sign in sign up
<<
Home , Print permanence, Science of photography

72 MUSEUM OF APPLIED ARTS AND SCIENCES

The Conservation of Photographic Records A Select Bibliography Timothy Walsh Australian Archives

Books and Articles Adelstein, P. Z. and James B. Rhoades, “Dialogue on Standards: Archival Permanence”, Journal of Micrographics, Vol. 9, No. 4 (March 1976), 193-4. Askins, Barbara S., “Photographic Image Intensification by Autoradiography”, Applied , Vol. 15, No. 11 (Nov. 1976), 2860- 5. Askins, Barbara S. et. al., “A Nuclear Chemistry Technique for Restoring Faded Photographic Images”, American Archivist, Vol. 41, No. 2 (April 1978), 207-13. Avedon, Don M., “Standards: Microfilm Permanence and Archival Quality”, Journal of Micrographics Vol. 6 No. 2 (November 1972), 93-4. Avedon, Don M., “Standards: Inspection and Quality Control”, Journal of Micrographics Vol. 8 No. 2 (November 1974), 89-92. Avedon, Don M. and Ann M. De Villiers, “Microfilm Permanence and Archival Quality” Journal of the American Society for Information Science Vol. 30 No. 2 (March 1969), 100-2. Aznarez, J. A., “Breakdown of Sodium Thiosulphate on Grains, Studied by Microscopy”. Journal of Photographic Science, Vol. 25, No. 2 (March/April 1977), 53-9.

Baines, H. and E. S. Bomback, The Science of , Fountain Press, London, 1967. Barth, Miles, “Notes on Conservation & Restoration of ”, PCN The Print Collectors Newsletter, Vol. 7, No. 2 (May/June 1976), 48-51. Baynes-Cope, A.D., “The Dismounting of Dry Mounted Photographic Prints”, RestauratorWol. 2, 1977, 1-3. Bermane, D., “On the Resistance to Fading of Silver--Bleach Transparencies”, The Conservation of Colour Photographic Records MUSEUM OF APPLIED ARTS AND SCIENCES 73

Royal Photographic Society, London, 1974. Bohem, Hilda, “A Visible File Catalog for Photographic Materials”, American Archivist, Vol. 39, No. 2 (April 1976), 165-6. Boni, Albert, Photographic Literature: An International Bibliographical Service, Morgan and Morgan, New York, 1962. Brian, C., “The Early Processes, The Recognition of Early Photographic Processes, Their Care and Conservation”, Royal Photographic Society Symposium, 16 March 1974, London. Busch, Richard, “Collectors Beware. Which of these ambrotypes are fakes?” Popular Photography, Vol. 80, No. 5 (May 1977), 110-11, 122- 3, 132-5, 137.

Cato, J., The Story of the in Australia Institute of Australian Photography and Methuen of Australia, Melbourne, 1977. Canadian Conservation Institute, “The Care of Photographic Collections: Identification of Processes”, Technical Bulletin, 6, Ottawa, 1979. Coe, B., The Birth of Photography, Hutchinson, London, 1977. Coe, B., “The early paper processes”, Paper presented at Royal Photographic Society Symposium, March 1974, London. Coke, Van Deren, One Hundred Years of Photographic History, Albuquerque, University of New Mexico Press, 1975. Collings, T. J. and F. J. Young, “Improvements in some Tests and Techniques in Photographic Conservation”, Studies in Conservation, Vol. 21, No. 2 (May 1976), 79-84. Cook, Ian, “Current Work in Photographic Conservation, Conservation Laboratory, National Library of Australia” in Australian Photographic Conference, Working on Photography, Melbourne 1980. Cooper, Nicholas, “Care and Preservation of Photographic Collections”, Society of Archivists Repairers Newsheet No. 29 (December 1977), 5-6. Crabtree, J. I. et. a/., “The elimination of hypo from photographic images”, Journal of the Society of Motion Picture Engineers, 35, 1940, 484-506. Conin, Alida Fisk, “The Photographic Process”, Camera, Feb. 1979.

Davis, Ralph A., “Bromoil Printing”, PSA Journal Vol. 44, No. 3 (March 1978), 20-6. Deane, Robert, “Ilford Galerie and Archival Processing”, I.C.C.M. Bulletin, Vol. 6, Nos. 3 and 4 (Sept/Dec. 1980), 24-7. Deane, R. J. H., “Notes on the archival suitability of some contemporary photographic materials”, I.C.C.M. Bulletin, Vol. 5, Nos. 3 & 4, (Sept./Dec. 1979), 29-35. 74 MUSEUM OF APPLIED ARTS AND SCIENCES

Dennis, Landt and List, Collecting Photographs, E. P. Dutton, New York, 1977. Denstman Hal, “Illumination for Copying: It’s what’s in Back that Counts”, Industrial Photography, Volume 26, No. 2 (Feb. 1977), 29-30. Denstman, Hal, “Illumination Systems for Copying and Reproduction — A Review of the Types of Lamps and Their Qualities”, Industrial Photography Vol. 26, No. 11 (Nov. 1977), 36-8. Denstman, Hal, “Polarized for High Fidelity Reproduction”, Industrial Photography, Vol. 27, No. 10 (Oct. 1978), 23-5, 60. Doherty, Robert J., “Editorial: Conservation and Photographs”, Image, Vol. 20, No. 3-4 (Sept./Dec. 1977), 33. Dorfman, Harold H., “The Effects of Fungus on Silver Gelatine, Diazo and Vesicular Films”, Journal of Micrographics Vol. 11, No. 4 (March 1978), 257-60.

Eaton, George T., “Preservation, Deterioration, Restoration of Photographic Images” in Howard W. Winger and Richard Daniel Smith Deterioration and Preservation of Library Materials, Uni. of Chicago Press, 1969, pp. 85-97. Eaton, G. T. and J. I. Crabtree, “Washing photographic films and prints in seawater”, Journal of the American Society of Motion Picture Engineers, 40, 1943, 380-91. Eskind, Andrew H. and Deborah Barsel, “International Museum of Photography at George Eastman House Conventions for Cataloguing Photographs”, Image, Vol. 21, No. 4, (Dec. 1978), 1-31. Evans, Frank B., Modern Archives and Manuscripts: A Select Bibliography, Society of American Archivists, 1975, pp. 71-2. Feldvebel, Thomas, P., The Ambrotype Old and New, Rochester, Institute of Technology, 1980. Fisher-Taylor, Gail, “Care and processing of archival black/white prints”, Print Letter, 19, 1979, 16-7. Focal Press Ltd, The Focal Encyclopedia of Photography, McGraw Hill, 1969. Fordyce, Charles R. “Motion-Picture Film Support: 1889-1976. A Historical Review”, SMPTE Journal, Vol. 85, No. 7 (July 1976), 493-5. Foley, Karen, “Preservation of Film and Video”, ICCM Bulletin, Vol. 3 No. 3 (Sept. 1977), 4-10. Friedman, J. S., History of Colour Photography, London, 1972.

Gear, James L. et. al., “Film Recovery of Some Deteriorated Black and White Negatives”, American Archivist, Vol. 40, No. 3, July 1977, 363-8. Gernsheim, Helmut and Alison, Creative Photography, 1826 to the Present, Wayne University, Detroit, 1963. Gernsheim, Helmut and Alison, A Concise , McGraw Hill, New York, 1969; Thames and Hudson, London, 1965. MUSEUM OF APPLIED ARTS AND SCIENCES 75 Giles, C. H. et. al., “Light fastness evaluation of colour photographs’’, Journal of Photographic Science, 21, 1973. Giles, C. H., and R. Haslam, “The Keeping Properties of Some Colour Photographs”, Journal of Photographic Science Vol. 22, 1974, 93-6. Gill, A. T., The , Paper presented at Royal Photographic Society Symposium, March 1974, London. Gill, A. T., Recognition of Photographic Processes, Royal Photographic Society, London, 1976. Gill, Arthur, “Recognition of Photographic Processes”. History of Photography, Vol. 2, No. 1, (Jan. 1978), 34-6. Gill, Arthur T., “Photographic Processes, A Glossary and a chart for recognition”, Museums Association Information Sheet, l.S. No. 21, 1978, Museums Association, London. Gilroy, David, “Development of Photographic Conservation in Western Australia” in Australian Photography Conference, Working Papers on Photography, Melbourne, 1980. Gravell, T. L., “A Safe, Inexpensive Way to Make Prints from Glass Plate Negatives”, Restaurator, Vol. 2, 1978, 185-90. Gray, Madeleine, “ Storage in Gwynedd: an ad hoc solution”, Journal of the Society of Archivists, April 1977, 437-40. Green, A., “Some Aspects of Fixation and Washing”, Photographic Scientists and Engineers, Vol. 19, No. 2 (Mar/Apr 1975), 124-9. Haig, Ronald N., “Film Cleaning Solvents”. SMPTE Journal, Vol. 85, No. 9, (Sept. 1976), 739-42. Hanson, W. T., Jr., “A Fundamentally New Colour Imaging Technology for Instant Photography.” Journal of Photographic Science, Vol. 25, No. 5, (Sept/Oct 1977), 189-96. Hanson, W. T., Jr., “Forty Years of Photography.” Photographic Scientists and Engineers, Vol. 21, No. 6 (Nov/Dec 1977), 293-6. Happe, L. B., “Examples of fading in colour negatives”, Journal of Photographic Science, 22, 1974. Harker, M., The gelatino-halide emulsion printing processes Paper presented at Royal Photographic Society Symposium, March 1974, London. Hendriks, Klaus, “Preserving Photographic Records: Materials Problems and Methods of Restoration,” Industrial Photography, Vol. 27, No. 8, (Aug. 1978), 303. Hendriks, Klaus B., “The Preservation of Photographic Records”, Archivaria, No. 5, 1977-78, 92-100. Henn, R. W. and I. A. Olivares, “Tropical Storage of Processed Negatives”, Photographic Scientists and Engineers 4, (July-Aug. 1960), 229-33. Hughes, T., “The conservation of colour photographic records”, British Journal of Photography, 5 October 1973. 76 MUSEUM OF APPLIED ARTS AND SCIENCES

Ih, Charles S., “A Holographic Process for Color Motion-Picture Preservation”, SMPTE Journal, Vol. 87, No. 12 (Dec. 1978), 832-4.

James, T. H., ‘‘The Change in the Concepts and Outlook of the Photographic Scientist: 1928-1978,” Journal of Photographic Science, Vol. 26, No. 6 Nov/Dec 1978), 216-21. James, T. H., The Theory of Photographic Processes, 4th Edition, New York, 1977. Joan, D. H. O. and G. T. J. Field, A textbook of photographic chemistry, Chapann and Hall, London, 1963. Jones, B. E., Encyclopedia of Photography, Arno, New York, 1974.

Kach, David, ‘‘Photographic Dilemma: Stability and Storage of Color Materials”, Industrial Photography, Vol. 27, No. 8 (Aug. 1978), 28-9, 46-50. Katcher, Phillip, “How to Date an Image From its Mat”, PSA Journal, Vol. 44, No. 8 (Aug. 1978), 26. Kelch, David A., “An Objective Tone Control System for Production Photographic Laboratories”, J Appl Photog Eng, Vol. 2, No. 4 (Fall 1976), 188-95. Kodak, Kodak Dye Transfer Process, E-80. Kodak, Preservation of Photographs, F-30. Kodak, Copying, Professional Data Book M-l. Kodak, B/W Processing for Permanence, Pamphlet No. J-19. Kodak, Control Procedures in Microfilm Processing, D-17. Kodak, Storage and Preservation of Microfilms, D-31. Kodak Retouching Color Transparencies, E-68. Kodak, Retouching Black-and- White Negatives and Prints, 0-10. Kodak, Prevention and Removal of Fungus on Prints and Films, AE-22. Kodak, Notes on Tropical Photography, Publication No. C-24, 1978. Kodak, Storage and Care of Kodak Color Film, Pamphlet No. E-30. Kodak, Processing Chemicals and Formulas, J-l. Kohlbeck, Runo, “On the Measurement of Residual Thiosulfate in Prints”, J Appl Photog Eng, Vol. 4, No. 4 (Fall 1978), 205-6. Kosar, J., Light-Sensitive Systems: Chemistry and Application of Non silver Halide Photographic Processes, Wiley, New York, 1965. Kurttila, Kenneth R., “Dry Silver Film Stability”, Journal of Micrographics Vol. 10, No. 3 (Jan. 1977), 113-17. Langford, M. J., “R. C. Papers: Rumours and Research”, Industrial Photography, June 1978. Lautenbach, Adrian, “The Disintegrating Image” in Australian Photography Conference, Working Papers on Photography, Melbourne 1980. Levenson, G. I. P., and D. G. O’Keefe, “On the Kinetics of Fixation by CONSERVATION OF PHOTOGRAPHIC RECORDS 77

Thiosulphate and by Silver Ion”, Journal of Photographic Science, Vol. 24, No. 4 (July/Aug. 1976), 125-32.

Materazzi, A R., “Archival Stability in Microfilm — a technical review”, Technical Report 18, U.S. Govt. Printing Office, Washington, 1978. McCamy, C. S., “Inspection of Processed Photographic Record Films for Aging Blemishes”, National Bureau of Standards, Handbook 96, U.S. Govt. Pr nting Office, Washington, 1964. Miller, William C., and Bedke, John, “Comparative Tests of Some Commercially Available Photographic Fixing Baths”, AAS Photo-Bull, No. 12, 1976, No. 2, 12-14. Moor, Ian, “The Ambrotype — Research into its Restoration and Conservation — Part 1”, The Paper Conservator, Vol. 1, 1976, 22-5. Moor, Ian, “The Ambrotype — Research into its Restoration and Conservation — Part 2”, The Paper Conservator, Vol. 2, 1977, 36-43. Moore, A. C, “Some Observations on the Preparation, Distribution, and Use of Colour Slides Made by the -Positive System”, Journal of Photographic Science, Vol. 22, 1974, 117-18. Montuori, Theodore R., “Testing Recently Processed Microfilm for Archival Stability”, Microfilm Technology, Vol. 7, No. 1 (Jan/Feb. 1978), 29-31. Morrison, R. C., “Chemical History of 19th Century Photography” in Australian Photographic Conference, Working Papers on Photography, Melbourne, D80.

Neblette, C. B., Photography, Its Materials and Processes, Van Nostrand, Nev York, 1927. Neblette, C. B., Photography, Its Principles and Practices, Van Nostrand, Nev York, 1927. Neblette, C. B., Photography, Its Materials and Processes 6th Ed., Van Nostrand, Nev York, 1966. Newhall, Beaumont, On Photography: A Source Book of Photographic History in Facsimile, Century House, Watkins Glen, N.Y., 1965. Newhall, Beamnont, The Daguerrotype in America, Duell, New York, 1961. Newhall, Beaumont, The History of Photography: From 1839 to the Present Day 4h Edition, rev., The Museum of Modern Art, New York, 1964. Newhall, Beaumont, Latent Image, The Discovery of Photography, Doubleday, Carden City, New York, 1967. Newman, G. A., and G. W. W. Stevens, “Identification of an Early Microphotog:aphic Emulsion by Means of Spectroscopy,” Laboratory Practice, Vol. 26, No. 10 (Oct. 1977), 781-2. Newman, G and G. W. W. Stevens, “Identification of Dancer 78 CONSERVATION OF PHOTOGRAPHIC RECORDS

Emulsion”, Journal of Photographic Science, Vol. 26, No. 3 (May/June 1978), 110. Newman, G. and G. W. W. Stevens, “Analytical Identification of Process Used for Dancer Microphotographs”, Microdoc, Vol. 17, No. 1, 1978,26-34. Nickson, Mathew and Euan McGillivray, Australian Photographic Conference, Working Papers on Photography, Melbourne, 1980.

Ostroff, E., “Photographic preservation: Modern techniques”, Paper presented at Royal Photographic Society Symposium, March 1974, London. Ostroff, E., “Preservation of Photographs”, Picturescope, 18, 1970,76- 83. Ostroff, E., “Preservation of Photographs”, Photographic Journal, Vol. 107, No. 10, (Oct. 1967), 309-14. Ostroff, Eugene, “Conserving and Restoring Photographic Collections”, American Association of Museums, 1976, 1-16. (An updated and revised reprint of a series of articles appearing in the May, September, November, and December 1974 issues of Museum News.) Ostroff, Eugene, “Rescuing Nitrate Negatives,” Museum News, Vol. 57, No. 1, Sept/Oct. 1978, 34-42. Ostroff, Eugene, “The and the Photographer”, Journal of Photographic Science, Vol. 26, No. 2 (Mar/Apr. 1978), 83-8.

Pearson, Colin, “Ethical Problems with the Conservation of Old Photographs” in Australian Photography Conference, Working Papers on Photography, Melbourne, 1980. Perry, Peter M., “Intensification of Faint Photographic Images by Neutron Activation”, AAS Photo Bull, No. 12, 1976, No. 2, 9-11. The , Rochester, N.Y., Institute of Technology, 1979. Pobboravsky, Irving, “Daguerreotype Preservation: The Problems of Tarnish Removal,” Technology & Conservation, Vol. 3, No. 2, Summer 1978,40-5. Potgieter, M., “Indexing the Elliott Photographic Collection”, South African Archives Journal, Vol. 14, 1972, 11-19. Powers, Sandra, “Why Exhibit? The Risks Versus the Benefits.” American Archivist, Vol. 41, No. 3 (July 1978), 297-306. Reilly, J. M., “The Manufacture and Use of Albumen Paper”, Journal of Photographic Science, Vol. 26, No. 4, July/Aug 1978, pp 156-61. Reilly, James, M., “The ”, Camera, Feb. 1979. Remple, Siegfried, “The Conservation of Case Photograpps”, Archivaria, No. 3 (Winter 1976-77), 103-08. Rempel, Siegfried, “The Care of Black and White Photographic Collections: Identification of Processes, Canadian Conservation Institute Technical Bulletin, No. 6, November, 1979. CONSERVATION OF PHOTOGRAPHIC RECORDS 79

Rempel, Siegfried, “A Conservation Method for Nitrate Based Photographic Materials,” Canadian Conservation Institute Technical Bulletin, No. 6, November, 1979. Rempel, Siegfried, “A Conservation Method for Nitrate Based Photographic Materials”, Paper Conservator, Vol. 2, 1977, 44-6. Rexroth, Nancy, The Platinotype 1977, Ohio, 1977. Richardson, Carlos, ‘‘Palladium Printing”, Camera, February 1979. Rogers, H. G., et. a/., ‘‘Light Stability of New Polaroid Colour Prints”, Journal of Photographic Science, Vol. 22, 1974, 138-42. Roman, D., ‘‘Restoration of Old Faded Photographs”, Archives and Manuscripts, Vol. 4, No. 8, (Aug. 1972), 7-8. Romer, Grant B., ‘‘Daguerreotype”, Camera, February 1979.

Sargent, Ralph N., Preserving the Moving Image, Corporation for Public Broadcasting and National Endowment for the Arts, Washington, 1974. Scheinmann, David, “How to Date the Carte de Visite,” PSA Journal, Vol. 44, No. 9, (Sept 1978), 22-3. Scott-James, R., “Cleaning Glass Negatives”, Canadian Archivist, Vol. 2, No. 5, 1974, 100-02. Scott-James, R., “Microfilming Glass Negatives”, Archivaria, No. 5 (Winter 1977-78), 148-50. Smith, Frank C., “The Permanence of Silver/Gelatin Microfilm”, Reprographics Quarterly, Vol. 11, No. 3, (Summer 1978), 8-11. Spencer, D. A., The Focal Dictionary of Photographic Technologies, Focal Press, London, 1973. Stolow, Nathan, “Conservation Policy and the Exhibition of Museum Collections”, Journal of the American Institute of Conservation, Vol. 16, No. 2 (Feb. 1977), 12-20. Swan, Alice, “Conservation Treatments for Photographs, a Review of Some of the Problems, Literature, and Practices”, Image, Vol. 21, No. 2 (June 1978), 24-31.

Thomas, D. B., The , Paper presented at Royal Photographic Society Symposium, March, 1974, London. Thomas, D. B., The Science Museum Photography Collection, H.M.S.O., London, 1969. Thomas, Joe D., “Photographic Archives”, American Archivist, Vol. 21, No. 4 (Oct. 1958), 419-24. Time-Life, Photography, Time-Life Books, New York, 1966. Time-Life, Color, Time-Life Books, New York, 1970. Time-Life, Caring for Photographs — Display, Storage, Restoration, Time-Life Books, New York, 1972. Time-Life, Frontiers of Photography, Time-Life Books, New York, 1972. 80 CONSERVATION OF PHOTOGRAPHIC RECORDS

Tull, A. G., ed., Proceedings of a Symposium held at the Victoria and Albert Museum London on Sept. 20, 1973 plus related articles. Royal Photographic Society of Great Britain RPS Publications Ltd., London, 1974. Tull, A. G., ed., The Conservation of Colour Photographic Records, Royal Photographic Society, London, 1974.

Upton, M. S. and C. Pearson, Disaster Planning and Emergency Treatments in Museums, Art Galleries, Libraries, Archives and Allied Institutions, ICCM, Canberra 1978 (especially chapter 5, “Emergency treatment of photographic materials, tapes and phono record discs”, pp 27-28).

Van Altena, W. F., “Envelopes for the Archival Storage of Processed Astronomical Photographs,” AAS Photo-Bull, No. 8, 1975, no. 1, 18- 19. Vestal, David, “Are Your Prints Fading Away?”, Popular Photography Vol. 64, No. 4 (April 1969), 67-69, 106-09.

Walker, Robert, “Black and White Slide Production: A Multitude of Means,” Industrial Photography, Vol. 27, No. 2 (Feb. 1978), 33-6, 56, 57. Waters, Peter, Procedures for Salvage of Water-Damaged Library Materials, Library of Congress, Washington, 1975, p. 24. Weinstein, R. A. and L. Booth, Collection, use and care of historical photographs, American Assoc. For State and Local History, Nashville, 1977. Weiss, Susan E., “Proper Exhibition Lighting: Protecting Collections From Damage”, Technology and Conservation, No. 1/77 (Spring 1977), 20-5. Wilhelm, Henry, Preservation of Contemporary Photographic Material, Grinnell, Iowa, East Street Gallery, 1976. Wilhelm, H., “Colour — a problem for collectors”, Print Letter, 17, 1978. Wilhelm, Henry, “Color Print Instability: A Problem for Collectors and Photographers.” Afterimage, Vol. 6, No. 3 (Oct. 1978), 11-13. Wilhelm, Henry, “Storing Color Materials; Frost-free Refrigerators Offer a Low-Cost Solution”, Industrial Photography, Vol. 27, No. 10 (Oct. 1978), 32-5. Wilhelm, H., “Colour print instability”, Modern Photography, February, 1979. Williams, T. I., Printing Processes, Royal Photographic Society, London, 1978. CONSERVATION OF PHOTOGRAPHIC RECORDS 81

JOURNALS The British Journal of Photography, 24 Wellington St, London WC2E 7DH, England Museum News, 2223 Wisconsin Ave. N.W., Washington, D.C. 20007 U.S.A. Photographic Conservation, Graphic Arts Research Center Rochester Institute of Technology, One Lomb Memorial Drive, Rochester, New York 14623, U.S.A. The Photographic Journal, 14 So. Audley St, London, W1Y 5DP, England.

STANDARDS Organizations A bbreviation American National Standards Institute ANSI British Standards Institute BSI International Standards Organization ISO National Bureau of Standards (USA) NBS National Micrographics Association (USA) NBA Film ANSI 1.25— 1976 Specifications for Safety . ANSI 1.28— 1976 Specifications for Photographic Film for Archival Records, Silver-gelatin, on Cellulose Ester Base. ANSI 1.41 — 1976 Specifications for Photographic Film for Archival Records, Silver-gelatin Type, on Polyester Base. ISO 4331 — 1977 Specifications, Photography — Processed Photographic Film for Archival Records — Silver-gelatin Type on Cellulose Ester Base. ISO 4332— 1977 Specifications, Photography — Processed Photographic Film for Archival Records — Silver-gelatin Type on Poly (ethylene terephthalate) base. Processing ANSI PH 4.8— 1978 Methylene Blue Method for measuring Thiosulfate and Silver Densitometric method for Measuring Residual ‘Chemicals in Films, Plates and Papers. ANSI PH 4.35— 1972 Method of Determining the Resistance of Photographic films to Abrasion during processing. ANSI PH 4.40— 1979 The method for determing the Biochemical Oxygen Demands (BOD) and Disolved Oxygen (DO) in Effluents. ANSI 4.39— 1977 The Spectrophotometric Determination of the 82 CONSERVATION OF PHOTOGRAPHIC RECORDS Chlorine Requirements of Photographic Processing Effluents. BS 1153: 1975 Recommendations for the Processing and Storage of Silver-gelatin type microfilm. ISO 417— 1977 Determination of Thiosulphate and other Residual chemicals in processed photographic Films, Plates and Papers — Methylene Blue photometric method and Silver Sulfide Densitrometric method. NMAMS 104— 1972 Inspection and Quality Control of First Generation Silver Halide Microfilm. Density NMAMS 104— 1972 Inspection and Quality Control of first generation Silver Halide Microfilm. Resolution ANSI PH 3.50— 1972 Dimensions for Resolution Test Target for Photographic Optics. Storage ANSI PH 1.43— 1976 Practice for Storage of Processed Safety Photographic Film. ANSI PH 1.53 — 1978 Photographic Filing Enclosures for Storing Processed Photographic Films, Plates and Papers. ANSI PH 5.4— 1970 Practice for storage of processed silver-gelatin microfilm. BS 1153: 1975 Recommendations for the Processing and Storage of silver-gelatin-type Microfilm.