Famous Americans of Recent Times by James Parton
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AMERICAN MANHOOD in the CIVIL WAR ERA a Dissertation Submitted
UNMADE: AMERICAN MANHOOD IN THE CIVIL WAR ERA A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor in Philosophy by Michael E. DeGruccio _________________________________ Gail Bederman, Director Graduate Program in History Notre Dame, Indiana July 2007 UNMADE: AMERICAN MANHOOD IN THE CIVIL WAR ERA Abstract by Michael E. DeGruccio This dissertation is ultimately a story about men trying to tell stories about themselves. The central character driving the narrative is a relatively obscure officer, George W. Cole, who gained modest fame in central New York for leading a regiment of black soldiers under the controversial General Benjamin Butler, and, later, for killing his attorney after returning home from the war. By weaving Cole into overlapping micro-narratives about violence between white officers and black troops, hidden war injuries, the personal struggles of fellow officers, the unbounded ambition of his highest commander, Benjamin Butler, and the melancholy life of his wife Mary Barto Cole, this dissertation fleshes out the essence of the emergent myth of self-made manhood and its relationship to the war era. It also provides connective tissue between the top-down war histories of generals and epic battles and the many social histories about the “common soldier” that have been written consciously to push the historiography away from military brass and Lincoln’s administration. Throughout this dissertation, mediating figures like Cole and those who surrounded him—all of lesser ranks like major, colonel, sergeant, or captain—hem together what has previously seemed like the disconnected experiences of the Union military leaders, and lowly privates in the field, especially African American troops. -
Fanny Fern's Confrontation with Calvinism, Class, and Gender Ideology in Ruth Hall
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 Generational Revolt and the Spirit of Capitalism : Fanny Fern's Confrontation with Calvinism, Class, and Gender Ideology in Ruth Hall Catherine Lunt College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Women's Studies Commons Recommended Citation Lunt, Catherine, "Generational Revolt and the Spirit of Capitalism : Fanny Fern's Confrontation with Calvinism, Class, and Gender Ideology in Ruth Hall" (1998). Dissertations, Theses, and Masters Projects. Paper 1539624381. https://dx.doi.org/doi:10.21220/s2-qprw-m209 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. GENERATIONAL REVOLT AND THE SPIRIT OF CAPITALISM: FANNY FERN'S CONFRONTATION WITH CALVINISM, CLASS, AND GENDER IDEOLOGY IN RUTH HALL A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Catherine Lunt 1994 Approval Sheet This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, September 1994 Robert A. Gross Richard Lowry Chandos Brown Table of Contents -
Treason Trial of Aaron Burr Before Chief Justice Marshall
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1942 Treason Trial of Aaron Burr before Chief Justice Marshall Aurelio Albert Porcelli Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the United States History Commons Recommended Citation Porcelli, Aurelio Albert, "Treason Trial of Aaron Burr before Chief Justice Marshall" (1942). Master's Theses. 687. https://ecommons.luc.edu/luc_theses/687 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1942 Aurelio Albert Porcelli .TREASON TRilL OF AARON BURR BEFORE CHIEF JUSTICE KA.RSHALL By AURELIO ALBERT PORCELLI A THESIS SUBJfiTTED IN PARTIAL FULFILLMENT OJ' mE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY .roD 1942 • 0 0 I f E B T S PAGE FOBEW.ARD • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 111 CHAPTER I EARLY LIFE OF llRO:N BURR • • • • • • • • • • • • • • • • • • • • • l II BURR AND JEFF.ERSOB ••••••••••••••••••••••••••• 24 III WES!ERN ADVDTURE OF BURR •••••••••••••••••••• 50 IV BURR INDICTED FOR !REASOB •••••••••••••••••••• 75 V !HE TRIAL •.•••••••••••••••• • ••••••••••• • •••• •, 105 VI CHIEF JUSTICE lfA.RSlU.LL AND THE TRIAL ....... .. 130 VII JIA.RSHALJ.- JURIST OR POLITICIAN? ••••••••••••• 142 BIBLIOGRAPHY ••••••••••••••••••••••••••••••••• 154 FOREWORD The period during which Thomas Jefferson, John Marshall, and Aaron Burr were public men was, perhaps, the most interest ing in the history of the United States. -
Revolutionary Heroes, and Other Historical Papers
Revolutionary Heroes, And Other Historical Papers James Parton The Project Gutenberg EBook of Revolutionary Heroes, And Other Historical Papers by James Parton Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Revolutionary Heroes, And Other Historical Papers Author: James Parton Release Date: May, 2005 [EBook #8154] [This file was first posted on June 21, 2003] Edition: 10 Language: English Character set encoding: US-ASCII *** START OF THE PROJECT GUTENBERG EBOOK, REVOLUTIONARY HEROES, AND OTHER HISTORICAL PAPERS *** E-text prepared by Ted Garvin, Tonya Allen, Charles Franks, and the Online Distributed Proofreading Team REVOLUTIONARY HEROES, AND OTHER HISTORICAL PAPERS HISTORICAL CLASSIC READINGS--No 10. BY JAMES PARTON, AUTHOR OF "LIFE OF HORACE GREELEY," "LIFE OF ANDREW JACKSON," "LIFE AND TIMES OF BENJAMIN FRANKLIN," ETC. ETC. GEN. -
COLEMAN-DISSERTATION-2016.Pdf
Copyright by Megan Catherine Coleman 2016 The Dissertation Committee for Megan Catherine Coleman certifies that this is the approved version of the following dissertation: Revolutionary Representations in Antebellum Periodicals Committee: Martin Kevorkian, Supervisor Wayne Lesser Michael Winship Matthew Cohen Robert Abzug Revolutionary Representations in Antebellum Periodicals by Megan Catherine Coleman, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2016 Revolutionary Representations in Antebellum Periodicals Megan Catherine Coleman, Ph.D. The University of Texas at Austin, 2016 Supervisor: Martin Kevorkian “Revolutionary Representations in Antebellum Periodicals” examines invocations of the American Revolutionary War in novels serialized during the mid-nineteenth century. E.D.E.N. Southworth, Harriet Beecher Stowe, William Gilmore Simms, and Herman Melville depicted this foundational conflict and its ideological legacies in periodicals ranging from the antislavery National Era to the sectionalist Southern Literary Gazette, “quality” literary magazines including Putnam’s and the Atlantic Monthly, and the popular women’s and family magazine Godey’s Lady’s Book. The first two chapters consider novels that address the legacy of the American Revolution in the antebellum South. Southworth and Stowe portray voluntary manumission as a means for forestalling national dissolution or insurrection in inter- sectional novels published in the National Era. William Gilmore Simms counters their approaches in historical romances that dismiss the imperative of universal emancipation in favor of an assertion of independence from incursive imperial and, subsequently, federal forces. -
Wit, Sentimentality and the Image of Women in the Nineteenth Century
wit, sentimentality and the image of women in the nineteenth century nancy walker In two articles in The Critic in 1884, Alice Wellington Rollins at tempted to counter the conventional notion that a sense of humor was "that rarest of qualities in woman," as Richard Grant White had writ ten earlier in the same publication. Though she acknowledged that "as we have had no feminine Artemus Ward, so we have had no woman novelist in whose work humor has even so prominent a part as it has in Dickens," she insisted that in conversation as well as in writing women had great talent for humor.1 But Twain's portrait of Emme- line Grangerford in Huck Finn the following year seems to have solidi fied the image of the nineteenth-century female writer as a wan poet obsessed with morbidity. However, in the same year that Huck Finn was published, Kate Sanborn followed Alice Rollins' lead and pub lished an anthology called The Wit of Women.2 Sanborn did not adhere to a rigid definition of "wit" in her comments or in her selec tions, which range from an eighteenth-century poem by Mercy War ren (whom Sanborn calls "a satirist quite in the strain of Juvenal") to the dialect humor of Harriet Beecher Stowe and "Grace Greenwood," and include parodies, poems for children and bits of witty conversa tion overheard at dinner parties. Frances Whicher's Widow Bedott Papers she deems too popular to require a selection —"every one who enjoys that style of humor knows them by heart" —but she did include excerpts from Caroline Kirkland, Rose Terry Cooke, Sarah Orne Jewett and many others. -
E.D.E.N. Southworth: Recovering a Nineteenth-Century Popular
E. D. E. N. SOUTHWORTH E. D. E. N. SOUTHWORTH Recovering a Nineteenth-Century Popular Novelist Edited by Melissa J. Homestead Pamela T. Washington THE UNIVERSITY OF TENNESSEE PRESS / KNOXVILLE h Copyright © 2012 by The University of Tennessee Press / Knoxville. All Rights Reserved. Manufactured in the United States of America. First Edition. Frontispiece: A carte de visite of a daguerreotype of E. D. E. N. Southworth in her library at Prospect Cot- tage, date unknown. According to a note in Southworth’s hand in her papers at the Library of Congress, the daguerreotype “was taken on the spur of the moment. The artist was here to take the baby. While waiting for her to wake, he wanted to take me. I had no time to get myself up for a picture and so if he took me, he would have to take me, as I was, at my work. I was correcting the proofs. He fixed his camera in the porch door of the library. I told him I must work until he was quite ready; but if he would tell me when I would stop and sit still. I was directing the envelope, when he said ‘now.’ I sat back to rest and he took me.” Wm. B. Becker Collection/Photography Museum.com. Cindy Weinstein’s “‘What Did You Mean?’ The Language of Marriage in The Fatal Marriage and Family Doom” is a revision of her essay “‘What did you mean?’: Marriage in E. D. E. N. Southworth’s Nov- els,” published in Legacy: A Journal of American Women Writers, vol. -
Dueling As Politics: the Burr- Hamilton Duel
THE NEW-YORK JOURNAL OF AMERICAN HISTORY dueling as politics: the burr- hamilton duel Joanne B. Freeman n july 11, 1804, Alexander Hamilton and Aaron Burr fought what was to become the most famous duel in American history. This day of reckoning had been long approaching, for Hamilton had bitterly opposed Burr’s political career for fifteen years. Charismatic O men of great talent and ambition, the two had been thrust into competition with the opening of the national government and the sudden availability of new power, positions, and acclaim. Their rivalry continued even after they had been cast off the national stage and were competing in the more limited circle of New York State politics; by 1804, Burr had been summarily ejected from the u.s. vice presidency and Hamilton had self-destructed with a fool- hardy pamphlet attacking his own party’s candidate for president. Burr, however, seemed to have larger ambitions, courting Federalists throughout New England to unite behind him and march towards secession—or so Hamilton thought—and Burr’s first step on that path appeared to be the gubernatorial election of 1804. Horrified that Burr could become New York’s chief Federalist, corrupt the Federalist party, sabotage Hamilton’s influence, and possibly destroy the republic, Hamilton stepped up his opposition. Anxious to discredit Burr, he attacked his private character, denouncing him as “one who ought not to be trusted with the reins of government.”1 Burr was keenly aware of Hamilton’s opposition and was no long- er willing to overlook it, for the 1804 election was his last hope for political power. -
Great Lakes Navigation and Navigational Aids Historical Context Study
Great Lakes Navigation and Navigational Aids Historical Context Study By Theodore J. Karamanski prepared for the National Park Service United States Department of the Interior 2017 1 2 Contents 5 List of Figures & Illustrations 7 Introduction 11 Wilderness Waters 21 A Market Revolution on the Lakes 49 The Era of Bad Feelings,1839–1860 83 Lighting the Way Forward,1860–1880 113 Era of Expansion, 1880-1910 149 Heartland Arsenal: The Inland Seas in War and Peace, 1910-1945 179 May Their Lights Continue to Shine, 1946-2000 205 National Landmark Status and Great Lakes Aids to Navigation 215 Recommended Great Lakes National Historic Landmarks 263 Acknowledgements 3 4 List of Figures & Illustrations 27 Figure 1. The wreck of the steamer Walk-in-the-Water with the poorly sited Buffalo Lighthouse in the background. 29 Figure 2. Chicago Harbor Lighthouse adjacent to Fort Dearborn. 31 Figure 3. Stephen Pleasonton Fifth Auditor of the United States and head of U.S. Lighthouse Administration, 1820-1851 37 Figure 4. The Erie Canal at Lockport, NY. Engraving made from 1839 painting by W.H. Bartlett. 42 Figure 5. Erie, Pa. Harbor before improvement. 45 Figure 6. Early attempts to force a harbor entrance through the sand bar at Chicago. 52 Figure 7. Eber Brock Ward. Ship Captain, ship builder, industrialist. 54 Figure 8. Sault Ste. Marie Canal. 56 Figure 9. The schooner Hattie Hutt, built in Saugatuck, Mich., 1873, wrecked 1929. 58 Figure 10. A Great Lakes propeller steamer, the United Empire. 61 Figure 11. The wreck of the steamer Lady Elgin, 1860. -
The Fashioning of Fanny Fern: a Study of Sara Willis Parton's Early Career, 1851-1854
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Winter 12-15-2010 The Fashioning of Fanny Fern: A Study of Sara Willis Parton's Early Career, 1851-1854 Amy S. Porche Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Porche, Amy S., "The Fashioning of Fanny Fern: A Study of Sara Willis Parton's Early Career, 1851-1854." Dissertation, Georgia State University, 2010. https://scholarworks.gsu.edu/english_diss/58 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE FASHIONING OF FANNY FERN: A STUDY OF SARA WILLIS PARTON‘S EARLY CAREER, 1851-54 by AMY S. PORCHE Under the Direction of Robert Sattelmeyer ABSTRACT The purpose of this study is to trace how Sara Willis Parton achieved unprecedented literary celebrity status as Fanny Fern during the first three years of her professional career, 1851-1853. While most critics point to her famously lucrative contract with the most popular newspaper of the 1850s, the New York Ledger, in 1854 as the beginning of her fame, I argue that she had already fully achieved that fame and had done so by writing for small Boston newspapers and publishing a highly successful collection of her articles by 1853. Further, Fern was able to achieve such a high level of success because of a keen business sense, intuitive marketing savvy, an ability to promote herself, an original writing style, and a creative use of personas.