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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
COME BACKSTACE with EDDIE CANTOR the ROMANCE of OLSEN and SHUTTA in the Stars • Numbers Handwriting • Dream Omens Your Palm Our Bargain Price
MARCH Posed by JESSICA. DRAGONETIE · COME BACKSTACE WITH EDDIE CANTOR THE ROMANCE OF OLSEN AND SHUTTA in The Stars • Numbers Handwriting • Dream Omens Your Palm Our Bargain Price (Ss.oo Value) ••.•. .• •.... () ..' .. .. •. ,.Aep.O · ~tJs Postage :. ~I tJ IIc Extra .: r tA..,,0"'.., ~f .' PP.~~l,..t-41.s1" · AUTHENTIC UP"TO"DATE P EASY TO READ AND UNDERSTAND When lI·ill the depression end for YOU? Are unhappy canditions CO J11 - ing to a n end? Wha t does thc future hold with regard to money love busin ess, ad vancement? ' , Perh a ps your a nswers lie in the stars-:t he a ncient science of Astrology consulted .by great a nd slll a ll from t lmc ' Illlllemo,:,a l. Your handwriting B .. i ~ hl r c.d art cloth hind i n g. Go ld IS your mll1d on paper!- perh a ps t he a nswer IS 111 Graphology. Study s t a H' I) c d. S i z c your pa lm, the nu mbers r,,;presentcd by your na me, the mea ning of your !ix-7x"1 Y2 . A h o u l 400 drealll s. \"'het her you be ll evc In t hem or not, t hese prognostications are l)agCM ; 5 b ook s in o n e interesti ng, a ut hentic- a nd illex/)ensive. All fi ve of the great fortune telling sciences may now be consulted for what one cost before. GREAT FUN TELLING FORTUNES FOR FRIENDS Eas~ ' to be popular at all social gatherings with t his book of eq ual pro nlinence. -
Popular Music Part Three
PART THREE: P O P ULAR MUSIC Popular music is defined by Hutchinson’s Dictionary of Music as “twentieth- century music of great diversity that appeals to a wide audience. Characterized by strong rhythms of African origin, simple harmonic structures often repeated to strophic melodies, and the use of electrically amplified instruments, pop mu- sic generally includes the areas of jazz, rock, country and western, rhythm and blues, soul and others.” That wide-ranging definition might work for popular music of the second half and certainly the end of the twentieth century, but certainly not so generally for the first half or for the nineteenth century. The nineteenth and twentieth centuries both had popular music enjoyed by a “wide audience,” but the number of styles proliferated in the 1950s after the introduction of the long-playing (LP) record and multiplied again as the century ended amid a furor of compact disc (CD) reissues. Many of these newer styles found a specific audience. These audiences tended to narrow their focus and ceased to be the all-embracing “wide audience.” If we think of the original “wide audience” as a river, the roots of musical styles are the tributaries that feed it. As the river continues, it widens into a blended flow before it spreads out into a delta. In the process of creating the delta, the river disappears. To a great extent that is what has happened to popular music, especially in late twentieth-century America. Today’s mainstream “wide audience” is difficult to pinpoint, characterize, or even define. It does seem to have money, or at least some expendable income. -
Tin Pan Alley
LIBRARY OF WELLES LEY COLLEGE Purchased From the Permanent Library Fund, Established by Eben Norton Horsford Digitized by the Internet Archive in 2011 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/tinpanalleychronOOgold TIN PAN ALLEY TIN PAN ALLEY A Chronicle of American Popular Music ISAAC GOLDBERG Introduction by George Gershwin With a Supplement FROM SWEET AND SWING TO ROCK 'N' ROLL by EDWARD JABLONSKI FREDERICK UNGAR PUBLISHING CO., INC. NEW YORK Copyright 1961 by Frederick Ungar Publishing Co., Inc. First published 1930 /?o/ Printed in the United States of America Library of Congress Catalog Card No. 60-53364 TO GEORGE GERSHWIN (or the "Rhapsody in Blue/' the "Concerto in F," "An American in Paris/' and not least for his unaffected friendship Introduction This is a book that needed to be written, and we are all grateful to Dr. Goldberg for having written it. American popular music has become a very important part of American life; it has reached, indeed, as appears from the chapters upon Ragtime and Jazz, into the hearts of many European countries. It is one of the most colorful aspects of the American scene and, as the American Society of Authors, Composers and Publishers attests, it is getting into the class of Big Business. Tin Pan Alley, in a word, is a unique phenomenon, and there is nothing in any other country of the world to compare with it. New York, being the musical and theatrical center of the nation, where most songs and stage acts are made, naturally gave rise to the Alley of the Tin Pans.