August 2012 We Are a GLBT-Welcoming Congregation
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Steve Ripley a Rock and Roll Legend in Our Own Backyard Who Has Worked with Some of the Greats
Steve Ripley A rock and roll legend in our own backyard who has worked with some of the greats. Chapter 01 – 1:16 Introduction Announcer: Steve Ripley grew up in Oklahoma, graduating from Glencoe High School and Oklahoma State University. He went on to become a recording artist, record producer, song writer, studio engineer, guitarist, and inventor. Steve worked with Bob Dylan playing guitar on The Shot of Love album and on The Shot of Love tour. Dylan listed Ripley as one of the good guitarist he had played with. Red Dirt was first used by Steve Ripley’s band Moses when the group chose the label name Red Dirt Records. Steve founded Ripley Guitars in Burbank, California, creating guitars for musicians like Jimmy Buffet, J. J. Cale, and Eddie Van Halen. In 1987, Steve moved to Tulsa to buy Leon Russell’s recording facility, The Church Studio. Steve formed the country band The Tractors and was the cowriter of the country hit “Baby Like to Rock It.” Under his own record label Boy Rocking Records, Steve produced such artists as The Tractors, Leon Russell, and the Red Dirt Rangers. Steve Ripley was sixty-nine when he died January 3, 2019. But you can listen to Steve talk about his family story, his introduction to music, his relationship with Bob Dylan, dining with the Beatles, and his friendship with Leon Russell. The last five chapters he wanted you to hear only after his death. Listen now, on VoicesofOklahoma.com. Chapter 02 – 3:47 Land Run with Fred John Erling: Today’s date is December 12, 2017. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
The Sigma Tau Delta Rectangle
The Sigma Tau Delta Rectangle Journal of Creative Writing Sigma Tau Delta International English Honor Society Volume 86, 2011 Editor of Publications: Karlyn Crowley Associate Editors: Jody Kolter Gretchen Panzer Production Editor: Kristen Kutil St. Norbert College De Pere, Wisconsin Honor Members of Sigma Tau Delta Chris Abani Mari Evans Marion Montgomery Kim Addonizio Phillip Jose Farmer Kyoko Mori Edward Albee Robert Flynn Scott Morris Julia Alvarez Shelby Foote Azar Nafisi Rudolfo A. Anaya H.E. Francis Howard Nemerov Saul Bellow Alexandra Fuller Naomi Shihab Nye John Berendt Neil Gaiman Sharon Olds Robert Bly Charles Ghigna Walter J. Ong, S.J. Vance Bourjaily Nikki Giovanni Suzan–Lori Parks Cleanth Brooks Donald Hall Laurence Perrine Gwendolyn Brooks Robert Hass Michael Perry Judith Ortiz Cofer Frank Herbert David Rakoff Henri Cole Peter Hessler Henry Regnery Billy Collins Andrew Hudgins Richard Rodriguez Pat Conroy William Bradford Huie Mark Salzman Bernard Cooper E. Nelson James Stephen Spender Judith Crist X.J. Kennedy William Stafford Jim Daniels Jamaica Kincaid Lucien Stryk James Dickey Ted Kooser Amy Tan Mark Doty Li-Young Lee Sarah Vowell Ellen Douglas Valerie Martin Eudora Welty Richard Eberhart David McCullough Jessamyn West Katja Esson Erin McGraw New Honor Members in italics Delta Award Recipients Richard Cloyed Elaine Hughes Isabel Sparks Beth DeMeo E. Nelson James Sue Yost Bob Halli Elva Bell McLin Copyright © 2011 by Sigma Tau Delta All rights reserved under International and Pan–American Copyright Conventions. Published in the United States by Sigma Tau Delta, Inc., the International English Honor Society, William C. Johnson, Executive Director, Department of English, Northern Illinois University, DeKalb, Illinois 60115–2863, U.S.A. -
Mikecave Print Info Pdf2012.Cwk (WP)
BIOGRAPHY Musician turned mixer/producer Mike Cave got his start playing guitar, keyboards & drums in a variety of bands on the Liverpool circuit from the age of 13, and by 15 he was engineering sessions for his own bands and others in the area. Mike went on to study Music Theory at the London College of Music, but his real education was finding his band The Sunlites in a major record deal with Mercury, allowing him to spend two years in the studio with the big guns – Jeremy Wheatley, Mike Neilsen, Kevin Bacon and Jonathan Quarmby. A six year in-house engineer stint at Liverpool!s legendary Parr Street Studios followed, working alongside heavyweights such as Ken Nelson (Coldplay, Badly Drawn Boy, Gomez), Jeremy Wheatley (Space, Sugababes, Mel C), and Brendan Lynch (Paul Weller, Ocean Colour Scene, Cast). Mike then went freelance and opened his own world class studios The Loft in a large converted Manhattan-style loft in the centre of Liverpool. He!s built a strong reputation as a mixer/producer, with artists as diverse as Professor Green, The Coral, Elvis Costello, Noisettes, Tinchy Stryder, James Vincent McMorrow, John Martyn, Yuksek, Bob Dylan, The Charlatans, The Zutons, and Echo & The Bunnymen making use of his production, mixing & mastering expertise and earning him a string of top ten albums & singles and numerous multi-platinum, gold & silver sales awards (see below). Mike!s talent and experience working on both sides of the desk give him a unique understanding of how to deliver quality records on time and on budget with a magic touch that brings artists! ideas to life. -
The Charlatans
The Charlatans Formados en 1989 en Northwich (Cheshire), sacaron su primer single, Indian Rope, en su propio sello Dead Dead Good y vendieron 20 mil copias (suficiente para conseguir un número uno hoy en dÃa). Luego ficharon por Beggars Banquet y consiguieron su primer Top Ten single con The Only One I Know, uno de los temas que definieron la escena Manchester de los 90\'s al mismo tiempo que adelantaban los sonidos del siglo XXI que hoy en dÃa hacen gente como Kasabian. The Charlatans tenÃan una actitud despreocupada pero con una imagen y un talento a juego - su álbum de debut Some Friendly llegó al número 1. Su segundo disco, Between 10th and 11th (1992), en el que Mark Collins re-emplazó a Jon Baker, tenÃa otro hit, Weirdo. Entonces en 1993 llegó el desastre cuando el teclista Rob Collins se vio envuelto en una robo a mano armada y pasó ocho meses entre rejas. El grupo, sin embargo, volvió a la carga con Up To Our Hips (1994), un disco que les hizo recibir las más extraordinarias crÃticas de toda su carrera y que contenÃa el single Can\'t Get Out Of Bed. El disco con el tÃtulo homónimo, The Charlatans, salió en 1995 y fue directamente al número 1 (su tercer álbum Número 1) e incluÃa el single Just When Your Thinkin\' Things Over. En julio de 1996 Rob Collins murió en un trágico accidente de coche durante las sesiones de grabación de Tellin\' Stories.