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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Introduction to Ascential Our Investment Case
INTRODUCTION TO ASCENTIAL OUR INVESTMENT CASE Clear long-term vision. Helping leading global brands connect with their customers in a data-driven world. Structural growth. Demand for information, data & analytics driven by growth of digital commerce. Market leaders. We are leaders, with a unique blend of specialisms, in the high growth areas in which we operate. Robust business model. High recurring and repeat revenue, with more than 50% revenues from digital subscription and platforms, across diverse global customer base. Attractive financial profile. Track record of high single digit revenue growth, strong margins and cash generation, supported by sound capital allocation. Introduction to Ascential 2 OUR CUSTOMER PROPOSITION Our information products and platforms support our customers to do three simple things… CREATE THE RIGHT MAXIMISE THE OPTIMISE DIGITAL PRODUCTS BRAND MARKETING COMMERCE IMPACT Know which products Know how to get Know how to execute the consumer wants maximum creativity with with excellence on the tomorrow. optimised media. winning platforms. 1. 2. 3. Introduction to Ascential 3 SEGMENTAL OVERVIEW –2019 Segment Revenue % Revenue1 Growth1 EBITDA2 Margin Business Model Advisory 10% Digital Subscriptions Product £86m 21% +8% £36m 42% & Platforms 90% Design Digital Subscriptions Advisory & Platforms 11% Marketing £136m 32% +9% £51m 37% 37% Events 52% Advisory 6% Digital Subscriptions & Sales - Platforms 94% Digital £90m 22% +21% £13m 15% Commerce Sales - Digital Subscriptions & Events Platforms 4% Non Digital £68m 16% -
Removal of Absolute 80S & Planet Rock
Radio Multiplex Licence Variation Request Form This form should be used for any request to vary a local or national radio multiplex licence, e.g: • replacing one programme or data service with another • adding a programme or data service • removing a programme or data service • changing the Format description of a programme service • changing a programme service from stereo to mono • changing a programme service's bit-rate Please complete all relevant parts of this form. You should submit one form per multiplex licence, but you should complete as many versions of Part 3 of this form as required (one per change). Before completing this form, applicants are strongly advised to read our published guidance on radio multiplex licence variations, which can be found at: http://licensing.ofcom.org.uk/radio-broadcast- licensing/digital-radio/radio-mux-changes/ Part 1 – Details of multiplex licence Radio multiplex licence: DM01 National Commercial Licensee: Digital One Contact name: Glyn Jones Date of request: 4th April 2016 1 Part 2 – Summary of multiplex line-up before and after proposed change(s) Existing line-up of programme services Proposed line-up of programme services Service name and Bit-rate Stereo/ Service name and Bit-rate Stereo/ short-form description (kbps)/ Mono short-form (kbps)/ Mono Coding (H description Coding (H or F) or F) Absolute Radio 80F M Absolute Radio 80F M BFBS 80F M BFBS 80F M Capital XTRA 112F JS Capital XTRA 112F JS Classic FM 128F JS Classic FM 128F JS Heart extra 80F M Heart extra 80F M KISS 80F M KISS 80F M LBC 64H M LBC 64H M Magic UK 80F M Magic UK 80F M Radio X 80F M Radio X 80F M Smooth Extra 80F M Smooth Extra 80F M talkSPORT 64H M talkSPORT 64H M UCB 1 64H M UCB 1 64H M INRIX UK TPEG 16 Data INRIX UK TPEG 16 Data Absolute 80s 64H M Planet Rock 64H M Any additional information/notes: Part 3 – Details of proposed change For each proposed change you wish to make to your licence, please answer the following question and then complete the relevant sections of the rest of the application form. -
Addition of Heart Extra to the Multiplex Is Therefore Likely to Increase Significantly the Appeal of Services on Digital One to This Demographic
Radio Multiplex Licence Variation Request Form This form should be used for any request to vary a local or national radio multiplex licence, e.g: • replacing one programme or data service with another • adding a programme or data service • removing a programme or data service • changing the Format description of a programme service • changing a programme service from stereo to mono • changing a programme service's bit-rate Please complete all relevant parts of this form. You should submit one form per multiplex licence, but you should complete as many versions of Part 3 of this form as required (one per change). Before completing this form, applicants are strongly advised to read our published guidance on radio multiplex licence variations, which can be found at: http://licensing.ofcom.org.uk/radio-broadcast- licensing/digital-radio/radio-mux-changes/ Part 1 – Details of multiplex licence Radio multiplex licence: DM01 National Commercial Licensee: Digital One Contact name: Glyn Jones Date of request: 15 January 2016 1 Part 2 – Summary of multiplex line-up before and after proposed change(s) Existing line-up of programme services Proposed line-up of programme services Service name and Bit-rate Stereo/ Service name and Bit-rate Stereo/ short-form description (kbps)/ Mono short-form (kbps)/ Mono Coding (H description Coding (H or F) or F) Absolute Radio 80F M Absolute Radio 80F M Absolute 80s 80F M Absolute 80s 80F M BFBS 80F M BFBS 80F M Capital XTRA 112F JS Capital XTRA 112F JS Classic FM 128F JS Classic FM 128F JS KISS 80F M KISS 80F -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Media Nations: UK 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Operating Instructions for Sharp Android Televisions
Operating Instructions Android TV Operation Manual BL Series Image for illustration purposes only. Actual product may vary. Manufacturers Guarantee IMPORTANT GUARANTEE INFORMATION Thank you for purchasing this television. We hope you have many years of trouble free enjoyment from your purchase. Your product is covered under the manufacturers’ guarantee for 12 months from the date of purchase. If you experience any diffi culties with your TV, please refer to the ‘Frequently asked questions’ section at the rear of these Operating Instructions. If you are still unable to remedy the issue, try resetting the TV to factory settings - details can be found in the ‘Settings’ menu section of these Operating Instructions - alternatively, please contact the helpline. In the event that a fault is diagnosed, the helpline will arrange to collect the TV from your home or work address, return it to our service centre, repair the item and then return it to you. If we believe we cannot offer a permanent repair, we will replace the item. Technical Support Information Telephone UK 0330 024 0803, ROI 01443 3323 Web support: www.umc-uk.co.uk Email: [email protected] Calls to 0330 numbers are charged at standard call rates and are included as part of any bundled minutes with your phone provider. The telephone opening hours are Monday to Friday 8.30am to 6pm, Saturday 9am – 5pm. UK: Calls are charged at your normal telephone call rate. ROI: Calls are charged at a local rate. Please retain all packaging materials, in addition to your proof of purchase/receipt, as you will need these in the event of warranty/service support. -
Consultation on the Further Renewal of Analogue Commercial Radio Licences
Consultation on the Further Renewal of Analogue Commercial Radio Licences 23 December 2019 Department for Digital, Culture, Media and Sport Contents Executive Summary Page 3 How to respond Page 5 A. Policy and Regulatory Background Page 7 Commercial Radio Licensing Page 7 Analogue Licence renewals Page 8 The development of the UK radio market since 2010 Page 8 The case for further renewals Page 10 B. Policy Options for Consultation Page 12 C. Next Steps Page 16 D. Consultation Questions Page 17 2 Department for Digital, Culture, Media and Sport Executive Summary 1. Since 2010, improvements in national and local digital radio coverage together with investment in new digital services by broadcasters and by vehicle manufacturers in fitting digital radios as standard in new cars (92.9% in Q3 2019) has supported the continued take up of digital radio. Digital now accounts for 56.8% of all radio listening (RAJAR Q3 2019), up from just 24% in 2010. 2. However, in spite of the shift of radio listening to digital, analogue radio remains an important platform for listeners and still accounts for just over 40% of UK radio listening. With a number of national and local commercial FM and AM radio licences approaching final expiry in 2022, and with little prospect of a radio switchover before the mid-2020s, the government needs to again consider whether or not to continue with the current arrangement of licence renewals and, if so, to determine how long the further renewal should be for. Ofcom does not currently have powers to renew these licences for a further period: radio stations wishing to continue broadcasting would need to reapply for their licences and potentially compete against other prospective operators, including new entrants, to secure a new licence. -
C2WG3 Progress Report
Interreg IIIC DICE Component 3 Working Group 2 Interactive Services, Migration, Implementation & Business Opportunities C3WG2 Final Report: Version: Final 1.0 – 31.10.06 CONTENTS Introduction............................................................................................................................................. 2 Executive Summary ............................................................................................................................... 3 C3WG2 membership and contributions. ................................................................................................ 7 Meetings............................................................................................................................................. 7 Work Area .......................................................................................................................................... 7 Market Situation in DICE member countries (DTV) ............................................................................... 8 Definition of Interactive TV (i-TV).......................................................................................................... 9 Summary ............................................................................................................................................ 9 Opportunities for i-TV via mobile synergies ......................................................................................... 13 Consumers’ Definition..................................................................................................................... -
Knocking the Nockie
TILLEY AWARDS 2011 APPLICATION FORM Applications made to this year’s Tilley Awards must be submitted electronically to the Tilley Awards mailbox at [email protected] All sections of the application form must be completed. Please ensure that you have read the guidance before completing this form. Guidance is available at www.homeoffice.gov.uk/crime/partnerships/tilley- awards/tilley-awards-11/ By submitting an application to the awards, entrants are agreeing to abide by the conditions set out in the guidance. Failure to adhere to the requirements set out in the 2011 Awards Guidance will result in your entry being rejected from the competition. All entries for phase one themes must be received by 1:00pm on 13 June 2011. Late entries will not be accepted. Hard copies of the application form are not required. All entries for phase two themes must be received by 1:00pm on 5 September. Late entries will not be accepted. Hard copies of the application form are not required. Any queries on the application process should be directed to Darren Kristiansen who can be reached on 0207 035 3228. Project Name: Knocking The Nockie Location: Noctorum Estate, Birkenhed, Wirral, Merseyside Theme Addressed: Anti-Social Behaviour PART ONE – PROJECT SUMMARY Information contained within this section is not assessed as part of identifying this year’s national finalists and overall top three entries received in the 2011 Tilley Awards. The information contained within this section will, however, be used to identify the most popular national finalist entered into this year’s awards. This section should be used to describe your project in no more than 400 words. -
QUARTERLY SUMMARY of RADIO LISTENING Survey Period Ending 15Th September 2019
QUARTERLY SUMMARY OF RADIO LISTENING Survey Period Ending 15th September 2019 PART 1 - UNITED KINGDOM (INCLUDING CHANNEL ISLANDS AND ISLE OF MAN) Adults aged 15 and over: population 55,032,000 Survey Weekly Reach Average Hours Total Hours Share in Period '000 % per head per listener '000 TSA % All Radio Q 48537 88 18.0 20.4 989221 100.0 All BBC Radio Q 33451 61 8.9 14.6 488274 49.4 All BBC Radio 15-44 Q 12966 51 4.6 8.9 115944 33.9 All BBC Radio 45+ Q 20485 69 12.5 18.2 372330 57.5 All BBC Network Radio1 Q 30828 56 7.7 13.8 425563 43.0 BBC Local Radio Q 7430 14 1.1 8.4 62711 6.3 All Commercial Radio Q 35930 65 8.6 13.2 475371 48.1 All Commercial Radio 15-44 Q 17884 71 8.5 12.0 214585 62.7 All Commercial Radio 45+ Q 18046 61 8.8 14.5 260786 40.3 All National Commercial1 Q 22361 41 3.8 9.5 211324 21.4 All Local Commercial (National TSA) Q 25988 47 4.8 10.2 264047 26.7 Other Radio Q 4035 7 0.5 6.3 25577 2.6 Source: RAJAR/Ipsos MORI/RSMB 1 See note on back cover. For survey periods and other definitions please see back cover. Please note that the information contained within this quarterly data release has yet to be announced or otherwise made public Embargoed until 00.01 am and as such could constitute relevant information for the purposes of section 118 of FSMA and non-public price sensitive 24th October 2019 information for the purposes of the Criminal Justice Act 1993. -
Drawmer Dynamics Guide
Drawmer Dynamics Version 8.0 Legal Notices This guide is copyrighted ©2008 by Digidesign, a division of Avid Technology, Inc. (hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Digidesign. 003, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20 I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo, Avid Unity, Avid Unity ISIS, Avid Xpress, AVoption, Axiom, Beat Detective, Bomb Factory, Bruno, C|24, Command|8, Control|24, D-Command, D-Control, D-Fi, D-fx, D-Show, D-Verb, DAE, Digi 002, DigiBase, DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator, DINR, D-Show, DV Toolkit, EditPack, Eleven, HD Core, HD Process, Hybrid, Impact, Interplay, LoFi, M-Audio, MachineControl, Maxim, Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, Nitris, OMF, OMF Interchange, PRE, ProControl, Pro Tools M-Powered, Pro Tools, Pro Tools|HD, Pro Tools LE, QuickPunch, Recti-Fi, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Sibelius, Smack!, SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O, Synchronic, TL Aggro, TL AutoPan, TL Drum Rehab, TL Everyphase, TL Fauxlder, TL In Tune, TL MasterMeter, TL Metro, TL Space, TL Utilities, Transfuser, Trillium Lane Labs, Vari-Fi Velvet, X-Form, and XMON are trademarks or registered trademarks of Digidesign and/or Avid Technology, Inc. Xpand! is Registered in the U.S. Patent and Trademark Office. All other trademarks are the property of their respective owners.