4824.Qxp Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

4824.Qxp Layout 1 PIANIST DANIEL LEVY LÄDT ZU „MUSICFESTIVAL“ sconas Veranstaltungskalender erhält Zuwachs: Vom 23. Mai Gelber bei „Maestro“ Vincenzo Scaramuzza. Levy begann im Alter bis 19. Juni findet in der Kirche des Collegio Papio das neu von sechs Jahren mit dem Klavierspiel, mit 17 gab er sein erstes Ains Leben gerufene „Ascona MusicFestival“ statt. Dabei han- Konzert. Er ist Autor des Buches „Euphony: The Sound of Life“ delt es sich um eine dreiteilige, der Kammermusik gewidmete Kon- und Mitbegründer der International Academy of Euphony. zertreihe unter der Leitung des argentinischen Pianisten Daniel Levy. Neben den Frühjahrskonzerten in der Papio-Kirche plant Daniel In Ascona habe er ein ideales Umfeld gefunden, erzählt Levy. Levy für den Herbst eine Reihe von Meisterkursen für junge Violi- „Diese Landschaft ist eine grossartige Inspirationsquelle.“ Er nisten, Cellisten und Pianisten. Dazu gehören auch musikalische schwärmt von den Bergen, die den See umrahmen, Vorträge. Diese werden in kleinerem Rahmen statt- und der einmaligen Natur. Für die Durchführung finden und monothematisch gegliedert sein. der Konzertreihe wählte er den Frühling, um Ter- Es erklingen Ascona MusicFestival, Chiesa Collegio Papio, minüberschneidungen mit anderen Veranstaltun- Konzertbeginn jeweils um 20.30 Uhr gen dieses Genres im Tessin zu vermeiden. Die er- ausgesuchte Sonntag, 23. Mai: Daniel Levy (Klavier) und das ste Ausgabe der Veranstaltung steht ganz im Zei- Zürcher Streichquartett präsentieren Werke von chen des 200. Geburtstages von Frédéric Chopin Werke von Robert Schumann. und Robert Schumann. „Das Festival wird die Dienstag, 8. Juni: Franco Maggio Ormezowski Liebhaber der Kammermusik begeistern“, ist Levy Chopin und (Violoncello) und Daniel Levy (Piano) mit Werken überzeugt. Er wolle jeder Darbietung gebührenden von Ludwig van Beethoven, Robert Schumann und Wert geben, die Zuhörenden sollen ein unvergessli- Schumann Frédéric Chopin. ches musikalisches Erlebnis geniessen können. Samstag, 19. Juni, Daniel Levy (Klavier) mit Wer- Nach Starpianistin Martha Argerich, die bei Luga- ken von Frédéric Chopin und Robert Schumann. no Festival ein eigenes „Project“ unterhält, hat mit Daniel Levy ei- Konzertkarten sind im Vorverkauf erhältlich über das Ente Turisti- ne weitere Klavier-Grösse aus Argentinien in der Südschweiz eine co Ascona/Locarno, Tel. 091 791 00 91, Lugano Turismo, Tel. 091 künstlerische Heimat gefunden. „Den grössten Teil meiner Karrie- 913 32 32, Soldini Divisione Musica in Locarno, Tel. 091 751 28 re verbrachte ich in Europa, insbesondere in Italien. Da liegt das 14 und Alhambra Music in Lugano, Tel. 091 922 82 81. Tessin nahe“, erklärt Levy seine Wahl, sich in Ascona zu betätigen. Infos auf Internet: www.academyofeuphony.com/festival. 1947 in Buenos Aires geboren, studierte er wie Argerich und Bruno mb.
Recommended publications
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • 4961168-37E111-714439855628.Pdf
    Alexander Scriabin (1872-1915) Daniel Levy, piano 24 PRELUDES OP. 11 01. No.1 in C Major: Vivace 0’ 57” 02. No.2 in A Minor: Allegretto 1’ 57” 03. No.3 in G Major: Vivo 1’ 02” 04. No.4 in E Minor: Lento 2’ 00” 05. No.5 in D Major: Andante cantabile 1’ 46” 06. No.6 in B Minor: Allegro 0’ 56” 07. No.7 in A Major: Allegro assai 1’ 28” 08. No.8 in F Sharp Minor: Allegro agitato 1’ 40“ 09. No.9 in E Major: Andantino 1’ 43” 10. No.10 in C Sharp Minor: Andante 1’ 26” 11. No.11 in B Major: Allegro assai 2’ 03” 12. No.12 in G Sharp Minor: Andante 1’ 27” 13. No.13 in G Flat Major: Lento 1’ 30” 14. No.14 in E Flat Minor: Presto 1’ 02” 15. No.15 in D Flat Major: Lento 1’ 54” 16. No.16 in B Flat Minor: Misterioso 1’ 49” 17. No.17 in A Flat Major: Allegretto 0’ 40” 18. No.18 in F Minor: Allegro agitato 0’ 56” 19. No.19 in E Flat Major: Affettuoso 2’ 01” 20. No.20 in C Minor: Appassionato 1’ 12” 21. No.21 in B Flat Major: Andante 1’ 23” 22. No.22 in G Minor: Lento 1’ 17” 23. No.23 in F Major: Vivo 0’ 39” 24. No.24 in D Minor: Presto 0’ 55” 25. ÉTUDE IN C MINOR OP. 2, NO. 1 3’ 18” 12 ÉTUDES OP. 8 26. No.1 in C Sharp Minor: Allegro 1’ 43” 27.
    [Show full text]
  • Daniel Levy the Voice of the Piano, and More
    12 ROBERT SCHUMANN (1810 - 1856) Lieder on poems by Heinrich Heine 1 Abends Am Strand Op 45 No. 3 3’ 12” 2 “Du bist wie eine Blume” Op 25 (Myrthen) No. 24 1’ 49” 3 “Die Lotosblume” Op 25 (Myrthen) No. 7 1’ 50” 4 “Die beiden Grenadiere” Op 49. No. 1 3’ 31” Liederkreis Op. 24 5 No. 1 “Morgens steh' ich auf und frage” 0‘ 55” 6 No. 2 “Es treibt mich hin, es treibt ich her!” 1’ 07” 7 No. 3 “Ich wandelte unter den Bäumen” 3’ 45” 8 No. 4 “Lieb' Liebchen, leg's Händchen” 0’ 44” 9 No. 5 “Schöne Wiege meiner Leiden” 3’ 42” 10 No. 6 “Warte, warte, wilder Schismann” 1’ 44” 11 No. 7 “Berg’ und Burgen schaun herunter’” 3’ 42” 12 No. 8 “Anfangs wollt' ich fast verzagen” 0’ 56” 13 No. 9 “Mit Myrten und Rosen lieblich und hold” 4’ 02” Lieder on poems by Nikolaus Lenau Op. 90 14 No. 1 Lied eines Schmiedes 1’ 22” 15 No. 2 Meine Rose 3’ 29” 16 No. 3 Kommen und Scheiden 1’ 25” 17 No. 4 Die Sennin 2’ 21” 18 No. 5 Einsamkeit 2’ 51” 19 No. 6 Der schwere Abend 1’ 51” Lieder on poems by Emanuel Geibel 20 Geständnis Op. 74 No. 7 1‘ 40” 21 “Tief im Herzen trag ich Pein” Op. 138 No. 2 2’ 17” 22 “Weh, wie zornig ist das Mädchen” Op. 138 No. 7 1‘ 20” 23 “O wie liebllich ist das Mädchen” Op. 138 No. 3 2’ 04” 24 “Romanze” Op. 138 No.
    [Show full text]
  • Documents Sur Robert SCHUMANN (1810-1856)
    DOCUMENTS SUR Robert SCHUMANN (1810-1856) (Mise à jour le 21 mai 2013) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 www.mediathequemahler.org Médiathèque Musicale Mahler – Robert Schumann 2010 2 Livres et documents sur Robert SCHUMANN (1810-1856) LIVRES 3 Sur Robert Schumann 3 Schumann dans les biographies d'autres compositeurs… 10 Schumann dans les ouvrages thématiques… 13 PARTITIONS 22 ENREGISTREMENTS SONORES 34 Schumann dans les disques d'autres compositeurs 75 REVUES 99 ARCHIVES NUMÉRISÉES 100 FONDS D'ARCHIVES 101 Médiathèque Musicale Mahler – Robert Schumann 2010 3 LIVRES BIOGRAPHIES DE ROBERT SCHUMANN Clara und Robert Schumann : Zeitgenössische Porträts : Katalog zur Ausstellung des Heinrich-Heine- Instituts, Düsseldorf und des Robert-SChumann-Hauses in Zwickau (7. Juni - 24. Juli 1994, Heinrich- Heine-Institut, Düsseldorf...) / Vorwort von Joseph A. Kruse. - Düsseldorf : Droste, 1994. (BM SCHUM A5) Robert Schumann / préf. de J.C. Teboul. - Paris : Place, 2004. (BM SCHUM E4) Robert Schumann : the autograph manuscript of the piano concerto in a minor op. 54 : [catalogue de vente, Sotheby's, 22 novembre 1989]. - London : Sotheby's, 1989. (BM SCHUM G Concerto) Schumann. - Paris : Hachette, 1970. (BM SCHUM D6) Schumann à la Grange de Meslay du 10 au 19 juin 1994 : 31e Fêtes musicales en Touraine, 1994. - Tours : Fêtes Musicales en Touraine, 1994. (BM SCHUM A4) Thematisches Verzeichniss sämmtlicher im Druck erschienenen Werke Robert Schumann's. - Leipzig ; New York : Schuberth & Co, s.d.. (BM SCHUM A1) ABERT Hermann. - Robert Schumann. - Berlin : Harmonie, 1903. (BM SCHUM C ABE A1) ABRAHAM Gerald. - Schumann : a symposium. - London : Oxford University Press, 1952.
    [Show full text]
  • Daniel Levy, Piano
    A Piano Recital for the World’s Children Daniel Levy, piano CLAUDE DEBUSSY 1 La fille aux cheveux de lin. Prélude No. 8. Premier livre. 2’ 35” Children‘s Corner 2 Doctor Gradus ad Parnassum 2’ 15” 3 Jimbo’s Lullaby 3’ 42” 4 Serenade for the doll 2’ 40” 5 The snow is dancing 3’ 11” 6 The little shepherd 2‘ 23“ 7 Golliwogg’s cake walk 3‘ 12“ 8 Rêverie 3’ 56” MAURICE RAVEL 9 Pavane pour une infante défunte 6’ 22” ROBERT SCHUMANN Unpublished Pieces from ‘Album for the Young’ Op. 68 10 The doll‘s lullaby 0’ 24” 11 Fragment 0’ 54” 12 The hiding cuckoo 1’ 01” 13 Rebus 0’ 41” 14 Bear Dance 0’ 38” 15 A little piece by Mozart 0’ 50“ 16 A famous melody by Beethoven 0’ 45” FELIX MENDELSSSOHN BARTHOLDY Sechs Kinderstücke Op. 72 17 Allegro non troppo 1’ 21” 18 Andante sostenuto 1’ 39” 19 Allegretto 0’ 55” 20 Andante con moto 1‘ 10” 21 Allegro assai 1’ 26” 22 Vivace 1‘ 31” FRANZ LISZT 23 Hymne de l'enfant à son réveil 6’ 52” No. 6 from the ‘Harmonies poétiques et religieuses’ ROBERT SCHUMANN 24 Impromptu No. 4 from 'Bilder aus Osten' Op. 66, four hands 2 ’14” Kinderszenen Op. 15 25 Of foreign lands and people 1’ 34” 26 Curious story 1‘ 13“ 27 Catch me 0’ 28” 28 The suppliant child 0’ 50” 29 Happiness 0’ 47” 30 An important event 0’ 51” 31 Rêverie 2’ 45” 32 By the fireside 0’ 53” 33 Ride a cock horse 0’ 45” 34 Almost too serious 1’ 40” 35 Frightening 1’ 33” 36 Child falling asleep 1’ 32” 37 The Poet speaks 2’ 16” JOHANN SEBASTIAN BACH 38 Prelude No.
    [Show full text]
  • De Paraiso Para Usted
    8/6/2018 DE PARAISO PARA USTED Más Crear un blog Acceder DEDE PARAISOPARAISO PARAPARA USTEDUSTED Blog que refleja la actividad musical de la Ciudad de Buenos Aires y alrededores, especialmente en cuanto a Conciertos, lírica y ballet. Escuche nuestro programa de radio todos los sábados a las 19 hs por www.onradio.com.ar jueves, 7 de junio de 2018 VISITANTES 2 2 8 6 2 JOVENES QUE PIDEN PISTA (Y NO LA DE paraiso ENFRENTE PRECISAMENTE) Ciclo de Conciertos del Club de Pescadores: Actuación del Ensamble “440”, Director: Ignacio Mandrafina. Solistas: Gabriela Morales (Soprano) y el Director y Violinistas Integrantes del Conjunto. Programa: Obras de Bach, Haendel, Schubert, Menken/Rice y Grieg. 03 de Junio de 2018, Salón Principal de la Sede Costanera Norte. NUESTRA OPINION: MUY BUENO. Un interesante aporte a la vida cultural de Buenos Aires es el que ha comenzado con este concierto, organizado por la Comisión de Cultura del Club DE PARAISO PARA USTED de Pescadores, quienes han resuelto realizar un ciclo los primeros Domingos de cada mes en el Salón Principal del primer piso de su ya octogenaria sede de Todos los sábados de 19 a 20 hs. por www.online.com.ar, con la conducción de la Costanera Norte (el célebre Chalet “Sobre el Río”), tan distintivo al divisarlo Donato Decina. desde la Av. Sarmiento previo a ingresar por la Av. Costanera Rafael Obligado Esperamos sus comentarios y mensajes a (Remodelada hace un par de años). Entrar por el sendero delantero, ingresar [email protected] o, en horario de en el edificio de la sede, subir su imponente escalera que lleva al Salón emision al tel 4300-3160.
    [Show full text]
  • Daniel Levy the Voice of the Piano, and More
    Franz Liszt (1811 - 1886) VENEZIA E NAPOLI from “Années de Pèlerinage. Deuxième Année: Italie” (supplément) 1 Gondoliera 6’ 47” 2 Canzone 3’ 12” 3 Tarantella 10’ 51” 4 CONSOLATION n.3 in d at Minor 4’ 13” 5 LA CAMPANELLA 5’ 37” n.3 - Six Grandes Etudes de Paganini 6 MEPHISTO WALTZ n.1 12’ 32” 7 ISOLDES LIEBESTOD (Wagner/Liszt) 7’ 21” 8 APRÈS UNE LECTURE DU DANTE 19’ 22” Fantasia quasi sonata from “Années de Pèlerinage. Deuxième Année: Italie” Daniel Levy, piano TOTAL PLAYING TIME 75’ 45” Daniel Levy The Voice of the Piano, and More An appreciation by Bernard Jacobson My first encounter with Daniel Levy came around a decade ago when I reviewed his recording of Schubert piano music for Fanfare Magazine. Back then, I suggested that his version of the G-major Sonata ranked alongside those of Alfred Brendel and Radu Lupu in what I termed “my Pantheon of treasured interpretations.” Three years later, an Edelweiss recording of the Brahms First Piano Concerto, conducted by Dietrich Fischer-Dieskau, and released together with an anthology titled “Alma Argentina” with a tango-centered program featur- ing pieces by Ginastera, Piazzolla, Guastavino, Ramirez, and Gardel confirmed my positive impressions. But it is only now, encountering Levy once again in this compendious collection that ranges from Bach and Mozart all the way to Debussy and Ravel, and from solo works to violin sonatas, piano sonatas, and songs, that I realize the full range–and, to venture on a too-often misused word, greatness of this remarkable musician. It is a relatively rare pianist that can convince, and beguile, as expertly in the disciplined contrapuntal explorations of Bach as in the atmospheric musings of Liszt, the highly colored textural fantasy of Scriabin, and the imaginative genre portraits of Schumann’s songs and melodramas, but Levy triumphantly succeeds in doing so.
    [Show full text]
  • Playing on Our Strengths to Deliver First-Class
    © Southbank Sinfonia Playingonourstrengthsto deliver first-class performance. Comprehensive private banking solutions; solid range of investment and advisory services; delivered one relationship at a time. efginternational.com EFG International’s global private banking network operates in around 40 locations worldwide, including Zurich, Geneva, Lugano, London, Madrid, Milan, Monaco, Luxembourg, Hong Kong, Singapore, Miami, Bogotá and Montevideo. In the United Kingdom, EFG Private Bank Limited’s principal place of business and registered office is located at Leconfield House, Curzon Street, London W1J 5JB, T + 44 20 7491 9111. EFG Private Bank Limited is authorised by the Prudential Regulation Authority and regulated by the Financial Conduct Authority and the Prudential Regulation Authority. EFG Private Bank Limited is a member of the London Stock Exchange. Registered in England and Wales as no. 2321802. EFG Private Bank Ltd is a subsidiary of EFG International. THE WORLD’S BEST CLASSICAL MUSIC REVIEWS Est 1923 . OCTOBER 2018 gramophone.co.uk on record The changing way we hear the composer’s music PLUS Ingrid Fliter: exploring the darker side of Chopin A newly discovered recording by Rachmaninov UNITED KINGDOM £5.99 VERBIER FESTIVAL 25 Years of Excellence Since 1994 the Verbier Festival has been transforming a small Swiss Alpine resort into a unique hothouse for the world’s nest classical musicians to try out new repertoire and new partnerships, always with revelatory results. Marking Verbier’s rst 25 years, this special 4-CD set features admired artists such as Martha Argerich, Evgeny Kissin, Daniil Trifonov, Bryn Terfel, Yuja Wang and Valery Gergiev in previously unreleased live recordings. www.deutschegrammophon.com www.verbierfestival.com A special eight-page section focusing on recent recordings from the US and Canada Abel ‘Time and Distance’ talks to ..
    [Show full text]
  • Daniel Levy the Voice of the Piano, and More
    ROBERT SCHUMANN (1810 – 1856) Piano Concerto In A Minor Op. 54 ① I Allegro aettuoso 16’ 00” ② II Intermezzo (Andantino grazioso) 5’ 45” ③ III Allegro vivace 11’ 22” ④ Konzertstück (Introduzione ed Allegro Appassionato) 16’ 52” Op. 92 In G Major for piano and orchestra Daniel Levy, piano Philharmonia Orchestra Dietrich Fischer-Dieskau, conductor ⑤ Schön Hedwig Op. 106 (Friedrich Hebbel) 5’ 35” Zwei Balladen Op. 122 ⑥ Vom Heideknaben (No. 1) (Friedrich Hebbel) 5’ 12” ⑦ Die Flüchtlinge (No. 2) (Percy B. Shelley) 3’ 10” ⑤⑥⑦ for declamation and piano Dietrich Fischer-Dieskau, declamation Daniel Levy, piano TOTAL PLAYING TIME 64’ 10” Daniel Levy The Voice of the Piano, and More An appreciation by Bernard Jacobson My first encounter with Daniel Levy came around a decade ago when I reviewed his recording of Schubert piano music for Fanfare Magazine. Back then, I suggested that his version of the G-major Sonata ranked alongside those of Alfred Brendel and Radu Lupu in what I termed “my Pantheon of treasured interpretations.” Three years later, an Edelweiss recording of the Brahms First Piano Concerto, conducted by Dietrich Fischer-Dieskau, and released together with an anthology titled “Alma Argentina” with a tango-centered program featur- ing pieces by Ginastera, Piazzolla, Guastavino, Ramirez, and Gardel confirmed my positive impressions. But it is only now, encountering Levy once again in this compendious collection that ranges from Bach and Mozart all the way to Debussy and Ravel, and from solo works to violin sonatas, piano sonatas, and songs, that I realize the full range–and, to venture on a too-often misused word, greatness of this remarkable musician.
    [Show full text]
  • Programma Primavera 2010 (PDF)
    L’Ascona Music Festival ringrazia: Edelweiss Emission La Municipalità di Ascona Collegio Papio A.M.A. Ente Turismo Ascona-Locarno Ticino Turismo Lugano Turismo Progel Spazio Salute Hacker L’Officina Hotel Polo Servizio Pianoforte Ambrosius Pfaff Raiffeisen Ristorante Al Pontile Agriloro Fewotessin Confiserie La Camelia Osteria Nostrana La Cartoleria Ristorante Lo Scalo HR Outsourcing Services Bynet Design ASCONA Music Festival www.academyofeuphony.com/festival/ [email protected] - Tel. +41 (0)76 2657708 La prevendita dei biglietti viene effettuata presso: Sportelli Ente Turistico Lago Maggiore - Ascona-Locarno - Tel. +41 (0)91 791 00 91 Soldini Musica - Piazza Muraccio - Locarno - Tel. +41 (0)91 751 28 14 Lugano Turimo - Palazzo Civico - Riva Albertolli – Lugano - Tel. +41 (0)91 913 32 32 Alhambra Music - C.so Pestalozzi 21b - Lugano - Tel. +41 (0)91 922 82 81 Anche direttamente dal sito dell’Ascona Music Festival www.academyofeuphony.com/festival/ L’Ascona Music Festival è organizzato da: Associazione Accademia Internazionale di Eufonia P.O Box 683 – 6903 Lugano Switzerland - Web: www.academyofeuphony.com ASCONA MUSIC FESTIVAL Un Festival di Musica nel XXI secolo dovrebbe essere una celebrazione della Bellezza e della Poesia, una vera delicata cerimonia di ascolto per nutrirci e crescere in consapevolezza, grazie alle meraviglie che ci hanno lasciato i grandi geni dell’arte. Loro ci raccontano chiaramente sia sull’intimo sentimento, che sull’universalità dell’essere umano. È questo il caso dei due maestri che, nati nel 1810 a solo quattro mesi di distanza uno dall’altro, ci comunicano ancora nuove sfumature musicali e ci conducono alla fonte dell’ispirazione senza tempo: Fryderyk Chopin e Robert Schumann.
    [Show full text]
  • The Pedagogical Legacy of Vicente Scaramuzza: the Relationship Between Anatomy of the Hand, Tone Production, and Musical Goals
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of Fall 12-2-2013 The Pedagogical Legacy of Vicente Scaramuzza: The Relationship Between Anatomy of the Hand, Tone Production, and Musical Goals Marcelo G. Lian University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Lian, Marcelo G., "The Pedagogical Legacy of Vicente Scaramuzza: The Relationship Between Anatomy of the Hand, Tone Production, and Musical Goals" (2013). Student Research, Creative Activity, and Performance - School of Music. 66. https://digitalcommons.unl.edu/musicstudent/66 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE PEDAGOGICAL LEGACY OF VICENTE SCARAMUZZA: THE RELATIONSHIP BETWEEN ANATOMY OF THE HAND, TONE PRODUCTION, AND MUSICAL GOALS By Marcelo Lian A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Paul Barnes Lincoln, Nebraska December, 2013 THE PEDAGOGICAL LEGACY OF VICENTE SCARAMUZZA: THE RELATIONSHIP BETWEEN ANATOMY OF THE HAND, TONE PRODUCTION, AND MUSICAL GOALS Marcelo Lian, D.M.A. University of Nebraska, 2013 Advisor: Paul Barnes The Italian pianist and pedagogue Vicente Scaramuzza has become one of the most prominent musical figures in Argentina.
    [Show full text]
  • Daniel Levy the Voice of the Piano, and More
    JOHANNES BRAHMS (1833-1897) SONATA FOR CELLO AND PIANO IN E MINOR, OP. 38 ① I. Allegro non troppo 14’ 06” ② II. Allegretto quasi Menuetto - Trio 5’ 26” ③ III. Allegro 6’ 33” SONATA FOR CELLO AND PIANO IN F MAJOR, OP. 99 ④ I. Allegro Vivace 8’ 59” ⑤ II. Adagio Aettuoso 7’ 20” ⑥ III. Allegro Passionato - Trio 7’ 26” ⑦ IV. Allegro Molto 4’ 33” Franco Maggio Ormezowski, cello Daniel Levy, piano TOTAL PLAYING TIME 54’ 26” Daniel Levy The Voice of the Piano, and More An appreciation by Bernard Jacobson My first encounter with Daniel Levy came around a decade ago when I reviewed his recording of Schubert piano music for Fanfare Magazine. Back then, I suggested that his version of the G-major Sonata ranked alongside those of Alfred Brendel and Radu Lupu in what I termed “my Pantheon of treasured interpretations.” Three years later, an Edelweiss recording of the Brahms First Piano Concerto, conducted by Dietrich Fischer-Dieskau, and released together with an anthology titled “Alma Argentina” with a tango-centered program featur- ing pieces by Ginastera, Piazzolla, Guastavino, Ramirez, and Gardel confirmed my positive impressions. But it is only now, encountering Levy once again in this compendious collection that ranges from Bach and Mozart all the way to Debussy and Ravel, and from solo works to violin sonatas, piano sonatas, and songs, that I realize the full range–and, to venture on a too-often misused word, greatness of this remarkable musician. It is a relatively rare pianist that can convince, and beguile, as expertly in the disciplined contrapuntal explorations of Bach as in the atmospheric musings of Liszt, the highly colored textural fantasy of Scriabin, and the imaginative genre portraits of Schumann’s songs and melodramas, but Levy triumphantly succeeds in doing so.
    [Show full text]