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The Conservation of Photographic Records a Select Bibliography Timothy Walsh Australian Archives 72 MUSEUM OF APPLIED ARTS AND SCIENCES The Conservation of Photographic Records A Select Bibliography Timothy Walsh Australian Archives Books and Articles Adelstein, P. Z. and James B. Rhoades, “Dialogue on Standards: Archival Permanence”, Journal of Micrographics, Vol. 9, No. 4 (March 1976), 193-4. Askins, Barbara S., “Photographic Image Intensification by Autoradiography”, Applied Optics, Vol. 15, No. 11 (Nov. 1976), 2860- 5. Askins, Barbara S. et. al., “A Nuclear Chemistry Technique for Restoring Faded Photographic Images”, American Archivist, Vol. 41, No. 2 (April 1978), 207-13. Avedon, Don M., “Standards: Microfilm Permanence and Archival Quality”, Journal of Micrographics Vol. 6 No. 2 (November 1972), 93-4. Avedon, Don M., “Standards: Inspection and Quality Control”, Journal of Micrographics Vol. 8 No. 2 (November 1974), 89-92. Avedon, Don M. and Ann M. De Villiers, “Microfilm Permanence and Archival Quality” Journal of the American Society for Information Science Vol. 30 No. 2 (March 1969), 100-2. Aznarez, J. A., “Breakdown of Sodium Thiosulphate on Silver Halide Grains, Studied by Electron Microscopy”. Journal of Photographic Science, Vol. 25, No. 2 (March/April 1977), 53-9. Baines, H. and E. S. Bomback, The Science of Photography, Fountain Press, London, 1967. Barth, Miles, “Notes on Conservation & Restoration of Photographs”, PCN The Print Collectors Newsletter, Vol. 7, No. 2 (May/June 1976), 48-51. Baynes-Cope, A.D., “The Dismounting of Dry Mounted Photographic Prints”, RestauratorWol. 2, 1977, 1-3. Bermane, D., “On the Resistance to Fading of Silver-Dye-Bleach Transparencies”, The Conservation of Colour Photographic Records MUSEUM OF APPLIED ARTS AND SCIENCES 73 Royal Photographic Society, London, 1974. Bohem, Hilda, “A Visible File Catalog for Photographic Materials”, American Archivist, Vol. 39, No. 2 (April 1976), 165-6. Boni, Albert, Photographic Literature: An International Bibliographical Service, Morgan and Morgan, New York, 1962. Brian, C., “The Early Paper Processes, The Recognition of Early Photographic Processes, Their Care and Conservation”, Royal Photographic Society Symposium, 16 March 1974, London. Busch, Richard, “Collectors Beware. Which of these ambrotypes are fakes?” Popular Photography, Vol. 80, No. 5 (May 1977), 110-11, 122- 3, 132-5, 137. Cato, J., The Story of the Camera in Australia Institute of Australian Photography and Methuen of Australia, Melbourne, 1977. Canadian Conservation Institute, “The Care of Black and White Photographic Collections: Identification of Processes”, Technical Bulletin, 6, Ottawa, 1979. Coe, B., The Birth of Photography, Hutchinson, London, 1977. Coe, B., “The early paper processes”, Paper presented at Royal Photographic Society Symposium, March 1974, London. Coke, Van Deren, One Hundred Years of Photographic History, Albuquerque, University of New Mexico Press, 1975. Collings, T. J. and F. J. Young, “Improvements in some Tests and Techniques in Photographic Conservation”, Studies in Conservation, Vol. 21, No. 2 (May 1976), 79-84. Cook, Ian, “Current Work in Photographic Conservation, Conservation Laboratory, National Library of Australia” in Australian Photographic Conference, Working Papers on Photography, Melbourne 1980. Cooper, Nicholas, “Care and Preservation of Photographic Collections”, Society of Archivists Repairers Newsheet No. 29 (December 1977), 5-6. Crabtree, J. I. et. a/., “The elimination of hypo from photographic images”, Journal of the Society of Motion Picture Engineers, 35, 1940, 484-506. Conin, Alida Fisk, “The Gum Bichromate Photographic Process”, Camera, Feb. 1979. Davis, Ralph A., “Bromoil Printing”, PSA Journal Vol. 44, No. 3 (March 1978), 20-6. Deane, Robert, “Ilford Galerie and Archival Processing”, I.C.C.M. Bulletin, Vol. 6, Nos. 3 and 4 (Sept/Dec. 1980), 24-7. Deane, R. J. H., “Notes on the archival suitability of some contemporary photographic materials”, I.C.C.M. Bulletin, Vol. 5, Nos. 3 & 4, (Sept./Dec. 1979), 29-35. 74 MUSEUM OF APPLIED ARTS AND SCIENCES Dennis, Landt and List, Collecting Photographs, E. P. Dutton, New York, 1977. Denstman Hal, “Illumination for Copying: It’s what’s in Back that Counts”, Industrial Photography, Volume 26, No. 2 (Feb. 1977), 29-30. Denstman, Hal, “Illumination Systems for Copying and Reproduction — A Review of the Types of Lamps and Their Qualities”, Industrial Photography Vol. 26, No. 11 (Nov. 1977), 36-8. Denstman, Hal, “Polarized Light for High Fidelity Reproduction”, Industrial Photography, Vol. 27, No. 10 (Oct. 1978), 23-5, 60. Doherty, Robert J., “Editorial: Conservation and Photographs”, Image, Vol. 20, No. 3-4 (Sept./Dec. 1977), 33. Dorfman, Harold H., “The Effects of Fungus on Silver Gelatine, Diazo and Vesicular Films”, Journal of Micrographics Vol. 11, No. 4 (March 1978), 257-60. Eaton, George T., “Preservation, Deterioration, Restoration of Photographic Images” in Howard W. Winger and Richard Daniel Smith Deterioration and Preservation of Library Materials, Uni. of Chicago Press, 1969, pp. 85-97. Eaton, G. T. and J. I. Crabtree, “Washing photographic films and prints in seawater”, Journal of the American Society of Motion Picture Engineers, 40, 1943, 380-91. Eskind, Andrew H. and Deborah Barsel, “International Museum of Photography at George Eastman House Conventions for Cataloguing Photographs”, Image, Vol. 21, No. 4, (Dec. 1978), 1-31. Evans, Frank B., Modern Archives and Manuscripts: A Select Bibliography, Society of American Archivists, 1975, pp. 71-2. Feldvebel, Thomas, P., The Ambrotype Old and New, Rochester, Institute of Technology, 1980. Fisher-Taylor, Gail, “Care and processing of archival black/white prints”, Print Letter, 19, 1979, 16-7. Focal Press Ltd, The Focal Encyclopedia of Photography, McGraw Hill, 1969. Fordyce, Charles R. “Motion-Picture Film Support: 1889-1976. A Historical Review”, SMPTE Journal, Vol. 85, No. 7 (July 1976), 493-5. Foley, Karen, “Preservation of Film and Video”, ICCM Bulletin, Vol. 3 No. 3 (Sept. 1977), 4-10. Friedman, J. S., History of Colour Photography, London, 1972. Gear, James L. et. al., “Film Recovery of Some Deteriorated Black and White Negatives”, American Archivist, Vol. 40, No. 3, July 1977, 363-8. Gernsheim, Helmut and Alison, Creative Photography, 1826 to the Present, Wayne University, Detroit, 1963. Gernsheim, Helmut and Alison, A Concise History of Photography, McGraw Hill, New York, 1969; Thames and Hudson, London, 1965. MUSEUM OF APPLIED ARTS AND SCIENCES 75 Giles, C. H. et. al., “Light fastness evaluation of colour photographs’’, Journal of Photographic Science, 21, 1973. Giles, C. H., and R. Haslam, “The Keeping Properties of Some Colour Photographs”, Journal of Photographic Science Vol. 22, 1974, 93-6. Gill, A. T., The Daguerreotype, Paper presented at Royal Photographic Society Symposium, March 1974, London. Gill, A. T., Recognition of Photographic Processes, Royal Photographic Society, London, 1976. Gill, Arthur, “Recognition of Photographic Processes”. History of Photography, Vol. 2, No. 1, (Jan. 1978), 34-6. Gill, Arthur T., “Photographic Processes, A Glossary and a chart for recognition”, Museums Association Information Sheet, l.S. No. 21, 1978, Museums Association, London. Gilroy, David, “Development of Photographic Conservation in Western Australia” in Australian Photography Conference, Working Papers on Photography, Melbourne, 1980. Gravell, T. L., “A Safe, Inexpensive Way to Make Prints from Glass Plate Negatives”, Restaurator, Vol. 2, 1978, 185-90. Gray, Madeleine, “Photograph Storage in Gwynedd: an ad hoc solution”, Journal of the Society of Archivists, April 1977, 437-40. Green, A., “Some Aspects of Fixation and Washing”, Photographic Scientists and Engineers, Vol. 19, No. 2 (Mar/Apr 1975), 124-9. Haig, Ronald N., “Film Cleaning Solvents”. SMPTE Journal, Vol. 85, No. 9, (Sept. 1976), 739-42. Hanson, W. T., Jr., “A Fundamentally New Colour Imaging Technology for Instant Photography.” Journal of Photographic Science, Vol. 25, No. 5, (Sept/Oct 1977), 189-96. Hanson, W. T., Jr., “Forty Years of Color Photography.” Photographic Scientists and Engineers, Vol. 21, No. 6 (Nov/Dec 1977), 293-6. Happe, L. B., “Examples of fading in colour negatives”, Journal of Photographic Science, 22, 1974. Harker, M., The gelatino-halide emulsion printing processes Paper presented at Royal Photographic Society Symposium, March 1974, London. Hendriks, Klaus, “Preserving Photographic Records: Materials Problems and Methods of Restoration,” Industrial Photography, Vol. 27, No. 8, (Aug. 1978), 303. Hendriks, Klaus B., “The Preservation of Photographic Records”, Archivaria, No. 5, 1977-78, 92-100. Henn, R. W. and I. A. Olivares, “Tropical Storage of Processed Negatives”, Photographic Scientists and Engineers 4, (July-Aug. 1960), 229-33. Hughes, T., “The conservation of colour photographic records”, British Journal of Photography, 5 October 1973. 76 MUSEUM OF APPLIED ARTS AND SCIENCES Ih, Charles S., “A Holographic Process for Color Motion-Picture Preservation”, SMPTE Journal, Vol. 87, No. 12 (Dec. 1978), 832-4. James, T. H., ‘‘The Change in the Concepts and Outlook of the Photographic Scientist: 1928-1978,” Journal of Photographic Science, Vol. 26, No. 6 Nov/Dec 1978), 216-21. James, T. H., The Theory of Photographic Processes, 4th Edition, New York, 1977. Joan, D. H. O. and G. T. J. Field, A textbook of photographic chemistry, Chapann and Hall, London, 1963. Jones, B. E., Encyclopedia of Photography, Arno, New York, 1974. Kach, David, ‘‘Photographic Dilemma: Stability and Storage of Color Materials”, Industrial Photography, Vol. 27, No. 8
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