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Language and Conflict in English Literature from Gaskell to Tressell
ARTICULATING CLASS: LANGUAGE AND CONFLICT IN ENGLISH LITERATURE FROM GASKELL TO TRESSELL Timothy John James University of Cape Town Thesis presented for the degree of Doctor of Philosophy in the Department of English UNIVERSITY OF CAPE TOWN JANUARY 1992 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT ARTICULATING CLASS: LANGUAGE AND CONFLICT IN ENGLISH LITERATURE, FROM GASKELL TO TRESSELL Concentrating on English literary texts written between the 1830s and 1914 and which have the working class as their central focus, the thesis examines various ways in which class conflict inheres within the textual language, particularly as far as the representation of working-class speech is concerned. The study is made largely within V. N. Voloshinov's understanding of language. Chapter 1 examines the social role of "standard English" (including accent) and its relationship to forms of English stigmatised as inadequate, and argues that the phoneticisation of working-class speech in novels like those of William Pett Ridge is to indicate its inadequacy within a situation where use of the "standard language" is regarded as a mark of all kinds of superiority, and where the language of narrative prose has, essentially, the "accent" of "standard English". The periodisation of the thesis is discussed: the "industrial reformist" novels of the Chartist years and the "slum literature" of the 1880s and '90s were bourgeois responses to working-class struggle. -
Read Ebook {PDF EPUB} Dorothy Forster: a Novel by Walter Besant 2 New From$27.95
Read Ebook {PDF EPUB} Dorothy Forster: a novel by Walter Besant 2 New from$27.95. Paperback$31.75. 6 New from$31.75. Title:Dorothy Forster. A novel. Publisher:British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, …4.2/5(2)Format: PaperbackAuthor: Walter BesantDorothy Forster: A Novel, Volume 1...: Besant, Walter ...https://www.amazon.com/Dorothy-Forster-Novel-Walter- Besant/dp/1279022167Besant Walter Dorothy Forster: A Novel, Volume 1... Paperback – March 29, 2012 by Walter Besant (Author)Author: Walter BesantFormat: PaperbackImages of Dorothy Forster A Novel by Walter Besant bing.com/imagesSee allSee all imagesDorothy Forster. a Novel.: Besant, Walter: 9781241480479 ...https://www.amazon.com/Dorothy-Forster-Novel-Walter-Besant/dp/1241480478Dorothy Forster. a Novel. [Besant, Walter] on Amazon.com. *FREE* shipping on qualifying offers. Dorothy Forster. a Novel. Feb 10, 2009 · Dorothy Forster: A Novel Paperback – February 10, 2009 by Walter Besant (Author) 4.2 out of 5 stars 2 ratings. See all formats and editions Hide other formats and editions. Price New from Used from Kindle "Please retry" $7.95 — — Hardcover "Please retry" $27.95 . … Reviews: 2Author: Walter BesantDorothy Forster (Volume 3); A Novel by Walter Besanthttps://www.goodreads.com/book/show/10404819...Told in the first person of Dorothy Forster, it is the story of the northern English Jacobites and the ill-fated rebellion of 1715, in which they attempted to restore James III …3.8/5Ratings: 4Reviews: 2Pages: 100Dorothy Foster by Walter Besant - Goodreadshttps://www.goodreads.com/book/show/10368482-dorothy-fosterIt was ever a distinction between the Forsters of. -
Serializing Fiction in the Victorian Press This Page Intentionally Left Blank Serializing Fiction in the Victorian Press
Serializing Fiction in the Victorian Press This page intentionally left blank Serializing Fiction in the Victorian Press Graham Law Waseda University Tokyo © Graham Law 2000 Softcover reprint of the hardcover 1st edition 2000 978-0-333-76019-2 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. Martin’s Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). Outside North America ISBN 978-1-349-41360-7 ISBN 978-0-230-28674-0 (eBook) DOI 10.1057/9780230286740 In North America ISBN 978-0-312-23574-1 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. -
Reconsidering the Unknown Public
DRAFT Chapter One Reconsidering the Unknown Public A Puzzle of Literary Gains Simon Frost [1.0] In 1858, in an article of the same name for Household Words, Wilkie Collins discovered an “Unknown Public.” The literary preferences of this unknown public—poor, in his estimation—were a mystery to him, but he credited those readers with an emancipatory curiosity and predicted they would en- lighten themselves along a path beginning, he suggested, with Scott’s Kenil- worth and ending with the “very best men among living English writers”: including, by implication, Wilkie Collins. 1 A later solution to the puzzle of who this unknown public might be, suggested by Thomas Wright in 1883 for The Nineteenth Century,2 would have come as a surprise to Collins, but not so surprising as the implication I hope to draw out in this chapter. Collins shared the idea of a hierarchy of literatures that persists today, in which reading ought naturally to gravitate toward the “best” literature. From this perspective, any attempt to understand the experience of the poorest litera- ture would seem as perverse as any active resistance to best. From this perspective, the reading habits of the unknown public might just as well remain unknown. But from another perspective, the puzzle opens up to a different way of understanding literature, from the “poorest” to the “best.” Collins’s failure to guess the true identity of the unknown public was not simply a literary or a cultural-political one, enmeshed as he was in specific structures of literary cultural capital, but it was also a failure of method; of failing to realize that literature, for many readers, can stray beyond the liter- ary and into areas of personal gain where, perhaps worryingly for literary scholars at least, the discourse best placed to articulate those gains is eco- nomics. -
The Dissolution of the Author in Literary Collaboration
The Dissolution of the Author in Literary Collaboration: Two Case Studies by Annachiara Cozzi Literary collaboration is a mode of textual production in which two or more people are involved in all the stages of the writing of a text, and co-sign the final product. A well- established practice for the writing of opera librettos, and the theatre in general, collaboration in fiction cannot boast an equally rich tradition. However, coauthorship in novel writing knew a period, though relatively short-lived and now largely unknown of, when it constituted a prolific and fashionable literary practice. Collaboration in the writing of fiction had been practised sporadically since the eighteenth century, 1 but only in the late nineteenth century it witnessed an unprecedented expansion, probably as the result of an increasingly composite and competitive literary market which spurred “a proliferation of authors of all abilities and types” (Jamison 2016: 5). A 1 An early example of coauthorship for the writing of fiction is Memoirs of Martinus Scriblerus , the malicious satire on intellectual pretensions co-written by Alexander Pope, Jonathan Swift, John Gay, Thomas Parnell and John Arbuthnot, and published in 1741 as a part of Alexander Pope's Works . Saggi/Ensayos/Essais/Essays N. 19 – 05/2018 12 variety of literary alliances sprang up within the United Kingdom, but the phenomenon interested also the United States – so much that Ashton calls the last thirty years of the nineteenth century in the US “The Collaborative Age” (2003: 1). Starting from Dickens’s collaboration with Wilkie Collins in 1867, the subsequent decades saw the publication of a large number of coauthored novels, with a peak around the year 1890. -
Journal of Stevenson Studies Volume 8
Journal of Stevenson Studies Volume 8 Stevenson8.indb 1 01/10/2011 16:04 ii Journal of Stevenson Studies Stevenson8.indb 2 01/10/2011 16:04 Journal of Stevenson Studies iii Editors Professor Linda Dryden Professor Emeritus Centre for Literature and Roderick Watson Writing English Studies School of Arts and Creative University of Stirling Industries Stirling Napier University FK9 4LA Craighouse Scotland Edinburgh Tel: 01786 467500 EH10 5LG Email: [email protected] Scotland Tel: 0131 455 6128 Email: [email protected] Contributions to volume 10 are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contributions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © The contributors 2011 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenhan, Wiltshire. Stevenson8.indb 3 01/10/2011 16:04 iv Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Gordon Hirsch Universita’ di Roma Tre Department of English Rome University of Minnesota Professor Stephen Arata Professor Katherine Linehan School of English Department of English University of Virginia Oberlin College Dr Hilary Beattie Ohio Department of Psychiatry Professor Barry Menikoff Columbia University Department of English Professor Oliver Buckton University of Hawaii at School of English Manoa Florida Atlantic University Professor Glenda Norquay Dr Jenni Calder Department of -
Plays Produced Under the Stage Direction of David Belasco;
AR00879932 iEx ICtbrtB SEYMOUR DURST When you leave, please leave this book Because it has been said "Ever thing comes t' him who waits Except a loaned book." Avery Architectural and Fine Arts Library Gift of Seymour B. Durst Old York Library is 1i V Digitized by the Internet Archive in 2014 https://archive.org/details/playsproducedundOObela RECORD . "This nothings more than matter... Thoughts and remembrance fitted." —Shakespeare PLAYS PRODUCED UNDER THE STAGE DIRECTION OF DAVID BELASCO Illustrated with Twelve Crayon Sketches by William F. Kurze NEW YORK IQ25 "Living is striving." . David Belasco Chevalier de VOrdre National de la Legion d'honneur PLAYS PRODUCED UNDER THE STAGE DIRECTION OF DAVID BELASCO JUVENILE PRODUCTIONS 'Jim Black; or, The Regulator's Revenge." " 'The Roll of the Drum 'East Lynne" (burlesque of). 'The Barmaid's Revenge or, The Fatal Corkscrew" (burlesque) ; 'The Bohemians" (words— for music of). 'II Trovatore" (an adaptation of the libretto of— for music). 'Spiritland." 'The Signing of the Declaration of Independence." 'The Hanging of Nathan Hale." 'The Dying Boy's Last Christmas." 'Adam and Eve in the Garden of Eden." "The Butcher's Revenge; or, The Seven Buckets of Blood." "An Angel in Hell." "The Bronze Statue." "Aladdin and the Wonderful Lamp." All of the above were written by Belasco and were produced by him, as well as under his stage direction, prior to 1872. "A Morning Call" (by Charles Dance); "The Colleen Bawn" (by Dion Boucicault), and the First and Second acts of "Dar- ling; or, Woman and Her Master,"—at The Metropolitan Thea- tre, San Francisco, February 28, 1873 : Benefit to Marion Mor- daunt,—with J. -
Sir Walter Besant
Sir Walter Besant: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Besant, Walter, Sir, 1836-1901 Title: Sir Walter Besant Collection Dates: 1754-1912, undated Extent: 3 boxes (1.26 linear feet) Abstract: Includes chiefly manuscripts of literary works and letters written by the English novelist and historian Sir Walter Besant. One essay concerns publisher Robert Dodsley (1703-1764) and includes two original Dodsley documents. Among Besant's correspondents are William Morris Colles, William Hepworth Dixon, George Henslow, Rudyard Kipling, Charlotte Mary Yonge, and others. Some letters written by Besant were on behalf of The Palestine Exploration Fund, The Society of Authors, or The Survey of London. Call Number: Manuscript Collection MS-0364 Language: English Access: Open for research Administrative Information Processed by: Joan Sibley and Sara Saastamoinen, 2012 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center Besant, Walter, Sir, 1836-1901 Manuscript Collection MS-0364 2 Besant, Walter, Sir, 1836-1901 Manuscript Collection MS-0364 Works: The doubts of dives: Signed handwritten manuscript, 172 pages, undated. Titled Arrowsmith; Container Originally published as Arrowsmith Christmas annual for 1889. 1.1-2 Typescript with handwritten revisions, 321 pages; handwritten manuscript inserts, Container 11 pages; handwritten title page, 1 page; undated. Some later chapters titled 1.3 Arrowsmith. Not described in card catalog (purchase, R4228, 1968). -
Besant Pedigree
THE BESANT PEDIGREE BY ARTHUR DIGBY BESANT BESANT & CO. LTD. 21 ORANGE STREET LONDON, W.C.2 MCMXXX Firsl Printed. June I930 "GRANDFATHER" WILLIA..'\! BESANT I~ 1866. CONTENTS Chapter Page • FOREWORD • • • • • XI I. THE FAMILY NAME • • • 15 II. PoRTSEA • • • • • 28 III. THE PoRTSEA BRANCH OF THE FAMILY (i) The Tracing of the Family Records • • • • 38 (ii) The Origins of the Portsea Besants • • • • 41 (iii) JohnBesant(1762-1820) • 47 IV. THE CHILDREN OF JOHN AND MARY BESANT (i) Harriet • • • • 53 (ii) John • • • • • 53 (iii) Clarissa (Mrs. Russell) • • 55 (iv) James. • • • • 57 (v) Mary (l\iirs. Jackson) • • 59 (vi) Henry. • • • • 64 (vii) WILLIAM • • • • 69 (viii) Elizabeth • 70 .. • • • Vil ... V1ll CONTENTS Chapter Page V. THE EDISS AND WYATT ANCESTORS (i) Introductory . 75 (ii) The Ediss Family . 76 (iii) The Wyatt Family . • 78 (iv) The Children of James and Elizabeth Ediss . • • 84 VI. "THE GRANDPARENTS "-WILLIAM AND SARAH BESANT • • • 87 VII. THE CmLnREN OF WrtJ,IAM Al\TD SARAH BESANT • • • • 108 VIII. WuJ,TAM HENRY BESANT • • 114 IX. SARAH EIJZABETH BESANT-" AUNT SARAH'' . • 128 X. HORA.CE BESANT • • • • 133 XI. wALTER BESANT • • • • 140 XII. ALBERT BESANT • • • • 176 XIII. FRANK BESANT • • • • 189 XIV. EDGAR BESANT •. • • • 287 xv. WINIFRED BESANT (MRS. PEILE) • 246 XVI. CONCLUSION • • • • • 254 APPENDIX.- (!) PEDIGREE OF THE Woon FAMILY • 259 (11) Two GLADSTONE LETTERS • • 269 (111) THE FALSE JOAN OF A.Re An unpublished Article by Sir Walter Besant . • • 278 SPACE AVAILABLE FOR FAMILY NOTES 288-298 INDEX • • • • • • • 801 LIST OF ILLUSTRATIONS " GRANDFATHER" WIIJ,IAM BESANT TN 1866 FrontisJnece Page PLAN OF PoRTSEA • • • • • 31 OLD KINGSTON CHURCH TN 1845 • • 43 WICKHAM STREET, PoRTSEA • • • 49 HENRY BESANT, CIRCA 1834 . -
Men Writing Women: Male Authorship, Narrative Strategies, and Woman's Agency
MEN WRITING WOMEN: MALE AUTHORSHIP, NARRATIVE STRATEGIES, AND WOMAN'S AGENCY IN THE LATE-VICTORIAN NOVEL DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Molly C. Youngkin, M.A. The Ohio State University 2002 Dissertation Committee: Approved by Marlene Longenecker, Co-adviser James Phelan, Co-adviser Co-adviser David Riede Clare Simmons Co-adviser English Graduate Program UMI Number: 3083785 UMI___ ® UMI Microform 3083785 Copyright 2003 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road PC Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT My dissertation considers the late-Victorian novel in light of the relationships among literary mode, gender, and the marketplace. I examine how four male authors— George Gissing, Thomas Hardy, George Meredith, and George Moore-negotiated the late-Victorian market as they wrote "woman-centered" novels and entered a public debate about the cultural status of real-life women. These authors not only had to negotiate the influence of literary modes such as French naturalism, Jamesian psychological realism, and the "new realism" (of which some of them were clear proponents) but also liberal-feminist realism, which was predicated on realistic representation of woman's agency in literary works. As feminist periodicals such as Shafts and The Woman's Herald show, liberal- feminist realism required representation of the difficult conditions women faced living in Victorian culture and the triumphs of some (but not all) women over these difficult cultural conditions. -
AUTOBIOGRAPHY of SIR WALTER BESANT
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES i Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/autobiographyofsOObesa AUTOBIOGRAPHY of SIR WALTER BESANT WITH A PREFATORY NOTE BY S. SQUIRE SPRIGGE NEW YORK- DODD, MEAD AND COMPANY • MDCCCCII COPYRIGHT, 1902, BY DODD, MEAD AND CO. First Edition Published April, 1902 UNIVERSITY PRESS • JOHN WILSON AND SON • CAMBRIDGE, U. S. A. Contents CHAPTER I Child and Boy i CHAPTER II Child and Boy {continued) 33 CHAPTER III School-Boy 55 CHAPTER IV King's College, London 67 CHAPTER V Christ's College, Cambridge 79 CHAPTER VI A Tramp Abroad 102 CHAPTER VII L'Ile de France m CHAPTER VIII England again : The Palestine Exploration Fund i45 V 891981 CONTENTS CHAPTER IX PAGE First Steps in the Literary Career — and Later i68 CHAPTER X The Start in Fiction : Critics and Criti- casters 1 80 CHAPTER XI The Novelist with a Free Hand .... 198 CHAPTER XII The Society of Authors and Other Societies 215 CHAPTER XIII Philanthropic Work 243 CHAPTER XIV The Survey of London « 261 CHAPTER XV The Atlantic Union 265 CHAPTER XVI Conclusion : The Conduct of Life and the Influence of Religion 273 INDEX 287 VI — A Prefatory Note . " It is hard to speak of him within measure when we consider his devotion to the cause of authors, and the constant good service ren- dered hy him to their material interests. In this he was a valorous, alert, persistent advocate, and it will not be denied by his opponents that he was always urbane, his object being simply to establish a sys- tem of fair dealing between the sagacious publishers of books and the inexperienced, often heedless, producers. -
My First Book, by Various
The Project Gutenberg EBook of My First Book, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: My First Book: the experiences of Walter Besant, James Payn, W. Clark Russell, Grant Allen, Hall Caine, George R. Sims, Rudyard Kipling, A. Conan Doyle, M.E. Braddon, F.W. Robinson, H. Rider Haggard, R.M. Ballantyne, I. Zangwill, Morley Roberts, David Christie Murray, Marie Corelli, Jerome K. Jerome, John Strange Winter, Bret Harte, "Q.", Robert Buchanan, Robert Louis Stevenson, with an introduction by Jerome K. Jerome. Author: Various Release Date: July 13, 2010 [EBook #33148] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK MY FIRST BOOK *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Internet Archive.) MY FIRST BOOK PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE LONDON MY FIRST BOOK THE EXPERIENCES OF WALTER BESANT R. M. BALLANTYNE JAMES PAYN I. ZANGWILL W. CLARK RUSSELL MORLEY ROBERTS GRANT ALLEN DAVID CHRISTIE MURRAY HALL CAINE MARIE CORELLI GEORGE R. SIMS JEROME K. JEROME RUDYARD KIPLING JOHN STRANGE WINTER A. CONAN DOYLE BRET HARTE M. E. BRADDON 'Q.' F. W. ROBINSON ROBERT BUCHANAN H. RIDER HAGGARD ROBERT LOUIS STEVENSON WITH AN INTRODUCTION BY JEROME K. JEROME AND 185 ILLUSTRATIONS London CHATTO & WINDUS, PICCADILLY 1894 INTRODUCTION CONTENTS LIST OF ILLUSTRATIONS FOOTNOTES INTRODUCTION By JEROME K.