Radio Today Wor 710 Whdt

Total Page:16

File Type:pdf, Size:1020Kb

Radio Today Wor 710 Whdt WMCA. ... 570 WNVC. .. .810 WNEW.. 1250 WEAF 660 WARC _ .860 WRY!) ...IMO RADIO TODAY WOR 710 WHDT . 1010 WHOM...1450 SATURDAY, FEB. 22, 1941 760 VVOV .1100 WQX_R _1550 Forum: "Critical Issues in American Education"; Dr. Harry Gideonse, NEWS BROADCASTS Dr. Willard Ellsbree, and Others-WJZ, 12-12:25. Morning 6 :00-WHN 8:00-WEAF. WJZ, Metropolitan Opera: Beethoven's "Fidelio," with Kirsten Flagstad, 6:30sWEAF, WJZ, WORWABC,WNY0 Alexander Kipnis, Rene Maison, and Others-WJZ, 2-4:45. WABC :30-1,VNICA, WHEN 6 :45-WEAF 8:45-WNYC Washington Birthday Program of Rainbow Division-WEAF, 2-2:30. 6 :55-WOR 8 :55-WQXR "Lend-Lease Bill": Senators Reynolds and Mead-WABC, 2:30-3. 7 :00-W MCA 9 :00-WEAF, WABC 7 :15-WHN 9:30-WOK Democratic Club Forum: John M. Carmody, and Others-WOR, 2:30-3. 7 :30-WE A F 9 :45-WHN 7 :45-WABC 10 :00-IVMCA Cleveland Philharmonic Orchestra-WOR., 3-4. 7 :55-WJZ, WQXR 11:00-WOK, WABC Catholic Charities Quiz, With Former Governor Smith-WMCA, 4-4:30, Afternoon Music Festival Concert, Conducted by Fritz Mahler-WNYC, 5-6:45. 12 :00-WHN. WQXR 2:15-WHN 12 :15-WMCA 3:30-WQXR, WEVD "The American Cause," Archibald MacLeish, Librarian of Congress,12 :25-WJZ 3:45-WNYC From Washington-WABC, 5:30-5:45. 12 :30-WOK S :55-WABC Paderewski Concert: Vera Brodsky, Pianist, and Others-WABC, 7:30-8.12 :45-WEAF 4:00-WOK WRAF 1 :45-WO R. WRAF, 5 :09-WM CA, WskflO "George Washington": Play, With Orson Welles-WNEW, 8-8:30. WMCA 5 :45-WHN Track Meet: NAAU Senior Championships, at Madison Square Garden- 2 :00-1,VNYC :50-WA BC WHN, 9:15-9:45 (Again 10-10:30). Evening 6:e0-WMCA, WJZ 10:00-WOE NBC Symphony; Arturo Toscanini Conducting, at Carnegie Hall; Lauritz6:25-WEAF, WQXR10 :30-WMCA Melchior, Helen Traubel, Soloists-WJZ, 9:35-11. 11:80-WoR, WABC to sis-wA.Bc,WaN, 6 :35-WHN WQXR Operetta: "My Maryland"-Marion Claire, James Melton-WOR, 10:05-11. :45-WABC, WJZ /I too-wrz, WRAF, "Washington-Man and Mason"-Senator Truman-WABC, 10:15-10:30. 7 :30-WHN, WOK WOK 7 :45-WMCA, WRAF :00-WEAF, WJZ, Vice President Wallace, From Des Moines: "Can a Capitalistic Democ- 8:15-WOK WHOA. WABC racy Compete With a Totalitarian World?"-WEAF, 10:30-11. 8:30-WOK 12 :30-WOR 8 :45-WEVD, WEIN12 :55-WABC, WHN "War and Peace"; Senator Burton K. Wheeler-WABC, 10:35-10:45. 8 :55-WABC 12 :57-WEAF, SVJZ 9 :00-WOK 1:30-WOK 9 :15-WOK 1 :55-WHN 9 :30-WJZ 2 :55-WEIN Where there is no listing for a station, Its preceding program is on the air9 :45-WHN 9:00-WEAF-News; Happy Jack, Songs NEWS OF THE SHORT WAVES MORNING WOK-Dear /mogene, Talk ; Music 5 :30-WOR-Mountaineers Variety WABC-News; Burl Ives, Songs Time, Eastern Standard-Megacycles, WHN-News; Eye Opener Music WMCA-Federation of Churches Talk LONDON 6:15-WABC-Program Preview: Music WNYC-Masterwork Music 1:13 A.M.-6.05, 9.51, 9.58 6:50-VVEAF, WJZ-News; Variety WEVD-Musical Gems; Stories 3:00 A.M.-6.05, 9.51, 9.59, 11.75 WOR-Farmers Digest 9:15-WEAF-Isabel Hewson, Talk 6:00 A.M.-6.11, 9.60 WABC-News; Larry Elliott WMCA-Recorded Music 8:00 and 11:00 A M.-17.81 6:45-WEAF-News: Variety Music 9 :30-WEAF-Variety Program 11:15 A.M. and 1:00 P.M.-15.14 WMCA-Rise and Whine Music WOR-News; Shoppers; Music 3:45 P.M.-9.58, 11.75 6:55-WOR-News; Weather; Music WA.BC-Honest Abe-Drama 5:45 P.31.-6.05, 6.11. 9.58, 11.75 7:00-WABC-Morning Almanac WMCA-Food Forum 6:45 P.M.-6.11, 11.75 WNYC-Sunrise Symphony 9:45-WHN-News; Talk: Music 8:30 P.M.-6.11, 9.58. 11.75 WEVD-Musical Clock 10:00-WEAF-Drarna: Lincoln Highway, 11:00 P.51.-6.11, 9.58 7:05-WQXR-News; Breakfast Symphony With Claude Rains 11:30 P.M.-6.05, 6.11. 0.58 7:15-WOR-Gambling's Musical Clock WOK-First Offender, Talk WMCA-News; Variety Music WJZ-Reiser Piano Duo BERLIN WHN-News; Music; Talk WABC-Welcome Lewis. Singing Bee 12:00 Midnight-6.02 7:30-WEAF-News; Variety Music WMCA-News; Dance Music 2:15 and 4:30 A.M.-9.65 WEVD-Saturday Symphony WNYC-Shirley Edwards. Songs 6:30 A.M.-15.11, 15.20 7 :45-WABC-News Reports WEVD-Rakan Variety Show 7:00 A.M.-15.28, 17.76 WMCA-Classified Ads WQX-R-Organ Recital 8:30 A.M.-15.11, 15.20 7 :55-WJZ-European Comments 10:15-WJZ-Richard Kent, Traveling Cook11:30 A.M., 12:30 and 1:30 P.M.-15.20 WQXR-News; Music WNYC-Amsterdam Strings 5:30 P.M.-9.61 8 :00-WEAF-European News 10:30-WEAF-Bright idea Club 8:00 P.M.-11.77 WOR-News; Variety Program WOR-Model Airplane Club 10:15 P.M.-6.02 WJZ-News; Vocal Music WJZ-Maupin Orchestra; Songs WABC-European News; Music; Talk WABC-Garden Talk ROME WNYC-News; Amsterdam Strings WMCA-Jungle Jim-Sketch; Music 1:15 A.M.-9.63 4:30 P.M.-11.81 :15-VVEAF-Gene and Glenn-Talk ; Songs WHN-Variety Show 5:45 A.M.-17.82 9:45 P.M.-9.68 WMCA-Religious Talk WQXR-Salon Concert 1:45 P.M.-9.63, 15.301 :25-WABC-Nell Vinick, Beauty Talk 10 :45-WOR-Selective Service Talk 8 :30-WOR-Kitchen Hints: Movieland WQXR-Band Music; Classics WJZ-Richard Leibert, Organ 11:00-WEAF-Concert Music 11:15-I,VEAF-Women's Club, Program WABC-Hillbilly Champions WOK-News Bulletins; Songs WJZ-Rose Lee, Soprano WMCA-News; Dance Music WJZ-Norsemen Quartet 11:30-WEAF-Blaufuss Orchestra WHN-News; Variety Music WABC-News; CincinnatiConserva- WOK-U. S. Army Band WEVD-Opera Excerpts tory of Music WJZ-Children's Program, State Com- 8 :45-WEAF-Deep River Boys WQXFt-Composers Hour mander E. A. Vosseler, of American WOK-Variety Music WMCA-Ida Bailey Allen Program Legion, Guest WJZ-Harvey and Dell-Sketch WNYC-Sons of American Revolution WMCA-Light Classics WABC-Talk-Adelakle Hawley Washington's Birthday Program- WNYC-MusicFestival,atHigh VC/NYC-News; New York Today Justice Pelham St. George Bissell; School of Music and Art 8:55-WJZ-News; Breakfast Club Others, at Carnegie Hall WHN-Variety Music WQXR-News; Request Program WEVD-Symphonic Hour II :45-WEAF-Smilin' Ed McConnell, Songs WMCA-News; Light Classics WHN-Variety Music AFTERNOON WHN-Judge Dorothy Kenyon,- WEVD-News Review 12 :00-VVEAF-Eastman School Orchestra "George Washington andFiillof WQXR-NewsConcert Music Conducted by Howard Hanson Rights'' 3:45-WNYC-NewsKolisch Quartet WOK-Man on the Farm-Talk WEVD-Jewish Drama 3 :55-WABC-News Dancing Party WJZ-Forum: "Critical Issues in :00-WEAF-Rainbow Division Veterans'4:00-WEAF-News Ski Jumps from Lake American Education," Dr. Willard Washington'sBirthdayProgram: Placid Ellsbree, Teachers College; Dr. Walker H. Colston, National Com- WOR-News; Variety Harry Gideonse, Pres. Brooklyn mitteeman, D. C.; Capt. Richard WABC-Al Donahue Orchestra College; Supt. Hunt of the Kansas Carson WMCA-Catholic Charities Quiz; Al- City Schools, From Atlantic City WOK-Carnegie Tech Student Sym- fred E Smith: Others WABC-Country Journal-Talk phony Orchestra WEVD-Polish Program WMCA-Christia.n Science Talk WJZ-Metropolitan Opera- WQ XR-Sy phonic Music WHN-News; Popular Music Beethoven's"Fidelio,"Bruno 4 :15-WRAP-Campus Capers WEVD-Jewish News Walter, Conducting; Kirsten Flag- WOK-Racing; Flamingo Handicap WQXR-News; Liszt Music shad, Herbert Janssen, Alexander 4:30-WRAP-A Boy, a Girl and a Band Kipnis, Rene Matson, Others: Rose 12 :15-WMCA-News ; Dance Music Bainpton, Frederick Tagel are the WNYC-Police Dept. Glee Club WNYC-Midday Symphony Intermission Speakers WHN-Variety Music WHN-Racing Scratches; Music WABC-Brush Creek Follies 4:45-WOR-Dancelanci WEVD-Marriage Bureau-Sketch WNYC-News; Songs of the People WJZ-Variety Music 12 :25-WJZ-News ; Farm and Home Hour : WEVD-"United New York Appeal." WEVD-Italian Sketch Senator Brooks of Ill., Representa- Borough President Isaacs of Man-5:00-WE AF-World Is Yours-Drama tive Coffee of Nebraska, Others hattan WJZ-Dance Music. Variety 12 :30-WEAF-Call to Youth ;Bishop Duffy2 :15-WEN-News; Bob Byron, Songs WABC-News of the Americas of Buffalo WEVD-Anti-Nazi League. Talk WMCA-News Reports; Songs WOK-News; Charioteers, Songs 2:25-WOR-Theatre Review; Music WNYC-American Music Festival Clos- WABC-Highways to Health "The 2 :30-WE AF-Hawaiian Music ing Concert; Youth Symphony Or- Zest for Life,Dr. Smiley Blanton WOK-National Democratic Club chestra, Conducted by Fritz Mahler; WEVD-Songs; Variety Show Forum; John M. Carmody, Adminis- Ruggiero Ricci. Volinist; Jeanne WQXR-Concert Music trator of Public Works, Others Behrend, Pianist. at Brooklyn Acad- 12 :45-WEAF-News ;Matinee in Rhythm WABC-Lease-Lend Bill Discussion; emy of Music (Off at 6:45) WABC-Men and Books Senators Reynolds and Mead WEVD-Dramatic Program; Music 1:00-WOR-Hayden Planetarium Program WHOA-Dance Music; Songs WQXR-Stories and Music WABC-Children's Stories WNYC-Selective Service Talk 5 :15-WABC-"Our Union-Strength Through WNYC-Missing Persons Alarms WEVD-Jewish Melodies Freedom"-Dr.
Recommended publications
  • Time 1925 1930 1935 1940 1945 1950 1955 1960 1965 1970 1975 1980 1985 1990 1995 2000 2005 2010
    Giulio Gatti Casazza 1926 Director, Metropolitan Opera Arturo Toscanini Leopold Stokowski 1926 1930 Conductor Conductor Pietro Mascagni Lucrezia Bori James Cæsar Petrillo 1926 1930 1948 Composer Singer Head, American Federation of Musicians Richard Strauss Alfred Hertz Sergei Koussevitsky Helen Traubel Charles Munch 1938 1927 1930 1946 1949 Composer and conductor Conductor Conductor Singer Conductor Ignace J Paderewski Geraldine Farrar Joseph Deems Taylor Marian Anderson Cole Porter 1939 1927 1931 1946 1949 Kirsten Flagstad Pianist, politician Singer Composer, critic Singer Composer 1935 Lauritz Melchior Giulio Gatti-Casazza Ignace Jan Paderewski Yehudi Menuhin Singer Artur Rodziński Gian Carlo Menotti Maria Callas 1940 1923 1928 1932 1947 1950 1956 Artur Rubinstein Edward Johnson Singer Director, Metropolitan Opera Pianist, politician Violinist; 16 years old Conductor Composer Singer 1966 1936 Leopold Stokowski Pianist Johann Sebastian Bach Nellie Melba Mary Garden Lawrence Tibbett Singer Arturo Toscanini Mario Lanza & Enrico Caruso Leonard Bernstein 1940 1968 1927 1930 1933 1948 1951 1957 Jean Sibelius Conductor Dmitri Shostakovich Composer (1685–1750) Singer Singer Singer Conductor Singers Composer, conductor 1937 1942 Beverly Sills Richard Strauss Rosa Ponselle Arturo Toscanini Composer Composer Benjamin Britten Patrice Munsel Renata Tebaldi Rudolf Bing Luciano Pavarotti 1971 1927 1931 1934 1948 1951 1958 1966 1979 Sergei Koussevitsky Sir Thomas Beecham Leontyne Price Singer Georg Solti Composer, conductor Singer Conductor Composer
    [Show full text]
  • January 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1946 Volume 64, Number 01 (January 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 01 (January 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/199 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 7 A . " f ft.S. &. ft. P. deed not Ucende Some Recent Additions Select Your Choruses conceit cuid.iccitzt fotidt&{ to the Catalog of Oliver Ditson Co. NOW PIANO SOLOS—SHEET MUSIC The wide variety of selections listed below, and the complete AND PUBLISHERS in the THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS BMI catalogue of choruses, are especially noted as compo- MYRA ADLER Grade Pr. MAUDE LAFFERTY sitions frequently used by so many nationally famous edu- payment of the performing fee. Christmas Candles .3-4 $0.40 The Ball in the Fountain 4 .40 correspondence below reaffirms its traditional stand regarding ?-3 Happy Summer Day .40 VERNON LANE cators in their Festival Events, Clinics and regular programs. BERENICE BENSON BENTLEY Mexican Poppies 3 .35 The Witching Hour .2-3 .30 CEDRIC W.
    [Show full text]
  • Toscanini VII, 1937-1942
    Toscanini VII, 1937-1942: NBC, London, Netherlands, Lucerne, Buenos Aires, Philadelphia We now return to our regularly scheduled program, and with it will come my first detailed analyses of Toscanini’s style in various music because, for once, we have a number of complete performances by alternate orchestras to compare. This is paramount because it shows quite clear- ly that, although he had a uniform approach to music and insisted on both technical perfection and emotional commitment from his orchestras, he did not, as Stokowski or Furtwängler did, impose a specific sound on his orchestras. Although he insisted on uniform bowing in the case of the Philadelphia Orchestra, for instance, one can still discern the classic Philadelphia Orchestra sound, despite its being “neatened up” to meet his standards. In the case of the BBC Symphony, for instance, the sound he elicited from them was not far removed from the sound that Adrian Boult got out of them, in part because Boult himself preferred a lean, clean sound as did Tosca- nini. We shall also see that, for better or worse, the various guest conductors of the NBC Sym- phony Orchestra did not get vastly improved sound result out of them, not even that wizard of orchestral sound, Leopold Stokowki, because the sound profile of the orchestra was neither warm in timbre nor fluid in phrasing. Toscanini’s agreement to come back to New York to head an orchestra created (pretty much) for him is still shrouded in mystery. All we know for certain is that Samuel Chotzinoff, representing David Sarnoff and RCA, went to see him in Italy and made him the offer, and that he first turned it down.
    [Show full text]
  • On This Date Daily Trivia Happy Birthday!
    THE WEDNESDAY, JUNE 16, 2021 On This Date 1884 – The first roller coaster in the Quote of the Day U.S. began operation at Coney Island. “Joy is not in things; 1909 – Glenn Curtiss sold his first it is in us.” airplane for $5,000 to the New York Aeronautical Society. The biplane ~ Richard Wagner was called the Gold Bug but later was known as the Golden Flyer. 1967 – The Monterey Pop Festival Happy Birthday! was held, featuring the Jimi Hendrix Experience, the Who, Janis Joplin, Helen Traubel (1899–1972) was an and the Grateful Dead, beginning American opera singer from St. Louis, “The Summer of Love.” Missouri. Known for her powerful, dramatic soprano roles in German 1981 – Ken Taylor, Canada’s former composer Richard Wagner’s operas, ambassador to Iran, was awarded the she made her debut in 1923 with the U.S. Congressional Gold Medal for St. Louis Symphony helping six Americans escape from Orchestra. Traubel Iran during the hostage crisis. continued as a concert singer until her opera career Daily Trivia began in 1937. She sang for the Chicago Which insect has transparent City Opera, the Metropolitan Opera, wings covered in tiny scales, uses and the San Francisco Opera, among their feet to taste, drinks from a other companies. She performed on straw-like proboscis, and lives Broadway, radio, and television. In for a period of only a few 1959, her autobiography, St. Louis short weeks? Woman, was published. She also Answer: The butterfly wrote two murder mysteries. ©ActivityConnection.com – The Daily Chronicles (CAN).
    [Show full text]
  • The Concerts at Lewisohn Stadium, 1922-1964
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.
    [Show full text]
  • Wagner Society of New York a Centennial Tribute to Sir Georg Solti October 17, 2012
    Wagner Society of New York A Centennial Tribute to Sir Georg Solti October 17, 2012 SIR GEORG SOLTI, DAS RHEINGOLD, AND THE STEREO ERA Joe Pearce President, Vocal Record Collectors Society Photo by Allen Warren Sir Georg Solti’s 1958 recording of Das Rheingold is considered to be, even after over a half-century of the most stalwart competition, one of the very greatest operatic recordings ever made. Indeed, for many of us, it has an impor- tance out of all proportion to just its musical and interpretative merits, for it ushered in a new era of operatic record- ing in a way that perhaps neither Sir Georg nor the set’s indefatigable producer, John Culshaw, could possibly have envisioned. To understand its full importance, however, it is first necessary to look at the conditions obtaining for recorded opera in general, and for recorded Wagner in particular, up to the time of its issuance. And in this context we must also briefly examine the tremendous accomplishment of Sir Georg Solti, who not only conducted Das Rheingold but over seven ensuing years made possible the completion of the entire RING project: the first-ever com- plete studio recording of what many consider the greatest artistic masterpiece, musical or otherwise, of the entire 19th century. In a survey of critical opinion published by the BBC Music Magazine (January 2012 issue), the Solti RING was voted “the greatest recording of all time.” Richard Wagner’s music was always a problem for the early recording industry. Unlike, say, Giuseppe Verdi, most of whose operas were easily divided up into arias, duets, trios and the like, (those of a relatively short duration favored by three- to five-minute 78rpm sides), most of Wagner’s scores were through-composed and not easily excerptable.
    [Show full text]
  • Tristan Und Isolde
    Richard Wagner Tristan und Isolde CONDUCTOR Opera in three acts James Levine Libretto by the composer PRODUCTION Dieter Dorn Saturday, March 22, 2008, 12:30–5:30pm SET AND COSTUME DESIGNER Jürgen Rose LIGHTING DESIGNER Max Keller The production of Tristan und Isolde was made possible by a generous gift from Mr. and Mrs. Henry R. Kravis. Additional funding for this production was generously provided by Mr. and Mrs. Sid R. Bass, Raffaella and Alberto Cribiore, The Eleanor Naylor Dana Charitable Trust, Gilbert S. Kahn and John J. Noffo Kahn, Mr. and Mrs. Paul M. Montrone, Mr. and Mrs. Ezra K. Zilkha, and one anonymous donor. The revival of this production is made possible by a generous gift from The Gilbert S. Kahn and John J. Noffo GENERAL MANAGER Kahn Foundation. Peter Gelb MUSIC DIRECTOR James Levine 2007-08 Season The 447th Metropolitan Opera performance of Richard Wagner’s Tristan und Isolde Conductor James Levine IN ORDER OF VOCAL APPEARANCE A Sailor’s Voice King Marke Matthew Plenk Matti Salminen Isolde A Shepherd Deborah Voigt Mark Schowalter Brangäne M A Steersman Deborah Voigt’s Michelle DeYoung James Courtney performance is underwritten by Kurwenal Eike Wilm Schulte the Annenberg English horn solo Principal Artist Tristan Pedro R. Díaz Fund. Robert Dean Smith DEBUT This afternoon’s performance is Melot being broadcast Stephen Gaertner live on Metropolitan Opera Radio, on Sirius Satellite Radio channel 85. Saturday, March 22, 2008, 12:30–5:30pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD is generously supported by the Neubauer Family Foundation.
    [Show full text]
  • Wagneriana June–July 2006 Wer Weiß Was Ich Thu’! Volume 3, Number 3 – Das Rheingold from the Editor
    Bedenken will ich’s: Wagneriana June–July 2006 wer weiß was ich thu’! Volume 3, Number 3 – Das Rheingold From the Editor Thanks to all of you who contributed to our fund­raising drive. Your donations will ensure the success of the Boston Wagner Society and the means to present musical events to you. Due to your generosity, we will offer another recital in September 2006. See the back page for details and save the date. Also, there will be another presentation by Donald Arthur, on October 23. This issue of Wagneriana brings you three reviews of live performances, the Met’s Lohengrin and Parsifal and the Copenhagen Ring Cycle. –Dalia Geffen Met Orchestra Brilliant in Lohengrin Lohengrin, May 3, 2006; Metropolitan Opera, cond. Philippe Auguin; Herald: Charles Taylor; King Henry; René Pape; Telramund: Greer Grimsley; Elsa: Karita Mattila; Lohengrin: Klaus Florian Vogt (debut); Ortrud: Margaret Jane Wray; production: Robert Wilson The Met’s production of Lohengrin this season featured the stage design of Robert Wilson. According to a recent review in the New York Times, when Wilson’s ideas were unveiled in the 1998 Metropolitan Opera production of this work, they drew lusty boos from the audience. Apparently, less robotic movements by the singers and improved synchronization have helped Wilson’s vision come through (there were no boos this time). However, one can’t help but wonder how much “vision” is too much, especially with a composer who is so meticulous about all the facets of the work and their unity. There was no horn, sword, or ring (Lohengrin defeats Telramund in a stare down), let alone a knight in shining armor.
    [Show full text]
  • A Tribute • Lauritz Melchior (Ten)
    LAURITZ MELCHIOR: A Tribute • Lauritz Melchior (ten); Various artists • IMMORTAL PERFORMANCES 1139-2 mono (4 CDs: 312:54) WAGNER Die Walküre: Act II (Edwin McArthur, cond; Kirsten Flagstad (Brünnhilde); Marjorie Lawrence (Sieglinde); Herta Glaz (Fricka); Lauritz Melchior (Siegmund); Fred Destal (Wotan); San Francisco Op O. Live: San Francisco 10/24/1939). WAGNER Die Walküre: Act I; Act II, Scene 3 (Fritz Stiedry, cond; Helen Traubel (Brünnhilde); Rose Bampton (Sieglinde); Lauritz Melchior (Siegmund); Mihály Székely (Hunding); Metropolitan Op O. Live: New York 1/24/1948). WAGNER Tristan und Isolde: Act II (Fritz Busch, cond; Helen Traubel (Isolde); Blanche Thebom (Brangäne); Lauritz Melchior (Tristan); Mikhail Székely (King Marke); Metropolitan Op O. Live: New York 1/3/1948). & VERDI Aida: Judgment Scene (with Margarethe Arndt- Ober). Otello: Esultate! Dio mi potevi (2 recordings). Niun mi tema. PUCCINI Tosca: Recondita armonia. LEONCAVALLO Mattinata. Pagliacci: Vesti la giubba (2 recordings). STRAUSS Zueignung. Heimliche Aufforderung. SCHUBERT Ständchen. SEVERRE JORDAN Høorer du!. GRIEG Ich liebe dich. WAGNER Der fliegende Holländer: Mit Gewitter und Sturm. Die Meistersinger: Preislied. (2 recordings). Die Walküre: Winterstürme. Lohengrin: In fernem Land. Mein lieber Schwan. Parsifal: Nur eine Waffe taught! (2 recordings). Siegfried: Nothung!. Wesendonck-Lieder: Traume. Interview with Melchior By Henry Fogel FANFARE November / December 2020 There are a number of opera singers who deserve the adjective “great.” Each of them brings to the public something unique. I can think of only one, however, whose level of performance is so far above and beyond his colleagues that he occupies his own level in the vocal hierarchy: Lauritz Melchior. At least since the beginning of recordings, in the category of Heldentenors there has been Melchior and then all others.
    [Show full text]
  • Der Fliegende Holländer Seminar/Webinar
    DER FLIEGENDE HOLLÄNDER SEMINAR/WEBINAR JUNE 29, 2020 and JULY 1, 2020 SENTAS: KNOWN AND UNKNOWN JOE PEARCE 1. KIRSTEN FLAGSTAD, soprano (1895-1962) a) Act II: - “Wohl kenn’ ich Golden Age HERBERT JANSSEN, baritone (1892-1965) Weibes heil’ge Pflichten” of Opera MAX LORENZ, tenor (1901-1975) b) Act II: - “Verzheit! EJS-515 LUDWIG WEBER, bass (1899-1974) Mein Volk….” MARY JARRED, m. s. (1899-1993) c) Act III: - “Zahllose Opfer Royal Opera Chorus, Covent Garden fielen diesen Spruch” London Philharmonic Orchestra Fritz Reiner, conductor (June 11, 1937) (6:29) 2. ASTRID VARNAY, soprano (1918-2006) Act II: - “Wohl kenn’ ich Voce Della HERMANN UHDE, bass-baritone (1914-1965) Weibes heil’ge Pflichten: Luna Bayreuth Festival Orchestra 2012-2 Joseph Keilberth, conductor (August 1955) (3:28) 3. INGRID BJONER, soprano (1927-2006) Act III: - “Zahllose Opfer Hamburger FRANZ CRASS, bass (1928-2012) fielen diesen Spruch” Archive SVEN OLAF ELIASSON, tenor (1933-2015) 10613 KARL RIDDERBUSCH, bass (1932-1997) REGINE FONSECA, m. s. (1932- ) RAI Rome Chorus and Orchestra Wolfgang Sawallisch, conductor (February 2, 1969) (2:50) 4. HELEN TRAUBEL, soprano (1898-1972) Act II: - “Traft ihr das Schiff” RCA RCA Victor Orchestra Victor Frieder Weissmann, conductor (1950) (5:10) 49-3148/49 5. MARIA MUELLER, soprano (1898?-1958) a) Act II: - “Wohl kenn’ ich Preiser JOEL BERGLUND, bass-baritone (1903-1985) Weibes heil’ge Pflichten” 90232 LUDWIG HOFMANN, bass (1895-1963) b) Act II: - “Verzheit! Bayreuth Festival Orchestra Mein Volk...” Richard Kraus, conductor (July 18, 1942) (4:22) 6. LEONIE RYSANEK, soprano (1926-1998) Act III: - “Zahllose Opfer Living FRANZ CRASS, bass (1928-2012) fielen diesen Spruch” Stage CLAUDE HEATER, tenor (1927-2020) 40-35125 KARL RIDDERBUSCH, bass (1932-1997) ANNEMARIE BESSEL, m.
    [Show full text]
  • Democratizing Opera in America, 1895 to the Present
    DEMOCRATIZING OPERA IN AMERICA, 1895 TO THE PRESENT A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Daniela Smolov Levy May 2014 © 2014 by Daniela Smolov Levy. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/ys875gk2432 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Thomas Grey I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Stephen Hinton Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii Abstract Despite opera’s well-known exclusivity, the genre has in fact consistently been the target of popularizing initiatives, a point often overlooked in accounts of its history.
    [Show full text]
  • Der Männer Sippe Saß Hier Im Saal“
    „Der Männer Sippe saß hier im Saal“ Sieglindes Erzählung aus „Die Walküre“ [von Gunter Grimm; März 2020] Die Rolle der Sieglinde beschränkt sich auf die „Walküre“. Ihre Hauptszene befindet sich im ersten Aufzug. Ihre Erzählung vom Wanderer Wotan, der das Schwert in den Stamm der Esche stößt, das nur ein auserwählter Held gewinnen kann, folgt unmittelbar auf Siegmunds Szene „Ein Schwert verhieß mir der Vater“. Danach folgen Siegmunds bekannte Arie „Win- terstürme wichen dem Wonnemond“ bzw. sein Duett mit Sieglinde. Der Männer Sippe saß hier im Saal, von Hunding zur Hochzeit geladen: er freite ein Weib, das ungefragt Schächer ihm schenkten zur Frau. Traurig saß ich während sie tranken; ein Fremder trat da herein: ein Greis in grauem Gewand; tief hing ihm der Hut, der deckt ihm der Augen eines; doch des andren Strahl, 2 Angst schuf es allen, traf die Männer sein mächtiges Dräu'n. Mir allein weckte das Auge süß sehnenden Harm, Tränen und Trost zugleich. Auf mich blickt er, und blitzte auf Jene, als ein Schwert in Händen er schwang; das stieß er nun in der Esche Stamm, bis zum Heft haftet es drin: - dem sollte der Stuhl geziemen, der aus dem Stamm es zög. Der Männer alle, so kühn sie sich mühten, die Wehr sich keiner gewann; Gäste kamen, und Gäste gingen, die stärksten zogen am Stahl - keinen Zoll entwich er dem Stamm: dort haftet schweigend das Schwert. - Da wußt ich, wer der war, der mich Gramvolle gegrüßt; ich weiß auch, wem allein im Stamm das Schwert er bestimmt. O fänd ich ihn heut und hier, den Freund; käm er aus Fremden zur ärmsten Frau! Was je ich gelitten in grimmigem Leid, was je mich geschmerzt in Schande und Schmach: süßeste Rache sühnte dann Alles! Erjagt hätt ich was je ich verlor, was je ich beweint wär mir gewonnen - fänd ich den heiligen Freund, umfing den Helden mein Arm! Die Sängerin der Sieglinde sollte über einen jugendlich-dramatischen Sopran verfügen, doch auch lyrischen Ausdruck besitzen.
    [Show full text]