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Theme 2020 Chhatrapati Shivaji - Chhatrapati Shivaji 1952 | 170' | Hindi | Marathi | India | Black & White Theme Movie

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Theme 2020 Chhatrapati Shivaji - Chhatrapati Shivaji 1952 | 170' | Hindi | Marathi | India | Black & White Theme Movie Theme 2020 Chhatrapati Shivaji - Chhatrapati Shivaji 1952 | 170' | Hindi | Marathi | India | Black & White Theme Movie Director: Bhalji Pendharkar Producer: Bhalji Pendharkar Cast: Chandrakant, Parshwanath Altekar, Gajanan Jagirdar, Lalita Pawar, Leela Chandragiri, Master Vithal, Ranjana, Ratnamala, Vanmala, Baburao Pendharkar Screenplay: Bhalji Pendharkar Cinematographer: Ganpat Shinde Editor: Baburao Bhosle Chhatrapati Shivaji is a historical biopic film based on the life Sound Designer: Ganpat Mole, Appa and times of Chhatrapati Shivaji Maharaj - Emperor of Jadhav Maharashtra region, founder of Swaraj and Maratha Empire. It Music Composer: C. Ramchandra chronicles major events in his life. Costume Designer: Vishwas Production Designer: Ganpatrao Wadangekar Production Company: Prabhakar Chitra Bhalji Pandharkar was one of the early 1981 Ganimi Kawa filmmakers to emerge from India. He worked 1969 Tambdi Maati wholeheartedly in a variety of fields of life as a 1965 Sadhi Manse thoughtful, theorist, nationalist, a Filmmaker 1964 Maratha Tituka Melvava and administrator, playwright, and poet and placed a superlative in front of the world. Along 1963 Mohityanchi Manjula with entertainment, his main goal was social 1935 Kalia Mardan awaking. Especially from his historical films, in 1925 Bajirao Mastani pre-independent era, he tried to awaken the feelings of state's pride and patriotism in the society. As a great philosopher and patriot, his views and work are incredible and important. 100 2020 Duvidha - In Two Minds 1973 | 82' | Hindi | India | Colour Theme Movie Director: Mani Kaul Producer: Mani Kaul Cast: Ravi Menon, Raisa Padamsee, Hardan, Shambudan Cinematographer: Navroze Contractor Editor: Ravi Patnaik Sound Designer: Dijendra Bijoy Biswas Music Composer: Ramzan Hammu, Saki Khan, Latif A girl Lachhi, is married to a merchant's son, Kishanlal. He Festivals: Berlin IFF 1975, Chicago IFF brings her to his village but leaves her immediately to go away 1975 on business. Lachhi is left to her own devices. Meanwhile, a ghost falls in love with her and assumes the form of her husband and begins to live with her. Soon she finds herself pregnant with a child. The husband returns… a dilemma arises… The film moves on two planes-inside-outside, dark- light, a structure that exists in the folk tales and myths the world over. Film is based on a short story 'Duvidha' by Vijayadan Detha. Mani Kaul is undoubtedly the Indian filmmaker 1991 Naukar Ki Kameez who has succeeded in overhauling the 1990 Siddeshwari (Doc) relationship of image to form, of speech to 1980 Satah Se Uthata Aadmi narrative. Mani Kaul is a graduate of FTII, Pune, where he learned from legendary director, 1976 Ghashiram Kotwal Ritwik Ghatak. Hisdebut film Uski Roti (1970) 1973 Duvidha was one of the key films of the 'New Indian 1971 Ashad Ka Ek Din Cinema'. Mani Kaul continued making films, documentaries, and little short "episodic" 1970 Uski Roti content for emerging medium of TV. With each work, he approached a novel narrative through a different structure of visuals imagery. 101 2020 Jagachya Pathivar - Jagachya Pathivar 1960 | 147' | Marathi | India | Black & White Theme Movie Director: Raja Paranjpe Producer: Raja Paranjpe Cast: Raja Paranjpe, Ramesh Deo, Seema Deo, Dhumal Screenplay: G.D Madgulkar Cinematographer: Bal Bapat Editor: Bal Korde Sound Designer: Mulgaonkar, Pednekar, Dhirubhai Sakharam wandered for the job. He wanders through the Music Composer: Sudhir Phadke beggars and goes in the beggars. At the same time he encounters a blind young girl. Sakharam supports her. She is Costume Designer: Kamar Ali the daughter of a rich man. At last She gets her parents finds Production Designer: Keshav Mahajani her and take her her away. She also takes Sakharam along Production Company: Shripad Chitra with her. Good days come to Sakharam. Raja Paranjpe was quite a legend on Marathi 1963 Haa Mazha Marg Eklaa stage and cinema as a writer, producer, director, 1961 Suvashini and actor. Raja Paranjape, who ruled Marathi 1954 Oon Paoos cinema from 1948 to 1969, has acted in 60 films and directed 27 films. His genius lay in the 1952 Lakhachi Gosht ability to bring a smile on the audience' face 1950 Pudhcha Paool without any slapstick comedy and he had the equal power to bring them to tears without adding any glycerine to his own eyes. He is known for creating a cinema that was simple, and more urban, little ahead of its time. 102 2020 Kunku - Kunku 1937 | 162' | Marathi | India | Black & White Theme Movie Director: V. Shantaram Producer: Vishnupant Damle, Fattelal Shaikh Cast: Shanta Apte, Keshavrao Date, Vasanti, Vimalabai Vashitha Screenplay: Narayan Hari Apte Cinematographer: V. Avadhoot Sound Designer: Shankarrao Damle Music Composer: Keshavrao Bhole Neera is trapped into marrying an old widower Kakasaheb. He Production Designer: Shaikh Fattelal is a progressive lawyer with a son and daughter of Neera's age. Neera refuses to consummate the union claiming that Production Company: Prabhat Films while suffering can be borne, injustice cannot. Neera faces Festivals: Venice FF 1937 many hurdles including her aunt-in-law and a lascivious stepson Pandit. Finally, the widower, realising the unfairness of the situation, commits suicide thus freeing Neera. V. Shantaram had an illustrious career as a 1973 Pinjra filmmaker for almost seven decades. He was 1959 Navrang one of the early filmmakers to realise the 1957 Do Aankhen Barah Hath efficacy of the film medium as an instrument of social change and used it successfully to 1955 Jhanak Jhanak Payal Baaje advocate humanism on one hand and expose 1946 Dr. Kotnis Ki Amar Kahani bigotry and injustice on the other. He Was Also 1939 Manoos Praised By Charlie Chaplin for his Marathi film Manoos. The Dadasaheb Phalke Award was conferred on him in 1985. He was posthumously awarded the Padma Vibhushan in 1992. 103 2020 Bhuvan Shome - Mr. Shome 1969 | 92' | Hindi | India | Black & White Theme Movie Director: Mrinal Sen Producer: Mrinal Sen Cast: Utpal Dutt, Suhasini Mulay, Rochak Pundit Screenplay: Mrinal Sen Cinematographer: K.K. Mahajan Editor: Rajendra Naik, Gangadhar Naskar, Dinkar Shetye Sound Designer: Loken Bose, Syamsunder Bhuvan Shome is a lonely widower, a proud old man and a Ghose, Deva Prasad Dutta disciplinarian. Looking back on the trodden path, strewn with Music Composer: Vijay Raghav Rao staunch determination and drab attitudes, Bhuvan Shome, a thoroughly unenchanted man, takes a day off and walks into Production Designer: Sadhu Meher another world-a new world consisting of simple uninitiated Production Company: Mrinal Sen village folk. There he rides a bullock cart, encounters a buffalo Productions and finally a village belle. Off to duck shooting amidst the sand dunes, suddenly everything lights up. A day's exposure to a host of alien situations deepens his sense of loneliness. He realises that he has no escape from the world which he has built for himself all these years. Sen is one of India's most politically active 1989 Ek Din Achanak filmmakers. In the mid-1940s he joined the 1984 Khandahar Indian People's Theatre Association and began 1982 Kharij to read about and study film. In 1956 Sen made his debut with Raat Bhore (1956). Influenced by 1981 Akaler Sandhane Italian neorealism and the work of fellow 1977 Mrigaya countryman Satyajit Ray, Sen used location 1975 Chorus shooting and non-professional casts in his early films. By the 1970s he was making wider use of 1960 Baishey Shravana symbolism and allegory. Sen's films have won numerous international awards including prizes at Cannes, Berlin, Venice, and many other festivals. 104 2020 Ramshashtri - Ramshashtri 1944 | 122' | Marathi | India | Black & White Theme Movie Director: Vishram Bedekar, Gajanan Jagirdar, Raja Nene Producer: Vishnupant Damle, Fattelal Shaikh Cast: Gajanan Jagirdar, Lalita Pawar, Baby Shakuntala, Hansa Wadkar, Master Vithal, Anant Marathe Screenplay: V.S. Sukhtankar, Vishram Bedekar, Shivaram Washikar, Qamar Jalalabadi The film is a biographical account of Ramshastri Prabhune, Cinematographer: Pandurang Naik, E. chief justice at the court of Madhavrao Peshwa, and a major Mohammed figure in the development of an indigenous legal code. It follows the death of the Peshwa Madhavrao in 1772 when Editor: A. R. Sheikh Raghoba seized power by killing Narayanrao, the official heir Sound Designer: S. Damle, S. Kulkarni and his own nephew. The idealised figure of Ramshastri is Music Composer: Keshavrao Bhole, G. presented as truth incarnate. Struggling for an education, he Damle eventually becomes the popular chief justice at Madhavrao's Production Designer: S. Fattelal, B.D. court and is the only influential figure in the realm willing to Thatte stand up to Raghoba and to denounce his usurpation of the throne. Production Company: Prabhat Films Vishram Bedekar, Gajanan Jagirdar, and Raja 1944 Ramshastri Nene were pillars of Prabhat Film Company in its early days. Bedekar, and Nene were regular writers and Directors, while Jagirdar was a famous actor and Director. This film marks one of the rare collaboration of all three stalwarts. 105 2020 Sangte Aika - Sangte Aika 1959 | 157' | Marathi | India | Black & White Theme Movie Director: Anant Mane Producer: Anant Mane Cast: Jayshree Gadkar, Dada Salvi, Suryakant, Chandrakant, Hansa Wadkar, Sulochana Latkar, Vasant Shinde Screenplay: Vyankatesh Madgulkar Cinematographer: E. Mohammed Editor: Gangaram Mathaphode Sound Designer: S. Damle Mahadev, the landowner of Rajuri village, is a tyrant obsessed Music Composer: Vasant Pawar with his own glory. Sakharam, a poor farmer, dares to race his bullock-cart against Mahadev's, and Mahadev enlists Savlyá Costume Designer: Suhasini Kolhapure the dacoit to teach Sakharam a lesson. Chima, a dancer in the Production Designer: B. D. Thatte folk theatre, becomes aware of Mahadev's treacherous Production Company: Chetana Chitra crimes against Sakharam, his beautiful wife Hamsa, and even Savlya. Destiny offers Chima an unexpected opportunity to exact a terrible vengeance on Mahadev through his beloved son Kisna. Anant Mane is one of the iconic directors in 1968 Ek Gao Bara Bhangadi Marathi cinema, with a career spanning over 1965 Kela Ishara Jata Jata Four decades.
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