Beyond Closure: the Artistic Re-Opening of Holocaust Trials in Works by Hannah Arendt, Peter Weiss, Roland Suso Richter, and Uwe Timm
Beyond Closure: The Artistic Re-Opening of Holocaust Trials in Works by Hannah Arendt, Peter Weiss, Roland Suso Richter, and Uwe Timm Kerstin Steitz Berlin, Germany M.A., University of Virginia, May 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Germanic Languages and Literatures University of Virginia May 2014 ii © Copyright Kerstin Steitz All Rights Reserved May 2014 iii Abstract This dissertation examines how the twentieth and twenty-first century German and German-Jewish authors and filmmakers Hannah Arendt, Peter Weiss, Roland Suso Richter, and Uwe Timm engage with historical Holocaust trials: the Eichmann trial in Jerusalem (1963), the Frankfurt Auschwitz trial (1963-1965), and the Hamburg trial (1967). The legal and literary trials have the same subject, the Jewish genocide committed by the National Socialists, but they treat the subject in different forms: the Eichmann and Auschwitz trials were legal criminal trials, Arendt’s Eichmann in Jerusalem (1965) is a report, Weiss’s Die Ermittlung (1965) is composed in the form of the oratorio, Suso Richter’s film Nichts als die Wahrheit (1999) is a courtroom drama, and Timm’s Am Beispiel meines Bruders (2003) is a memoir. The analysis and juxtaposition of legal trials and literary engagements from both first- and second-generation writers and filmmakers seeks to answer the question of how literary, theatrical, and filmic trials can commemorate and convey dimensions of the Holocaust that do not fit easily into the judicial concepts, practices, and purposes of the legal trials.
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