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THE BOHUSLAV MARTINŮ FOUNDATION THE BOHUSLAV MARTINŮ INSTITUTE THE INTERNATIONAL MARTINŮ CIRCLE INTERVIEW WITH CONDUCTOR JIŘÍ BĚLOHLÁVEK martinůJANUARY—APRILrevue 2010 VOL.X NO. FESTIVAL IN BASEL 2009 1 MARTINŮ EVENTS IN LONDON MARTINŮ RECORDINGS ķ IN THE GERMAN RADIO ARCHIVES contents 3 Martinů Revisited Highlights 4 news —Anna Fárová Dies —Zdeněk Mácal’s Gift 5 International Martinů Circle 6 festivals —The Fruit of Diligent and Relentless Activity CHRISTINE FIVIAN 8 interview …with Jiří Bělohlávek ALEŠ BŘEZINA 9 Liturgical Mass in Prague MILAN ČERNÝ 10 News from Polička LUCIE JIRGLOVÁ UP 0121-2 11 special series —List of Martinů’s Works VIII 12 research —Martinů Treasures in the German Radio Archives GREGORY TERIAN 13 review —Martinů in Scotland GREGORY TERIAN 14 review —Czech Festival in London UP 0123-2 UP 0126-2 PATRICK LAMBERT 16 festivals —Bohuslav Martinů Days 2009 PETR VEBER 17 news / conference 18 events 19 news UP 0106-2 UP 0122-2 UP 0116-2 —New CDs, Publications ARCODIVA Jaromírova 48, 128 00 Praha 2, Czech Republic tel.: +420 223 006 934, +420 777 687 797 • fax: +420 223 006 935 e-mail: [email protected] ķ highlights IN 2010 TOO WE ARE CELEBRATING a momentous anniversary – 120 years since the birth of Bohuslav Martinů (8 December 1890, Polička). Numerous ensembles and music organisations have included Martinů works in their 2010 repertoire. We will keep you up to date on this page with the most significant events. MORE INFORMATION > www.martinu.cz > www.czechmusic.org ‹vFESTIVALS—› The 65th Prague Spring The 65th PRAGUE SPRING INTERNATIONAL MUSIC FESTIVAL International Music Festival Prague, 12 May—4 June 2010 Prague / 12 May—4 June 2010 www.festival.cz 15 May 2010, 11.00 am > Martinů Hall, Lichtenštejn Palace Scherzo, H. -
BMN 2002/2.Indd
Bohuslav Martinů May – August 2002 Always Slightly off Center An Interview with Christopher Hogwood When the Fairies Learned to Walk Feuilleton on The Three Wishes in Augsburg Second The Wonderful Flights issue It Was a Dream for Me to Have a Piece by Martinů Jiří Tancibudek and Concerto for Oboe and Small Orchestra 25 Years of the Martinů Quartet Bats in the Belfry The Film Victims and Murderers Martinů News and Events The International Bohuslav Martinů Society The Bohuslav Martinů Institute CONTENTS WELCOME Karel Van Eycken ....................................... 3 BOHUSLAV MARTINŮ SOCIETIES AROUND THE WORLD .................................. 3 ALWAYS SLIGHTLY OFF CENTER Christopher Hogwood interviewed by Aleš Březina ..................................... 4 - 6 REVIEW Sandra Bergmannová ................................. 7 WHEN THE FAIRIES LEARNED TO WALK Feuilleton on The Three Wishes in Augsburg Jörn Peter Hiekel .......................................8 BATS IN THE BELFRY The Film Victims and Murderers Patrick Lambert ........................................ 9 MARTINŮ EVENTS 2002 ........................10 - 11 THE WONDERFUL FLIGHTS Gregory Terian .........................................12 THE CZECH RHAPSODY IN A NEW GARB Adam Klemens .........................................13 25 YEARS OF THE MARTINŮ QUARTET Eva Vítová, Jana Honzíková ........................14 “MARTINŮ WAS A GREAT MUSICIAN, UNFORGETTABLE…” Announcement about Margrit Weber ............15 IT WAS A DREAM FOR ME TO HAVE A PIECE BY MARTINŮ Jiří Tancibudek and Concerto -
Bulletin 137.Vp
FRMS BULLETIN Autumn 2002 No. 137 Ed i tor: CONTENTS Ar thur Baker All Ed i to rial copy to him at: page STRATFORD 4 Ramsdale Road, NEWS Bramhall, Stockport, Week end intro 26 Cheshire SK7 2QA Com mit tee shakeup 2 Re cord ings of year 27 Tel: 0161 440 8746 Tony Baines 2 Dr John Ev ans 28 [email protected] New Cen tral Re gion 3 Belshazzar’ feast 28 Asst. Ed i tor: Philip Ashton 3 Sir William Walton 28 Reg William son (see back FRMS and you 4 Tech ni cal Fo rum 28 page for ad dress). Sibelius re cord ings 5 Coull Quar tet 29 Ed i to rial dead lines: Next years ‘Week end’ 6 Blowing in the wind 29 Spring is sue - 31st Decem ber Hungariton Records 7 Au tumn is sue - 30th June Danesborough Chorus 7 Scotland Mar keting Man ager: Scot tish Group 30 Ca thy Con nolly (see back LETTERS page). Ad ver tise ments are THE REGIONS avail able from £35.00, de - The Old Days 8 tails from her. Increases in subs. 9 Sus sex Re gion 31 Financial mat ters 10 York shire Re gion 33 Copies are distributed to all Rail ways in mu sic 10 Federation affiliates with THE SOCIETIES additional copies through FEATURES society secretaries. Estimated Hinckley 36 readership is well over 10,000. Mar tinu: his life & works 11 Put ney Mu sic 36 Individual Subscriptions are Martinu: recom. re cord ings 15 Rochdale 37 available at £6.80 for four Overtures and encores 17 Stafford 37 issues. -
TSO Vine Booklet
476 226-7 CARL VINE The Tempest TASMANIAN SYMPHONY ORCHESTRA When Carl Vine was a ten-year-old aspiring But Carl Vine himself denies the virtuoso tag: trumpeter living in Perth, he fell from a tree and ‘When I was younger I thought I was going to fractured three vertebrae in his back ending up be a great pianist and I had dreams of studying in traction for three months. While convalescing, with Ashkenazy in Reykjavik. I didn’t quite have he gave away the trumpet and took up the the guts to go through with it and I think it was piano, and suddenly a world of compositional just as well. I don’t think I would ever have possibilities opened up for him. made a great pianist. I started far too late. In terms of career opportunities, if you’re not Carl Vine b. 1954 ‘It was probably the beginning of composing as extraordinary by the age of nineteen then you’ve a way of life,’ the Artistic Director of Musica Viva missed the boat.’ Oboe Concerto [17’10] Australia and leading Australian composer says 1 I 6’09 now of the childhood accident. ‘I couldn’t play Playing piano as co-founder of the important 2 II 5’17 trumpet any more because of the diaphragm, contemporary music ensemble Flederman from 3 III 5’44 so I started on the piano. I soon realised that I 1979 to 1989 also had an oddly adverse effect Diana Doherty oboe could put notes together and make interesting on his pianism. -
January–April 2014/ Vol.XIV / No.1
THE BOHUSLAV MARTINŮ FOUNDATION THE BOHUSLAV MARTINŮ INSTITUTE THE INTERNATIONAL MARTINŮ CIRCLE MR martinů in oxford january–april 2014 / vol.XIV / no.1 jakub hrůša on martinů martinů in prague & basel mirandolina in ostrava essay on the ballet the strangler events / news review martinůinoxford contents / MARK TODD used in my recent performance with the OU Sinfonietta, has an impact on performances of The chapel of Exeter College of Oxford University works by composers such as Martinů, writing 3 was the venue for an enterprising concert on in the earlier part of the 20th century. Players FESTIVALS / OPERAS the evening of Thursday 5 December 2013 who are now steeped in what we surmise to be organised by a group of students, the Oxford 17th and 18th century norms may bring these University Sinfonietta. The programme was idiomatic approaches to their playing of contem - designed to display the qualities of the harpsi - porary works, so as performers it could be argued 4 chord in different periods, and for the concert that we are now challenged with playing these HARRY HALBREICH the OU Sinfonietta had arranged the participation pieces authentically. LUCIE BERNÁ of Jane Chapman, harpsichordist based at the ‘On the flip side, I feel that as harpsichordists Royal College of Music and London and other today, we have a wide range of approaches to JAKUB HRŮŠA ON MARTINŮ places, a pupil of Ruth Dyson and Ton Koopman choose from, and that new interpretations keep and recently described by the Metro newspaper music alive and fresh. Rather than trying to as ‘the hippest harpsichordist around.’ The first religiously recreate the past, be it recent history – 5 half of the concert included solo and concerto 1935 – in the case of Martinů Harpsichord works by J. -
New Composers Rachmaninoff
Boosey & Hawkes Music Publishers Limited June 2008 2008/2 Birtwistle The Minotaur Mackey Harrison Birtwistle’s Included in this issue: in Manchester thrilling new opera reveals Andriessen The music of Steven Interview exploring opera the half-man, half-beast Mackey is celebrated in on Dante’s Commedia As the Sunday Times noted at the Covent Manchester between 16 Garden premiere on 15 April, “Harrison and 18 June, with 13 of his Birtwistle’s latest opera is a piece he might works performed across have been expected to write. The Minotaur, to three days. The Spring- words by David Harsent, was commissioned Loaded event combines by the Royal Opera House and premiered concerts by Psappha, the Photo: Alice Arnold there under Antonio Pappano, and is like a BBC Philharmonic and summary of Birtwistle’s preoccupations. students at the Royal Northern College of Greek mythology has rarely been far from his Music. Highlights include the UK premieres thoughts. Monstrous beings such as the of Measures of Turbulence for eight guitars Minotaur have regularly featured in his and of the electric cello concerto operas… and labyrinths such as the one Photo: Bill Cooper Banana/Dump Truck with its dedicatee Fred Daedalus made for King Minos, to cage the John Tomlinson as The Minotaur in Birtwistle's opera at the Royal Opera House, Covent Garden. Sherry as soloist. Also in the final orchestral Minotaur, have provided Birtwistle with a concert, conducted by Clark Rundell, are principle of form.” his thoughts only in his dreams, and acquires the “The music begins like flowing magma, muffled Lost and Found, Turn the Key and Eating Cherubini power of speech only after the fatal blow has and dark, forming itself frequently à la Alban Berg Greens, offering a showcase of Mackey’s Award-winning edition in landed.” The Guardian into a lengthy adagio.. -
May–August 2013/ Vol.XIII / No.2
THE BOHUSLAV MARTINŮ FOUNDATION THE BOHUSLAV MARTINŮ INSTITUTE THE INTERNATIONAL MARTINŮ CIRCLE MR edition of the last piano may–august 2013 / vol.XIII / no.2 concerto ballet “who is the most —Expanded edition with previously unpublished photos of Martinů! powerful in the world?” martinů on stravinsky events / news A Czech-Slovak review Opening of the Springs contents in Prague for Checomacoco / MARTINA FIALKOVÁ 3 ON 30 MAY, the International Czech Club, whose mission it is to deepen contacts with our OPERAS / BALLETS / FESTIVALS compatriots living abroad, held a Czech-Slovak concert at the Czech Museum of Music in Prague. In the first part of the event, the female choir of the Czech Society in Košice, Slovakia, 4 under the chorus master Olga Varinská performed songs by Antonín Dvořák, Leoš Janáček and folk songs. The second part was given over to Bohuslav Martinů’s cantata The Opening of the Springs, H. 354, which has been part of the ensemble’s repertoire for several years. The choir 5 was accompanied by three members of the Martinů Quartet from Prague and the pianist Zuzana Žegleňová. The soloists were Barbora Sopková (soprano), Dominika Sokolská (alto) 6 and Marián Lukáč, a member of the Opera of the State Theatre in Košice, who gave a brilliant MARTINŮ’S FINAL PIANO CONCERTO IVANA TABAK 8 IGOR STRAVINSKY 11 EUGENE IZOTOV ON THE OBOE CONCERTO ROBERT SIMON 12 14 MA CHÈRE CHARLOTTE delivery of the baritone part. The performance was conducted by the charismatic and empathic LUCIE JIRGLOVÁ Igor Dohovič, also from Košice’s State Theatre, who has worked with the choir for a long time. -
Classical Music Catalogue 2008 Pavel Haas Quartet
classical music catalogue 2008 Pavel Haas Quartet Classic FM Gramophone Chamber Award 2007 BBC Radio 3 Disc of the week BBC Music Magazíne Awards 2007 – Newcomer of the year BBC Radio 3 New Generation Artists 2008/09 Jakub Hrůša All the performances are excellent with Jakub Hrůša... (Gramophone) Tomáš Jamník, Ivo Kahánek The best Czech debut in ten years (Harmonie) New Generation Artists CONTENTS CLASSICS .................... 3 TALICH SPECIAL EDITION .................... 35 ANČERL GOLD EDITION .................... 37 ARCHIV .................... 43 COLLECTIONS .................... 47 DVD .................... 51 NUMERICAL INDEX .................... 55 ARTIST INDEX .................... 61 COMPOSER INDEX .................... 72 DISTRIBUTORS .................... 74 NUMBERING Items prefixed with numbers 10 or 11 or with the letters SU denote Supraphon releases. These prefixes are to be used together with the following four digits, which represent the cur- rent catalogue number (for example 11 0557 or SU 3877). The remaining digits represent the following: fifth digit SU 1234-2 608 -2 denotes CD -9 denotes DVD sixth digit SU 1234-2 608 0 denotes orchestral music 1 denotes instrumental chamber music 2 denotes vocal music 6 denotes operatic music 9 denotes miscellaneous seventh digit SU 1234-2 608 0 denotes analogue mono recording 1 denotes analogue stereo recording 3 denotes digital stereo recording eighth digit SU 1234-2 608 1 to 9 denotes number of discs 0 denotes a set of ten or more discs ABBREVIATIONS BG denotes budget price MD denotes mid price FL denotes full price DDD completely digital CD ADD analogue recording, digital processing and transfer AAD analogue recording and processing, digital transfer INTRODUCTION You have in your hands a catalogue of music CDs and DVDs key piece on the CD. -
2014 Appalachian State University, Boone, NC Playbill '14 Playbill 6/10/14 5:27 PM Page 2
Playbill '14_Playbill 6/10/14 5:27 PM Page 1 An Appalachian Summer Festival June 28-July 26, 2014 Appalachian State University, Boone, NC Playbill '14_Playbill 6/10/14 5:27 PM Page 2 ON AND AROUND THE CAMPUS OF APPALACHIAN STATE UNIVERSITY, BOONE, NC Playbill '14_Playbill 6/10/14 5:27 PM Page 1 AN APPALACHIAN SUMMER FESTIVAL 2014 1 Playbill '14_Playbill 6/10/14 5:27 PM Page 2 2 ON AND AROUND THE CAMPUS OF APPALACHIAN STATE UNIVERSITY, BOONE, NC AN APPALACHIAN SUMMER FESTIVAL FOLLOW US ON An Appalachian @AppalachianArts Summer Festival YOUR GUIDE TO THE PLAYBILL Page Numbers and Event Dates SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 28 Outdoor Fireworks An Appalachian Summer Festival Concert: Little June 28-July 26 Big Town Page 69 29 30 12345 FILM: Fireworks at Broyhill “The Rocket” Broyhill Westglow Resort Page 99 with Michael Chamber LUNCH & LEARN Chamber Action Figures, Pilobolus Sophie B. Hawkins McDonald Ensemble Self-Reflection Ensemble Page 93 Page 74 & BETTY Page 70 Page 32 Page 28 & Salt Glazing For tickets: Workshops 828-295-5146 Page 94 678910 11 Family Day 12 LUNCH & LEARN at TCVA FILM: Turchin Center Page 93 TRIAD STAGE: Page 95 Eastern Festival “The Hayes School Summer Matthew Orchestra “All’s Well Exhibition Lunchbox” of Music that Ends Well” Morrison Page 36 Page 99 Celebration with the Greensboro Faculty Page 88 Showcase Page 94 Symphony Page 70 Plein Air Workshop Page 42 Concert Page 94 13 14 15 16 17 18 19 Rosen-Schaffel Nickel Creek FILM: The Making of a Competition Page 71 LUNCH & LEARN Dance Theatre -
2021 BIOGRAPHIES Warwick Adeney Violin
2021 BIOGRAPHIES Warwick Adeney Violin Warwick Adeney was born into a large family of violinists and trained at Queensland Conservatorium alongside three of his siblings. There he learnt with Dr Anthony Doheny, was a member of the Ambrosian Quartet, and emerged as the Gold Medal graduate of 1984. He joined Queensland Theatre Orchestra under Georg Tintner, and rose to the concertmastership in 1989. During the years of Anthony Camden's musical oversight, Warwick Adeney played many solos, including the memorable Lark Ascending with Sir Neville Marriner, and directed many concerts. In 2001, the amalgamation of orchestras in Queensland occurred and Warwick Adeney served (initially as co- concertmaster with Alan Smith) under conductor Michael Christie, Johannes Fritzsch, and Alondra de la Parra. Over the years Warwick Adeney has continued to enjoy the privileged and challenging life of the orchestra, and become something of a specialist in ballet solos and the Four Seasons along the way. Married to Michele, a fellow musician, Warwick Adeney is blessed with nine children, all of whom learn a variety of instruments, and the family attends a weekly traditional Latin mass. The violin Warwick plays is a Venetian instrument from the early 18th century, possibly by Carlo Antonio Testore. Thomas Allely Tuba Tuba player Thomas Allely hails from Christchurch, Aotearoa New Zealand. Thomas completed his undergraduate degree at Victoria University Wellington, and his postgraduate study in Australia with Steve Rosse of the Sydney Symphony, and also at DePaul University, Chicago, with Floyd Cooley of the San Francisco Symphony. Having previously held positions with the Wellington Sinfonia, Central Band of the Royal New Zealand Airforce, and the DePaul Screamin’ Demons Pep Band, Thomas was appointed Section Principal Tuba of Queensland Symphony Orchestra in 2007.