November 7, 2009 I Was There When the Wall Was Built, a Witness to German History
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Am 01. April Im Theater Des Westens: Take That Bei the BAND – DAS MUSICAL
S T A G E E N T E R T A I N M E N T P R E S S E I N F O R M A T I O N Am 01. April im Theater des Westens: Take That bei THE BAND – DAS MUSICAL Fototermin und Präsentation am 01.4.2019: Die Weltstars von Take That - Gary Barlow, Mark Owen und Howard Donald - besuchen die Proben ihres Musicals THE BAND in Berlin. Berlin, 12. März 2019. Wenige Tage vor der ersten internationalen Premiere ihres Musicals THE BAND kommen Take That am 1. April nach Berlin und besuchen die Proben im Stage Theater des Westens. Zu einem Fototermin und der anschließenden Präsentation von THE BAND - DAS MUSICAL laden wir Sie herzlich ein. Weitere Details auf Seite 2 dieser PM. Aktuelles Pressematerial, Fotos und Videos finden Sie zusammengefasst in unserer Pressemappe unter: https://bit.ly/2IHPrBs Mit THE BAND kommt ein neuer Musical-Hit nach Deutschland. Die Show ist seit über einem Jahr der große Publikumserfolg in Großbritannien. Keine Musical-Tournee war dort jemals schneller ausverkauft. Stage Entertainment präsentiert die deutschsprachige Erstaufführung ab dem 11. April im Berliner Theater des Westens. Unter den 24 Darstellern sind auch TV-Star Heike Kloss und DSDS-Superstar Prince Damien, der bei THE BAND sein Musicaldebüt feiert! THE BAND – DAS MUSICAL über Freundschaft und wiederentdeckte Jugendträume THE BAND – DAS MUSICAL handelt von fünf Mädchen, die in den 90er Jahren aufwachsen. Ihr Vernarrtheit in die Idole einer Boygroup stellt ihr junges Leben auf den Kopf, bis ein Schicksalsschlag ihre Freundschaft abrupt zerschlägt. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
The Story So Far
1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band. -
Twin Cities Funk & Soul
SEPTEMBER 25, 2012 I VOLUME 1 I ISSUE 1 DEDICATED TO UNCOVERING MUSIC HISTORY WILLIE & THE PROPHETS BAND OF KUXL JACKIE BUMBLEBEES OF PEACE THIEVES RADIO HARRIS 99 SECRET STASH ISSUE 1: TWIN CITIES FUNK & ANDSOUL MUCH SEPTEMBER MORE 25, 2012 The Philadelphia Story (AKA Valdons) mid 70s courtesy Minnesota Historical Society. Photo by Charles Chamblis. Left to right: Maurice Young, Clifton Curtis, Monroe Wright, Bill Clark Maurice McKinnies circa 1972 courtesy Minnesota Historical Society. Photo by Charles Dance contest at The Taste Show Lounge, Minneapolis late 70s courtesy Minnesota Historical Chamblis. Society. Photo by Charles Chamblis. 02 SECRET STASH VOLUME 1 - ISSUE 1: TWIN CITIES FUNK & SOUL SEPTEMBER 25, 2012 INTRODUCTION It was three years ago that we launched Secret Stash Records. About a year and a half lat- er, we started working on what would eventually become our biggest release, Twin Cities Funk & Soul: Lost R&B Grooves From Minneapolis/St. Paul 1964-1979. What follows is our attempt to share with you some of the amazing stories, history, and photos that have been so gracious- ly shared with us during the course of producing a compilation of soulful tunes from our hometown. ..... R&B, soul, and funk music in the Twin Cities of Minneapolis and St. Paul, Minnesota went through dra- matic changes during the 1960s and 1970s. Predating these changes, a vibrant jazz scene beginning in the 1920s laid the groundwork with several players being instrumental in helping teach young local R&B mu- sicians how to play. However, many of the early R&B pioneers, including Mojo Buford, Maurice McKin- nies, and Willie Walker, came to Minnesota from other states and brought the music with them. -
Manor Primary School Music Year 1: in the Grove Overview of the Learning: All the Learning Is Focused Around One Song: in the Groove
Manor Primary School Music Year 1: In The Grove Overview of the Learning: All the learning is focused around one song: In The Groove. The material presents an integrated approach to music where games, the interrelated dimensions of music (pulse, rhythm, pitch etc.), singing and playing instruments are all linked. Core Aims Pupils should be taught How to listen to music. perform, listen to, review and evaluate music across a range of historical periods, genres, styles and To sing a range of songs song. traditions, including the works of the great composers and musicians To understand the geographical origin of the music and in which era it was composed. Learn to sing and to use their voices, to create and compose music on their own and with others, To experience and learn how to apply key musical concepts/elements, eg finding a pulse, clapping have the opportunity to learn a musical instrument, use technology appropriately and have the a rhythm, use of pitch. opportunity to progress to the next level of musical excellence To play the accompanying instrumental parts (optional). understand and explore how music is created, produced and communicated, including through the inter-related dimensions: pitch, duration, dynamics, tempo, timbre, texture, structure and To work together in a band/ensemble. appropriate musical notations. To develop creativity through improvising and composing within the song. To understand and use the first five notes of C Major scale while improvising and composing. To experience links to other areas of the curriculum To recognise the style of the music and to understand its main style indicators. -
Marking the 20Th Anniversary of the Fall of the Berlin Wall Responsible Leadership in a Globalized World
A publication of the Contributors include: President Barack Obama | James L. Jones Chuck Hagel | Horst Teltschik | Condoleezza Rice | Zbigniew Brzezinski [ Helmut Kohl | Colin Powell | Frederick Forsyth | Brent Scowcroft ] Freedom’s Challenge Marking the 20th Anniversary of the Fall of the Berlin Wall Responsible Leadership in a Globalized World The fall of the Berlin Wall on November 9, 1989, not only years, there have been differences in opinion on important led to the unifi cation of Germany, thus ending decades of issues, but the shared interests continue to predominate. division and immeasurable human suffering; it also ended It is important that, in the future, we do not forget what binds the division of Europe and changed the world. us together and that we defi ne our common interests and responsibilities. The deepening of personal relations between Today, twenty years after this event, we are in a position to young Germans and Americans in particular should be dear gauge which distance we have covered since. We are able to to our hearts. observe that in spite of continuing problems and justifi ed as well as unjustifi ed complaints, the unifi cation of Germany and For this reason the BMW Foundation accounts the Europe has been crowned with success. transatlantic relationship as a focus of its activity. The Transatlantic Forum for example is the “veteran“ of the It is being emphasized again and again, and rightly so, that it BMW Foundation’s Young Leaders Forums. The aim of was the people in the former GDR that started the peaceful these Young Leaders Forums is to establish a network, revolution. -
Berlin Klezmer and the Politics of Place
Ethnomusicology Forum ISSN: 1741-1912 (Print) 1741-1920 (Online) Journal homepage: https://www.tandfonline.com/loi/remf20 ‘Our city of love and of slaughter’: Berlin klezmer and the politics of place Phil Alexander To cite this article: Phil Alexander (2018) ‘Our city of love and of slaughter’: Berlin klezmer and the politics of place, Ethnomusicology Forum, 27:1, 25-47, DOI: 10.1080/17411912.2018.1460616 To link to this article: https://doi.org/10.1080/17411912.2018.1460616 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 09 May 2018. Submit your article to this journal Article views: 338 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=remf20 ETHNOMUSICOLOGY FORUM 2018, VOL. 27, NO. 1, 25–47 https://doi.org/10.1080/17411912.2018.1460616 ‘Our city of love and of slaughter’: Berlin klezmer and the politics of place Phil Alexander Department of Theology and Religious Studies, University of Glasgow, Glasgow, UK ABSTRACT KEYWORDS Although it claims little historical connection to klezmer music or Berlin; klezmer; Yiddish; Yiddish culture, the city of Berlin has hosted one of the most Krims dynamic klezmer scenes of the past 20 years. This article analyses ways that place has been made to function as a meaningful unit in the music and lyrics of several artists living and working in Berlin, localising the transnational klezmer revival discourse by rooting the city in their music. Building on Adam Krims’ theory of ‘urban ethos’, I explore how the contemporary city is emplaced in its klezmer music, arguing that these processes of signification allow us to hear contrasting articulations of Berlin. -
History of Psychiatry
History of Psychiatry Psychobiology Research Group Prof Nicol Ferrier BSc (Hons), MD, FRCP(Ed), FRCPsych Emeritus Professor of Psychiatry Newcastle University History of Psychiatry:- Plan 1. Introduction 2. The concept of affective disorders: historical evolution 3. Current controversies:- a. Classification b. The bipolar/schizophrenia dichotomy c. Mixed states 4. The history of UK asylums 5. The history of ECT and psychopharmacology 6. Antipsychiatry developments 7. Conclusions The first page of Reil’s 1808 article, showing the first use of the word ‘psychiatry’. Andreas Marneros BJP 2008;193:1-3 ©2008 by The Royal College of Psychiatrists Johann Christian Reil, 1759-1813 Professor of medicine at the University of Halle, Germany,1787-1810 According to Reil, the causes of human diseases cannot be distinguished into purely mental, chemical or physical ones, but rather there is an essential interaction among these three domains. ‘Therefore we will never find pure mental, pure chemical or mechanical diseases. In all of them one can see the whole: an affection of the one process of life, which sometimes accentuates this and sometimes that side.’ Reil’s key points about psychiatry Marneros, A BJPsych 2008;193:1-3 Psychiatry (a) Psychiatry is a pure medical specialty. Philosophers and psychologists shall not be allowed to press for ‘incorporation’. (b) Only the best physicians shall become psychiatrists. (c) A medical psychology specific to the needs of the physician shall be fundamental to medical training. (d) Psychiatry, psychosomatics and medical psychology are closely allied. Reil’s key points about psychiatry Marneros, A BJPsych 2008;193:1-3 Mental illness (a) Mental diseases are universal. -
The Self-Reflexive Musical and the Myth of Entertainment
Feuer, Jane The self-reflexive musical and the myth of entertainment Feuer, Jane, (1995) "The self-reflexive musical and the myth of entertainment", Grant, Barry Keith (ed), Film genre reader II, 441-455, University of Texas Press © Staff and students of the University of Nottingham are reminded that copyright subsists in this extract and the work from which it was taken. This Digital Copy has been made under the terms of a CLA licence which allows you to: * access and download a copy; * print out a copy; Please note that this material is for use ONLY by students registered on the course of study as stated in the section below. All other staff and students are only entitled to browse the material and should not download and/or print out a copy. This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Licence are for use in connection with this Course of Study. You may retain such copies after the end of the course, but strictly for your own personal use. All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed and/or deleted if and when required by the University of Nottingham. Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is permitted without the consent of the copyright holder. The author (which term includes artists and other visual creators) has moral rights in the work and neither staff nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any other derogatory treatment of it, which would be prejudicial to the honour or reputation of the author. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
YA LLEGÓ RAMBO Terror En Teatro PHARRELL, CON CHANEL
[email protected] @Funcion_Exc EXCELSIOR SÁBADO 3 DE NOVIEMBRE DE 2018 Foto: Reuters Foto: Foto: Tomada de Twitter @CHANEL de Twitter Tomada Foto: Arrestan a Baldwin PHARRELL, CON CHANEL NUEVA YORK.— Alec Baldwin fue arrestado ayer después de golpear PARÍS.— Pharrell Williams creó una colección de prendas y accesorios a un hombre tras una disputa por un lugar de estacionamiento. Tras el para Chanel, que saldrá en marzo de 2019. El cantante, quien ha colaborado incidente la policía lo arrestó, mientras su víctima tuvo que ser trasladada con el diseñador de la firma, Karl Lagerfeld, un par de veces desde 2014, estu- a un hospital. El acto provocó un comentario de Donald Trump, a quien el vo en el desfile de Chanel en Bangkok el miércoles luciendo una sudadera ama- actor imita regularmente “Le deseo buena suerte”, comentó. (AFP) rilla con lentejuelas incrustadas en forma de “C”, el logo de la casa. (EFE) La banda alcanzó los 18 años en la escena musical YA SON y comparten con Excélsior cómo han cambiado las cosas desde aquella tocada enMAYORCITOS el otrora Bulldog >6 Foto: Nacho Galar / Fotoarte: Erik Zepeda YA LLEGÓ Terror RAMBO en teatro La productora Lionsgate publicó En mayo de 2019 llegará al teatro la primera imagen oficial de mexicano El exorcista, obra de Sylvester Stallone en su icónico literatura escrita por William papel de John Rambo en Peter Blatty y que fue llevada Rambo 5: Last Blood. En la foto el cine en 1973. El encargado aparece Stallone como un viejo de montarla será el productor John Rambo con un sombrero Eduardo López, quien pronto de vaquero y una chamarra dará a conocer al elenco.