First Choice Niket Shah ([email protected]); +91 22 3982 5426 Investors Are Advised to Refer Through Disclosures Made at the End of the Research Report
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CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Page-00005.Pdf
Voice Entertainment presents the latest in entertainment news, occasional i lm reviews, interviews with i lm personalities and Friday, January 5, 2018 www.WeeklyVoice.com Section B SRK’s Twitter Following gossip from the Bollywood i lm industry - the second largest Crosses 32 Million i lm industry in the world. One page is also devoted to news MUMBAI: Shah Rukh Khan’s social media on Twitter has ex- tended to 32 million. Shah Rukh on Tuesday tweet- ed: “Naye saal ki sabko shubh from Hollywood. In addition to entertainment news, Voice kamnayein. Sab raho khush aur aabaad aur 32 million ke liye bahut bahut dhanyawaad. Waah Hindi main likha toh kuch kavi sa hogaya. (Good wishes to all for Entertainment also incorporates occasional pages on Health, the New Year. Please stay happy and thank you for the 32 million. Written in Hindi, so became like a poet.)” The 52-year-old superstar, who has a following of 32.2 million, Technology and Travel, a popular Numerology/Astrology page is right behind megastar Amitabh Bachchan, who has a Twitter following of 32.4 million. Shah Rukh is Bollywood’s top Khan with the most number of follow- ers on Twitter -- Salman has 29.9 and a Matrimonials section. million and Aamir has 22.6 mil- lion.Shah Rukh is an avid user of digital platforms uses social media to update fans and follow- ers about his life and projects. On the fi rst day of the New Year on Monday, he unveiled the title and teaser of his upcoming fi lm with Aanand L Rai. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
BJP Pits Pragya Against Digvijay ADMK, BJP
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2019-21 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 WORLD 11 SPORT 15 Published From THE EASTER SUDAN'S BASHIR MOVED TO JUVENTUS CRASH OUT DELHI LUCKNOW BHOPAL BHUBANESWAR RANCHI RAIPUR CHANDIGARH QUESTION PRISON AS PROTESTERS RALLY OF CHAMPIONS LEAGUE DEHRADUN HYDERABAD VIJAYWADA Late City Vol. 155 Issue 104 LUCKNOW, THURSDAY APRIL 18, 2019; PAGES 16 `3 *Air Surcharge Extra if Applicable HORROR HAS POTENTIAL: EMRAAN} } 14 VIVACITY www.dailypioneer.com BJP pits Pragya against Digvijay ADMK, BJP Digvijay has been a bitter Bhopal battle critic of the Rashtriya stakes high Swayamsewak Sangh (RSS), the ideological guide of the BJP, set to catch and had allegedly linked it to the 2008 Mumbai terror attack nation’s eye carried out by Pakistani ter- in 2nd phase rorists. PNS n NEW DELHI The BJP also decided to sented by the AIADMK, fol- field KP Yadav from Guna, a PNS n NEW DELHI lowing recovery of huge etting the stage for an epic seat held by senior Congress amount of cash allegedly from Sbattle in Bhopal, the BJP on leader Jyotiraditya Scindia who he second phase of Lok an associate of a DMK leader. Wednesday fielded Sadhvi is contesting from there. The TSabha polls for 95 seats will The EC also announced Pragya Singh Thakur, facing BJP has named Raj Bahadur decide the fate of several stal- postponement of polling in trial in Malegaon blast case, in Singh and Ramakant Bhargav warts, including Union Tripura (East) Lok Sabha seat Lok Sabha elections, against as its nominees from Sagar and Ministers Jitendra Singh, Jual to the third phase on April 23, Congress heavyweight and for- Vidisha respectively. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Kasoor Hindi Full Movie 2001 Hd 1080P
Kasoor Hindi Full Movie 2001 Hd 1080p Kasoor Hindi Full Movie 2001 Hd 1080p 1 / 3 2 / 3 Kasoor 1080p Full HD Hindi Movie | New Hindi Movie 2020 | Latest Movie | New Bollywood Movie 2020. Hindi Movie. Hindi Movie.. Kitna Bechain Hoke Kasoor 2001 HD 1080p BluRay Music Video ... Kasoor (2001) Hindi Watch Full Movie Online HD Download Free, Watch .... Movie :- KASOOR 2001 PRODUCER :- Mukesh Bhatt DIRECTOR ... SUBSCRIBE for the best Bollywood videos, movies and scenes, all in ONE channel ... Salman Khan Latest Hindi Full Movie | Kareena Kapoor, Nawazuddin Siddiqui, Kabir Khan ... In Time 2011 Film Hd Justin Timberlake, Amanda Seyfried.. 2012/01/04 · Kitna Bechain Hoke Kasoor 2001 HD 1080p BluRay Music Video ... Download Kasoor 2001 Full Hindi Movie Hd Song Mp3. We don't upload .... Kasoor 2001 hindi 720p dvdrip 1.1gb world4ufree.ws , hindi movie kasoor 2001 . ... Laste Dil Ka Kya Kasoor HDTV 1080p/720p/480p. ... Dil Ka Kya Kasoor 1992 | Full Hd Hindi Movie | Prithvi, Divya Sanam B R C HD MOVIES ... ... hd 1080p kasoor movie hindi kasoor movie song kasoor mp3 kasoor movie actress images kasoor kitni bechain hoke kasoor full movie .... Kasoor is a 2001 Hindi-language Drama Mystery motion picture written by Mahesh Bhatt and Girish Dhamija. ... Full movie is streaming online in HD on iTunes.. Dil Mera Tod Diya Usne HD 720p (Remaster Audio) - Kasoor 2001 Hindi Movie ... Murder 3 1080p Full HD Hindi Movie New Hindi Movie Randeep Hooda .... Kasoor 2001 Full Movie HD(With Eng Subtitles) 7.6. By Ursula Onions. Dil Ka Kya Kasoor (1992) Hindi Full Length Movie | Prithvi, Divya Bharti, Sanam | Hindi Movies .. -
Saif Ali Khan Property Worth
Saif Ali Khan Property Worth Snafu and epistolic Wye never downs his oasts! Swallow-tailed and fibrillar Voltaire chirre maritally and plots his peptizing heinously and phraseologically. Interior and supernumerary Kit never rig his Oldenburg! Three times like extravagant structure named as per reports and actress is an actress ruchika pandey, property worth of the Today I immediately talk of an. Sara Ali Khan Net Worth 2021 Income Cars brands & Luxury. The properties in main aim of india and writer in the notorious barbarian and her wealth? Saba ali khan age Kingsville Community Centre. As a result, it propelled her to higher heights. And as the saying goes, many great things start from modest beginnings. That has always stayed in my mind. Please his multiple awards, mumbai police arrested her money, saif says that has been submitted successfully. Parse the OS into an object. Who being the richest woman in Bollywood? Saif Ali Khan Net Worth biography quotes wiki assets cars. Nandini Sen and Gautam Berry are the parents of actress Tara Alisha Berry. We stream in challenging the status quo and issue a life bigger than there own. Who is unknown as the skills and enjoy the company, lifestyle of news to do you are set out! 'Royal Couple' Kareena Kapoor Khan And Saif Ali Khan's Combined Net there Will. He just one of property worth and assets and saif ali khan property worth so is a room which the. Is the years she is salman khan struggled a career in indian actor in ahmedabad, respectful and whose last samurai, my grandparents and. -
Reg. No Name in Full Residential Address Gender Contact No. Email Id Remarks 9421864344 022 25401313 / 9869262391 Bhaveshwarikar
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 10001 SALPHALE VITTHAL AT POST UMARI (MOTHI) TAL.DIST- Male DEFAULTER SHANKARRAO AKOLA NAME REMOVED 444302 AKOLA MAHARASHTRA 10002 JAGGI RAMANJIT KAUR J.S.JAGGI, GOVIND NAGAR, Male DEFAULTER JASWANT SINGH RAJAPETH, NAME REMOVED AMRAVATI MAHARASHTRA 10003 BAVISKAR DILIP VITHALRAO PLOT NO.2-B, SHIVNAGAR, Male DEFAULTER NR.SHARDA CHOWK, BVS STOP, NAME REMOVED SANGAM TALKIES, NAGPUR MAHARASHTRA 10004 SOMANI VINODKUMAR MAIN ROAD, MANWATH Male 9421864344 RENEWAL UP TO 2018 GOPIKISHAN 431505 PARBHANI Maharashtra 10005 KARMALKAR BHAVESHVARI 11, BHARAT SADAN, 2 ND FLOOR, Female 022 25401313 / bhaveshwarikarmalka@gma NOT RENEW RAVINDRA S.V.ROAD, NAUPADA, THANE 9869262391 il.com (WEST) 400602 THANE Maharashtra 10006 NIRMALKAR DEVENDRA AT- MAREGAON, PO / TA- Male 9423652964 RENEWAL UP TO 2018 VIRUPAKSH MAREGAON, 445303 YAVATMAL Maharashtra 10007 PATIL PREMCHANDRA PATIPURA, WARD NO.18, Male DEFAULTER BHALCHANDRA NAME REMOVED 445001 YAVATMAL MAHARASHTRA 10008 KHAN ALIMKHAN SUJATKHAN AT-PO- LADKHED TA- DARWHA Male 9763175228 NOT RENEW 445208 YAVATMAL Maharashtra 10009 DHANGAWHAL PLINTH HOUSE, 4/A, DHARTI Male 9422288171 RENEWAL UP TO 05/06/2018 SUBHASHKUMAR KHANDU COLONY, NR.G.T.P.STOP, DEOPUR AGRA RD. 424005 DHULE Maharashtra 10010 PATIL SURENDRANATH A/P - PALE KHO. TAL - KALWAN Male 02592 248013 / NOT RENEW DHARMARAJ 9423481207 NASIK Maharashtra 10011 DHANGE PARVEZ ABBAS GREEN ACE RESIDENCY, FLT NO Male 9890207717 RENEWAL UP TO 05/06/2018 402, PLOT NO 73/3, 74/3 SEC- 27, SEAWOODS, -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
Sex, Songs and the Desi Feminist Noir1
NCJCF 12 (1+2) pp. 97–111 Intellect Limited 2014 New Cinemas: Journal of Contemporary Film Volume 12 Numbers 1 & 2 © 2014 Intellect Ltd Article. English language. doi: 10.1386/ncin.12.1-2.97_1 Krupa shandilya Amherst College The long smouldering night: sex, songs and the desi feminist noir1 absTracT Keywords This article argues that the films Ishqiya/Romance (Chaubey, 2010) and Dedh film noir Ishqiya/Romance 1.5 (Chaubey, 2014) by Abhishek Chaubey, represent a new genre feminism of films, namely the ‘desi feminist noir’, which is characterized by all the elements of Ishqiya film noir, such as the murky distinction between good and evil, the lawlessness of the Dedh Ishqiya streets and the femme fatale. However, in these films the figure of the femme fatale is Bollywood used to forward explicitly feminist trajectories of love, romance and sex. I give a brief queer desire history of romantic coupling in Hindi cinema, and analyse the films’ departure from these articulations of romance. Next, I focus on a song sequence from each of the films to explicate the desi feminist femme fatale’s subversion of the romantic conven- tions of the Hindi film song and her inauguration of a new aesthetic of romance. In conclusion, I consider the implications of this new genre for Bollywood cinema. This article argues that the films Ishqiya/Romance (Chaubey, 2010) and Dedh 1. Many thanks to Crystal Parikh, Naomi Schiller, Ishqiya/Romance 1.5 (Chaubey, 2014) represent a new genre of films, namely Jini Kim Watson and the ‘desi feminist noir’. The ‘desi feminist noir’ is characterized by all the Joseph Keith for their elements of film noir, such as the murky distinction between good and evil, invaluable comments on an early draft of the lawlessness of the streets and the femme fatale.