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The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie
DOI: 10.24843/JH.2018.v22.i03.p30 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.3 Agustus 2018: 771-780 The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie Ni Putu Ayu Mitha Hapsari1*, I Nyoman Tri Ediwan2, Ni Luh Nyoman Seri Malini3 [123]English Department - Faculty of Arts - Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract The title of this paper is The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. This study focuses on categorization and function of the characters in the movie and conflicts in the main character (external and internal conflicts). The data of this study were taken from a movie entitled Doctor Strange. The data were collected through documentation method. In analyzing the data, the study used qualitative method. The categorization and function were analyzed based on the theory proposed by Wellek and Warren (1955:227), supported by the theory of literature proposed by Kathleen Morner (1991:31). The conflict was analyzed based on the theory of literature proposed by Kenney (1966:5). The findings show that the categorization and function of the characters in the movie are as follows: Stephen Strange (dynamic protagonist character), Kaecilius (static antagonist character). Secondary characters are The Ancient One (static protagonist character), Mordo (static protagonist character) and Christine (dynamic protagonist character). The supporting character is Wong (static protagonist character). Then there are two types of conflicts found in this movie, internal and external conflicts. Keywords: Character, Conflict, Doctor Strange. Abstrak Judul penelitian ini adalah The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. -
CURRIE HOUSE Youth Shelter Offers Short- Term, Residential Housing for Runaways, Homeless, Youth Experiencing Truancy, Or Ungovernable Behaviors in the Home
ESCAMBIA COUNTY Residential Services 4610 W. Fairfield Dr. Pensacola, FL 32506 850-453-2772 CURRIE HOUSE “I can’t express in words what this Fax 850-453-2866 30-day period has done to help our YOUTH SHELTER family and to clarify the issues. Non-Residential Services Lippman’s staff members are patient, wonderful and calm. I’ve learned much by watching how their counselors maintain their peace while talking with upset or irritated or deceitful teenagers. I am a disciple of Lippman’s methods. I want to thank the staff at Lippman Youth shelter for their time and guidance and patience.” S. Libertad, parent www.lsfnet.org HELPING COMMUNITIES BUILD HEALTHIER, HAPPIER, AND HOPE-FILLED TOMORROWS. Lippman Shelter Brochure_inside.pdf 1 8/7/2018 4:40:07 PM SERVICES SAFE PLACE Youth often face challenging times that In addition to providing residential and require guidence, that is why our team non-residential services, LSF is also a LUTHERAN SERVICES FLORIDA of master’s level professionals and highly designated SAFE PLACE agency and Lutheran Services Florida (LSF) is a trained staff provide a full range of services partners with local businesses and schools non-profit organization transforming lives including: to help youth in crisis. by ensuring safe children, strong fami- lies and vibrant communities. Founded in NON-RESIDENTIAL Project SAFE PLACE is a national network 1982, LSF currently touches the lives of 1 • Screening and Assessment of voluntary community sites where youth in 50 Floridians every year through various • Counseling in need of help can go for safe refuge. programs, including early education, youth • Intervention shelters, foster care, refugee and reset- • Case Management tlement services, substance abuse mental health services, and adult guardianship. -
Nonbinary Gender Identities in Media: an Annotated Bibliography
Nonbinary Gender Identities in Media: An Annotated Bibliography Table of Contents Introduction-------------------------------------------------------------------------------------------------------------1 Glossary------------------------------------------------------------------------------------------------------------------2 Adult and Young Adult Materials----------------------------------------------------------------------------------6 Nonfiction-----------------------------------------------------------------------------------------------------6 Articles (Scholarly and Popular)------------------------------------------------------------------------14 Fiction---------------------------------------------------------------------------------------------------------19 Comics (Print and Web)----------------------------------------------------------------------------------28 Film and Television----------------------------------------------------------------------------------------31 Web Resources---------------------------------------------------------------------------------------------37 Children’s Materials-------------------------------------------------------------------------------------------------41 Nonfiction----------------------------------------------------------------------------------------------------41 Fiction---------------------------------------------------------------------------------------------------------41 Film and Television----------------------------------------------------------------------------------------42 -
Rainbow Rowell • Kris Anka • Matthew Wilson
RAINBOW ROWELL • KRIS ANKA • MATTHEW WILSON MATTHEW • ANKA KRIS • ROWELL RAINBOW 0 1 2 1 1 T+ 12 US # MARVEL.COM RATED RATED $3.99 7 5 9 6 0 6 0 8 7 3 0 3 When they were younger, Nico Minoru, Chase Stein, Gertrude Yorkes, Karolina Dean, Molly Hayes and Alex Wilder became friends through circumstance: hanging out once a year while their parents had what they claimed was a dinner party. After discovering their parents were actually the super villain team known as the Pride, the kids ran. The Runaways learned to use powers and resources inherited from their parents, and returned to defeat them. The experience made them a family, but that wasn’t enough to keep them safe. When Chase used Gert’s parents’ time machine to rescue her from her death years ago, the Runaways revival began. Gert’s return gave Nico and Chase direction--a change for the better. In fact, despite anxiety around her magic and some regrets, Nico is coming into her own. Molly and Karolina were forced through their own adjustments--Molly left her grandma and Karolina’s girlfriend left. But Gert and Victor have been stuck. Maybe her recent makeover was a sign Gert’s learning who she is in the present? Victor, on the other hand, is trapped by the trauma of the mission that left him as just a head, and his refusal to talk about it. WRITER ARTIST COLOR ARTIST LETTERER RAINBOW ROWELL KRIS ANKA MATTHEW WILSON VC’S JOE CARAMAGNA COVER ARTIST GRAPHIC DESIGNER ASSISTANT EDITOR EDITOR KRIS ANKA CARLOS LAO KATHLEEN WISNESKI NICK LOWE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER C.B. -
Reunification of Missing Children Training Manual
If you have issues viewing or accessing this file contact us at NCJRS.gov. Introduction • Overview of Current Missing Child Problem Reunification Reunification Project • Team issues of • Purpose of Training Manual Missing Children Non-Family Abduction • Case Study G Research Training Manual Parental Abduction • Case Study • Research Runaways Center for the Study of Trauma • Case Study Langley Porter Psychiatric Institute • Research University of California 9! San Francisco Child Trauma Review f (0<] Treatment of Child Trauma 11.1 Reunification of Missing Children Research Results 177' , ~ ._ .. _,._ > •• _~ __• ___• _, • __.i .~ References AVERY ~~/~~ PROGRAM GOALS Each year in the United States, more than 4,500 children disappear as a result of stranger and • non-family abduction, more than 350,000 disappear as aresultoffamily abduction, and more than 750,000 disappear as a result of a runaway event (NISMART, 1990). While the majority of these children are recovered, the process of return and reunification has often been difficult and frustrating. Less than 10% of these children and their families receive any kind of assistance and guidance in the reunification process (Hatcher, Barton, and Brooks, 1989). Further, the average length of time between the parents' appearance to pick up their recovered child and their departure to go home is only 15 minutes (Hatcher, Barton, and Brooks, ibid.). Professionals involved with these families, including investigating law enforcement officers, mental health/social service professionals, and victim/witness personnel, have all recognized the need for: (1) a knowledge base about missing children and their families, (2) a clearer understanding of the missing! abduction event and its consequences to chHd and family, and (3) guidelines and training to develop a coordinated multi-agency approach to assisting these child victims and theirfamilies. -
Runaway Report
2011 HARFORD COUNTY RUNAWAY RESEARCH STUDY RUNAWAY REPORT David R. Craig Local Management Board Harford County Executive Harford County Department of Community Services Elizabeth S. Hendrix www.harfordcountymd.gov/services/lmb Director, Dept. of Community Services 410-638-3166 This document available in alternative format by request. Reasonable accommodations for individuals with disabilities will be provided upon request; please notify the Harford County Dis- abilities Coordinator at least 5 business days prior to the event. The Harford County Disabilities Coordinator can be reached at 410-638-3373 (voice/tty) or [email protected]. Harford County – Runaway Report Acknowledgements The Runaway Research Study was conducted and report written by Wendy R. Parker, B.S. & Shaua P. Acquavita, PhD, LCSW-C of Johns Hopkins University. Funded by the Harford County Department of Community Services Local Management Board. Completed in partnership with the Harford County Sheriff’s Office and Office of Family Court Services of the Circuit Court of Harford County. Local Management Board Harford County Department of Community Services 1 Harford County – Runaway Report Table of Contents Harford County Runaway Research Project Introduction…………………………………………………………… 3 Reasons Why Youth Run Away…………………………………………………………………………………………………… 3 Abuse…………………………………………………………………………………………………………………………….. 3 Substance Use……………………………………………………………………………………………………………….. 3 Mental Health……………………………………………………………………………………………………………..... 4 Economy………………………………………………………………………………………………………………………… -
Rowell • Genolet • Henrichon • Wilson
RATED $3.99 0 2 3 1 1 # 23 US T+ 7 5 9 6 0 6 0 8 7 3 0 3 BONUS DIGITAL EDITION – DETAILS INSIDE! ROWELL • GENOLET • HENRICHON • WILSON When they were younger, Nico Minoru, Chase Stein, Gertrude Yorkes, Karolina Dean, Molly Hayes and Alex Wilder became friends through circumstance: hanging out once a year while their parents had what they claimed was a dinner party. After discovering their parents were actually the super villain team known as the Pride, the kids ran. The Runaways learned to use powers and resources inherited from their parents and returned to defeat them. The experience made them a family, but that wasn’t enough to keep them safe. After months of Victor resisting Chase’s help to build him a new android body, Victor regrew one. The first thing he did was kiss Gert, and then Chase walked in. But the Runaways’ friend Doombot still needed repairs, so Victor tried to work through the tension and Chase tried to ignore it. Chase had managed to reboot Doombot, but only by unwittingly removing the tiny black hole placed in his chest as a deterrent from his destructive programming. Doombot awoke, and would have vanquished every Runaway if Victor hadn’t used some newly grown wiring to connect to his friend and attempt internal repairs. WRITER ARTIST COLOR ARTIST DOOM DIALOGUE ARTIST RAINBOW ROWELL ANDRÉS GENOLET MATTHEW WILSON NIKO HENRICHON LETTERER COVER ARTIST VC’S JOE CARAMAGNA KRIS ANKA GRAPHIC DESIGNER ASSISTANT EDITOR EDITOR CARLOS LAO KATHLEEN WISNESKI NICK LOWE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER C.B. -
Read Book A-Force Vol. 1: Hypertime
A-FORCE VOL. 1: HYPERTIME PDF, EPUB, EBOOK Jorge Molina,G. Willow Wilson | 144 pages | 28 Jul 2016 | Marvel Comics | 9780785196051 | English | New York, United States A-Force Vol. 1: Hypertime PDF Book Related Products. The main story is lots of fun -- Singularity comes to the newly established "normal" whatever that means at this point universe from the Battleworlds one, and is incredibly cute. Before she is brought to justice, she asks She-Hulk to tell Nico how much she loved her, and that she is going to see America again. Yay, superhero ladies! Good art, neat characters. You stay far away from this book , and Laura Martin's colours are gorgeous, especially her star-fields inside Singularity and Antimatter. This time around, the A-Force team is actually just the core members from the last volume so no one feels sidelined. Young Adult. Sort order. These are good stories; just as good is the reprint, included here, of Avengers 83, which I bought from the newsstand in October, , featuring the introduction of The Valkyrie and the Lady Liberators! Submit Review. This is a gorgeous volume of sequential art in trade paperback format. For the best experience on our site, be sure to turn on Javascript in your browser. Forgot Password. She's more than just a magic user. The artwork is gorgeous, and the story is focused on just a few of the heavy hitters. This story is a reprint of the comic A-Force Vol 2 2. With a new Thor in town it has very close ties to one of the team members, and realm-crossing dragons, Volume 2 should be a blast. -
Rainbow Rowell • Kris Anka • Matthew Wilson
0 0 2 1 1 2 7 59606 08730 3 # RAINBOW ROWELL • KRIS ANKA • MATTHEW WILSON MATTHEW • ANKA KRIS • ROWELL RAINBOW T+ US $3.99 RATED RATED DIRECT EDITION MARVEL.COM When they were younger, Nico Minoru, Chase Stein, Gertrude Yorkes, Karolina Dean, Molly Hayes and Alex Wilder became friends through circumstance: hanging out once a year every year while their parents had what they claimed was a dinner party. Then trauma made them a family: they ran away together after discovering their parents were actually murderous super villains. The Runaways learned to use powers and resources inherited from their parents, and returned to defeat them. The kids won, but they didn’t all survive. Two years since Gert died, Chase decided that wasn’t okay. He took Gert’s parents’ time machine and went back to stop it from happening. He succeeded, kind of, and returned to the present with Gert, but she was bleeding out from the knife wound in her stomach. Luckily, Nico (with the assistance of a doctor she mystically summoned) was able to stop the bleeding and fix Gert’s wound. But that doesn’t mean the Runaways are all better… WRITER ARTIST COLOR ARTIST LETTERER COVER ARTIST RAINBOW ROWELL KRIS ANKA MATTHEW WILSON VC’S JOE CARAMAGNA KRIS ANKA VARIANT COVER ARTIST GRAPHIC DESIGNER ASSISTANT EDITOR EDITOR KEVIN WADA CARLOS LAO KATHLEEN WISNESKI NICK LOWE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER AXEL ALONSO JOE QUESADA DAN BUCKLEY ALAN FINE RUNAWAYS CREATED BY BRIAN K. VAUGHAN & ADRIAN ALPHONA RUNAWAYS No. 2, December 2017. -
Playing Superhero": Agency and the Role of the Teenaged Superhero
Longwood University Digital Commons @ Longwood University Theses, Dissertations & Honors Papers Spring 4-25-2012 "Playing Superhero": Agency and the Role of the Teenaged Superhero Jessica R. Saunders Longwood University Follow this and additional works at: https://digitalcommons.longwood.edu/etd Part of the American Popular Culture Commons, Children's and Young Adult Literature Commons, Fiction Commons, and the Literature in English, North America Commons Recommended Citation Saunders, Jessica R., ""Playing Superhero": Agency and the Role of the Teenaged Superhero" (2012). Theses, Dissertations & Honors Papers. 503. https://digitalcommons.longwood.edu/etd/503 This Thesis is brought to you for free and open access by Digital Commons @ Longwood University. It has been accepted for inclusion in Theses, Dissertations & Honors Papers by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected], [email protected]. "Playing Superhero": Agency and the Role of the Teenaged Superhero by Jessica R. Saunders A thesis submitted in partial fulfillmentof the requirement for the degree of Master of Arts in English Longwood University Department of English and Modem Languages Chris W. McGee, Ph.D. Thesis Director Jent er M. Miskec, Ph.D. First Reader -l.:...L-'--h,�'l-.'l-�-Htt._\14A[u-l.-<(1--- Rh011da L. Brock- 'ervais, Ph.D. Second Reader Date Table of Contents Chapter One................. ......................................................................... 1 Chapter -
Marvel's “Runaways”
Marvel’s “Runaways” Finds A Home On Hulu By Sarah Johnson The 2003 Marvel comic “Runaways,” created by Brian K. Vaughan and Adrian Alphona, will finally hit the streaming screens exclusively on Hulu. With the likes of Iron Man, Thor, Captain America, and Spiderman dominating the superhero movie arena, it can sometimes feel like maybe only straight, white men can be the stars of their own comics. In this way, a step towards “Runaways,” is most definitely a step in the right direction. Even for the casual readers of Marvel comics, many may not be familiar with the distinctive story that is “Runaways.” The story is as rare as it is familiar, giving the audiences a taste of what it might actually be like to deal with both growing up and well, saving the world. “Runaways” stars six teens, varying in ages, and more significantly – in gender and race. Each year the teens’ families meet together for a charity affair each kid dreads to attend – none of them are particularly close. At the most recent charity event, everything seems oh-so-typically-teenager-y until the group stumbles upon their parents sacrificing a girl right there in the house. So the “I hate my mom and dad” stakes are considerably raised, as each kid has to come to terms with the fact their parents are most definitely supervillains and are a part of “The Pride” – a criminal society that has connections throughout all of Los Angeles. What follows is an action-packed thrilling chase between the confused teens on the run from their evil parents, who surprise – want their kids on their villainous team. -
Table of Content
Table of Content Introduction.................................................................................................................................... Chapter I: The Misrepresentation.................................................................................................1 1. Wolverine vs. Northstar.......................................................................................................3 2. Rawhide Kid........................................................................................................................7 3. Freedom Ring......................................................................................................................9 4. Punisher.............................................................................................................................11 5. Hulk vs. YMCA.................................................................................................................13 6. Superior Iron Man.............................................................................................................18 Chapter II: Coming Out As a Mutant: Queerness in X-men Comics..........................................22 1. Legacy Virus – the Image of AIDS in Comics...................................................................24 2. How (Not) To Be A Mutant – Acceptance And Self-acceptance........................................29 Chapter III: Bisexuality and Gender Transgression in the Marvel Universe...............................33 1. The Case of Peggy Carter vs. Howard