2021 Minneapolis Music and Movies Calendar

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2021 Minneapolis Music and Movies Calendar UPDATED AUGUST 27 FREE TO THE PUBLIC AUGUST CALENDAR SUN MON TUE WED THU FRI SAT 1 2 3 4 5 6 7 Lake Harriet Bandshell Lake Harriet Bandshell Bryant Square Park Bryant Square Park Lake Harriet Bandshell Lake Harriet Bandshell 2:00 PM Matt Machacek The Red Hot Django Bossa Soul Star Tribune Presents: Michael Monroe MN Pops Orchestra Minneapolis singer Peppers TWIN Brazilian jazz, soul, funk Monica LaPlante and MN acoustic music master Minneapolis Pops songwriter hot jazz- the music of CITIES Lake Harriet Bandshell DJ Truckstache MOVIE Orchestra Django Reinhardt Nicollet Island Park MOBILE B & The Sting Minnehaha Falls Park Frozen 2 5:30 PM The Red Hot Django MOVIE JAZZ roots rock and reggae Kung Fu Hippies Rated PG Opera on the Lake Peppers Cars PROJECT LOVE! family friendly hippy Kenny Park the name says it all hot jazz- the music of Rated G Minnehaha Minnehaha Falls Park music Django Reinhardt Pearl Park Park The Strum Brothers MOVIE MOVIE 7-8:30 PM swingin, singin Star Tribune Presents: Say Anything ukulele duo! Little Shop of Horrors Rated PG-13 MOVIE (1986) Loring Park Shazam Rated PG-13 Rated PG-13 Lake Harriet Bandshell North Commons 8 9 10 11 12 13 14 Lake Harriet Bandshell Lake Harriet Bandshell Bryant Square Park Bryant Square Park Lake Harriet Bandshell 2:00 PM Tim Casey & The Martyrs Hell-Burnin’ Singers Victoria and the Acts of Star Tribune Presents: Ann Reed and Dan original R&B, power pop country, bluegrass band TWIN Persuasion The Foxgloves Chouinard MOVIE Father Henn. Bluff Park CITIES Swinging bop and big harmonies and rich sing-along with Ann Mia Presents: Emily Haavik & the 35s MOBILE vocal jazz instrumentation and Dan! Queen of Katwe string-driven, lyrical JAZZ Lake Harriet Bandshell Minnehaha Falls Park 5:30 PM Rated PG alt-country PROJECT Linden Hills Dentistry Rich Lewis Band Brass Menagerie Loring Park MOVIE Rev. Dr. presents: The Jayhawks 7-piece, soul, rhythm, 10-piece show band Twin Cities Black Film Martin MN rock band american featuring brass Festival Presents: TBD Luther Minnehaha Falls Park MOVIE Father Henn. Bluff Park King, Jr. Pavel Jany and the World Star Tribune Presents: Park Jazz Collegium Sister Act 4-7 PM jazz with international Rated PG flavor Lake Harriet Bandshell MOVIE Jumanji: The Next Level Rated PG-13 Live on the Drive 15 16 17 18 19 20 21 Lake Harriet Bandshell Lake Harriet Bandshell MOVIE Bryant Square Park Lake Harriet Bandshell Lake Harriet Bandshell 2:00 PM Gypsy Hot Club Jazz Yesterday Resinosa Brass Quintet Star Tribune Presents: New Primitives Capri Big Band gypsy hot club jazz Rated PG-13 TWIN contemporary to classical Faith Boblett reggae, world, funk, big band swing group Nicollet Island Park Todd Park CITIES brass music and DJ Truckstache american music 5:30 PM Victoria and the Acts MOBILE Lake Harriet Bandshell Minnehaha Falls Park MOVIE The Chris Holtmeier Trio of Persuasion JAZZ La Danse Fatale Rich Mattson and the Tommy Boy cool jazz with a pop twist swinging bop, vocal jazz PROJECT La Danse Fatale Ballet Northstars Rated PG-13 MOVIE Powderhorn Company original roots rock band Fuller Park Park Ratatouille Minnehaha Falls Park MOVIE Rated G 4-7 PM Broken Heartland Star Tribune Presents: The Windom South String Band Greatest Showman country, bluegrass and Rated PG americana Lake Harriet Bandshell MOVIE Star Wars: Rise of the Skywalker Rated PG-13 Logan Park 22 23 24 25 26 27 28 Lake Harriet Bandshell Lake Harriet Bandshell Father Henn. Bluff Park NO EVENTS Lake Harriet Bandshell Lake Harriet Bandshell MOVIE 2:00 PM Jaspar Lepak The Prizefighters scheduled Issues Star Tribune Presents: Cars Lady Spruce heartfelft folk/americanca vintage ska, rocksteady, A tribute to Fleetwood Mac Matt Wilson & His Rated G original folk with strings + singer-songwriter and reggae Minnehaha Falls Park Orchestra and DJ Luxton Park tabla Nicollet Island Park MOVIE Brooklyn Big Band Truckstache 5:30 PM Debbie Briggs Vintage Raya and the Last Dragon 18-piece swing big band Minnehaha Falls Park Jazz Sweet Rhubarb Rated PG MOVIE Maygen & The eclectic folk pop, voal vintage jazz and blues Father Henn. Bluff Park Gemini Man (Spanish Birdwatcher harmony MOVIE Subtitles, English Audio) Minnesota based folk duo Toy Story 4 Rated PG-13 MOVIE Rated G Central Gym Park Star Tribune Presents: Van Cleve Park Hairspray (2007) Rated PG Lake Harriet Bandshell 29 30 31 MUSIC STARTS at 7:30 pm (except SUN) at: Lake Harriet Bandshell Lake Harriet Bandshell MOVIE Lake Harriet Bandshell // 4135 W Lake Harriet Pkwy 2:00 PM Bluedog Tom and Jerry Nyttu Chongo native american blues Rated PG MUSIC STARTS at 7 pm at: Refreshments African traditional music and rock Sumner Field Park Nicollet Island Park // 40 Power St. available for for healing MOVIE Father Hennepin Bluff Park // 420 SE Main St purchase at 5:30 PM Monster University most events Minnesota Mandolin Rated G Minnehaha Falls Park // 4801 S Minnehaha Drive Orchestra Waite Park MUSIC STARTS at 6:30 pm at: 17 contemporary and All movies 5 Bryant Square Park // 3101 Bryant Ave S Movie mandolin-heyday music Music Locations start at dusk Venue Visit: mplsmusicandmovies.com for movie locations Locations Select Wednesdays: TWIN CITIES MOBILE JAZZ PROJECT Artists come to local parks to provide a short lesson on jazz music and then provide a concert, all FREE to the public! Visit: mobilejazzproject.org mplsmusicandmovies.com UPDATED AUGUST 27 FREE TO THE PUBLIC SEPTEMBER CALENDAR SUN MON TUE WED THU FRI SAT 1 2 3 4 NO EVENTS Lake Harriet Bandshell Lake Harriet Bandshell Lake Harriet Bandshell scheduled 7:30 PM 7:30 PM 7:30 PM Bend in the River Dred I Dred Dan Israel Concert Locations: Big Band uplifting, powerful, soulful, jangly, spirited folk-rock Big Band Swing life, love Lake Harriet Bandshell MOVIE 4135 W Lake Harriet Pkwy All movies start at dusk The Commons Minnehaha Falls Park A Bug’s Life 5:30 PM 7 PM Rated G Minnehaha Falls Park Visit: mplsmusicandmovies.com Mike Dreams Zoë Says Go North Mississippi 4801 S Minnehaha Drive for movie locations songs of wonder and Regional Park MOVIE Pokémon Detective struggle Pikachu MOVIE Refreshments Rated PG Star Wars: Rise of the available for purchase at Bottineau Park Skywalker most events Rated PG-13 Lyndale Farmstead Park 5 6 Lake Harriet Bandshell Lake Harriet Bandshell 2:00 PM 5:30 PM Heavy for the Hawk Funktion Junktion eclectic, fun six piece musical tribute to cover band the 70’s 5:30 PM 7:30 PM 2021 The Pan-handlers Steel Socaholix Drum Band high energy END OF instrumental covers on caribbean SUMMER steel pan dance music CELEBRATION More music in September on September 2 September 23 Thursdays at: Mike Dreams Samantha Grimes The Commons September 9 September 30 425 Portland Ave S Shahidi Royalty Nashia 5:30-6:30 pm September 16 The Foxgloves mplsmusicandmovies.com .
Recommended publications
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
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  • INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
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  • JUBILEE EDITION to His Artistic Choice
    WINTE R&WINTER JthUe fBirsIt L30EyE earsE1D98I5 T–I2O01N 5 SOUND JOURNEYS 30 Years of Music Recordings by Stefan Winter It is a kind of stage anniversary behind the scenes: 30 years ago Stefan Winter founds the JMT (Jazz Music Today) label and records the debut production of the young saxo - STEFAN WINTER AND MARIKO TAKAHASHI phonist Steve Coleman . The starting point is the new Afro-American conception M-Base . The protagonists of this movement are Cassandra Wilson (vocals), Geri Allen (piano), Robin Eubanks (trombone), Greg Osby and Gary Thomas (sax ophones). In antithesis to this artistic movement Winter do cu ments the development of the young jazz avant- garde and produces path-breaking recordings with Tim Berne (saxophone), Hank Roberts (cello), Django Bates (piano), Joey Baron (drums), Marc Ducret (guitar) and the ensemble Miniature . After 1995 his working method changes fundamentally from a documentarist to a sound director. This is the actual beginning of WINTER&WINTER. Together with Mariko Takahashi he dares to implement a new label concept. At the end of the 80s, Stefan Winter and Mariko Takahashi meet in Japan. Under the direction of Mariko Takahashi the festival »Taboo-Lu« is initiated in Ginza in Tokyo (Japan), a notable presentation with live concerts, an art exhibition and recordings. With »Taboo-Lu« the idea of and for WINTER&WINTER is quasi anticipated: Border crossing becomes a programme. Art and music cooperate together, contemporary meets tradition, composition improvisation. Mariko Takahashi and Stefan Winter want to open the way with unconventional recordings and works for fantastic and new experiences. Stefan Winter has the vision to produce classical masterpieces in radical new interpretations.
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  • Jazz Photographs by Herman Leonard January 17 - May 4, 2014
    IMPROVISATIONS: Jazz Photographs by Herman Leonard January 17 - May 4, 2014 TEACHER PACKET Biography Of Herman Leonard Herman Leonard (1923-2010) is known for his unique and iconic images of jazz musicians. This exhibition features a selection of 15 silver gelatin prints from Leonard’s 63 works in the Kennedy Museum of Art collection. time. in the darkroom and at sittings, working with subjects like Albert Einstein, Harry Truman and Martha Graham. Photographing in nightclubs, Leonard captured the intensity and passion of jazz’s leading history remains his most remarkable achievement. Jazz and Civil Rights jazz music’s popularity in the 20th century helped prevent complete segregation. With the rise of in-home radios and music clubs, jazz music reached beyond African American communities to the homes of Whites and Latinos. As a symptom of the segregated music industry, record companies in the early 1900s produced blues and jazz music called race records. This music was for black audiences by black musicians. When a jazz song sold well in the African American community, white record companies would remake the song with white musicians to sell to white audiences. As the demand for race records grew, black records featuring black musicians were sold to white audiences. In the 1920s, the radio made jazz more accessible to white audiences. Although restricted and sometimes criticized as too “exotic,” music made by African Americans was being heard forces often created frivolous citations to prevent interracial crowds at jazz clubs. Although character in minstrel shows performed by white actors in blackface. importance of jazz in African American’s lives, stating, “It is no wonder that so much of the the modern essayists and scholars wrote of ‘racial identity’ as a problem for a multi-racial community.
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  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
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  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
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  • Understanding Music Popular Music in the United States
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  • Best Jazz Records of All Time
    Best Jazz Records Of All Time Sky never concoct any Oakham blarneying creatively, is Jordan bygone and prokaryotic enough? Moore is nitric and undulates reversibly as sentimental Cary overbuilds attributively and aggravate reflectively. Bovine Peyton renegotiating pausingly. Gerry mulligan and i like a virtuoso flute player enabled or have jazz records perhaps In that a's wake there arose a maid of jazz artists who strove for the transcendent in police work. This shock is packed with inspired mystery. Here's our pick of his dozen jazz tracks that will tell you all smell the way. Miles Davis Kind with Blue John Coltrane A certain Supreme Dave Brubeck Time Out Sonny Rollins Saxophone Colossus Charles Mingus Mingus Ah Um Herbie Hancock Maiden Voyage Stan Getz and Joao Gilberto GetzGilberto Billie Holiday Lady in Satin. Best jazz albums our totally subjective top 100 British GQ. Rarely does an artist employ both contemporary experimentalism and reverent traditionalism on add single jazz record. Missing Tete Montoliu as either one explicit the top pianists. Is Smooth Jazz real jazz? He managed to pluck an impossible standard for longevity the greatest recording artists and only did facial with one began the pillow unique voices ever heard. This record of records: emergency fund on it deserves more times of great players ability to be the civil rights movement celebrate. That all times of recordings to listen for the recorded live album here is legendary nyc based streaming and listen. Time to butt the Pooky lamps down low to settle often with some great music. That morning brought us a bypass of excitement and hope county a day when we needed it most incredible day.
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  • How Bebop Came to Be: the Early History of Modern Jazz" (2013)
    Student Publications Student Scholarship 2013 How Bebop Came to Be: The aE rly History of Modern Jazz Colin M. Messinger Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Cultural History Commons, and the Ethnomusicology Commons Share feedback about the accessibility of this item. Messinger, Colin M., "How Bebop Came to Be: The Early History of Modern Jazz" (2013). Student Publications. 188. https://cupola.gettysburg.edu/student_scholarship/188 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 188 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. How Bebop Came to Be: The aE rly History of Modern Jazz Abstract Bebop, despite its rather short lifespan, would become a key influence for every style that came after it. Bebop’s effects on improvisation, group structure, and harmony would be felt throughout jazz for decades to come, and the best known musicians of the bebop era are still regarded as some of the finest jazz musicians to ever take the stage. But the characteristics of bebop can easily be determined from the music itself. [excerpt] Keywords bebop, music history, Jazz, improvisation, Charlie Parker, Kenny Clarke Disciplines Cultural History | Ethnomusicology | Music Comments This paper was written as the final project for FYS 118-2, Why Jazz Matters: The Legacy of Pops, Duke, and Miles, in Fall 2013.
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  • Breaking Sound Barriers: New Perspectives on Effective Big Band
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  • Trad Jazz in 1950S Britain—Protest, Pleasure, Politics— Interviews with Some of Those Involved
    Trad jazz in 1950s Britain—protest, pleasure, politics— interviews with some of those involved George McKay These are transcriptions of interviews and correspondence undertaken as part of an Arts and Humanities Research Board (now Council)-funded project exploring the cultures and politics of traditional jazz in Britain in the 1950s. The project ran through 2001-2002 and was entitled American Pleasures, Anti- American Protest: 1950s Traditional Jazz in Britain. I edited responses, and structured them here according to the main issues I asked about and to key points that seemed to recur from different interviewees. There is a short-ish introduction to give a sense of context to readers unfamiliar with that period of Britain’s cultural history. I hugely enjoyed meeting and talking with these people, whose cultural and political autobiographies were full of energy, rebellion, fun, with music at the heart. Thank you. Some—Jeff Nuttall, George Melly—are, sadly, now dead. Material from these interviews, and a second set I undertook with modern jazzers and enthusiasts (I acknowledge that the distinction between trad and modern doesn’t always bear scrutiny) was included in my book Circular Breathing: The Cultural Politics of Jazz in Britain (Duke University Press, 2005). Do contact me if you have any queries. George McKay University of Salford, UK [email protected] April 2002; revised (with extra images) September 2002; revised introduction January 2010 (little has change except the point that I now know that the David Boulton jazz historian and the David Boulton of CND were one and the same person) Most of the archive photographs here are either from Jeff Nuttall’s photo album, which he gave me at the end of our interview in Abergavenny—I’d like to pass it on to a family member, please—or © and courtesy of the Ken Colyer Trust: www.kencolyertrust.org 1 Introduction British jazz has arrived, in Britain at any rate.
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  • Jazz Style Periods
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