VST Instruments (Vsti)
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Machfive 3 User Guide
MachFive 3 User Guide 1280 Massachusetts Avenue Cambridge, MA 02138 Business voice: +1 (617) 576-2760 Business fax: +1 (617) 576-3609 Website: www.motu.com Tech support: www.motu.com/support About the Mark of the Unicorn License Agreement and About the Ultimate Sound Bank License Agreement Limited Warranty on Software DO NOT USE THIS PRODUCT UNTIL YOU HAVE READ THIS LICENSE TO PERSONS WHO PURCHASE OR USE THIS PRODUCT: carefully AGREEMENT. BY USING THIS PRODUCT YOU ACCEPT THIS LICENSE read all the terms and conditions of the “click-wrap” license agreement AGREEMENT. presented to you when you install the software. Using the software or this 1. License Grant. USB grants to you, subject to the following terms and documentation indicates your acceptance of the terms and conditions of conditions, a non-exclusive, nontransferable right to use each authorized that license agreement. copy of the enclosed product. The enclosed product is the property of USB Mark of the Unicorn, Inc. (“MOTU”) owns both this program and its and is licensed to you only for use as part of a musical performance. This documentation. Both the program and the documentation are protected license expressly forbids resale or other distribution of these Sounds or their under applicable copyright, trademark, and trade-secret laws. Your right to derivatives, either as they exist on disc, reformatted for use in another digital use the program and the documentation are limited to the terms and sampler, or mixed, combined, filtered, resynthesized or otherwise edited, for conditions described in the license agreement. use as sounds, samples, multisamples, wavetables, programs or patches in a sampler, microchip or any hardware or software sample playback device. -
Universal Tuning Editor
Universal Tuning Editor Ηπ INSTRUMENTS Aaron Andrew Hunt Ηπ INSTRUMENTS hpi.zentral.zone · Universal Tuning Editor · documentation v11 1.May.2021 Changes from Previous Documentation 5 Current Version, v11 — 1. May 2021 ....................................................................5 Previous Versions ............................................................................................5 Introduction 9 Features List .................................................................................................9 User Interface Basics ......................................................................................11 Maximising the Detail View ..............................................................................12 Maximising the Tuning List ..............................................................................13 Toolbar .......................................................................................................13 Bug Reporting & Feedback ...............................................................................14 Feature Requests ..........................................................................................14 File Handling 15 Preferences ..................................................................................................15 Auto store unsaved projects internally ...............................................................15 Restore external projects at next session ...........................................................15 Prompt to handle each open project -
I Temperamenti L'incontro Fra Suoni Ed Esigenze Compositive
I Temperamenti L'incontro fra suoni ed esigenze compositive PDF generato attraverso il toolkit opensource ''mwlib''. Per maggiori informazioni, vedi [[http://code.pediapress.com/ http://code.pediapress.com/]]. PDF generated at: Thu, 01 Mar 2012 14:54:56 UTC Indice Voci Premessa 1 Prerequisiti 3 Intervallo 3 Semitono 6 Tono 7 Cent 8 Scala musicale 9 Scala diatonica 11 Scala cromatica 14 Circolo delle quinte 15 Dalla fisica alla musica 18 Rapporto tra musica e matematica 18 Battimenti 25 Consonanza e dissonanza 28 Temperamenti 33 Temperamento 33 Armonici naturali 39 Armonici artificiali 41 Comma 42 Scala pitagorica 43 Temperamento equabile 46 Temperamento mesotonico 50 Temperamento naturale 52 Esempi di musica di diversi temperamenti 53 Musica nell'antica Grecia 53 Il clavicembalo ben temperato 59 Musica microtonale 63 Appendice 72 Onda sonora 72 Altezza dei suoni 74 Accordatura 79 Intonazione 81 Principio di indeterminazione tonale 83 Andreas Werckmeister 84 Note Fonti e autori delle voci 86 Fonti, licenze e autori delle immagini 87 Licenze della voce Licenza 88 Premessa 1 Premessa Cos'è questo libro Questo è un libro di Wikipedia. È una raccolta di voci tratte dall'edizione italiana dell'enciclopedia online Wikipedia [1]. Le voci di Wikipedia sono scritte collettivamente e i lettori sono anche gli autori. Nessuno è stato pagato per scrivere questo libro. Come usare questo libro Quest'opera può essere liberamente utilizzata, riprodotta, modificata, distribuita per qualsiasi scopo (anche commerciale), a patto di attribuire correttamente la provenienza dei contenuti e citare gli autori, nel rispetto della licenza Creative Commons Attribuzione-Condividi allo stesso modo (CC-BY-SA) 3.0 [2] per quanto riguarda i testi. -
Lewis Jeremy Sykes the Augmented Tonoscope
Lewis Jeremy Sykes The Augmented Tonoscope Towards a Deeper Understanding of the Interplay between Sound and Image in Visual Music A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy Manchester Institute for Research and Innovation in Art & Design (MIRIAD), Manchester School of Art February 2015 Abstract This thesis presents the theoretical, technical and aesthetic concerns in realising a harmonic complementarity and more intimate perceptual connection between music and moving image. It explores the inspirations and various processes involved in creating a series of artistic works - attached as a portfolio and produced as the research. This includes the Cymatic Adufe (v1.1) - a sound-responsive, audiovisual installation; Stravinsky Rose (v2.0) - an audiovisual short in Dome format; and the live performance works of Whitney Triptych (v1.2), Moiré Modes (v1.1) and Stravinsky Rose (v3.0). The thesis outlines an approach towards realising a deeper understanding of the interplay between sound and image in Visual Music - through applying: the Differential Dynamics of pioneering, computer-aided, experimental animator John Whitney Sr.; alternate musical tunings based on harmonic consonance and the Pythagorean laws of harmony; and sound’s ability to induce physical form and flow via Cymatics - the study of wave phenomena and vibration - a term coined by Dr. Hans Jenny for his seminal research into these effects in the 1960s and 70s, using a device of his own design - the ʻtonoscopeʼ. The thesis discusses the key method for this artistic investigation through the design, fabrication and crafting of a hybrid analogue/digital audiovisual instrument - a contemporary version of Jenny’s sound visualisation tool - The Augmented Tonoscope. -
A Dynamic Harmonics Calculator – Draft of Specifications and User Guide
A first look at THE a Dynamic Harmonics Calculator DRAFT OF SPECIFICATIONS AND USER GUIDE Walter Mantovani Anyone interested in this field of research and a desire to contribute, collaborate, cooperate or simply find out more, please contact me: Walter Mantovani email: [email protected] A first look at THE HARMONYNC: A Dynamic Harmonics Calculator – Draft of Specifications and User Guide Copyright © 2014-2015 Walter Mantovani Release 0.2.8 – August 2015 (1st release March 2014) SOME RIGHT RESERVED This document is published under the Creative Commons License: ATTRIBUTION – SHAREALIKE / ver. 4.0 Legal code: http://creativecommons.org/licenses/by-sa/4.0/ http://creativecommons.org/licenses/by-sa/4.0/legalcode Published by CREATIVE INDUSTRIES PRESS, Turin – Italy ISBN 978-88-940077-0-1 (PDF) ISBN-A (DOI) 10.978.88940077/01 2 A first look at THE HARMONYNC: A Dynamic Harmonics Calculator TABLE OF CONTENTS 1.AN OPEN PATENT IDEA ............................................................. 4 1.1. LICENSING ................................................................................................................... 4 1.2. ABSTRACT ................................................................................................................... 4 1.3. THE CODE .................................................................................................................... 5 1.4. THE GUI ........................................................................................................................ 6 2.FUNCTIONING ............................................................................. -
Microsynth Documentation (Pdf)
! ! microsynth ! ! ! ! ! Ηπ INSTRUMENTS! ! Aaron Andrew Hunt! Ηπ INSTRUMENTS hpi.zentral.zone · µicrosynth · documentation Introduction User Interface Basics ..................................................................................3 MIDI Response ..........................................................................................4 Bug Reporting and Feedback ........................................................................4 1. Tracks Track Name .............................................................................................5 Tuning ...................................................................................................5 MIDI Input and Channel ...............................................................................6 MIDI Output and Patch ................................................................................6 Polyphony ...............................................................................................7 Panning and Volume ...................................................................................7 Fixed Velocity MIDI Keyboards....................................................................... 7 2. Tunings About File Types — .scl .csv .hz .tun .mtx .gly .tonex ..........................................8 Using microsynth with ScalaVista ...................................................................10 Key and Map ............................................................................................10 Custom Key .............................................................................................11 -
The Augmented Tonoscope
Lewis Jeremy Sykes The Augmented Tonoscope Towards a Deeper Understanding of the Interplay between Sound and Image in Visual Music A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy Manchester Institute for Research and Innovation in Art & Design (MIRIAD), Manchester School of Art February 2015 Abstract This thesis presents the theoretical, technical and aesthetic concerns in realising a harmonic complementarity and more intimate perceptual connection between music and moving image. It explores the inspirations and various processes involved in creating a series of artistic works - attached as a portfolio and produced as the research. This includes the Cymatic Adufe (v1.1) - a sound-responsive, audiovisual installation; Stravinsky Rose (v2.0) - an audiovisual short in Dome format; and the live performance works of Whitney Triptych (v1.2), Moiré Modes (v1.1) and Stravinsky Rose (v3.0). The thesis outlines an approach towards realising a deeper understanding of the interplay between sound and image in Visual Music - through applying: the Differential Dynamics of pioneering, computer-aided, experimental animator John Whitney Sr.; alternate musical tunings based on harmonic consonance and the Pythagorean laws of harmony; and sound’s ability to induce physical form and flow via Cymatics - the study of wave phenomena and vibration - a term coined by Dr. Hans Jenny for his seminal research into these effects in the 1960s and 70s, using a device of his own design - the ʻtonoscopeʼ. The thesis discusses the key method for this artistic investigation through the design, fabrication and crafting of a hybrid analogue/digital audiovisual instrument - a contemporary version of Jenny’s sound visualisation tool - The Augmented Tonoscope. -
Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2008 Coincidence Theory: Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments Derle Ray Long University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Long, Derle Ray, "Coincidence Theory: Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments" (2008). Dissertations. 1148. https://aquila.usm.edu/dissertations/1148 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi COINCIDENCE THEORY: SEEKING A PERCEPTUAL PREFERENCE FOR JUST INTONATION, EQUAL TEMPERAMENT, AND PYTHAGOREAN INTONATION IN EXCERPTS FOR WIND INSTRUMENTS by Derle Ray Long Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 COPYRIGHT BY DERLE RAY LONG 2008 The University of Southern Mississippi AN INVESTIGATION OF COINCIDENCE THEORY FOR HARMONY CONSONANCE IN EXCERPTS FOR WIND INSTRUMENTS by Derle