Marking the 20Th Anniversary of the Fall of the Berlin Wall Responsible Leadership in a Globalized World
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2015-16 Fresh Voices Screenplay Competition Quarter Finalists
2015-16 Fresh Voices Screenplay Competition Quarter Finalists Action 5,000 Feet (Lucy In The Sky) Francis Barel Action Across The Rainbow Bridge Richard Wilson Action Africa As You Like It KT Parker Action Ana's Orlov Bradford Walton Action Bang, Baby, Bang Gareth Bennett Action Big Fire Daniel Judson Action Black Ice Below Peter Fraser Action D.T. Ken Comer Action Do Or Die John Arvai Action Endure Zack Pesata Action Escape From Kobani John Cooker Action Generation Hero Robby Pitts Harlan Flynn and the Final Flight of Mao's Action Ark Adrian C Catarzi Action Hybrids Joey Ernand Action Insurance Philip Curry Action Ironclad J. Alan Hostetter Action M Aaron Yarber Action Manly Guys Club David Vendrell Action Mink Eyes Dan Flanigan Action My Dear Enemy Nono Tamura Action My Dear Enemy Tasha Hardy Action Nine Scars Kelly Crawford Action Old Boxer Steve Boergadine Action Pink Sean Joyce Action POTUS Anthony Moore Action Psychic Warriors John Alardi Action Robot Zombie Killers From Outer Space Carl Heron Action Robot Zombie Killers From Outer Space Jayne Collett Action Robyn Hood: Galaxy of Thieves Deidree Havrelock Action Saving Christmas Kent Eichbauer Action Shadow of the Needle Robert Shill Action Skilled to Kill Paul Myerberg Action Sky Thief Jamie Barthol Action Steamboat A Comin'! Matthew Zaal Action Stillwater Christopher Schultz Action The Aviatrix Stephen Kelly Action The Beautiful Game Mark Stogo Action The Bella-Donna Anthony Leone Action The Enemy Within Debbi Mack Action The Father, The Son, and the Holy Ghost Tim Bogg Action -
Documents of Contemporary Art: TIME Edited by Amelia Groom, the Introduction Gives an Overview of Selected Writings Addressing Time in Relation to Art
“It is important to realize that the appointment that is in question in contemporariness does not simply take place in chronological time; it is something that, working within chronological time, urges, presses and transforms it. And this urgency is the untimeliness, the anachronism that permits us to grasp our time in the form of a ‘too soon’ that is also a ‘too late’; of an ‘already’ that is also a ‘not yet.’ Moreover, it allows us to recognize in the obscurity of the present the light that, without ever being able to reach us, is perpetually voyaging towards us.” - Giorgio Agamben 2009 What is the Contemporary? FORWARD ELAINE THAP Time is of the essence. Actions speak louder than words. The throughline of the following artists is that they all have an immediacy and desire to express and challenge the flaws of the Present. In 2008, all over the world were uprisings that questions government and Capitalist infrastructure. Milan Kohout attempted to sell nooses for homeowners and buyers in front of the Bank of America headquarters in Boston. Ernesto Pujol collaborated and socially choreographed artists in Tel Aviv protesting the conflict between Israelis and Palestinians. Indonesian artist, Arahmaiani toured the world to share “HIS Story,” performances creating problematic imagery ending to ultimately writing on her body to shine a spotlight on the effects of patriarchy and the submission of women. All of these artists confront terrorism from all parts of the world and choose live action to reproduce memory and healing. Social responsibility is to understand an action, account for the reaction, and to place oneself in the bigger picture. -
ACTA UNIVERSITATIS UPSALIENSIS Skrifter Utgivna Av Statsvetenskapliga Föreningen I Uppsala 194
ACTA UNIVERSITATIS UPSALIENSIS Skrifter utgivna av Statsvetenskapliga föreningen i Uppsala 194 Jessica Giandomenico Transformative Power Challenged EU Membership Conditionality in the Western Balkans Revisited Dissertation presented at Uppsala University to be publicly examined in Brusewitzsalen, Gamla Torget 6, Uppsala, Saturday, 19 December 2015 at 10:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Professor David Phinnemore. Abstract Giandomenico, J. 2015. Transformative Power Challenged. EU Membership Conditionality in the Western Balkans Revisited. Skrifter utgivna av Statsvetenskapliga föreningen i Uppsala 194. 237 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-554-9403-2. The EU is assumed to have a strong top-down transformative power over the states applying for membership. But despite intensive research on the EU membership conditionality, the transformative power of the EU in itself has been left curiously understudied. This thesis seeks to change that, and suggests a model based on relational power to analyse and understand how the transformative power is seemingly weaker in the Western Balkans than in Central and Eastern Europe. This thesis shows that the transformative power of the EU is not static but changes over time, based on the relationship between the EU and the applicant states, rather than on power resources. This relationship is affected by a number of factors derived from both the EU itself and on factors in the applicant states. As the relationship changes over time, countries and even issues, the transformative power changes with it. The EU is caught in a path dependent like pattern, defined by both previous commitments and the built up foreign policy role as a normative power, and on the nature of the decision making procedures. -
Programm 2018 Herzlich Willkommen Zum Tag Der Offenen
Herzlich willkommen zum Tag der offenen Tür Programm 2018 Liebe Besucherinnen und Besucher, liebe Kolleginnen und Kollegen! Ich freue mich, die Tradition weiter zu führen und Sie sehr herzlich auf dem Gelände der Direktion 2 und unserer Ausbildungsstätte Ruh- leben, zum Tag der offenen Tür 2018, bei der Polizei Berlin begrüßen zu dürfen. Als verlässlicher Partner für Ihre Sicherheit stellen wir uns jeden Tag gerne unserer Verantwortung. Welche Aufgaben sich uns dabei stel- len und mit welchen Mitteln und Partnern wir sie lösen, präsentieren wir Ihnen in acht Themenparks. Erleben Sie, mit welchen unterschiedlichen Einsatzmitteln und Ausrüstungen die Polizei ihre vielfältigen Aufgaben bewältigt, lassen Sie sich rund um Ihre Sicherheit beraten, testen Sie sich und Ihre Fähigkeiten in Sachen Straßenverkehr oder infor- mieren Sie sich über die Arbeit und die Technik Ihrer Polizei. Für die jungen Besucherinnen und Besucher, die sich für den Beruf der Polizistin oder des Poli- zisten interessieren, bietet der heutige Tag eine gute Gelegenheit, mehr über unsere Ausbildung zu erfahren. Die Kolleginnen und Kollegen beraten Sie gerne umfassend über die vielfältigen Möglichkeiten dieses Berufs. Anschließend können Sie Ihre Fitness auf dem Hindernisparcours für das Einstellungsverfahren testen. Zahlreiche Helferinnen und Helfer haben den Tag der offenen Tür mit viel Fleiß, vielen guten Einfällen und großem Engagement geplant und vorbereitet. Dafür möchte ich Ihnen ganz herz- lich danken. Ihnen, liebe Besucherinnen und Besucher, wünsche ich einen fröhlichen, erlebnis- und erinne- rungsreichen Tag bei und mit „Ihrer“ Polizei Berlin. Erleben Sie, genießen Sie, staunen Sie oder denken Sie einfach ein wenig über Ihre eigenen Sicherheitsvorkehrungen nach – wir würden uns freuen, wenn Sie uns teilhaben lassen an Ihren Eindrücken von unserer Veranstaltung. -
Super! Drama TV December 2020 ▶Programs Are Suspended for Equipment Maintenance from 1:00-7:00 on the 15Th
Super! drama TV December 2020 ▶Programs are suspended for equipment maintenance from 1:00-7:00 on the 15th. Note: #=serial number [J]=in Japanese [D]=in Danish 2020.11.30 2020.12.01 2020.12.02 2020.12.03 2020.12.04 2020.12.05 2020.12.06 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 MACGYVER Season 2 06:00 MACGYVER Season 2 06:00 MACGYVER Season 2 06:00 MACGYVER Season 2 06:00 06:00 MACGYVER Season 3 06:00 BELOW THE SURFACE 06:00 #20 #21 #22 #23 #1 #8 [D] 「Skyscraper - Power」 「Wind + Water」 「UFO + Area 51」 「MacGyver + MacGyver」 「Improvise」 06:30 06:30 06:30 07:00 07:00 THE BIG BANG THEORY 07:00 THE BIG BANG THEORY 07:00 THE BIG BANG THEORY 07:00 THE BIG BANG THEORY 07:00 07:00 STAR TREK Season 1 07:00 STAR TREK: THE NEXT 07:00 Season 12 Season 12 Season 12 Season 12 #4 GENERATION Season 7 #7「The Grant Allocation Derivation」 #9 「The Citation Negation」 #11「The Paintball Scattering」 #13「The Confirmation Polarization」 「The Naked Time」 #15 07:30 07:30 THE BIG BANG THEORY 07:30 THE BIG BANG THEORY 07:30 THE BIG BANG THEORY 07:30 information [J] 07:30 「LOWER DECKS」 07:30 Season 12 Season 12 Season 12 #8「The Consummation Deviation」 #10「The VCR Illumination」 #12「The Propagation Proposition」 08:00 08:00 SUPERNATURAL Season 11 08:00 SUPERNATURAL Season 11 08:00 SUPERNATURAL Season 11 08:00 SUPERNATURAL Season 11 08:00 08:00 THUNDERBIRDS ARE GO 08:00 STAR TREK: THE NEXT 08:00 #5 #6 #7 #8 Season 3 GENERATION Season 7 「Thin Lizzie」 「Our Little World」 「Plush」 「Just My Imagination」 #18「AVALANCHE」 #16 08:30 08:30 08:30 THUNDERBIRDS ARE GO 「THINE OWN SELF」 08:30 -
David Hare Plays 1: Slag; Teeth N Smiles; Knuckle; Licking Hitler; Plenty Pdf
FREE DAVID HARE PLAYS 1: SLAG; TEETH N SMILES; KNUCKLE; LICKING HITLER; PLENTY PDF David Hare | 496 pages | 01 Apr 1996 | FABER & FABER | 9780571177417 | English | London, United Kingdom David Hare Plays 1 | Faber & Faber Plenty is a play by David Harefirst performed inabout British post-war disillusion. The inspiration for Plenty came from the fact that 75 per cent of the women engaged in wartime SOE operations divorced in the immediate post-war years; the title is derived from the idea that the post-war era would be a time of "plenty", which proved untrue for most of England. The play premiered Off-Broadway on 21 Octoberat the Public Theaterwhere it ran for 45 performances. Plenty was revived at Chichester inin the Festival Theatre between June. Susan Traherne, a former secret agent, is a woman conflicted by the contrast between her past, exciting triumphs and her present, more ordinary David Hare Plays 1: Slag; Teeth n Smiles; Knuckle; Licking Hitler; Plenty. However, she regrets the mundane nature of her present life, as the increasingly depressed wife of a diplomat whose career she has destroyed. Susan Traherne's story is told in a non-linear chronologyalternating between her wartime and post-wartime lives, illustrating how youthful dreams rarely are realised and how a person's personal life can affect the outside world. Sources: Playbill; [3] Lortel [2]. From Wikipedia, the free encyclopedia. Official London Theatre Guide. Archived from the original on 18 January Retrieved 4 December BBC News. Archived from the original on 27 February Retrieved 5 May CS1 maint: archived copy as title link sheffieldtheatres. -
Internal British Debates in the Late 1980S on Germany's Potential
Internal British Debates in the Late 1980s on Germany’s Potential Reunification 225 Chapter 8 “Say One Thing and Think Another:” Internal British Debates in the Late 1980s on Germany’s Potential Reunification Liviu Horovitz During the 1980s, no one within the British government welcomed Germany’s probable and irresistible reunification. On this very issue, “we have to say one thing and think another,” Charles Powell, the prin- cipal foreign policy advisor to Prime Minister Margaret Thatcher, not- ed already in 1984.1 He articulated what many within the UK’s chan- celleries wrote in various memos, reports, and summaries of discussions throughout the decade. The Cold War status quo suited the United Kingdom well, but Brit- ish officials concluded it was unsustainable. Soviet power was slowly waning. Without this constraint, the Germans were bound to seek to live together. British planners believed that the Americans, slowly moving away from Europe, were going to become less invested on the continent. Hence, the most likely outcome was a less constrained Ger- man state at the center of Europe. Britain’s interests would be harmed, and London’s leverage to avert such result would be limited. A major- ity argued that novel, creative, or radical policy solutions were need- ed. And yet, as newly declassified documents attest, UK policymakers concluded that others would pull Britain’s chestnuts out of the fire. Many claimed that France would oppose German reunification. Most important, however, was the mainstream view: the Soviet Union, in spite of its worsening situation, would once again let its tanks roll into Eastern European capitals rather than see Germany unified. -
Women in Police Services Eu 2012
WOMEN IN POLICE SERVICES IN THE EU FACTS AND FIGURES - 2012 © 2013 Institut for Public Security of Catalonia Ctra. C-17 Barcelona-Ripoll, km 13,5 08100 - Mollet del Vallès www.gencat.cat/interior/ispc Editor: Lola Vallès [email protected] Design: Conxita Gandia February 2013 Women in police services in the EU 2012 Summary Introduction.......................................................................................................................... 5 The researchers................................................................................................................. 7 Acknowledgements............................................................................................................ 7 The questionnaire .............................................................................................................. 9 Austria ................................................................................................................................ 11 Belgium .............................................................................................................................. 13 Cyprus ................................................................................................................................ 15 Denmark ............................................................................................................................. 17 England and Wales............................................................................................................ 19 Estonia............................................................................................................................... -
Colin Andrew CMG (Born 24 October 1946)
BDOHP Biographical Details and Interview Index MUNRO, Colin Andrew CMG (born 24 October 1946) Career (with, on right, relevant pages in interview) Assistant Principal, Board of Inland Revenue, 1968–69 p 2 Entry to Diplomatic Service, 1969 pp 2-3 FCO (South West Pacific Department), 1969-71 p 3 Third, later Second, Secretary, Bonn, 1971–73 pp 3-8 FCO (Commonwealth Co-ordination Department), 1973 pp 8-9 Second, later First, Secretary, Kuala Lumpur, 1973–77 pp 9-12 FCO (Defence Department), 1977-79 pp 13-14 FCO, Private Secretary to Minister of State, 1979–80 pp 14-21 Head of Chancery, Bucharest, 1981–82 pp 21-25 FCO (Western European Department), 1983-84, pp 25-28 Assistant Head of Department, 1985–87 Deputy Head of Mission, East Berlin, 1987–90 pp 28-37 Consul General, Frankfurt, 1990–93 pp 37-39 FCO (Head of OSCE and Council of Europe Department), pp 39-40 1993–97 Ambassador to Republic of Croatia, 1997–2000 pp 41-45 Deputy High Representative, Mostar, 2001 pp 45-48 Royal College of Defence Studies, 2002 p 48 UK Permanent Representative to OSCE, Vienna, 2003–07 pp 49-53 1 Colin (Andrew) Munro CMG interviewed by Malcolm McBain at the Reform Club, London on 8 September 2009 Education and induction to the Civil Service MM May I ask about your education? CM Yes, I went to school at George Watson’s College (GWC) in Edinburgh from the age of 5 to 17. GWC is run by the Company of Merchants of the city of Edinburgh. It was then a direct-grant school. -
Berlin/Wall: Hare’S Eyes on Two Walls of the World
Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Sayı 14, 2013, Sayfa 37-46 BERLIN/WALL: HARE’S EYES ON TWO WALLS OF THE WORLD Kağan KAYA* Abstract The theatre audience currently has a thirst for hearing the political narratives of the playwrights. As media has lost its reliability all over the world, the fans of theatre have preferred watching more political plays than TV bulletins today. As one of the leading voices of the political theatre of the world, David Hare knows what expectations the audience has and what responsibilities political drama has. He handles the results of a lot of national and international political decisions over societies and individuals in his plays. In Berlin/ Wall, which are two separate monologue readings, the British playwright portrays new life conditions of ordinary people of different communities via his own empirical observations and interviews after the two walls which were erected by world politics. This work primarily examines the sociological views and political narratives of David Hare about the present and future of Germany, Israel and Palestine among the traces of two walls. Key Words: Berlin, David Hare, Israel-Palestine, Political theatre, Two walls BERLIN/WALL: HARE’İN GÖZÜ DÜNYANIN İKİ DUVARI ÜZERİNDE Özet Günümüzde tiyatro izleyicisi, oyun yazarlarının siyasal anlatılarına şiddetli istek duyar. Medya dünya çapında güvenirliğini yitirdikçe, tiyatro takipçileri, televizyon bültenlerini izlemektense daha çok siyasal oyunlar izlemeyi tercih etmektedir. Dünya siyasal tiyatrosunun önder seslerinden biri olarak David Hare, tiyatro izleyicisin beklentilerini ve siyasal tiyatronun sorumluluklarını bilir. Oyunlarında birçok ulusal ve uluslararası siyasal kararın toplumların ve bireylerin üzerindeki sonuçlarını ele alır. İngiliz oyun yazarı, iki ayrı monolog türde okuma olan Berlin/Wall’da, kendi deneysel gözlemleri ve mülakatları yoluyla dünya siyasetinin diktiği iki duvarın ardından farklı toplumların sıradan insanlarının yeni yaşam koşullarını yansıtır. -
ISUM #3, Per10d Ending 142400 Dec 61
, 6-2.. • S'=I'R..."'~ ET. HEAIlQUARTElIS BERLIN BRIGADE Off ice of the AC of 8, G2 APO 742 US FOR::ES + 1 . (8 \ ~!l..'ClE1' FORCES: a. Hf'llccpter f light over Installation 4154 and AUf,J'1..lst Bebel PIa t."':t.:1 E.l.f"t Ber::'ln on 13 December revealed the following: (1) 29 T-S4 tanks , 1 BTR ~ 1 bus and 3 wheeled vehicles are lonat;u 1n August Ecbel Platz. (2) Tho tanks that were parked 1n Installation 4154 are n':) 10n3C'r jX.rkC'd oJ!" th::! hardstand inside the in::>tall at:'..on . 02 C:nlr.l.Cnt: It 1s possible thf'.t 10 to 12 tunI.s w'uld b,- p~.~'·:(r0. inside ::::h3ds 1n Insullatlon 415 1~ . Br;1 l.icved, ho~·e"E.r, thE'.t fO.ll tt.rks h'we dep.-,rtcd this installation. Tank unit in Bebel Platz 1s b_'1.i8ved to be Jchc Tt..nk Battalion, 83d Motorized Riflo il0giment fr.i:n Installation 4161 1n Karlshorst. Un! t to have departed IlStnllatl~n 4154 believe d to be a tank battalion of 68th Tnnk Regiment f rom InstallE:.tion 4102 (Berl~n Blesdorf). b . Headquarters, GSfo'G imposed new permanent 1'cstrictions on Wcs.tern Mili t:-", ry Missions effective 12000:1. December 1961. The new restrictcd c.r .m,s are located in Schwerin-~udwiglust, W:Ltt.3nburg and Ko·~igsb ru ,ck areas. The permanent r es tric ted areas of Guestrow; Letzlingcr lI~ide . Altengrabow. Jena-Weissenfe1s, Ohrdrv.f and Juetcl'bog were exten,Ld. -
Irina Liebmann Und Der Doppelgänger
https://doi.org/10.25620/ci-03_13 CATHERINE SMALE »Wir sind wie Spiegel« Irina Liebmann und der Doppelgänger ZITIERVORGABE: Catherine Smale, »»Wir sind wie Spiegel«: Irina Liebmann und der Doppelgänger«, in Phantasmata: Techniken des Unheimlichen, hg. v. Martin Doll, Rupert Gaderer, Fabio Camilletti und Jan Niklas Howe, Cultural Inquiry, 3 (Wien: Turia + Kant, 2011), S. 203–17 <https: //doi.org/10.25620/ci-03_13> ANGABE ZU DEN RECHTEN: Phantasmata: Techniken des Unheimlichen, hg. © by the author(s) v. Martin Doll, Rupert Gaderer, Fabio Camil- This version is licensed under a Creative Commons Attribution- letti und Jan Niklas Howe, Cultural Inquiry, 3 ShareAlike 4.0 International License. (Wien: Turia + Kant, 2011), S. 203–17 SCHLAGWÖRTER: Freud, Sigmund – Das Unheimliche; Psychoanalyse; Doppelgänger (Motiv); Liebmann, Irina – Die freien Frauen; Liebmann, Irina – In Berlin; Berliner Mauer (Motiv); Deutschland (Motiv) / Teilung (Motiv); Spiegelung (Motiv); Mise en abyme The ICI Berlin Repository is a multi-disciplinary open access archive for the dissemination of scientific research documents related to the ICI Berlin, whether they are originally published by ICI Berlin or elsewhere. Unless noted otherwise, the documents are made available under a Creative Commons Attribution-ShareAlike 4.o International License, which means that you are free to share and adapt the material, provided you give appropriate credit, indicate any changes, and distribute under the same license. See http://creativecommons.org/licenses/by-sa/4.0/ for further details. In particular, you should indicate all the information contained in the cite-as section above. ¨8*34*/%8*&41*&(&-§ *SJOB-JFCNBOOVOEEFS%PQQFMHjOHFS1 $BUIFSJOF4NBMF If the story of the ›Doppelgänger‹ has to break off here for the purposes of this book, it is certainly not finished yet.