Content Is Subject to Change. Card Images Are Solely for the Purpose of Design Display

Total Page：16

File Type：pdf, Size：1020Kb

HOBBY All information is accurate at the time of posting – content is subject to change. Card images are solely for the purpose of design display. Actual images used on cards to be determined. © 2013 Panini America, Inc. Printed in the USA. BEACH BOYS SIGNATURES CONCERT GEAR BASE CARD Find autographs from original Beach Boys HOBBY EXCLUSIVE Concert Gear memorabilia The 120-card base set centers on the storied members Brian Wilson, Mike Love, cards featuring swatches of material worn by The career of the most successful and beloved Alan Jardine, Bruce Johnston Beach Boys in concert, including swatches from band in American pop history and follows and David Marks! Brian Wilson, Mike Love, Al Jardine, David Marks The Beach Boys through five decades of and Bruce Johnston! Find two Concert Gear recording and live music. memorabilia cards in every Hobby Box! 2013 TRADING CARDS All information is accurate at the time of posting – content is subject to change. Card images are solely for the purpose of design display. Actual images used on cards to be determined. © 2013 Panini America, Inc. Printed in the USA. GOLD ALBUMS IN THEIR OWN WORDS Attractive 23-card die-cut insert that captures It's hard to imagine life as a member of The Beach Boys. each of The Beach Boys' 23 Gold Albums Sold-out concerts, gold records, rock-n-roll history and induction in The Rock-n-Roll Hall of Fame. This 14-card insert features comments from the seven key members of the band, including the late Dennis Wilson and Carl Wilson. 2013 TRADING CARDS All information is accurate at the time of posting – content is subject to change. Card images are solely for the purpose of design display. Actual images used on cards to be determined. © 2013 Panini America, Inc. Printed in the USA. HOBBY CONFIGURATION 8 - CARDS PER PACK 24 - PACKS PER BOX 20 - BOXES PER CASE BOX BREAK 2 Concert Gear memorabilia cards, 3 Sounds of Summer, 4 Honors, 3 In Their Own Words, 6 Top 10 Hits, 2 On The Record inserts, 2 Etchings inserts, 1 Gold Album insert and 24 specially-stamped parallels KEY SELLING POINTS • Autographs from founding members of The Beach Boys, including legendary songwriter Brian Wilson! Each signature card is numbered to 70 or less! • Find two HOBBY EXCLUSIVE Concert Gear memorabilia cards per box, featuring concert-worn swatches from band members Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston! • Look for a parallel card in every pack! • Find Artist Proof cards (numbered to 99) for the base set and inserts, and look for 1-of-1 Printing Plates! • Panini The Beach Boys is the definitive trading card release that chronicles the rich and influential five-decade history of America's most successful band. 2013 TRADING CARDS All information is accurate at the time of posting – content is subject to change. Card images are solely for the purpose of design display. Actual images used on cards to be determined. © 2013 Panini America, Inc. Printed in the USA. .

Copy Link

Recommended publications

Surfin' USA (1963)
MUSC-21600: The Art of Rock Music Prof. Freeze Surfin’ U.S.A. (1963) The Beach Boys LISTEN FOR • Lyrics highlight hot surf spots • Rich back-up vocals • Ringing falsetto hook • Surf-oriented instrumentals • Modeled on “Sweet Little Sixteen” (Chuck Berry, 1958) CREATION Songwriters Brian Wilson, Chuck Berry Label, Record Capitol 4932 Musicians Mike Love (lead vocal), David Marks (rhythm guitar), Brian Wilson (bass guitar, organ, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (vocals, drums) Producer Nik Venet Recording January 1963 Charts Pop 3, R&B 20 MUSIC Genre Surf rock Form Simple verse Key E-flat major Meter 4/4 MUSC-21600 Listening Guide Freeze “Surfin’ U.S.A.” (The Beach Boys, 1963) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (4) • Chuck Berry-style guitar intro with heavy reverb 0:03 Verse 1 w/refrain (16) “If everybody had” • Lead vocal with “oo” backups • Stop time with bass drum beats that continues. 0:23 • Refrain. 0:27 Verse 2 w/refrain (16) “You’d catch ‘em” • Backup vocals sing “inside, outside U.S.A.” • Band plays in regular time to add rhythmic drive. 0:43 • Falsetto hook “everybody’s gone surfin’” gives impression of chorus 0:47 • Refrain. 0:50 Verse 3 w/refrain (16) “We’ll all be” • As verse 1, in stop time. 1:15 Verse 4 w/refrain (16) “At Haggerties” • As verse 2, regular time. 1:32 • Falsetto hook. 1:35 • Refrain. 1:39 Instr. verse w/refrain (16) • Electric organ solo, guitar solo. 1:56 • Falsetto hook. 1:59 • Sung refrain.
[Show full text]
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.
[Show full text]
I\Hrinc,T Brian Wlson Songwriter Isnt Ihe Definitive Study of DVD Is
The documentary then shifts focus for the next the Hawthorne Mozart, it'll hold the title until some- watch it again. And though it purports to be a history hour from Thylor to a general overview ofthe Stones thing really spectacular drops flike a documentary Iesson, it's unlikely to generate any new fans with its during the period. There are long stretches on the with fuII participation from Brian and Mike, which horrible sound and interviews that tell little or noth- influence of Gram Parsons and counfuy music, the doesn t seem likely). ing about each band. Save your money and buy Tfie Anita Pallenberg vs Bianca Jagger battle of ill wills, Much of the concert and prom-film footage will be Decline of Western Civilization, Part 1, or Another the band's decampment to Fhance and Richards' ever- familiar to any Brian fanatic, but there are bits and State of Mind. (Hunter Bennett) deepening heroin addiction during the E:o1e record- pieces of backstage/home-movie material that, in their ings. Greenfield, who stayed at Richards' Rivera es- brevity, only whet the appetite for more. tate, muses that the goings-on reminded him of But that's not really the point: If Wilson partisans V.A. - TEEN A GO GO (www.teen-a-go-go.cottlt the ammo to prove guy was every Somerset Maugham's old line that the "South of needed that their This 80-minute documentary by Melissa Kirkendall peopie." anyone, Brian Wilson Flance is a sunny place for shady bit the match of Mac-Len or examines the outbreak of teenage garage bands that g9-minute As the timer nears the mark conciusion Songr+riter supplies it.
[Show full text]
SURF MUSIC by Geoffrey Himes
SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys.
[Show full text]
'Sex Club' Will Shut Down
Theater named Four Centuries site The Summit Playhouse, which dates to the 1800s, will be featured in county historic series. Page 17 LINDEN, N.J w w w .localsource .c o m 75 CENTS VOL. 89 n o . 40 THURSDAY OCTOBER 12,2006 Rahway ‘sex club’ will shut down YMCA offers diabetes By Kitty Wilder dence of sexual activity after spend saw evidence of prostitution at the screenings in Rahway Managing Editor ing months investigating the club. She club. Overlook Hospital will be at RAHWAY — The operator of an began her investigation after someone Without the ability to pursue the Rahway YMCA Monday from 10 alleged Main Street “sex club” has brought the club’s Web site to her club on criminal charges, city officials a.m. to noon offering a complimen agreed to shut down by Dec. 1. attention. built a case based on zoning viola tary diabetes screening. Thomas Mulligan, operator of The Web site, www.couples4u.com, tions, Slothower said. This is free and open to the pub Tokar Services, a club also known as calls Beginnings II an “association of After spending several Friday and lic. Anyone interested should call Beginnings II, has agreed to stop host people dedicated to protecting the Saturday nights between October 800-247-9580 to schedule an ing activities at 1519 Main St. The rights of those who follow an alternate 2005 and March photographing indi appointment. Overlook will bring its agreement is part of a settlement life style...The couples comprising our viduals entering and exiting the Main Healthy Van, and all screenings will reached between Mulligan and city association come from all walks of Street building, Slothower was able to be in the privacy of the van, parked officials who say his “sex club” vio life, six states, range in age from the obtain an administrative search war on Irving Street.
[Show full text]
News in Brief
Where Have Mock Drill They All Gone? Prepares See Word Hospitals for on the Street Get Out on The Real Disaster Town With Music See page 4 See page 8 See page 13 The Weekly VolumeValley 33, Number 22 A Compendious Vantage Source of Information July 13, 2017 Malibu Wines Pour Over Into the Valley News in Brief Malibu Wines wants to pour here in the valley! Winery owner Ron Semler told Valley News Group that the company is purchasing the old Lederer ranch stables at 23130 Sherman Way in West Hills for a wine- tasting venue. The stables were built in the early 1930’s by film star Francis Lederer and his wife. They converted them into a gallery in later years, and the City of Los Angeles dedicated it as a historial landmark in 1975. Most recently it served as the Hidden Chateau & Gardens event venue. Semler and his Malibu Wines have been producing and selling wines for a dozen years. Their original wine tasting space in the hills off Kanan Road offers live music, movies on Thursday nights in the summer, and a comedy show once a month. “It’s a reasonable day or evening out,” said Semler. “You can bring your own picnic and there is no charge for admission. Relax, sit back and enjoy good wine and good fun.” He is ready to create a tasting room at the Lederer Pool to Open at Woodland Hills Park! site immediately. The purchase is contigent, however, Councilman Bob Blumenfield announced today that the on obtaining appropriate zoning approvals for wine new 90’ by 75’ pool at Woodland Hills Recreation Center on tasting that are currently in process with the Zoning Shoup Avenue will open this Saturday, July 15, at noon.
[Show full text]
The Beach Boys to Appear at the Soundstage at Graceland on July 29
FOR IMMEDIATE RELEASE David Beckwith 323-632-3277 [email protected] The Beach Boys To Appear at The Soundstage at Graceland on July 29 Tickets go on sale this Friday, June 25 at 10:00 a.m. CDT at www.gracelandlive.com MEMPHIS, Tenn. June 22, 2021 – As The Beach Boys mark more than a half century of making music, the group continues to ride the crest of a wave unequalled in America’s musical history. The Beach Boys have become synonymous with the California lifestyle and have become an American icon to fans around the world. The Beach Boys will pull into town to perform on July 29 at the Soundstage at Graceland in Memphis. Tickets go on sale this Friday, June 25 at 10:00 a.m. CDT at www.gracelandlive.com or by calling 877- 777-0606. All tickets are reserved seating. Fans can also get access to presale tickets on June 23 at 10:00 a.m. CDT by signing up for LiveFeed, Graceland Live’s exclusive newsletter that includes special announcements and promotions. Since the band’s co-founder, lead-singer and chief lyricist Mike Love penned the lyrics to The Beach Boys’ first hit, “Surfin’” (1961), dozens of the bands chart toppers have become eternal anthems of American youth: “Surfin’ USA,” “Surfer Girl,” “Fun, Fun, Fun,” “I Get Around,” “California Girls,” “Help Me Rhonda,” “Barbara Ann,” “Good Vibrations,” “Wouldn’t It Be Nice,” “Rock and Roll Music” and “Kokomo.” The Beach Boys have sold over 100 million records worldwide and have received more than 33 RIAA Platinum and Gold record awards.
[Show full text]
Law Librarian Leaves, Stirs Debate
UNIVERSITY OF DELAWARE NEWARK, DELAWARE FRIDAY, NOVEMBER 17, 1972 Dixon Disclaims Any Predictions Law Librarian Leaves, Stirs Debate By MIMI BOUDART and women students remarked, One student pointed out that Welch refused the DAVID HOFFMAN "all of us are kind of that a week before he was opportunity. f Axe Slayings gambling on the law school." Edgar Welch has been a discharged, Welch requested Student perceptions of the Also hanging in their mind the state attorney general, W. · law school and its future are By VINCE WOOD member of the Texas Bar is the continuing conflict Association for forty years. A Laird Stabler, to "conduct an optimistic. Rumors concerning an between the law school's investigation of the law year ago he was recruited by Rambo's observations alleged Jean Dixon prediction Dean, Alfred Avins, and a school." in the Sunday New York the fledging Delaware Law former librarian, Edgar indicate that students are Times that axe murders School as a Law Librarian Welch. Welch has claimed Welch relates that he "got "100% behind the dean." He would take place on this and Professor. Two weeks ago that Avins has "mislead" the the message" of his dismissal added that there has been a campus have been proven he was abruptly dismissed. law students by promising when one day, during the five-fold "improvement in the false and unfounded. Since its inception two student faculty rations that following week he returned quality of the faculty since to his office door to find that last year." Another student Thomas Dorsey, manager years ago, the history of the would have been half of what Delaware Law School has now exist.
[Show full text]
"Summer's Gone:" Rethinking the History of the Beach Boys, 1961-1998
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2021 "Summer's Gone:" Rethinking the History of the Beach Boys, 1961-1998 Grant Wong Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Popular Culture Commons, Cultural History Commons, and the United States History Commons Recommended Citation Wong, Grant, ""Summer's Gone:" Rethinking the History of the Beach Boys, 1961-1998" (2021). Undergraduate Honors Theses. Paper 1629. https://scholarworks.wm.edu/honorstheses/1629 This Honors Thesis -- Open Access is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Summer’s Gone:” Rethinking the History of the Beach Boys, 1961-1998 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in History from William & Mary by Grant Wong Highest Honors Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________Charles McGovern Charles McGovern, Director Jerry Watkins III ________________________________________ Jerry Watkins III Arthur Knight ________________________________________ Arthur Knight Richard Lowry ________________________________________ Richard Lowry Williamsburg, VA May 12, 2021 “Summer’s Gone:” Rethinking the History
[Show full text]
The Beach Boys Historical Landmark Project
2006 AACE International Transactions PM.13 The Beach Boys Historical Landmark Project Mr. Harry W. Jarnagan PE CCE e don't listen to and write music because it's California; Brian, Dennis and Carl Wilson; Mike Love; Al “ cute. We listen to and write music because we Jardine; and David Marks, were much more than a great musical are members of the human race. And the act. They became a force in history, having an outsized impact human race is filled with passion. And not only on the history of California in the latter half of the 20th Wmedicine, law, business, engineering, these are noble pursuits century, but also on the music recording industry itself. With and necessary to sustain life. But music, beauty, romance, love, their uncompromising devotion to the quality of their product in these are what we stay alive for." - paraphrased quote from Robin the studio, The Beach Boys launched innovations in the Williams, playing the part of private school teacher John Keating recording industry that are accepted as commonplace today, and in the 1989 motion picture, "Dead Poets Society." they have influenced countless numbers of recording artists. Music lovers have been avid listeners of the music of The Although The Beach Boys' place in history remains certain, Beach Boys for over four decades, and there's no sign that this the place where Brian, Dennis, and Carl Wilson came to music's popularity will end soon. The Beach Boys arose from and manhood and where the group was born, the home owned by came to prominence due to the complex socio-economic forces Murry and Audree Wilson at 3701 W.
[Show full text]
Catalog-34-Web.Pdf
KEN SANDERS RARE BOOKS CATALOGUE 34 TABLE OF CONTENTS TERMS 2 I. UTAH & THE MORMONS 3 II. WESTERN AMERICANA 31 III. PHOTOGRAPHY 42 IV. ART, CHLDREN’S & ILLUSTRATED BOOKS 45 V. FINE PRESS 61 VI. LITERATURE & MODERN FIRST EDITIONS 72 VII. OTHER FINE ITEMS 93 TERMS Advance reservations are suggested. All items offered subject to prior sale. Please call, fax, or e-mail to reserve an item. Our downtown Salt Lake City bookshop is open 10- 6, Monday-Saturday. Voicemail, fax, or email is available to take your order 24 hours a day. All items are located at our store and are available for inspection during our normal business hours. Our 4,000 square foot store houses over 100,000 volumes of used, rare, and a smattering of new books. All items are guaranteed authentic and to be as described. All autographed items are guaranteed to be authentic. Any item may be returned for a full refund within ten days if the customer is not satisfied. Prior notification is appreciated. Prices are in U.S. Dollars. Cash with order. Regular customers and institutions may expect their usual terms. We accept cash, checks, wire transfers, PayPal, Visa, MasterCard and American Express. All items will be shipped via ground unless otherwise requested. Shipping charges are $6.50 for the first item and $1.00 for each additional item. All other shipping, includ- ing expedited shipping and large items, will be shipped at cost. Utah residents, please add 6.5% Utah sales tax. Ken Sanders Rare Books 268 South 200 East Salt Lake City, Utah 84111 Tel.
[Show full text]
The Development of the Beach Boys' Sound
When I Grow Up: The Development of the Beach Boys’ Sound (1962-1966) Author O'Regan, Jade Simone Published 2014 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/2556 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367243 Griffith Research Online https://research-repository.griffith.edu.au When I Grow Up: The Development of the Beach Boys’ Sound (1962-1966) Volume One Jade Simone O’Regan B.PopMus (Hons) Queensland Conservatorium of Music Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December, 2013 2 Abstract The Beach Boys are an American rock group whose career has spanned over fifty years. However, it was between 1962 and 1966 that the group had most of their chart success and that their unique ‘sound’ was crystallised. This study takes a broad, big- picture overview of the Beach Boy’s repertoire from this period and charts the development of their sound through the apprentice-craft-art (ACA) framework. The concept of a ‘sound’ is able to draw together the musical, technological, sociological and historical elements that, when combined, create the sound of the Beach Boys during the 1962-1966 period. The flexibility of this concept means that areas often overlooked in popular music studies and in studies on the Beach Boys in general (particularly the roles of production and instrument types), are able to be woven into analyses of more traditional musical elements (such as song structure or chord progressions).
[Show full text]