPRANO Helpmann Award-winner Lorina Gore was born in Australia and completed postgraduate voice studies at the Australian National University in Canberra and at the National Opera Studio in London. She has won numerous prestigious opera awards, including the Dame Joan Sutherland Scholarship, Opera Foundation Covent Garden National Opera Studio Scholarship, and first place in the Australian National Aria Competition. In 2008, Lorina joined Opera Australia as a principal artist and has since performed many roles including Queen of the Night (The Magic Flute), Leila (The Pearlfishers), Honey B (Bliss), Musetta (La bohème), Woglinde (Das Rheingold and Götterdämmerung), Violetta (La traviata) and her Helpmann Award-winning performance as Roxana in Krol Roger. Internationally, she has performed with Garsington Opera, Independent Opera, English Touring Opera and New Zealand Opera and in a series of concerts throughout China in 2009. Lorina has appeared in concert as soprano soloist with many companies including the Sydney Philharmonia, Royal Melbourne Philharmonic, and the Sydney, Darwin, Canberra, Queensland and Tasmanian Symphony Orchestras. She has also recorded highlights from Strauss’ Der Rosenkavalier with Yvonne Kenny for ABC Classics. SIMON KIM, TENOR Korean-born Simon Kim graduated in voice from Kyung Hee University in 1992. He moved to Italy later that year and undertook postgraduate studies in Genoa, Perugia and at the Salzburg Mozarteum in Austria. Whilst residing in Italy, Simon was successful in many vocal competitions and appeared as soloist in numerous concerts around the country. Upon his return to Korea in 2001, he undertook many leading tenor roles including Ferrando (Così fan tutte), Nemorino (L’elisir d’amore), Alfredo (La traviata) and the title role in Werther. Simon also sang major roles in professional productions of Korean operas which toured to China and Germany. On the concert platform, he has sung with all the major Korean symphony orchestras as well as the Central Russia National Orchestra and the Ukraine Symphony Orchestra. In 2009, Simon moved to Sydney and has become a principal artist with Opera Australia. Here his roles have included Macduff Macbeth( ), Remendado (Carmen), Calaf (Turandot), The Herald (Don Carlos) and, most recently, Parpignol (Handa Opera on Sydney Harbour — La Bohème) TAHU MATHESON, PIANIST Tahu Matheson is Head of Music at Opera Australia. He studied piano with Kalle Randalu in Germany, and with Oleg Stepanov and Natasha Vlassenko at the Queensland Conservatorium, where he completed his Master of Music. He is a frequent accompanist for international artists including Teddy Tahu Rhodes, Anthony Dean Griffey, Yvonne Kenny and Emma Matthews. Tahu’s conducting repertoire for Opera Australia includes Tosca, L’elisir d’amore, The Magic Flute and The Pearlfishers at Sydney Opera House; Aida on the Beach and tours of Don Giovanni. Assistant Conductor: the Ring Cycle, Bliss, Falstaff, Otello, Rigoletto, Carmen, Capriccio, Of Mice and Men, The Barber of Seville, Lucia di Lammermoor, Werther, The Magic Flute, La Bohème, La Traviata, Madama Butterfly, La sonnambula, Orpheus in the Underworld, A Streetcar Named Desire, Billy Budd and Don Giovanni. Elsewhere, Tahu has conducted Kurt Weill’s The Seven Deadly Sins for Victorian Opera plus a concert performance of a new opera, Nelson, by Stuart Greenbaum in London. In 2017, he made his debut with the Queensland Symphony Orchestra. Tahu has been a soloist in the major concert venues throughout Australia and New Zealand, toured for Musica Viva and Chamber Music New Zealand, and been broadcast on New Zealand and Australian radio and television. ONBOARD ENRICHMENT SERIES ERINA KILMORE is the Tourism Noosa Board Director and the Director of Sales at Australia Zoo. Located an hour north of Brisbane on Queensland’s Sunshine Coast, Australia Zoo was made famous by the Crocodile Hunter Steve Irwin. The 105-acre zoo is the most interactive conservation destination on the planet where you can get up close to animals including koalas, wombats, and kangaroos. Kilmore is committed to making a contribution to vital conservation efforts and continuing to make Australia Zoo a top zoological destination. continued... ANNA MARSDEN is Managing Director of the Great Barrier Reef Foundation, which exists to ensure a Great Barrier Reef for future generations. The foundation seeks out the solutions and innovations that will also benefi t coral reefs globally as they tackle the same threats and challenges facing the world’s largest coral reef. Anna has worked extensively across the Queensland Creative and Non-Profi t Industries in managerial, marketing and business development roles for nearly two decades. Before taking up the role of Managing Director in 2016, Anna was CEO of Queensland Ballet where she led a major change program resulting in enormous growth. She previously held roles as General Manager – Creative at Rowland, Australia’s leading corporate communications agency, Development Director of the Queensland Art Gallery and GoMA, and General Manager at the Institute of Modern Art. Anna holds board positions with Brisbane Festival, Brisbane Powerhouse and Circa. KAREN BROWN is an artist from the Mid North Coast of New South Wales, Australia, and will introduce guests to Contemporary Australian Art with a focus on Indigenous Art. Aboriginal culture dates back as far as between 60,000 to 80,000 years, when Aborigines fi rst settled in Australia.
Recommended publications
  • Tasker H. Bliss and the Creation of the Modern American Army, 1853-1930
    TASKER H. BLISS AND THE CREATION OF THE MODERN AMERICAN ARMY, 1853-1930 _________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________ in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY __________________________________________________________ by Thomas R. English December 2014 Examining Committee Members: Richard Immerman, Advisory Chair, Temple University, Department of History Gregory J. W. Urwin, Temple University, Department of History Jay Lockenour, Temple University, Department of History Daniel W. Crofts, External Member,The College of New Jersey, Department of History, Emeritus ii © Copyright 2014 By Thomas R. English All Rights Reserved iii ABSTRACT A commonplace observation among historians describes one or another historical period as a time of “transition” or a particular person as a “transitional figure.” In the history of the United States Army, scholars apply those terms especially to the late- nineteenth century “Old Army.” This categorization has helped create a shelf of biographies of some of the transitional figures of the era. Leonard Wood, John J. Pershing, Robert Lee Bullard, William Harding Carter, Henry Tureman Allen, Nelson Appleton Miles and John McCallister Schofield have all been the subject of excellent scholarly works. Tasker Howard Bliss has remained among the missing in that group, in spite of the important activities that marked his career and the wealth of source materials he left behind. Bliss belongs on that list because, like the others, his career demonstrates the changing nature of the U.S. Army between 1871 and 1917. Bliss served for the most part in administrative positions in the United States and in the American overseas empire.
    [Show full text]
  • Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
    EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 30,1910-1911, Trip
    J ACADEMY OF MUSIC . BROOKLYN Thirtieth Season, 1910-191 MAX FIEDLER, Conductor flrogratron? of % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY EVENING, NOVEMBER 11 AT 8.15 COPYRIGHT, 1910, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER OPERA AMERICA AND ABROAD Mr. H. WINFRED GOFF Frau CLARA WALLENTHIN- Miss EDITH DE LYS London Covent Garden STRANDBERG Stockholm London Covent Garden two seasons America Savage Grand Opera Royal Opera and Dresden Milan Florence Brussels Rome etc. Mrs. CLARA SEXTON- At present singing in Germany Mr. EARL W. MARSHALL CROWLEY Italy Florence Milan Miss LAURA VAN KURAN Italy Florence etc. Barcelona Now singing in America Italy Florence Now in America Now in Italy Mrs. LOUISE HOMER Mr. MYRON W. WHITNEY Mrs. ALICE KRAFT BENSON France Nantes At present with Aborn Grand Opera Co. New York Paris London Brussels Now with Boston singing in New York Metropolitan Opera Co. Lilian Nordica Concert and Opera Chicago Now Co. Italy - Mme. LENA ABARBANELL Miss FANNY B. LOTT Miss BLANCH FOX (VOLPINI) Austria Hungary Germany etc. Italy Palermo Rimini Pisa etc. Italy Venice Milan Vercelli etc. Metropolitan Opera Co. New York Now singing in Italy American Grand Opera Cos. New Nowsinging "Madam Sherry" N.Y. Miss EDITH FROST STEWART York Chicago San Francisco etc. Mr. HENRY GORRELL To create title role in Victor Her- Miss MARY CARSON (KIDD) Italy Florence Genoa Torino etc. bert's new opera " When Sweet Six- Italy Milan etc. Now singing in Italy teen "now rehearsing in New York Now singing in Italy Mr. FLETCHER NORTON Miss BERNICE FISHER Miss ROSINA SIDNA Now singing in New York With the Boston Opera Co.
    [Show full text]
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • Jonathan Summers B) CATEGORY: Opera Singer / Baritone C) POSITION: Freelance
    1a) NAME: Jonathan Summers b) CATEGORY: Opera singer / baritone c) POSITION: Freelance 2a) PERSONAL DETAILS: date of birth / place / country 2nd October, 1946; Melbourne; Australia b) MARITAL STATUS: date of marriage / name of spouse / number of children 29th March 1969, Melbourne Australia; Lesley; 3 children 3) PREVIOUS OCCUPATIONS: dates / occupation 1965-1974 Freelance singer/concert artist 1970-1974 Technical operator/recording engineer Australian Broadcasting Commission, Melbourne 4) EDUCATION: dates / institution / city / teacher Secondary : Melbourne; Macleod High School Tertiary : Melbourne; Prahran Technical College (Art School) 1964-1974 Melbourne; Bettine McCaughan, voice teacher 1972-1973 Melbourne;National Theatre Opera School 1974-1980 London; Otakar Kraus, voice teacher 5) PROFESSIONAL DEBUT: date / opera company / role / opera / cast Nov 1975; Kent Opera; title role in Verdi's Rigoletto; Congress Theater, Eastbourne, UK; producer: Jonathan Miller; conductor: Roger Norrington; David Hillman (Duke), Meryl Drower (Gilda), Sarah Walker (Maddalena), Malcolm King (Sparafucile) 6) EARLY CAREER WITH BRIEF RESUME: dates / opera house or company / role / opera Feb 1976; University College London Opera; title role in Macbeth (orig. 1847 version); producer: John Moody; conductor: George Badachoni Sep 1976; Glyndebourne Touring Opera; title role in Falstaff; producer: Jean-Pierre Ponnelle; conductor: Kenneth Montgomery Oct 1976; joined the Royal Opera House, Covent Garden, London, as a company principal Nov 1976; English National Opera
    [Show full text]
  • 02-27-2020 Cosi Fan Tutte Eve.Indd
    WOLFGANG AMADEUS MOZART così fan tutte conductor Opera in two acts Harry Bicket Libretto by Lorenzo Da Ponte production Phelim McDermott Thursday, February 27, 2020 PM set designer 7:30–11:05 Tom Pye costume designer Laura Hopkins lighting designer Paule Constable The production of Così fan tutte was revival stage director made possible by generous gifts from Sara Erde William R. Miller, and John Sucich / Trust of Joseph Padula Additional funding was received from the The Walter and Leonore Annenberg Endowment Fund, and the National Endowment for the Arts general manager Peter Gelb Co-production of the Metropolitan Opera and jeanette lerman-neubauer English National Opera music director Yannick Nézet-Séguin In collaboration with Improbable 2019–20 SEASON The 203rd Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S così fan tutte conductor Harry Bicket in order of vocal appearance ferrando skills ensemble Ben Bliss* Leo the Human Gumby Jonathan Nosan guglielmo Ray Valenz Luca Pisaroni Josh Walker Betty Bloomerz don alfonso Anna Venizelos Gerald Finley Zoe Ziegfeld Cristina Pitter fiordiligi Sarah Folkins Nicole Car Sage Sovereign Arthur Lazalde dorabella Radu Spinghel Serena Malfi despina continuo Heidi Stober harpsichord This performance Jonathan C. Kelly is being broadcast cello David Heiss live on Metropolitan Opera Radio on SiriusXM channel 75 and streamed at metopera.org. Thursday, February 27, 2020, 7:30–11:05PM RICHARD TERMINE / MET OPERA A scene from Chorus Master Donald Palumbo Mozart’s Così Musical Preparation Joel Revzen,
    [Show full text]
  • Emma Matthews
    Emma Matthews Soprano Curriculum Vitae Opera Repertoire Monteverdi LIncoronazione di Poppea Damigella OA Gillian Whitehead Bride of fortune Fiorina WAO Offenbach Orpheus in the Underworld Cupid WAO Les Contes d’Hoffmann Olympia, Giulietta, Antonia, Stella OA, SOSA Berg Lulu Lulu, OA Handel Alcina Morgana OA Rinaldo Almirena OA Orlando Angelica OA Giulio Cesare Cleopatra OA Mozart Die Zauberflote Papagena, WAO, OA Pamina OA Queen of the Night OA Le Nozze di Figaro Barbarina WAO, OA Cherubino OA Idomeneo Ilia OA La Clemenza di Tito Servillia OA Die Entfuhrung aus dem Serail Blonde OA, Konstanze OA Mitridate, Re di Ponto Ismene, Sydney Festival Gilbert and Sullivan The Priates of Penzance Mabel OA The Mikado Yum Yum OA Alan Johns The Eighth Wonder Sky, Tour Guide Aunt Olive OA Bellini La Sonnambula Amina OA, SOSA I Capuleti e I Montecchi Giulietta OA Donizetti Lucia di Lammermoor Lucia OA, WAO La Fille du Regiment Marie OA L’Elisir d’amore Giannetta WAO Delibes Lakme Lakme OA Bizet Les Pecheurs de Perles Leila OA, WAO, OQ Janacek The Cunning Little Vixen The Vixen OA, ROH Richard Mills Batavia Zwaantie OA, WAO The Love of the Nightingale Philomele OA, WAO Gounod Romeo et Juliette Juliette OA Puccini Suor Angelica Genovieffa OA Kalman The Gypsy Princess Stasi OA J. Strauss Die Fledermaus Adele OA Massenet Werther Sophie OA R. Strauss Arabella Zdenka OA Der Rosenkavalier Sophie OA Rossini Il Barbiere di Siviglia Rosina OA, WAO Il Turco in Italia Fiorilla OA Il Signor Bruschino Sofia OA Verdi Un Ballo in Maschera Oscar OA Falstaff Nannetta OA Rigoletto Gilda OQ, OA La Traviata Violetta HOSH, OA Berlioz Beatrice et Benedict Hero OA Orchestral Repertoire Faure Requiem, Carmina Burana, C.
    [Show full text]
  • HARP LEGENDS Simone Young Conducts
    HARP LEGENDS Simone Young Conducts THURSDAY AFTERNOON SYMPHONY Thursday 24 July 2014 EMIRATES METRO SERIES Friday 25 July 2014 MONDAYS @ 7 Monday 28 July 2014 concert diary CLASSICAL Jandamarra Meet the Music Wed 16 Jul 6.30pm HOLST A Fugal Overture Thu 17 Jul 6.30pm VAUGHAN WILLIAMS Oboe Concerto ^Tea & Symphony STANHOPE & HAWKE^ Fri 18 Jul 11am premiere Jandamarra – Sing for the Country complimentary morning tea from 10am Brett Weymark conductor Major Partner Kimberley Diamond Diana Doherty oboe Pre-concert talk Simon Lobelson baritone by Vincent Plush Yilimbirri Ensemble – singers and dancers (Wed, Thu only) Members of Gondwana Choirs Thursday Afternoon Symphony Harp Legends Thu 24 Jul 1.30pm LISZT Orpheus Emirates Metro Series RODRIGO Concierto serenata for harp Fri 25 Jul 8pm BRACEGIRDLE Legends of the Old Castle – Mondays @ 7 Harp Concertino AUSTrALiAN premiere Mon 28 Jul 7pm ZEMLINSKY The Mermaid Pre-concert talk Simone Young conductor by Yvonne Frindle Louise Johnson harp (Bracegirdle) Sivan Magen harp (Rodrigo) Harpists of the World Harp Congress Special Event Pepe Romero Premier Partner Credit Suisse ROSSINI The Barber of Seville: Overture Fri 1 Aug 8pm RODRIGO Concierto de Aranjuez Sat 2 Aug 8pm VIVALDI Concerto in D, RV 93 Pre-concert talk BEETHOVEN Symphony No.8 45 minutes before Tito Muñoz conductor each performance Pepe Romero guitar APT Master Series Four Last Songs Wed 13 Aug 8pm GLANERT Frenesia AUSTrALiAN premiere Fri 15 Aug 8pm R STRAUSS Four Last Songs Sat 16 Aug 8pm BRAHMS Symphony No.2 Pre-concert talk David Robertson
    [Show full text]
  • Symphony Hall, Boston Huntington and Massachusetts Avenues
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 149 1 lostoai Symphony QreSnesfe©J INC SERGE KOUSSEVITZKY, Conductor FORTY-FOURTH SEASON, 1924-1925 PiroErainriime WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1925, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TPJ 5TEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. » FREDERICK P. CABOT . Pres.dent GALEN L. STONE ... Vice-President B. ERNEST DANE .... Treasurei FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W, WARREN ARTHUR LYMAN E. SOHlER WELCH W. H. BRENNAN. Manager C E. JUDD Assistant Manager 1429 — THE INST%U<SMENT OF THE IMMORTALS IT IS true that Rachmaninov, Pader- Each embodies all the Steinway ewski, Hofmann—to name but a few principles and ideals. And each waits of a long list of eminent pianists only your touch upon the ivory keys have chosen the Steinway as the one to loose its matchless singing tone, perfect instrument. It is true that in to answer in glorious voice your the homes of literally thousands of quickening commands,, to echo in singers, directors and musicai celebri- lingering beauty or rushing splendor ties, the Steinway is an integral part the genius of the great composers. of the household. And it is equally true that the Steinway, superlatively fine as it is, comet well within the There is a Steinway dealer in your range of the inoderate income and community or near you through "whom meets all the lequirements of the you may purchase a new Steinway modest home.
    [Show full text]
  • The Performer As Classical Voice Teacher
    THE PERFORMER AS CLASSICAL VOICE TEACHER: EVALUATING THE ROLE OF THE PERFORMER-TEACHER AND ITS IMPACT ON THE STUDENT LEARNING EXPERIENCE MARGARET SCHINDLER S368294 QUEENSLAND CONSERVATORIUM GRIFFITH UNIVERSITY in fulfilment of the requirement of the degree of Doctor of Musical Arts TABLE OF CONTENTS Table of Contents ..................................................................................................................................... i ABSTRACT ....................................................................................................................................... iii ACKNOWLEDGEMENTS .................................................................................................................. iv BOOK CHAPTERS AND PRESENTATIONS ......................................................................................... v STATEMENT OF AUTHENTICITY ...................................................................................................... vi Chapter One: Setting the Scene ................................................................................................ 1 1.1 Introduction .............................................................................................................................. 1 1.2 An auto-ethnography ................................................................................................................ 3 1.3 Rationale for this thesis .......................................................................................................... 10 Chapter Two:
    [Show full text]
  • La Traviata Synopsis 5 Guiding Questions 7
    1 Table of Contents An Introduction to Pathways for Understanding Study Materials 3 Production Information/Meet the Characters 4 The Story of La Traviata Synopsis 5 Guiding Questions 7 The History of Verdi’s La Traviata 9 Guided Listening Prelude 12 Brindisi: Libiamo, ne’ lieti calici 14 “È strano! è strano!... Ah! fors’ è lui...” and “Follie!... Sempre libera” 16 “Lunge da lei...” and “De’ miei bollenti spiriti” 18 Pura siccome un angelo 20 Alfredo! Voi!...Or tutti a me...Ogni suo aver 22 Teneste la promessa...” E tardi... Addio del passato... 24 La Traviata Resources About the Composer 26 Online Resources 29 Additional Resources Reflections after the Opera 30 The Emergence of Opera 31 A Guide to Voice Parts and Families of the Orchestra 35 Glossary 36 References Works Consulted 40 2 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students. Meet the Characters / The Story/ Resources Fostering familiarity with specific operas as well as the operatic art form, these sections describe characters and story, and provide historical context. Guiding questions are included to suggest connections to other subject areas, encourage higher-order thinking, and promote a broader understanding of the opera and its potential significance to other areas of learning. Guided Listening The Guided Listening section highlights key musical moments from the opera and provides areas of focus for listening to each musical excerpt.
    [Show full text]
  • Iolanta Bluebeard's Castle
    iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today.
    [Show full text]