Issue #107 February
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
2007 Esol Project
2007 ESOL PROJECT http://www.bbc.co.uk/radio3/worldmusic/a4wm2007 1 www.myspace.com/bbcawardsforworldmusic Contents Introduction 3 Evaluation Form 4 Entry 3 Material 7 Entry 3 Answer Sheet 18 Entry 3 Lesson Plan 20 Level 1 Material 25 Level 1 Answer Sheet 38 Level 1 Lesson Plan 39 Level 2 Material 43 Level 2 Answer Sheet 50 Level 2 Lesson Plan 51 Extension Activities 56 http://www.bbc.co.uk/radio3/worldmusic/a4wm2007 2 www.myspace.com/bbcawardsforworldmusic Introduction Britain - a diverse society It is no accident that the term ‘world music’ was coined in a nation whose favourite dish is Chicken Tikka Masala; ever since Sir Francis Drake returned from the Americas with the now humble potato the UK has looked to the rest of the world to expand its culture, tastes and creativity. These days the ‘Golden Hind’ bobs in the swell of a well-earned retirement, a tourist attraction whose ‘golden’ years are spent as a memorial to world culture and exploration. Her voyage, which took three years, is now an anachronism, replaced by the modern galleons of the Internet, TV and more importantly the multiculturalism of British society. Reaching a diverse new audience Britain has a uniquely diverse nation. There is now an estimated minority ethnic population of more than 4 million, 7.1% of the population. Modern Britain is a home to communities from every corner of the globe; their plethoras of cultures, cuisines and skills have been an important force in Britain’s development socially, culturally and economically. Historically, the British world music audience has, in its ethnic make-up, been somewhat less diverse than the background picture of the UK. -
{Download PDF} Cultural Traditions in the United Kingdom
CULTURAL TRADITIONS IN THE UNITED KINGDOM PDF, EPUB, EBOOK Lynn Peppas | 32 pages | 24 Jul 2014 | Crabtree Publishing Co,Canada | 9780778703136 | English | New York, Canada Cultural Traditions in the United Kingdom PDF Book Retrieved 11 July It was designed by Sir Giles Gilbert Scott in and was launched by the post office as the K2 two years after. Under the Labour governments of the s and s most secondary modern and grammar schools were combined to become comprehensive schools. Due to the rise in the ownership of mobile phones among the population, the usage of the red telephone box has greatly declined over the past years. In , scouting in the UK experienced its biggest growth since , taking total membership to almost , We in Hollywood owe much to him. Pantomime often referred to as "panto" is a British musical comedy stage production, designed for family entertainment. From being a salad stop to housing a library of books, ingenious ways are sprouting up to save this icon from total extinction. The Tate galleries house the national collections of British and international modern art; they also host the famously controversial Turner Prize. Jenkins, Richard, ed. Non-European immigration in Britain has not moved toward a pattern of sharply-defined urban ethnic ghettoes. Media Radio Television Cinema. It is a small part of the tartan and is worn around the waist. Help Learn to edit Community portal Recent changes Upload file. At modern times the British music is one of the most developed and most influential in the world. Wolverhampton: Borderline Publications. Initially idealistic and patriotic in tone, as the war progressed the tone of the movement became increasingly sombre and pacifistic. -
Revista Solo-Rock Abril 2014
Octubre 2014 THE SADIES A TODO TREN CRÓNICAS: The Delta Saints Accept Future Islands Triggerfinger Albert Plá... Entrevista: Julieta Jones 1 Portada de : Pamp Dallas Good (The Sadies) Esta revista ha sido posible gracias a: Alejandro Juárez Alex García Alfonso Camarero Chema Pérez David Collados Fernando Checa Héctor Checa Jackster Javier G. Espinosa José Ángel Romera José Luis Carnes Natalia Gütner Santiago Cerezo Salcedo Víctor Martín Iglesias www.solo-rock.com se fundó en 2005 con la intención de contar a nuestra manera qué ocurre en el mundo de la música, poniendo especial atención a los conciertos. Desde entonces hemos cubierto la información de más de dos mil con- ciertos, además de informar de miles de noticias relacionadas con el Rock y la música de calidad en general. Solamente en los dos últimos años hemos estado en más de 600 conciertos, documentados de forma fotográfica y escrita. Los redactores de la web viven el Rock, no del Rock, por lo que sus opi- niones son libres. La web no se responsabiliza de los comentarios que haga cada colaborador si no están expresamente firmados por la misma. Si quieres contactar con nosotros para mandarnos información o promo- cional, puedes hacerlo por correo electrónico o por vía postal. Estas son las direcciones: Correo Electrónico: [email protected] Dirección Postal: Aptdo. Correos 50587 – 28080 Madrid 2 Sumario Crónicas de conciertos Pág. 4 The Sadies Pág. 5 The Delta Saints Pág. 10 Animals and friends feat. Steve Cropper Pág. 15 Wovenhand + El Páramo Pág. 17 The Pretty Things + Joao Tomba Pág. 20 Accept + Damnations day Pág. -
In This Edition of the Sticks
Issue 23 September 2014 In this edition of The Sticks Exclusive interview with Chas Hodges of Chas & Dave fame Win tickets to see Viva La Drag Our new Hero Cheese of the Month BBC Radio 2’s Janey Lee Grace’s Platinum Awards We review The Swan at Salford We road test the Ford’s Fiesta-based EcoSport SUV And much more Plus pages of events listings across Herts, Beds & Bucks - 1 - 22 Welcome to the September edition of The Sticks Magazine! The most talked about magazine in Herts, Beds & Bucks With over 16,000 readers a month In this issue: Page Exclusive interview with Chas Hodges 44 Curwens Column 77 Win tickets to see Viva La Drag 88 Better and Better, Higher and Higher 99 Art Column 1111 Reflections on Spiritual Developmentt 1212 Car Test – Ford’s Fiesta-based EcoSport SUV 1515 Janey Lee Grace‘s Platinum Awards 1616 The Swan at Salford 1818 Big Barn Food Column 2222 Hero Cheese of the Month 2323 Listings – Herts, Beds & Bucks 2424 Contributors: Janey Lee Grace, Terry Sullivan Donna Obstfeld, Andrew Merritt-Morling, Julie Sale, Sharon Struckman See you in October! Editor & Sales: Terry Sullivan Tel: 07756 274444 Email: [email protected] www.the-sticks.co.uk Follow us on twitter @thesticks9 www.facebook.com/sticksmag Listen to The Sticks Radio Show at 10am on Mondays on Secklow Sounds www.secklowsounds.org 33 Exclusive interview with Chas Hodges Chas Hodges is a musician and singer, probably best known for being one half, and lead vocalist, of the musical duo Chas & Dave. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Najlepsze Hity Dla Ciebie Vol. 4 Najlepsze Hity Dla Ciebie Vol. 2
Najlepsze hity dla Ciebie vol. 4 CD 3 1. Robin Thicke Feat. Pharrell Williams - Blurred Lines [No Rap Version] CD 1 2. Bruno Mars - Locked Out Of Heaven 1. Alvaro Soler - El Mismo Sol 3. Lady Gaga - Born This Way 2. Lost Frequencies feat. Janieck Davey – Reality 4. Taio Cruz Feat. Flo Rida - Hangover 3. Imany – Don’t Be So Shy (Filatov & Karas Remix ) 5. Gnarls Barkley - Crazy 4. Ellie Goulding - On My Mind 6. Ariana Grande Feat. Zedd - Break Free 5. Sigala - Easy Love 7. Jessie J. - Price Tag [Clean Edit w/o B.O.B. 6. Avicii - For A Better Day 8. Kate Ryan – Runaway 7. Felix Jaehn Feat. Jasmine Thompson - Ain't Nobody ( 9. John Mamann feat. Kika - Love Life Loves Me Better) 10. Elaiza - Is It Right 8. Alexandra Stan & Inna feat. Daddy Yankee - We 11. Niki Minaj - Starships Chesney Wanna 12. Hawkes - The One And Only 9. Axwell /\ Ingrosso - Sun Is Shining 13. Iggy Azalea - Fancy 10. Years&Years - Shine 14. Jessie Ware - Champagne Kisses 11. Ariana Grande - One Last Time 15. Robbie Wiliams – Feel 12. Rico Bernasconi & Tuklan feat. A - Class & Sean Paul 16. Meredith Brooks - Bitch - Ebony Eyes 17. Bellini - Samba De Janeiro 13. Justin Bieber - What Do You Mean? 18. Billy Idol - Cradle Of Love 14. Dimitri Vegas & Like Mike feat. Ne-Yo - Higher Place 19. UB40 - (I Can't Help) Falling In Love With You 15. John Newman - Come And Get It 20. Shaggy – Boombastic 16. Otilia – Aventura 17. Tove Lo – Moments 18. Basto – Hold You 19. Inna – Bop Bop 20. -
Find Book \\ Chas and Dave
GKSXGOERIKOS » Book > Chas and Dave - All About Us Ch as and Dave - A ll A bout Us Filesize: 9.44 MB Reviews I actually started out reading this article ebook. This is for those who statte that there had not been a worth reading. Its been developed in an extremely easy way and it is just after i finished reading this book in which in fact modified me, change the way i really believe. (Antonetta Ritchie IV) DISCLAIMER | DMCA LAISH0NHZ06Y ~ Book > Chas and Dave - All About Us CHAS AND DAVE - ALL ABOUT US John Blake Publishing Ltd. Paperback. Book Condition: new. BRAND NEW, Chas and Dave - All About Us, Chas Hodges, Bursting on to the music scene in the 70s, Chas 'n' Dave released songs that spoke about life in London; they wanted to be themselves and sing about things they knew about in their own voices. Some people perceived it as a gimmick but thirty-odd years later, thousands flocked across the fields of Glastonbury to witness an unforgettable gig. Some gimmick. With hits like 'Gertcha', 'Rabbit', 'The Sideboard Song', 'Margate' and the achingly beautiful 'No Pleasin' You', they created a sound that was uniquely Chas and Dave - and rockin' to boot. What most people don't know is that both Chas and Dave had previous careers: Dave playing in London country bands, touring as a session musician and touring America with Mick Greenwood; Chas touring as bass player to Jerry Lee Lewis (who helped Chas learn piano) and Gene Vincent. Chas was even a band member of the Beatles for one brief moment in time. -
Tvdvdreviews.Com -- All You Need Is Love DVD Review
tvdvdreviews.com -- All You Need is Love DVD Review http://www.tvdvdreviews.com/allyouneed.html Television. One DVD at a Time. Home Reviews: •Alphabetical •By Category •50 Most Recent “Pop music is the classical music of now.” – Paul McCartney New Releases Essentials All You Need Is Love: The Story of Popular Music DVD Review TV Bookshelf Press Releases By Jonathan Boudreaux Search If you are a music buff, put down those CDs, iPods, and old 78s and pick up All You Need Is Love: The Story of Popular Music . This jaunty romp through the origins and future (well, “future” Shopping meaning post-1980, since this British documentary series was produced from 1976-1980) will leave you both humming along and begging for more. Links Contact Us Each episode explores a different facet of popular music’s roots. The first episode provides an introduction that previews the sixteen episodes to come: its beginnings in Africa, ragtime, jazz, blues, vaudeville/music hall, Tin Pan Alley, musicals, swing, rhythm and blues, country, songs of war and protest, rock and roll, The Beatles, “sour” rock, glitter rock, and new directions. Each episode is filled with rare footage, great performances, and interviews with experts. The series is best when it perfectly pairs commentators and subjects. Eubie Blake is a joy to watch as he explains ragtime and syncopation. Liberace taking on vaudeville, music hall, and Vegas is a campy treat. Stephen Sondheim telling us about the development of the musical? That’s a no-brainer. A few of the commentators are...well...acquired tastes. Poet/playwright/lightning rod Amiri Baraka might be an expert on jazz, but his more inflammatory comments are a bit hard to swallow. -
Catalogo De Canciones 08/11/2019 14:13:55
CATALOGO DE CANCIONES 08/11/2019 14:13:55 IDIOMA: Inglés CODIGO INTERPRETE TITULO IN95877 ?ARIANA GRANDE DANGEROUS WOMAN IN92987 £1 FISH MAN ONE POUND FISH IN80017 101 DALMATIONS CRUELLA DE VIL IN80018 10CC DONNA IN92379 10CC DON'T TURN ME AWAY IN80019 10CC DREADLOCK HOLIDAY IN92380 10CC FEEL THE LOVE IN92381 10CC FOOD FOR THOUGHT IN92382 10CC GOOD MORNING JUDGE IN80020 10CC I'M MANDY IN80021 10CC I'M NOT IN LOVE IN92383 10CC LIFE IS A MINESTRONE IN92384 10CC ONE TWO FIVE IN92385 10CC PEOPLE IN LOVE IN92386 10CC SILLY LOVE IN80023 10CC THE THINGS WE DO FOR LOVE IN80024 10CC WALL STREET SHUFFLE IN92387 10CC WOMAN IN LOVE IN80025 1910 FRUITGUM CO SIMON SAYS IN80026 1927 COMPULSORY HERO IN80027 1927 IF I COULD IN89409 1927 THAT'S WHEN I THINK OF YOU IN80028 1999 MAN UNITED SQUAD LIFT IT HIGH (ALL ABOUT BELIEF) IN80029 2 EVISA OH LA LA LA IN80030 2 PAC FEAT DR DRE CALIFORNIA LOVE IN80031 2 UNLIMITED NO LIMIT IN80032 21ST CENTURY GIRLS 21ST CENTURY GIRLS IN91367 2ND BAPTIST CHURCH (LAUREN JAMES CAMEY) RISE UP IN92842 2PAC CHANGES IN92841 2PAC DEAR MAMA IN96480 2PAC & NOTORIOUS BIG RUNNIN' (DYING TO LIVE) IN96686 3 DOORS DOWN AWAY FROM THE SUN IN96702 3 DOORS DOWN BE LIKE THAT IN96775 3 DOORS DOWN CITIZEN SOLDIER IN92399 3 DOORS DOWN HERE WITHOUT YOU IN89406 3 DOORS DOWN KRYPTONITE IN96237 3 DOORS DOWN LIVE FOR TODAY IN90644 30 SECONDS TO MARS CLOSER TO THE EDGE IN91291 30 SECONDS TO MARS FROM YESTERDAY IN90160 30 SECONDS TO MARS KINGS AND QUEENS IN97336 30 SECONDS TO MARS RESCUE ME IN91290 30 SECONDS TO MARS THE KILL IN93248 30 SECONDS TO -
P20-21 Layout 1
20 Established 1961 Monday, October 15, 2018 Lifestyle Gossip Peter Andre’s Snoop Dogg dream eter Andre wants to collaborate with who is only famous for his 1995 single have been even bigger if he’d taken on board P Snoop Dogg. The singer may be best ‘Mysterious Girl’ - which was also re-released some of the advice he was offered in the early known for his safe pop tunes but he in 2004 and became a number one in the UK days. Asked what he’d advise his younger self, thinks teaming up with the ‘Drop It singles chart, doing better than its original num- he said: “To listen more. There was some advice Like It’s Hot’ rapper would make for a very “dif- ber two placing. Speaking to New! magazine, he on styling and song choices I ignored, which ferent” sound than his fans are used to. Asked said: “There are people that will always think could have taken me to stadiums rather than who he’d most like to work with, he said: “Good you’ve only ever done one song and usually arenas. Then again, I’m still here doing what I question. Someone like Snoop Dogg. It would artists are remembered for one song, but I had love 25 years later.” And Peter admitted he be different.” It could be possible that Snoop, number ones before ‘Mysterious Girl’ in 2004 regrets his 2004 single ‘Insania’, which he wrote 46, is interested in making a hit with Pete and I’ve had quite a few number one albums and in the jungle whilst competing on reality TV because he just laid down some bars for Olly singles since.