DOCSLIB.ORG

HP Pagewide Managed MFP P57750dw User Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HP Pagewide Managed MFP P57750dw User Guide HP PageWide Managed MFP P57750dw User Guide Copyright and License Trademark Credits © 2016 Copyright HP Development Company, Adobe®, Acrobat®, and PostScript® are L.P. trademarks of Adobe Systems Incorporated. All rights reserved. Reproduction, adaptation, Intel® Core™ is a trademark of Intel Corporation or translation of this material is prohibited in the U.S. and other countries. without prior written permission of HP, except as allowed under copyright laws. Java™ is a US trademark of Sun Microsystems, Inc. The information contained in this document is subject to change without notice. Microsoft®, Windows®, Windows® XP, and Windows Vista® are U.S. registered trademarks The only warranties for HP products and of Microsoft Corporation. services are set forth in the express warranty statements accompanying such products and UNIX® is a registered trademark of The Open services. Nothing herein should be construed Group. as constituting an additional warranty. HP shall not be liable for technical or editorial errors or ENERGY STAR and the ENERGY STAR mark are omissions contained herein. registered trademarks owned by the U.S. Environmental Protection Agency. Edition 1, 2/2016 Table of contents 1 Product basics ............................................................................................................................................... 1 Product features .................................................................................................................................................... 2 Environmental features ...................................................................................................................... 2 Accessibility features ........................................................................................................................... 3 Product views ......................................................................................................................................................... 4 Front left view ..................................................................................................................................... 4 Front right view ................................................................................................................................... 5 Back view ............................................................................................................................................. 5 Cartridge door view ............................................................................................................................. 6 Power on and o .................................................................................................................................................... 7 Turn the product on ............................................................................................................................. 7 Manage power ..................................................................................................................................... 7 Turn the product o ............................................................................................................................ 8 Use the control panel ............................................................................................................................................. 9 Control panel buttons .......................................................................................................................... 9 Control panel home screen ............................................................................................................... 10 Control panel dashboard ................................................................................................................... 11 Control panel application folders ..................................................................................................... 11 Control panel shortcuts ..................................................................................................................... 12 Help features ..................................................................................................................................... 12 Printer information ......................................................................................................... 13 Help animations .............................................................................................................. 13 Quiet Mode ........................................................................................................................................................... 13 To turn Quiet Mode on or o from the control panel ........................................................................ 13 To turn Quiet Mode on or o from the EWS ...................................................................................... 13 2 Connect the product ..................................................................................................................................... 15 Connect the product to a computer or a network ............................................................................................... 16 To connect the product using a USB cable ........................................................................................ 16 To connect the product to a network ................................................................................................ 17 Supported network protocols ......................................................................................... 17 Connect the product using a wired network .................................................................. 17 ENWW iii Connect the product using a wireless network (wireless models only) ......................... 17 To connect the product to a wireless network using the Wireless Setup Wizard ........................................................................................................... 18 To connect the product to a wireless network using WPS ........................... 18 To connect the product to a wireless network manually ............................. 19 Use Wi-Fi Direct to connect a computer or device to the product ...................................................................... 20 To turn on Wi-Fi Direct ....................................................................................................................... 20 To print from a wireless-capable mobile device ............................................................................... 20 To print from a wireless-capable computer (Windows) .................................................................... 20 To print from a wireless-capable computer (OS X) ........................................................................... 20 Install HP printer software for a wireless product already on the network ....................................................... 22 Open the printer software (Windows) ................................................................................................................. 22 Manage network settings .................................................................................................................................... 22 View or change network settings ..................................................................................................... 22 Set or change the product password ................................................................................................ 23 Manually configur TCP/IP parameters from the control panel ....................................................... 23 Link speed and duplex settings ........................................................................................................ 23 3 Printer management and services ................................................................................................................. 25 HP Embedded Web Server ................................................................................................................................... 26 About the EWS ................................................................................................................................... 26 About cookies .................................................................................................................................... 26 Open the EWS .................................................................................................................................... 27 Features ............................................................................................................................................. 27 Home tab ......................................................................................................................... 27 Scan tab ........................................................................................................................... 28 Fax tab ............................................................................................................................. 29 Web Services tab ............................................................................................................. 29 Network tab .................................................................................................................... 29 Tools tab .......................................................................................................................... 29 Settings tab ....................................................................................................................
Load more

Recommended publications
  • Whitepprlow.Qxd (Page 1)
    Print Permanence An Epson White Paper Overview How long will a photographic print last? There is no simple It is also clear that most photographic prints will have greater answer. But it is important for anyone who cares about their longevity than a computer hard drive or magnetic media. Not photos to have a base understanding of the factors that affect only can digital storage devices be damaged by magnetic fields, the longevity of prints to make informed decisions and insure viruses and equipment malfunction, but rapid changes in those photographic prints will last an expected time. technology tend to make the devices and their file formats obsolete. In addition, many back-up digital storage systems such This white paper deals with the complex subject of print as CDs and DVDs incorporate materials that may fade or change permanence and how knowledge of industry-accepted in ways that could make their contents unreadable in the future. comparative print permanence testing can lead to the best decisions about buying or specifying imaging products. Every From the beginning of the 20th century until the 1950s most bit as important, this document will help the reader detect photographic prints were in black and white. If properly potentially misleading marketing claims about photographic processed, these fiber based black and white prints had and still image quality, print permanence and the limitations of universal have great resistance to fading from light or gas and to water compatibility. damage. Because of the high inherent stability of fiber based black and white prints, many of these early photographs remain We at Epson want to help consumers and professionals learn in excellent condition and even now reside in family collections, more about how prints are made and how different inks and commercial collections and museums.
    [Show full text]
  • Inkjet Photo Prints: Here to Stay
    Inkjet Photo Prints: Here to Stay Dr. Nils Miller, Hewlett-Packard Company June 2004 Executive Summary A recent report from the Photo Marketing Association states, “2003 was a pivotal year for the industry, with digital cameras outselling traditional cameras for the first time ever… This gap will widen in 20041”… As more customers move to digital cameras, more are also choosing inkjet photo printers thanks to significant advances in image quality and convenience. The increasing numbers of customers who are using digital photography would indicate that they are very satisfied with digital cameras and inkjet photo printing and have indeed answered yes to the question: “Do inkjet photo prints have image quality equal to (or better than) traditional silver-halide photo prints?” One question remains, however, for customers who currently use inkjet or are considering inkjet in the future to print their valuable photos: “Will inkjet photo prints last as long as traditional silver-halide photo prints?” Estimates of the life of photo prints are based on whether the prints will be displayed or stored. In all likelihood, only a small portion of photo prints are actually displayed and subjected to regular illumination. Displayed prints are among the most treasured, and customers need to feel confident that they can enjoy these images for a lifetime. This paper will address the display permanence of inkjet photo prints including relevant results of HP internal tests and HP’s current line of photo print media and inks. Inherited Silver-Halide Permanence Standards The science of predicting the display permanence of silver-halide photo prints is quite mature.
    [Show full text]
  • DIMA Glossary.Pdf
    Accelerated Graphics Port (AGP) Additive Color An interface specification from Intel designed to facilitate 3-D Refers to the colors that result from mixing the primary colors graphics by allowing the graphics card to access the computer’s of light (Red, Green and Blue – RGB) to produce the visual RAM to refresh the monitor’s display. spectrum of colors. When the primary colors are mixed at 100 percent intensity, white light is produced. A Access To store or retrieve information with a software application Address from a computer component such as a disk drive so the user The unique location of data in memory, e-mail, Internet, or can work with it. media access control address on a network. Access Time Addressable Resolution The length of time that is required for a computer system to The maximum resolution of any device. The finite number of process a data request and then retrieve the data from memory pixels that any imaging device is capable of creating, manipu- or a storage device. lating, or imaging. Achromatic Color Adobe Acrobat A neutral white, gray, or black color that does not have a hue. Adobe’s software application for creation and viewing of Por- table Document Format (PDF) files that can display a docu- ActiveX ment as it was originally designed without having the particular An implementation of OLE (object linking and embedding) software or fonts used to create the file. developed by Microsoft that allows the user to see desktop applications in a web browser. Adobe Type Manager Software that produces Postscript outline fonts for display or Active-Matrix Display output.
    [Show full text]
  • Epson® Surecolor® P800 Series 17” Wide-Format Desktop 8-Color Inkjet Printers
    Epson® SureColor® P800 Series 17” Wide-Format Desktop 8-Color Inkjet Printers Sales Reference Guide Professional Imaging Epson SureColor P800 Series Print Your Legacy. At Epson, we understand the importance of what you do. That is why we strive to develop imaging technology that never shows itself within your work. It’s why we insist your work remain as beautiful as the day it was printed. And, it’s the reason why we push the limits of imaging technology to ensure your work is limited only by you – and not the technology used to print it. The SureColor P800 is available in two versions: . Standard Edition – for professional photography, fine art and commercial graphics . Designer Edition – for graphic design and advanced photography SureColor P800 Standard Edition for professional photography and fine art Professional Imaging Epson SureColor P800 Standard Edition Key Product Features Improved Black Density - Higher-density Black pigments than our previous generation inks for a wider contrast ratio and enhanced clarity for both color and black-and-white exhibition-quality prints Exceptional Print Permanence - UltraChrome HD®, our Next-generation pigment ink technology, is independently rated by Wilhelm Imaging Research for up to 200 years for color and up to 400 years for black-and- white prints, more than twice our previous generation of ink1 Remarkable Detail and Reliability - Epson MicroPiezo® AMC® printhead delivers high print speeds with variable-size ink droplets as small as 3.5 picoliters accurately shaped and positioned on the print Refined Printer Design - Compact desktop design with intuitive, 2.7” color touch screen interface. Media Versatility - For Fine art papers, photo papers, or canvas on sheets and even rolls up to 17” wide (rolls available with optional roll media adapter), print on the media best matching your creative vision 1.
    [Show full text]
  • Epson Surecolor P5000 SRG
    Epson® SureColor® P5000 Series Professional 17” Wide-Format 10-Color Inkjet Printers Sales Reference Guide Professional Imaging Epson SureColor P5000 Series Print Your Legacy. Designed to set the benchmark for professional imaging excellence on the desktop, the Epson SureColor P5000 Series 17“-wide printers offer a refined design for enhanced performance and reliability. Available in three versions: © Joey Ikemoto Photography § Standard Edition – for professional photography, fine art and commercial graphics § Designer Edition – for graphic design and advanced photography § Commercial Edition – for commercial and flexographic proofing applications SureColor P5000 Standard Edition for professional photography, fine art and commercial graphics Professional Imaging Epson SureColor P5000 Standard Edition Key Product Features Refined Printer Design - Improved dust and static control for reduced printhead nozzle maintenance Improved Black Density - Higher-density Black pigments than our previous generation inks for a wider contrast ratio and enhanced clarity for both color and black-and-white exhibition-quality prints Exceptional Print Permanence - UltraChrome HDX®, our Next-generation pigment ink technology, is independently rated by Wilhelm Imaging Research for up to 200 years for color and up to 400 years for black-and- white prints, more than twice our previous generation of ink1 Remarkable Detail - Epson PrecisionCore® TFP® printhead delivers high print speeds with 360 nozzles per color channel, with variable-size ink droplets as small
    [Show full text]
  • Multigrade Fb Warmtone 1
    MULTIGRADE FB WARMTONE 1 MULTIGRADE FB WARMTONE 2.3 CONTRAST RANGE Variable Contrast Fiber Base Seven full grades of contrast, in half grade steps, are avail- able on MULTIGRADE FB WARMTONE paper when used Black & White Paper with the ILFORD MULTIGRADE speed-matched filters. 2.4 ENLARGER LIGHT SOURCES MULTIGRADE FB WARMTONE is designed for use with 1 DESCRIPTION AND USE most enlargers and printers, that is, those fitted with either a ILFORD MULTIGRADE FB WARMTONE is a premium quality, tungsten or tungsten halogen light source. It is also suitable variable contrast black and white paper which has a warm for use with cold cathode (cold light) light sources black image tone on a warm white base.It is especially suit- designed for variable contrast papers. Other cold cathode able for toning. MULTIGRADE FB WARMTONE has a dou- (cold light) and pulsed xenon light sources may give a ble weight (255g/m2) fiber base. reduced contrast range. MULTIGRADE FB WARMTONE is part of the ILFORD MULTI- 2.5 MULTIGRADE FILTERS GRADE system and is fully compatible with all existing MULTI- GRADE filters and equipment. It is equally suitable for MULTIGRADE filters are suitable for use with MULTIGRADE printing from conventional black and white and XP2 negatives. FB WARMTONE. The twelve MULTIGRADE filters are 1 numbered 00–5 in ¼2 steps. They have been specifically MULTIGRADE WARMTONE FB is available in a double designed for use with ILFORD variable contrast paper. With weight (1K) glossy surface. MULTIGRADE FB WARMTONE fiber paper, they give a wide contrast range equivalent to grades 0–4 on graded paper: The lowest filter number corresponds to the softest grade of paper.
    [Show full text]
  • 301 Inkjet Tips and Techniques an Essential Printing Resource for Photographers
    2043-300InkjetTips-00Fnt 9/11/07 10:22 AM Page i 301 Inkjet Tips and Techniques An Essential Printing Resource for Photographers Andrew Darlow 2043-300InkjetTips-00Fnt 9/11/07 10:22 AM Page ii © 2008 Andrew Darlow. All rights reserved. No part of this Publisher and General book may be reproduced or transmitted in any form or by any Manager, Thomson Course means, electronic or mechanical, including photocopying, Technology PTR: recording, or by any information storage or retrieval system Stacy L. Hiquet without written permission from the author and Thomson Associate Director of Course Technology PTR, except for the inclusion of brief Marketing: quotations in a review. Sarah O’Donnell The Thomson Course Technology PTR logo and related trade Manager of Editorial Services: dress are trademarks of Thomson Course Technology, a Heather Talbot division of Thomson Learning Inc., and may not be used without written permission. Marketing Manager: Jordan Casey All trademarks are the property of their respective owners. Executive Editor: Important: Thomson Course Technology PTR cannot provide Kevin Harreld software support. Please contact the appropriate software manufacturer’s technical support line or Web site for assistance. Project Editor: Sandy Doell Thomson Course Technology PTR and the author have attempted throughout this book to distinguish proprietary PTR Editorial Services trademarks from descriptive terms by following the Coordinator: capitalization style used by the manufacturer. Erin Johnson Information contained in this book has been obtained by Interior Layout Tech: Thomson Course Technology PTR from sources believed to be Bill Hartman reliable. However, because of the possibility of human or Cover Designer: mechanical error by our sources, Thomson Course Technology Mike Tanamachi PTR, or others, the Publisher does not guarantee the accuracy, Indexer: adequacy, or completeness of any information and is not Katherine Stimson responsible for any errors or omissions or the results obtained from use of such information.
    [Show full text]
  • Use of a Multispectral Camera System and Very Small, Comprehensive
    Imaging Conference JAPAN 2011 A-18 Use of a Multispectral Camera System and Very Small, Comprehensive “Micropatch” Test Targets for Full Tonal Scale Colorimetric Evaluation of the Permanence of Digitally-Printed Color and B&W Photographs Henry Wilhelm,* Ken Boydston,** Kabenla Armah,* and Barbara C. Stahl* *Wilhelm Imaging Research, Inc., Grinnell, Iowa U.S.A. **MegaVision, Inc., Santa Barbara, California U.S.A. Abstract: The paper describes the use of the MegaVision EV Multispectral Camera and image processing software together with very small, full tonal scale test targets with 800 or more “micropatches.” The test target includes human skin colors and large sets of neutral and near-neutral patches for the full tonal scale colorimetric evaluation of the permanence of digitally-printed color and monochrome photographs, and other images. Compared with the large test targets now routinely employed by printer, ink, toner, and paper manufacturers, as well as by independent test laboratories, the very small size of the “micropatch” test targets means that approximately ten to fifteen times more test targets can be accommodated in a xenon arc test unit, humidity- and temperature-controlled Arrhenius oven, or in a precision-controlled ozone test chamber. Degradation of optical brighteners can also be measured and quantified. In medium- and large-scale permanence testing laboratories, substantial cost reductions can be achieved in equipment costs – and in operational and maintenance expenses. Sample measurement time can be reduced significantly because multiple targets – including those with very large numbers of patches – can be mea- sured at the same time. Because the camera makes no physical contact with the sample surface, unlimited numbers of measurements can be made with no risk of damage to test targets.
    [Show full text]
  • The Conservation of Photographic Records a Select Bibliography Timothy Walsh Australian Archives
    72 MUSEUM OF APPLIED ARTS AND SCIENCES The Conservation of Photographic Records A Select Bibliography Timothy Walsh Australian Archives Books and Articles Adelstein, P. Z. and James B. Rhoades, “Dialogue on Standards: Archival Permanence”, Journal of Micrographics, Vol. 9, No. 4 (March 1976), 193-4. Askins, Barbara S., “Photographic Image Intensification by Autoradiography”, Applied Optics, Vol. 15, No. 11 (Nov. 1976), 2860- 5. Askins, Barbara S. et. al., “A Nuclear Chemistry Technique for Restoring Faded Photographic Images”, American Archivist, Vol. 41, No. 2 (April 1978), 207-13. Avedon, Don M., “Standards: Microfilm Permanence and Archival Quality”, Journal of Micrographics Vol. 6 No. 2 (November 1972), 93-4. Avedon, Don M., “Standards: Inspection and Quality Control”, Journal of Micrographics Vol. 8 No. 2 (November 1974), 89-92. Avedon, Don M. and Ann M. De Villiers, “Microfilm Permanence and Archival Quality” Journal of the American Society for Information Science Vol. 30 No. 2 (March 1969), 100-2. Aznarez, J. A., “Breakdown of Sodium Thiosulphate on Silver Halide Grains, Studied by Electron Microscopy”. Journal of Photographic Science, Vol. 25, No. 2 (March/April 1977), 53-9. Baines, H. and E. S. Bomback, The Science of Photography, Fountain Press, London, 1967. Barth, Miles, “Notes on Conservation & Restoration of Photographs”, PCN The Print Collectors Newsletter, Vol. 7, No. 2 (May/June 1976), 48-51. Baynes-Cope, A.D., “The Dismounting of Dry Mounted Photographic Prints”, RestauratorWol. 2, 1977, 1-3. Bermane, D., “On the Resistance to Fading of Silver-Dye-Bleach Transparencies”, The Conservation of Colour Photographic Records MUSEUM OF APPLIED ARTS AND SCIENCES 73 Royal Photographic Society, London, 1974.
    [Show full text]
  • The Print Ansel Adams
    The Print The Ansel Adams Photography Series I Book 3 The Print Ansel Adams with the collaboration of Robert Baker UTILE, BROWN AND COMPANY NEW YORK BOSTON In 1976, Ansel Adam elected Little, Brown and Company a the sole au thorized publisher of his book, calendars, and posters. At the same time, he established The Ansel Adams Publishing Rights Trust in ord er to ensu re the continuity and quality of hi legacy - both arti tic and environmental. As Ansel Adams himself wrote, "Perhaps the most important characteri tic of my work is what may be called print quality. It is very important that the reproduc­ ti ons be as good as you can pos ibly get them." The autho rized book, calendars, and posters published by Little, Brown have been rigorously supervised by the Trust to make certain that Adams' exacting standards of quality are maintained. Only uch work published by Little, Brown and Company can be considered authentic representations of the genius of Ansel Adams. Frontispiece: Northern Cascade·, Washington (hazy sunlight) , 1960 Copyright © 1980, 2003 by the Trustees of The Ansel Adams Publishing Rights Trust All rights reserved in all countries. No part of this book may be reproduced in any form or by any electronic or mechanical means, including informati on storage and retrieval systems, without permission in writing from the publi her, except by a reviewer who may quote brief passages in a review. Little, Brown and Company 1271 Avenue of the Americas, New York, NY 10020 Vi it our Web site at www.bulfinchpress.com This is the third volume of The Ansel Adams Photography SeTies.
    [Show full text]
  • Colorimetry Vs. Densitometry in the Selection of Ink-Jet Colorants
    IS&T's 1999 PICS Conference Colorimetry vs. Densitometry in the Selection of Ink-jet Colorants E. Baumann, M. Fryberg, R. Hofmann, and M. Meissner ILFORD Imaging Switzerland GmbH Marly, Switzerland Abstract colours (100% Y,M,C, R,G,B) were printed to white and black in steps of 5% dot percentage. Black was mixed in as compos- The gamut performance of different ink-jet ink sets on photo ite black. The images to be compared were printed on the same glossy media was investigated using spectrophotometry. The printer, with the same fixed colour profile (45° curve) and speci- influence of media gloss, paper colour and printing pattern is fied half-tone algorithm. Photo prints were corrected for neu- compared to the gamut variation due to the different colorants trality and printed on a Lightjet 5000 from an equivalent R,G,B in the ink. Gamut size is not the only factor that is important file. for high quality photo-realistic ink-jet printing. Metameric The wedges were measured in a proprietary spectrometer properties of the ink sets as well as the reproduction of spe- with automatic sample feed. The spectrometer is based on the cific important colours are considered. commercial Bruins Omega 20, with Czerny-Turner monochro- The current state of photo-like ink-jet printing is approach- mator, holographic grazing and photo multiplier. The equip- ing but not achieving true continuous tone colour reproduc- ment works as a pseudo- two beam instrument. It measures in tion. The reduction of dot size from 300 dpi to 600 dpi does 45°/0° geometry against a white backing and with a tungsten not change the colorimetric properties of the print.
    [Show full text]
  • Print Permanence an Epson White Paper
    Print Permanence An Epson White Paper Overview How long will a photographic print last? There is no simple It is also clear that most photographic prints will have greater answer. But it is important for anyone who cares about their longevity than a computer hard drive or magnetic media. Not photos to have a base understanding of the factors that affect only can digital storage devices be damaged by magnetic fields, the longevity of prints to make informed decisions and insure viruses and equipment malfunction, but rapid changes in those photographic prints will last an expected time. technology tend to make the devices and their file formats obsolete. In addition, many back-up digital storage systems such This white paper deals with the complex subject of print as CDs and DVDs incorporate materials that may fade or change permanence and how knowledge of industry-accepted in ways that could make their contents unreadable in the future. comparative print permanence testing can lead to the best decisions about buying or specifying imaging products. Every From the beginning of the 20th century until the 1950s most bit as important, this document will help the reader detect photographic prints were in black and white. If properly potentially misleading marketing claims about photographic processed, these fiber based black and white prints had and still image quality, print permanence and the limitations of universal have great resistance to fading from light or gas and to water compatibility. damage. Because of the high inherent stability of fiber based black and white prints, many of these early photographs remain We at Epson want to help consumers and professionals learn in excellent condition and even now reside in family collections, more about how prints are made and how different inks and commercial collections and museums.
    [Show full text]