Rusty and Doug Dancing Shoes Mp3, Flac, Wma

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Rusty And Doug Dancing Shoes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Dancing Shoes Country: UK MP3 version RAR size: 1196 mb FLAC version RAR size: 1607 mb WMA version RAR size: 1455 mb Rating: 4.5 Votes: 212 Other Formats: AAC MMF MPC ASF DMF AHX TTA Tracklist Hide Credits Dancing Shoes A Written By – Bryant I Like You (Like This) B Written-By – Rusty, & Doug Kershaw* Companies, etc. Recorded By – Hickory Records Published By – Acuff-Rose Notes For promotional purposes, the label has a sticker with the text: "SAMPLE RECORD (Not for Sale) WARNING-Under the copyright Act. 1956, any person offering this record for sale renders himself liable to prosecution. REC/281" Barcode and Other Identifiers Matrix / Runout (Label, side A): MSC.3848 Matrix / Runout (Label, side B): MSC.3847 Other (Tax code): E/T Other versions Category Artist Title (Format) Label Category Country Year Rusty And Rusty And Doug*, Wiley Hickory 45-1101 Doug*, Wiley Barkdull - Dancing Shoes 45-1101 US Unknown Records Barkdull (7", Single, Promo) Rusty And Doug* Rusty And Doug* With Hickory 45-1101 With Wiley Wiley Barkdull - Dancing 45-1101 US Unknown Records Barkdull Shoes (7", Single) Related Music albums to Dancing Shoes by Rusty And Doug Rusty Wier - My Old Lady (Apologies To Susie) Rusty And Doug - It Takes All Day (Just To Get Over Nite) / The Sooner You Go (I Can Cry) Doug Banks - I Just Kept On Dancing Rusty And Doug - Louisiana Man / Make Me Realize Rusty Bryant And The Carolyn Club Band - Ridin' With Rusty / Hot Fudge Rusty Bryant - Rusty Bryant Returns Al Terry, Wiley Barkdull - Watch Dog / I Ain't Gonna Waste My Time Rusty Draper - The Lady Of The House / It Should Be Easier Now Rusty & Doug Kershaw - Hey Mae / Why Don't You Love Me Rusty Warren - More Knockers Up!.

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J2P and P2J Ver 1
December 25, 1961 D50 Cents MuJEICEILLBDAR WEEk Music- Phonograph Merchandising Radio -Tv Programming Coin Machine Operating Fewer Big Breakout Sides BILLBOARD PAGE ONE MUSIC WLGK PAGE ONE RECORD RECORDS As Mfrs. Key to Xmas Wax NEW YORK - Only 10 new tinued its strong sales pace across 1411:11 singles broke open across the the nation with albums by country this week as dealers, dis- Chubby Checker, Joey Dec, Ray tributors and manufacturers con- Charles and the Ventures moving * NATIONAL BREAKOUTS centrated on selling Christmas up and up. Demand for hot al- 1A.4 consumers. And bums and singles was so strong disks to eager MURRAY THE "K'S" BLASTS FROM THE PAST, Vari- eager. They were that many distributors ran short MONO Ts ous Artists, Chess consumers were s albums at a of wanted merchandise, making fai buying singles and TIME FURTHER OUT, Dave Brubeck Quartet, Columbia greetings healthy rate, with expectations dealers most unhappy. Many aé high that this December would presses worked around the clock turn out to be one of the best in to supply the demand the past and a big 1962 from years. week. The two -week semi -hiatus. course, of new releases is expected to end STEREO LP's CHRISTMAS MUSIC, Mantovani, London Christmas records, of BILLBOARDWEEK were big sellers, both new 1961 next week when manufacturers MUSIC product and the hardy perennials bring forth their strong single and The size of the "Who's Who of other years. The Twist con- album product for January. in the World of Music" sec- tion of this issue has necessi- * NEW AL4ivltt Li' 4 tated a reduction in the size of the regular news section.
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Inside This Issue
Texas Polka News - April 2020 Volume 32 | Isssue 14 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker WUNNERFUL How to Polka On! LAWRENCE WELK 3 Editor’s Log Gary E. McKee IN TEXAS How to Grow Polka 3 Polka On fans; From our readers 4-7 Featured Story Lawrence Welk 8-10 Fiddlers Frolics 50 11 Boerne Village Band; Remembering Dorothy Ellebracht 12-13 Church Picnics 14 PoLK of A Report 16 Music Review Essential Johnny Cash 17 DJ Proﬁ le: Larry Sodek; Mason Krause on polka scene 18-20 Dances, Festivals, Live Music 21-23 Festival & Dance Notes 23 Band ads 24 Polka Smiles Sponsored by Slovacek's By Gary E. McKee Story on Page 4 2 Texas Polka News - April 2020 April 2 Texas Polka News Staff Bohemian Princess Farm Street Opry in Bastrop and Floresville Opry eresa Cernoch Parker, Publisher Diary Gary E. McKee, Editor/Photo Journalist April 4 Je Brosch, Artist/Graphic Designer Schulenburg Sausagefest Contributors: Austin Crawsh Festival Louise Barcak Mark Hiebert John Roberts Justin Everett Karen Williams Kurtz Will Seegers Twin Sisters Dance Hall Lauren Haase Julie Matus Rose Vrazel Sealy Lions Club Dance Club Walt Harfmann Earline Berger Okruhlik George Weber April 5 Joe Cool Pavlicek Harvey Wise Elgin Lodge 18 Dance Houston VFW 10352 Dance Contact By Theresa Cernoch Parker Ukrainian Easter Bazaar eresa Parker, Texas Polka News [email protected] April 16 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 Bluebonnet Opry in Brenham 281-836-5362 April 19 [email protected] | Gary: [email protected] Howdy, Texas music fans! Great CHS Harris Co Springfest thing about music is that you can Swiss Alp Dance Club Dance Ads/Media listen to it anywhere! But we miss April 28 Articles, ads, letters to the editor deadline: 1st of the month for the next month our dancing community and hope San Antonio Accordion Assoc.
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CENTER for PUBLIC HISTORY Letter from the Editor Classical Music in Houston
Volume 11 • Number 1 • fall 2013 CENTER FOR PUBLIC HISTORY LETTER FROM THE EDITOR Classical Music In Houston he Houston region has a long musical pop music fans showed their agreement by Ttradition with diverse styles ranging buying his records. From his early twenties from country to zydeco to blues to rock and into his fifties, Jones built a formidable song- roll to gospel—and everything in between. book while also exploring the depths of al- Our current issue captures many parts of cohol and drug addiction. His fans remained this musical heritage, with the important ex- loyal even after he earned the nickname “no ception of classical music. Indeed, it barely show Jones”; they excused frequent binges mentions Hank Williams and has nothing and missed shows as the price paid for the to say about George Jones, one of the most depth of feeling in his voice. One of his best famous of our region’s country singers. ballads, “Choices,” is an apology to those he Hank Williams is the Beethoven of the hurt along the way: “I was tempted; from an southern United States, home to genera- early age I found I liked drinkin’, and I never tions of country boys who ordered store- turned it down. There were loved ones, but bought guitars from the Sears catalogue I turned them all away, livin’ and dyin’ with and picked out tunes while listening to the choices I made.” Country singer Moe the Grand Ole Opry. Williams escaped Bandy’s great song,’ “Hank Williams, You poverty with mournful songs about lov- Wrote My Life,” could have been written for ing and cheating and drinking.
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Country Shows at the Flame Jimmy Wells
Country Shows at the Flame Jimmy Wells; Ardis Wells; Princess Jo Ann February 23 1956 Tex Ritter; TBS; Jimmy Wells May 16 1956 Tabby West; TBS; Jimmy Wells May 23 1956 Betty Foley; The Westerners - World's only Square Dance Roller Skaters; TBS; Jimmy Wells Dakota Roundup May 30 - June 2 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup June 6 - 9 1956 Bobby Lord and Wanda Jackson; TBS; Jimmy Wells Dakota Roundup June 13 - 16 1956 Billy Walker; The Westerners; TBS; Jimmy Wells June 20 - 23 1956 Mac Weisman; TBS; Jimmy Wells June 27 - 30 1956 Justin Tubb; TBS; Jimmy Wells Dakota Roundup July 4 - 7 1956 Arlie Duff; TBS; Jimmy Wells Dakota Roundup July 11 - 14 1956 Jerry Reed; TBS; Jimmy Wells Dakota Roundup July 18 - 21 1956 Joe Carson (Wells on vacation) July 25 - 28 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup August 1 - 4 1956 Lee Emerson, Everly Brothers; TBS; Jimmy Wells Dakota Roundup August 8 - 9 1956 Marvin Rainwater; TBS; Jimmy Wells Dakota Roundup August 10 - 11 1956 Bobby Lord; TBS; Jimmy Wells August 15 - 18 1956 Del Woods; Bonnie Sloan August 23 1956 Autrey Inman; TBS; Jimmy Wells August 22 - 25 1956 Mitchell Torok; TBS; Jimmy Wells Dakota Roundup August 29 - September 1 1956 Mrs. Hank Williams (Miss Audrey); TBS; Jimmy Wells September 5 - 8 1956 Jimmy Roberts; TBS; Jimmy Wells September 12 - 15 1956 Leon Payne; TBS; Jimmy Wells September 19 - 22 1956 Cowboy Copas; TBS; Jimmy Wells September 26 - 29 1956 Marvin Rainwater and Mimi Roman September 27 1956 Justin Tubb; TBS; Jimmy Wells October 10 - 13 1956 Mimi Roman;
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Combined 043-044
www.tftw.freeuk.com £1/10/0d - £1.50 - €2.44 - $2.25 Issue No. 43/44 July/August 2004 Just because you’re paranoid, doesn’t mean they’re NOT out to get you Frolicks from The Mary’ at the Royal Festival Hall back in July. Funkster Some nice new DVDs of ‘Elvis – The ’68 Boppin’ In Bristol Comeback’ a three-disc set with the two stand up (The Funkster goes walkabout) shows and the two sit down sets and out takes (In the copy provided, he did write “Fukster” so I’m from the production numbers. Beautiful sound and not sure if he’s changed his name - H) picture (I’ve since gotten a DVD recorder and hooked it up to the hi-fi system… haven’t yet As per usual a busy time, plenty to read and to figured out the record part but I’ll get there… still listen to. Currently enjoying ‘Bad Moon Rising’ using video). (The Unofficial History Of Creedence Clearwater Revival) by Hank Bordowitz, published, it would Ace are still doing seem, some six years ago, back in the dark days the bizz with a of 1998. Odd, because I don’t recall ever seeing it superb double, until quite recently in a Soho Bookshop at £16.95 ‘Louisiana Men, but on a recent foray to town the price was Rusty And Doug subsequently reduced to £6.00 which is more up Kershaw – The my street. Complete Hickory Recordings’. As a Naturally this is culled from bonus you also get interviews with ex-members all the Wiley of the original line-up (I did Barkdull sessions he see a CD of ‘live’ remakes by also cut for the label a new Creedence but John (Wiley is the bass voice you hear on the boys’ Fogerty ain’t part of it..
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Edition #7B (May 2021)
EDITION #7B (MAY 2021) Cover design by Bob McGrath 0 CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2020 INTRODUCTION TO THE REVISED EDITIONS I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive. So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document.
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Hayride Final 101-150.Pdf
(THIS PAGE ) Elvis Presley performs at the Louisiana Hayride, December 15, 1956. (BOTTOM RIGHT ) Elvis with announcer Horace Logan (CENTER ). 101 (LEFT ) Buffalo Yount at the Hayride. (RIGHT ) Jimmy & Johnny (BOTTOM ) Carl Belew on the Hayride stage. CD 7 | FEBRUARY 16, 1957 CD 7 | JULY 20, 1957 THE GEEZINSLAW BROTHERS 7-6 Intro 7-5 Orange Blossom Special (E.T. Rouse) BUFFALO YOUNT Bile ‘Em Cabbage Down (trad.) Moving into 1957, here's a track that was Geezinslaw Brothers were among recorded on one of the first days of the rest the youngsters and the up and coming, JIMMY & JOHNNY of the Hayride's life. Elvis Presley had been though they soon left the Hayride and their 7-7 I’ll Do It Every Time (Horton - Mathis - Franks) and gone, he'd shaken things up, and it bigger days were still to come. On this CARL BELEW was a matter of what to do now. Presley show, brother Sam jokes with the an - had been embraced by the Hayride and the nouncer about brother Son Smith, who 7-8 Lonely Street (C. Belew - K. Sowder - W.S. Stevenson) country music circuit generally as much for adopted the stage persona of a dumb hill - JACK FORD his novelty value, fame and the reflected billy called Elvis – a man whose disc was 7-9 Lonesome Letter Blues (T. Ollier - J. Ollier) glory and funds that came to KWKH number 543 on the hit parade "and still through him – but now it was back to busi - climbing." Their version of the classic fiddle HAYRIDERS ness as before with a mix of old songs, es - tune Orange Blossom Special shows that 7-10 Little Maggie (trad.) tablished artists, up and coming they could play it fairly straight as well as Talk and outro theme youngsters, and Presley copyists.
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In Alpha Song Titles.Xlsx
$1.88 Ken Marvel Swamp Pop Music #10 Special Bernie Alan & Knight Train Choo Choo Train (Thank God) There's Only One of You Vince Anthony Gonna Get a Life 10 to a 2 Jamie Bergeron & the kickin' cajuns Your New CD 1000 Dances Kenny Cornett & Killin Time My One and Only Dream 24/7/365 Wayne Toups More Than Just a Little 24‐7‐365 Wayne Toups Best of Wayne Toups 634‐5789 Don Rich Come Back to Me A Casual Look Dale & Grace I'm Leaving it all up to you A Change is gonna come The Boogie Kings The Boogie Kings 1965 A Closer Walk with Thee Johnny Janot I'm Proud to be a Cajun A Fallen Star Jimmy C. Newman Sings Swamp Country A fool of me Mason McClain My Bayou Baby A Good Dose of lovin Wayne Toups More Than Just a Little A good Dose of Lovin' Wayne Toups Best of Wayne Toups A lady now Don Rich You're Mistaken A Little Lovin' Bayou Bucket Baby I Don't Know A Million to One Wayne Foret Memories Never Fade, This one for Winkie A Place in the Sun Mike Broussard Pure Swamp Gold vol.5 A Place in the Sun Mike Broussard & Nite Train South Louisiana Style Music volume 1 A secret Love Wayne Toups Blast from the Bayou A Special Prayer Tommy G. & Stormy Weather Have mercy on me A stranger to you Johnnie Allan Swamp Gold vol.3 A tear fell Clint West Swamp Pop Legend Essential Collection A winner in love Rod Bernard The Essential Collection of Rod Bernard Addicted Power of the Pontchartrain Power of the Pontchartrain After all the good is gone Don Rich Throw Away the Key After loving you Don Rich You Need Love After loving you Tommy McLain The Essential Collection
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Hayride Final 151-209.Pdf
(LEFT ) Connie Hall (RIGHT ) Roger Miller took to the road and her appearance on the with dinner on the ground. Miller also Hayride was part of her diversification. Un - joined with Tony Douglas and Dee CD 14 | FEBRUARY 13, 1960 fortunately, although she had been voted Mullin at hymn time for a trio version of 14-21 Intro theme sixth most promising girl singer in 1958 I Saw The Light . Carla Cates had become a DOBBER JOHNSON she was only seventh in 1959 and her best regular by now and despite a very apparent Tennessee Wagoner (trad.) two years were behind her. cold she sang a strong version of the re - cent James O'Gwynn hit, Two Little Hearts , Along with the two new girls, we hear sev - JAMES O’GWYNN after getting in an impromptu ad for the eral of the current Hayride crop of regulars, 14-22 Someone Sweet To Love (G. Jones) show's donut sponsor by dedicating the starting with Frankie Miller , fast song to two of her waitress friends at 14-23 If I Don’t Love You Grits Ain’t Groceries (G. Jones - J.P. Richardson) emerging as the real star of the show. His Southern Maid. Her husky speaking voice Money Side Of Life was in some ways a de - ROGER MILLER always sounded as though she had a heavy velopment from the Blackland Farmer 14-24 That’s The Way I Feel (G. Jones) cold but this largely disappeared as she theme in the sense that it's about a man sang apart from a little break in her voice LAWTON WILLIAMS who puts work and money before happi - now and then.
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Wavelength (April 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1983 Wavelength (April 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1983) 30 https://scholarworks.uno.edu/wavelength/30 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Kidd Jordan and Alvin Fielder wnh THE IMPROVISATIONAL ARTS QUINTET THE DIRTY DOZEN BRASS BAND KENT JORDAN QUINTET ALVIN BATISTE TRIO plus an ALL STAR JAM SESSION $7 COVER ISSUE N0.30 • APRIL 1983 "I'm not sure, but I'm almost positive, that TORTILLA all music came from New Orleans. , Ernie K-Doe, 1979 Features FLATS Louisiana Hayride ................... l4 , ......................................... Jazz Fest Update ..................... l9 The Thompson Twins ..............21 A. California - Mexican Windjammer ..........................23 Adventure in Eateries Mike Pel/era ...........................25 ••••••••••••••••••••••••••••••••••••••• Columns 50 1 Esplanade Apri/....................................... 4 at Decatur Listings................................... 9 Cajun ....................................29 945-9212 Rare Record.......................... .30 Art....................................... 31 Zekespeak ..............................33 NOW OPEN Reviews................................. 34 7 DAYS A WEEK Classifieds ............................. .3 7 Last Page............................... 38 NOON-10:30 P.M. ,The Rose In Spanish Harlem Publi"'htr, Patrick Berry. Editor. Connie Atkinson. A~ciate Editori Jon Nc" lin. Editorial Assistant, Margaret Williams. Art Dirutor, Skip Bolen. Advertising Sales: Btnny Kenny, Bill Petre. Contributing Ar· tbh: Kathl~n Perry, Tair~ Ray Yates. Distribution: Joe Torczon, Hamp. ton \\'ci\s.
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“Doug” Kershaw Was Born January 24, 1936, in Tiel Ridge, a Tiny Island Off the Gulf Coast, and Moved to Lake Authur, Louisiana
Douglas “Doug” Kershaw “Doug” Kershaw was born January 24, 1936, in Tiel Ridge, a tiny island off the Gulf Coast, and moved to Lake Authur, Louisiana. In Lake Arthur Doug learned English at school and accumulated pocket money by shining shoes and paying fiddle on street corners. At age eight he accompanied his guitar playing mother at a local club, Bucket of Blood. In 1947 Doug moved to Jennings, Louisiana, and five years later he formed his first band, The Continental Playboys, with his brothers, Pee Wee and Rusty. When Doug was about fifteen he and his brothers had a Cajun French band with an accordion, guitar and fiddle while they were going to school. In 1953 they broadcasted over radio KPLC Lake Charles, Louisiana. The next step was to cut a record in English. Doug wrote the song, “When Will I Learn,” and at J.D. Miller's recording studio in Crowley, Louisiana, recorded the song as Douglas Kershaw with the Bewley Gang and it was released over the counter. Later Doug, with Rusty harmonizing, wrote, “No, No It's Not So,” and it was recorded at Mr. Miller's recording studio. This led them to Acuff-Rose and Hickory Records in Nashville, Tennessee. Doug being 18 and Rusty 16 were called Rusty and Doug. Their first record, “So Lovely Baby,” also written by Doug, started Doug's writing and singing career. Being self-taught, Doug mastered over 20 instruments and composed hundreds of songs having recorded nearly 500. In 1955 the duo was on the Louisiana Hayride and in 1957 they had an invitation to join the Grand Ole Opry.
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Issue #107 February
February 2019 February 107 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Last issue we ran an interview with the well- known agent and promoter Paul Barrett who has sadly since passed away. Paul will be fondly remembered by many a Woodie as well as the acts he managed. So long Paul. Keith lists one of his top twelves Doug Kershaw talks to Mr Angry Brian Clark revisits Mr Excitement We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 2 An old lady, soon to be retired (captured here chewing a wasp) mumbles “ I’m looking for a new job so can you HOLD THE THIRD PAGE! ” Greetings Gang, Welcome to the first brand new issue of a brand new year, and I trust you had a great festive season. Now it’s time to start looking forward to all the amazing things we have lined up for you all during the year ahead, most importantly is our fantastic exclusive one-off at the 100 Club London on Sunday 16th June. Another never to be repeated Tales From The Woods extravaganza, bringing to the United Kingdom, for what will be his first ever show in London, the legendary Raging Cajun himself, Doug Kershaw. Tickets are selling fast as you would expect for a show of such Importance and rarity. If you wish to sit, please advise as soon as possible, as seating capacity is limited. Feel free to contact us here at Tales From The Woods regarding tickets, information, payments either by cheque or PayPal, cash too if you’re passing by us here in Bromley or attending any of our upcoming social events.
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