Audition Material Must Be Selected from Published Plays; Please Do Not Audition with Original Material

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Audition material must be selected from published plays; please do not audition with original material. Choose a monologue that you connect with personally and that best demonstrates your acting abilities. If you need assistance in finding a monologue, please consult the lists of suggested monologues below. Or you might choose to review http://stageagent.com/monologues FEMALE Play Author Tiny Alice Albee Independence Blessing Suburbia Bogosian The Nina Variations Dietz Hello and Goodbye Fugard House of Blue Leaves Guare Six Degrees of Separation Guare Painting Churches Howe Angels in America Kushner Bash LaBute Some Girls LaBute Lobby Hero Lonergan Picasso at the Lupin Agile Martin Extremities Mastrosimone A Member of the Wedding McCullers Spike Heels Rebeck A dreamer examines his pillow Shanley Kissing Christine Shanley Danny and the Deep Blue Sea Shanley Lives of Great Waitresses Shengold Buried Child Shepard A Lie of the Mind Shepard Cowboy Mouth Shepard Stop Kiss Son How I Learned to Drive Vogel Lemon Sky Wilson Burn This Wilson MALE The Zoo Story Albee Suburbia Bogosian Laughing Wild Durang A Soldiers Play Fullers Snakebit Grant Eastern Standard Greenberg Six Degrees of Separation Guare As Is Hoffman Orphans Kressler Boy’s Life Korder Search and Destroy Korder Angels in America Kushner Bash LaBute Fat Pig LaBute This is Our Youth Lonergan American Buffalo Mamet The Woods Mamet All My Sons Miller Streamers Rabe Spike Heels Rebeck A dreamer examines his pillow Shanley Danny and the Deep Blue Sea Shanley A Lie of the Mind Shepard Action Shepard Buried Child Shepard Home Williams The Glass Managerie Williams .

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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
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Undergraduate Play Reading List
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William and Mary Theatre Main Stage Productions
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Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
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Week 7 February 21st, 2017 In This Issue Department News Alumni News Department News David Rabe's "Streamers" Opens In The Mandell Weiss Forum ~Photo by Jim Carmody "Streamers" by David Rabe, the first graduate theatre production of the winter quarter, begins performances this week. Directed by Directing Faculty Professor Kim Rubinstein, "Streamers" focuses on the interactions and personal conflicts of a group of soldiers preparing to ship out to fight in the Southeast Asian conflict in 1965. Among them are middle class African American Roger, upper class Manhattanite Richie, who is struggling with his sexual orientation, conservative Wisconsin country boy Billy, and fearful loose cannon Carlyle, a streetwise black. In charge of their barracks are abrasive alcoholic Sgt. Cokes, who already has served overseas, and aggressive Sgt. Rooney, who is anxious to get into combat. There will be a preview performance at 7:00pm on February 21st with free admission to all Veterans, followed by a talkback with the director, professor Kim Rubinstein, and Peter Levine, Ph.D. Streamers By David Rabe Directed by Kim Rubinstein in the Mandell Weiss Forum graduate theatre production Show dates: February 21-March 4 Cast List Billy - Kyle Hester Carlyle - DeLeon Dallas Rooney - Brandon O'Sullivan Martin/Lieutenant - Enrico Nassi Richie - Martin Meccouri Roger - Sidney Hill Cokes - Yonatan Gebeyehu The Creative Team Director - Kim Rubinstein Scenic Designer - Charlie Jicha Costume Designer - Junior Bergman Lighting Designer - Alex Miller-Long Sound Designer - Justin Livengood Dramaturg - Jim Short Production Stage Manager - Kamra Jacobs Asst. Stage Managers - Bryan Runion Show Carpenter - Dwaine Best Wardrobe Supervisor - Carissa Cash Costume Crew - Michael Ayoubkhan, Katie Mal Scenic Crew - Robert Barlow, Caleb Kneip, Jiayu Liu Light Board Operator - Hazel Park Sound Operator - William Quach For tickets and more information, click here.
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Feng Yi Ting
OPERA FENG YI TING AMERICAN PREMIERE FIRST STAGED PRODUCTION CO-PRODUCED BY SPOLETO FESTIVAL USA, CURRENTS–ART & MUSIC, AND LINCOLN CENTER FESTIVAL Composed by Guo Wenjing Sung in Chinese with English supertitles First Performance March 6, 2004; Concertgebouw, Amsterdam, Netherlands Dock Street Theatre May 27 and 29 at 8:00pm; June 1, 4, and 7 at 8:00pm SPONSORED BY BMW MANUFACTURING CO. Conductor Ken Lam Director Atom Egoyan Scenic Designer Derek McLane Costume Designer Han Feng Lighting Designer Matt Frey Video Designer Tsang Kin-Wah Projection Designer Cameron Davis CAST (in order of vocal appearance) Diao Chan Shen Tiemei Lü Bu Jiang Qihu Supernumerary William Stancil MUSICIANS Pipa Chen Yihan Dizi Hong-Da Chin Erhu, gaohu Wang Guowei Sheng Wang Hong Spoleto Festival USA Orchestra Assistant Conductor Aik Khai Pung Assistant Director Kara Riopelle Production Stage Manager Becca Eddins Scenic Construction Spoleto Festival USA Scene Shop Costume Construction Shanghai Sheng Xie Co., Ltd. Libretto Translator Jiang Yipeng Libretto Editor John Githens PERFORMED WITHOUT AN INTERMISSION. Additional support for Feng Yi Ting is provided by The Asian Cultural Council, The Brand Foundation of New York, Inc., and by an award from the National Endowment for the Arts. Opera programming is endowed by the Arthur and Holly Magill Foundation. Currents–Art & Music is grateful for the support of Oscar L. Tang, the Tang Family Foundation, and its board members, for their contributions, namely, Barbara Goldsmith, Marie-Monique Steckel, Christopher Enock, Barbara Hoffman, and Sarina Tang. By arrangement with Boosey & Hawkes Inc., Sole Agent in the U.S., Canada, and Mexico for Casa Ricordi/Universal Music Publishing Ricordi S.R.l., publisher and copyright owner.
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Lou Bellamy 2006 Distinguished Artist
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A Critical Study of the Family Crises in Sam Shepard’S Buried Child and True West
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The Inventory of the Sam Shepard Collection #746
The Inventory of the Sam Shepard Collection #746 Howard Gotlieb Archival Research Center Shepard, Srun Sept,1~77 - Jan,1979 Outline of Inventory I. MANUSCRIPTS A. Plays B. Poetry c. Journal D. Short Prose E. Articles F. Juvenilia G. By Other Authors II. NOTES III. PRINTED MATTER A, By SS B. Reviews and Publicity C. Biographd:cal D. Theatre Programs and Publicity E. Miscellany IV. AWARDS .•, V. FINANCIAL RECOR.EB A. Receipts B. Contracts and Ageeements C. Royalties VI. DRAWINGS AND PHOTOGRAPHS VII. CORRESPONDENCE VIII.TAPE RECORDINGS Shepard, Sam Box 1 I. MANUSCRIPTS A. Plays 1) ACTION. Produced in 1975, New York City. a) Typescript with a few bolo. corr. 2 prelim. p., 40p. rn1) b) Typescript photocopy of ACTION "re-writes" with holo. corr. 4p. marked 37640. (#2) 2) ANGEL CITY, rJrizen Books, 1976. Produced in 1977. a) Typescript with extensive holo. corr. and inserts dated Oct. 1975. ca. 70p. (ft3) b) Typescript with a few holo. corr. 4 prelim. p., 78p. (#4) c) Typescript photocopy with holo. markings and light cues. Photocopy of r.ouqh sketch of stage set. 1 prelim. p., 78p. ms) 3) BURIED CHILD a) First draft, 1977. Typescript with re~isions and holo. corr. 86p. (#6) b) Typescript revisions. 2p. marked 63, 64. (#6) 4) CALIFORNIA HEART ATTACK, 1974. ,•. ' a) Typescript with holo. corr. 23p. (#7) ,, 5) CURSE OF THE STARVING CLASS, Urizen Books, 1976. a) Typescript with holo. corr. 1 prelim. p., 104p. ms) b) Typescript photocopy with holo. corr. 1 prelim. p. 104p. (#9) c) Typescript dialogue and stage directions, 9p. numbered 1, 2, and 2-8.
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Principles of Acting – THEA - 176 Monmouth College Fall 2012 T/TH 9:30 Am-11:00 Am (.5 Credit Hours)
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William & Mary Theatre Main Stage Productions
WILLIAM & MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth
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