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SPARROW Newsletter
SNL Number 38 May 2019 SPARROW newsletter SOUND & PICTURE ARCHIVES FOR RESEARCH ON WOMEN A Random Harvest: A book of Diary sketches/ Drawings/Collages/ Watercolours of Women Painters It is a random collection from the works women painters who supported the Art Raffle organised by SPARROW in 2010. The works were inspired by or were reflections of two poems SPARROW gave them which in our view, exemplified joy and sorrow and in a sense highlighted women’s life and experiences that SPARROW, as a women’s archives, has been documenting over the years. Contribution Price: Rs. 350/- This e-book is available in BookGanga.com. Photographs............................................. 19267 Ads................................................................ 7449 Books in 12 languages............................ 5728 Newspaper Articles in 8 languages... 31018 Journal Articles in 8 languages..............5090 Brochures in 9 languages........................2062 CURRENT Print Visuals................................................. 4552 Posters........................................................... 1772 SPARROW Calendars...................................................... 129 Cartoons..............................................................3629 Maya Kamath’s cartoons...........................8000 HOLDINGS Oral History.................................................. 659 Video Films................................................. 1262 Audio CDs and Cassettes...................... 929 Private Papers........................................ -
A Portrayal of People Essays on Visual Anthropology
A PORTRAYAL OF PEOPLE Digitized by the Internet Archive in 2018 with funding from Public.Resource.Org https://archive.org/details/portrayalofpeoplOOunse A PORTRAYAL OF PEOPLE Essays on Visual Anthropology in India Co-published by ANTHROPOLOGICAL SURVEY OF INDIA INDIAN NATIONAL TRUST FOR ART AND CULTURAL HERITAGE INTACH 71, Lodhi Estate New Delhi-110 003 ANTHROPOLOGICAL SURVEY OF INDIA West Block 2, Wing 6, First Floor R.K. Puram New Delhi 110 066. ©ASI, INTACH, 1987. © For individual contributions with authors. Printed at Indraprastha Press (CBT) 4 Bahadur Shah Zafar Marg, New Delhi 110002. CONTENTS Foreword v Introduction ix An Examination of the 1 Need and Potential for Visual Anthropology in India Rakhi Roy and Jayasinhji Jhala Anthropological Survey of 20 India and Visual Anthropology K.S. Singh History of Visual Anthropology 49 in India K.N. Sahay Perceptions of the Self and Other 75 in Visual Anthropology Rakhi Roy and Jayasinhji Jhala My Experiences as a Cameraman 99 in the Anthropological Survey Susanta K. Chattopadhyay The Vital Interface 114 Ashish Rajadhyaksha The Realistic Fictional Film: 127 How far from Visual Anthropology? Chidananda Das Gupta Phaniyamma and the Triumph 139 of Asceticism T.G. Vaidyanathan Images of Islam and Muslims 147 on Doordarshan Iqbal Masud Man in My Films 161 Mrinal Sen/Someshwar Bhowmick The Individual and Society 169 Adoor Gopalakrishnan/Madhavan Kutty Notes on Contributors 174 FOREWORD It has often been said that India lives in many centuries at the same time. The complex network of diversity that stretches across time and space has made India a paradise for anthropologists. -
9. Internationales Berlin Forum 22.2.-3.3. Des Jungen Films 1979
29. internationale filmfestspiele berlin 9. internationales berlin forum 22.2.-3.3. des jungen films 1979 INTERVIEW überwindet der Film die Grenzen von Zeit und Raum, um zu einer universellen Wahrheit zu gelangen. Am Ende des Films wird der junge Held aus seiner gewohnten Um• Land Indien 1971 gebung herausgeholt und von einem unsichtbaren Zuschauer einem Produktion Mrinal Sen Verhör unterworfen; auf provokative Fragen gibt er unsichere Ant• worten. Und schließlich kommt der Moment des Urteils — über die Welt und ihre Werte. Regie Mrinal Sen Mrinal Sen Buch Mrinal Sen, nach einer Erzählung von Ashish Burman Biofilmographie Kamera K.K. Mahajan Mrinal Sen wurde 1923 geboren. „Ich kam auf Umwegen zum Film. Musik Vijay Raghava Rao Ich habe Physik studiert, interessierte mich für akustische Phäno• mene, und um diese eingehender zu untersuchen, arbeitete ich nach Schnitt Gangadhar Naskar Beendigung meines Studiums in einem Filmstudio. Als ich dann in der Nationalbibliothek in Kalkutta meine Arbeit fortsetzte, begann Darsteller ich auch Filmliteratur zu lesen — Schriften Sergej Eisensteins, die Ranjit Mullick Ranjit Mullick Arbeit seines Schülers Wladimir Nilsen, die Aufsätze Wsewolod Sekhar Chatterjee Sekhar Chatterjee Pudowkins. Die Mutter Karuna Banerjee Dann habe ich andere Sachen versucht, habe Korrektur gelesen und Mithu (die Schwester) Mamata Banerjee Artikel geschrieben und war kurze Zeit bei einer Theaterkooperati• Bulbul ve, dem 'Indian People's Theatre Movement'. (die Freundin) Bulbul Mukerjee Ich begann für eine Zeitung der Kommunistischen Partei, deren Mit• arbeiter ich war, Filmrezensionen zu schreiben." Die im Film verwendete Telephonnummer ist Mrinal Sens 1952 veröffentlichte Sen ein Buch über Charlie Chaplin. Um sich eigene Telephonnummer finanziell über Wasser zu halten, wurde er Vertreter einer Arznei• mittelfirma, ein Beruf, „für den ich vollkommen ungeeignet war". -
Mahaprithivi / Innenwelt, Außenwelt
22. internationales forum 49 des jungen films berlinl992 MAHAPRITHIVI Statement des Regisseurs Innenwelt, Außenwelt Ich fragte mich: "Warum sollte man nicht einen solchen Akt als Kristallisationspunkt benützen, um eine Untersuchung über unse Land Indien 1991 re Zeit zu beginnen, Heim und Welt miteinander zu verbinden und Produktion GG Films statt einer voreiligen Antwort das Ende offen lassen für Fragen, Zweifel, Reflektionen?" Buch, Regie Mrinal Sen nach einem Stück von Anjan Dutt Vom Leben und Sterben (...) Nach drei Hindi-Filmen {Khandar, Genesis und EkdinAcha- Kamera Shashi Anand nak) kehrt Sen wieder zum Bengali und zu seinem Lieblingsthe Musik B.V. Karanth ma zurück: der Selbstkritik am Beispiel einer Handvoll Men Chandan Roy Chowdhury schen. Der Dreh- und Angelpunkt von Antwesti (so der Arbeits B auten/Ausstattung Gautam Basu titel von MAHAPRITHIVI, A.d.R.) ist der mysteriöse Tod einer Ton Sanjoy Mukherjee, Sudipta Bose alten Frau, aber Sen interessiert sich nicht für dessen psychologi Chinmoy Nath sche Hintergründe. Für ihn ist er "lediglich ein Ausgangspunkt, Schnitt Mrinmoy Chakraborty um Fragen zu stellen, auf die es keine Antworten gibt, Antworten auf die soziale und politische Situation der heutigen Welt. Die Darsteller Familie stellt hier meines Erachtens den Mikrokosmos des Uni Vater Soumitra Chatterjee versums darEr erklärt: " Es ist eine Art Nachruf auf die Zeit, Mutter Gita Sen in der wir leben." Antwesti ist von Gautam Goswami produziert, Sohn Victor Banerjee dessen Film Debota, ein ein Kassenschlager wurde. Antwesti Sohn Anjan Dutt basiert auf einem Stück von Anjan Dutt und handelt von den An Tochter Anasuya Majumdar gehörigen der alten Frau, die sich das Leben nahm. -
Ekdin Pratidin); the Case Is Closed (Kharij); Suddenly, One Day (Ekdin Achanak) 9788170460954 Seagull, 1999 1999
Mrinal Sen The Absence Trilogy: And Quite Rolls the Dawn (Ekdin Pratidin); The Case is Closed (Kharij); Suddenly, One Day (Ekdin Achanak) 9788170460954 Seagull, 1999 1999 The Absence Trilogy: And Quite Rolls the Dawn (Ekdin Pratidin); The Case is Closed (Kharij); Suddenly, One Day (Ekdin Achanak) Over the Years Cinewave, Issues 2-4 Views on Cinema Always Being Born Chasing the Truth Sen experienced his own âœten years of a masterâ in the decade from And Quiet Rolls the Day in 1979 to Suddenly One Day (Ekdin Achanak) in 1989. (The repetition of âœEk Dinâ in their respective Bengali titles, meaning âœone day,â augtments this sense of bookended symmetry.) In The Case Is Closed, a servant boyâ™s choice to move from his assigned sleeping space under the stairs into the kitchen for one night of warmth proves fatal, precipitating a moral crisis for his oblivious masters. Perhaps imposing order retroactively, Sen pronounced that three of his ambiguous, calculatedly inconclusive family dramasâ”And Quiet Rolls the Day, The Ruins, and Suddenly One Dayâ”comprise âœthe absence trilogy.â â˜Ek Din Pratidinâ™ (And Quiet Rolls the Dawn) (1979) undeniably establishes Senâ™s feminist credentials. The movie is a haunting tale of deep-rooted patriarchy ingrained in the Indian value system and questions the ethical standings of the viewers. â˜Ek Din Pratidinâ™ violently shakes traditional morality and compels people to think beyond the confines of their respective comfort zones. Some of his later ventures include such masterpieces as â˜Ek Din Achanakâ™ (Suddenly, One Day) (1989), â˜Mahaprithiviâ™ (World Within, World Without) (1991) and â˜Antareenâ™ (The Confined) (1993). -
Nine Lawmakers Urge Quick Discussion on Debt Relief MP Warns of Meat Crisis Over ‘Possible’ Australian Export Ban
RABI ALTHANI 24, 1440 AH MONDAY, DECEMBER 31, 2018 28 Pages Max 19º Min 10º 150 Fils Established 1961 ISSUE NO: 17721 The First Daily in the Arabian Gulf www.kuwaittimes.net Flashback 2018: Major Fire Service Directorate Hasina heading for landslide win 24events in Kuwait closes 15 establishments 6 in Bangladesh; 14 die in violence Don’t miss your copy Nine lawmakers urge quick discussion on debt relief MP warns of meat crisis over ‘possible’ Australian export ban By B Izzak it will go to the financial and economic affairs estimates, are placed at very low interest committee to study details and cost of the rates and if the government raises those rates Kuwaiti skydivers set KUWAIT: Nine lawmakers yesterday sub- proposal. The initiative calls on the govern- slightly it can utilize the difference in paying mitted a letter calling on the Legal and ment to purchase all consumer and install- for citizens’ loans over several years. As of Guinness world record Legislative Committee to quickly review a ment loans owed by Kuwaiti citizens to help now, there are no official estimates of citizens’ proposal stipulating that the government pur- them meet rising cost of living demands. loans at banks but previously they were put chases bank debt owed by Kuwaiti citizens. Mutairi said earlier that the proposal will at around KD 4 billion. Mutairi said his pro- MP Majed Al-Mutairi, who renewed a not cost state coffers anything since the gov- posal had received impressive backing from year’s-old proposal that was rejected in the ernment will use its huge deposits with local within the National Assembly. -
Kalkutta, Mein Eldorado
CALCUTTA, MY ELDORADO 1974 Chorus, Forum 1975 Kalkutta, mein Eldorado 1976 Mrigayaa, Forum 1979 1977 Oka Oorie Katha, Forum 1979 Land Indien 1990 1978 Parashuram Produktion Mrinal Sen Productions 1979 Ekdin Pratidin City Life Foundation 1980 Akaler Sandhane mit Unterstützung von Nationale Commissie 1982 Kharij Voorlichting en Bewustwording 1983 Kandhar Ontw ikkeling s s amen werking 1986 Genesis (NCO) 1989 Ekdin Achanak 1990 CALCUTTA, MY ELDORADO Regie Mrinal Sen Kamera Shashi Anand Ton Rabin Sen Gupta Ranjan Pandey Schnitt Mrinmoy Chakraborty Musik Ananda Shank ar Länge 22 Minuten Inhalt "Jedesmal, wenn ich nach Kalkutta zurückkehre, denke ich, daß es so nicht weiter gehen kann. Und doch geht es weiter. Von Jahr zu Jahr wird der Anblick schmerzlicher, der Schmutz schmutziger, die Armut militanter, die Verzweiflung verzweifelter. Jedesmal, wenn ich nach Kalkutta zurückkehre, habe ich den Eindruck einer einschüchternden, höllischen Stadt. Unerlösbar, wahrscheinlich zum Untergang verurteilt" Dieses Zitat von James Cameron bildet den Epilog zu Mrinal Sens Kalkutta-Episode. "Es ist kein Dokumentarfilm. Ich versuche nicht, Lösungen zu finden. Es geht mir nicht darum, wie alt Kalkutta ist, oder wer es gegründet hat. Es ist ein Porträt im Sinne von 'Ich und meine Stadt'", sagt Sen nach Abschluß der Drehar beiten. Was er in seinem kaleidoskopischen Beitrag aufspürt, ist die Widersprüchlichkeit der Stadt, die Koexistenz der wider sprüchlichsten Emotionen. Unvorhersagbarkeit, Gefühllosigkeit, Heftigkeit der Gefühle, Grausamkeit, Zartheit. Eine Intensität, die vielleicht hilft, den unausweichlich scheinenden Untergang zu verhindern. Biofilmographie Mrinal Sen, geboren 1923 in Ost-Bengalen (heute Bangladesch). Nach einer Ausbildung zum Physiker begann er 1956 seine Laufbahn als Filmregisseur mit Root Bhore. -
Été Indien 10E Édition 100 Ans De Cinéma Indien
Été indien 10e édition 100 ans de cinéma indien Été indien 10e édition 100 ans de cinéma indien 9 Les films 49 Les réalisateurs 10 Harishchandrachi Factory de Paresh Mokashi 50 K. Asif 11 Raja Harishchandra de D.G. Phalke 51 Shyam Benegal 12 Saint Tukaram de V. Damle et S. Fathelal 56 Sanjay Leela Bhansali 14 Mother India de Mehboob Khan 57 Vishnupant Govind Damle 16 D.G. Phalke, le premier cinéaste indien de Satish Bahadur 58 Kalipada Das 17 Kaliya Mardan de D.G. Phalke 58 Satish Bahadur 18 Jamai Babu de Kalipada Das 59 Guru Dutt 19 Le vagabond (Awaara) de Raj Kapoor 60 Ritwik Ghatak 20 Mughal-e-Azam de K. Asif 61 Adoor Gopalakrishnan 21 Aar ar paar (D’un côté et de l’autre) de Guru Dutt 62 Ashutosh Gowariker 22 Chaudhvin ka chand de Mohammed Sadiq 63 Rajkumar Hirani 23 La Trilogie d’Apu de Satyajit Ray 64 Raj Kapoor 24 La complainte du sentier (Pather Panchali) de Satyajit Ray 65 Aamir Khan 25 L’invaincu (Aparajito) de Satyajit Ray 66 Mehboob Khan 26 Le monde d’Apu (Apur sansar) de Satyajit Ray 67 Paresh Mokashi 28 La rivière Titash de Ritwik Ghatak 68 D.G. Phalke 29 The making of the Mahatma de Shyam Benegal 69 Mani Ratnam 30 Mi-bémol de Ritwik Ghatak 70 Satyajit Ray 31 Un jour comme les autres (Ek din pratidin) de Mrinal Sen 71 Aparna Sen 32 Sholay de Ramesh Sippy 72 Mrinal Sen 33 Des étoiles sur la terre (Taare zameen par) d’Aamir Khan 73 Ramesh Sippy 34 Lagaan d’Ashutosh Gowariker 36 Sati d’Aparna Sen 75 Les éditions précédentes 38 Face-à-face (Mukhamukham) d’Adoor Gopalakrishnan 39 3 idiots de Rajkumar Hirani 40 Symphonie silencieuse (Mouna ragam) de Mani Ratnam 41 Devdas de Sanjay Leela Bhansali 42 Mammo de Shyam Benegal 43 Zubeidaa de Shyam Benegal 44 Well Done Abba! de Shyam Benegal 45 Le rôle (Bhumika) de Shyam Benegal 1 ] Je suis ravi d’apprendre que l’Auditorium du musée Guimet organise pour la dixième année consécutive le festival de films Été indien, consacré exclusivement au cinéma de l’Inde. -
Daily Current Affairs Capsule 31St December 2018
Daily Current Affairs Capsule 31st December 2018 1. Sheikh Hasina's party wins Bangladesh election Awami League, led by Prime Minister Sheikh Hasina wins the Parliamentary elections. Hasina's ruling party Awami League won 287 of the 298 seats for which results have been declared for the 300-strong parliament. While the main opposition alliance dominated by the Bangladesh Nationalist Party (BNP) secured just six seats. The main opposition led by the Bangladesh Nationalist Party rejected the election and called for a fresh vote in the country of 165 million people. Points to Remember The Bangladesh Awami League, often simply called the Awami League or BAL, is one of the two major political parties of Bangladesh. It is the country's current governing party, after winning a majority in the 2014 election. 2. PM Inaugurates International Rice Research Institute’s South Asia Regional Centre Prime Minister Narendra Modi inaugurated the International Rice Research Institute South Asia Regional Centre (IRRI SARC) in Varanasi. It is the sixth campus of IRRI SARC. The institute will complement the government’s effort to double farmer’s income by 2022. The International Rice Research Institute (IRRI) is a dynamic and rapidly evolving organization which focuses on solving complex global problems through vibrant, rice-based agri-food systems. Points to Remember It will serve as a hub for rice research and training in South Asia and SAARC region. The IRRI SARC will aid in improving crop production, seed quality and the nutritional value of rice. It is headquartered in Los Baños, Laguna in the Philippines. 3. -
The Whole Aspect of Cinema and Film Festivals Should Be a Moment to Come Together and Celebrate Art and Humanity.” … Keanu Reeves ______
PRABHAT CHITRA MANDAL Sharada Cinema Bldg, Dadar (E), Mumbai – 400 014 Website: www.prabhatchitramandal.org email ID: [email protected] Tele/ Fax: 022-24131918 | Office Time: 2 pm to 7:30 pm . PCM/ Prog 07. No.1/2018-19 Date: 10th Jan, 2019 ___________________________________________________________________________________________________________ “ The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity.” … Keanu Reeves ______________________________________________________________________________________________________ Dear Member, Happy New Year! May you be blessed with the magic of cinema more than ever! Hope you had a content year of 2018,hope you encountered films which will remain with you forever, hope you well appreciated them beyond common audianceship, hope you are starving for even better cinema in 2018 and hope Prabhat happens to be the strong source for your hunger! After a renovated celebration of 17th Third Eye Asian Film Festival, Prabhat's very own international film festival last month, let's get ready for yet another worthwhile film event. 9th Yashwant International Film Festival is happening from 20th to 25th Jan 2019. The venue will be Y. B Chavan Center, Churchgate. Delegate registration is already started at the venue. Registration fees for delegates is Rs. 200. Mrinal Sen, one of the pioneers of “new wave” cinema in India, known for his experimentation and unconventional treatment, died few days ago. The director of Bhuvan Shome, Ek Din Achanak, Calcutta 71 and Khandhar, whose filmmaking career spanned from 1955 to 2002. Sen’s death marks the passing of a golden generation of Bengali filmmakers that also included Satyajit Ray and Ritwik Ghatak. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Theme 2020 Chhatrapati Shivaji - Chhatrapati Shivaji 1952 | 170' | Hindi | Marathi | India | Black & White Theme Movie
Theme 2020 Chhatrapati Shivaji - Chhatrapati Shivaji 1952 | 170' | Hindi | Marathi | India | Black & White Theme Movie Director: Bhalji Pendharkar Producer: Bhalji Pendharkar Cast: Chandrakant, Parshwanath Altekar, Gajanan Jagirdar, Lalita Pawar, Leela Chandragiri, Master Vithal, Ranjana, Ratnamala, Vanmala, Baburao Pendharkar Screenplay: Bhalji Pendharkar Cinematographer: Ganpat Shinde Editor: Baburao Bhosle Chhatrapati Shivaji is a historical biopic film based on the life Sound Designer: Ganpat Mole, Appa and times of Chhatrapati Shivaji Maharaj - Emperor of Jadhav Maharashtra region, founder of Swaraj and Maratha Empire. It Music Composer: C. Ramchandra chronicles major events in his life. Costume Designer: Vishwas Production Designer: Ganpatrao Wadangekar Production Company: Prabhakar Chitra Bhalji Pandharkar was one of the early 1981 Ganimi Kawa filmmakers to emerge from India. He worked 1969 Tambdi Maati wholeheartedly in a variety of fields of life as a 1965 Sadhi Manse thoughtful, theorist, nationalist, a Filmmaker 1964 Maratha Tituka Melvava and administrator, playwright, and poet and placed a superlative in front of the world. Along 1963 Mohityanchi Manjula with entertainment, his main goal was social 1935 Kalia Mardan awaking. Especially from his historical films, in 1925 Bajirao Mastani pre-independent era, he tried to awaken the feelings of state's pride and patriotism in the society. As a great philosopher and patriot, his views and work are incredible and important. 100 2020 Duvidha - In Two Minds 1973 | 82' | Hindi | India | Colour Theme Movie Director: Mani Kaul Producer: Mani Kaul Cast: Ravi Menon, Raisa Padamsee, Hardan, Shambudan Cinematographer: Navroze Contractor Editor: Ravi Patnaik Sound Designer: Dijendra Bijoy Biswas Music Composer: Ramzan Hammu, Saki Khan, Latif A girl Lachhi, is married to a merchant's son, Kishanlal.