Quilt Binding and Finishing Methods for Your Art Quilts from Quilting Arts

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Quilt Binding and Finishing Methods for Your Art Quilts from Quilting Arts HOW TO BIND A QUILT 12 QUILT BINDING METHODS HOW TO BIND A QUILT: 12 NEW Quilt Binding and Finishing Methods for Your Art Quilts from Quilting Arts 1 2 4 3 On the Edge A Big Finish for Your 1 3 Small Quilts SARAH ANN SMITH TERRY GRANT Not Bound by Tradition 2 SHERRIE SPANGLER Picture It Framed 4 LYRIC KINARD HOW TO BIND A QUILT: 12 NEW QUILT BINDING AND FINISHING METHODS FOR YOUR ART QUILTS QUILTINGARTS.COM 1 ©Interweave Press LLC HOW TO BIND A QUILT 12 QUILT BINDING METHODS let’s face it: Conceptualizing and stitching it on top of a backing fabric making an art quilt is fun. Finishing with raw edges. and putting a binding on it isn’t (at HOW TO BIND A QUILT: Have you ever tried to finish a small least for me). If 12 NEW QUILT BINDING AND art quilt with a zigzag stitch along the your studio is FINISHING METHODS FOR edge, only to have the corners come anything like mine, YOUR ART QUILTS out an utter mess? Terry Grant has it’s harboring a come up with a smart (and simple) from QUILTING ARTS heap of unfinished way to finish those small quilts and quilts, just begging EDITORIAL DIRECTOR Pokey Bolton have their corners stay clean and to be completed ASSISTANT EDITOR Pippa Eccles neat. Lyric Kinard lends her art and so they can be design expertise and offers several released and CREATIVE SERVICES methods for presenting and mounting appreciated by the greater world. DIVISION ART DIRECTOR Larissa Davis your works of art so that they shine. PHOTOGRAPHERS L arry Stein Not to worry, this eBook has come to So get out your unfinished quilt tops; Korday Studios the rescue! in the pages ahead, you’ll with all of these options, I’m confident find 12 creative —yet easy —ways Projects and information are for inspira- you’ll find the perfect finishing tion and personal use only. QUILTING ARTS to finish those quilts. For instance, method to complement them! MAGAZINE is not responsible for any li- take Sarah Ann Smith, who shows a ability arising from errors, omissions, or few finishing techniques, including Cheers, mistakes contained in this eBook, and readers should proceed cautiously, espe- how simple it is to create a perfect cially with respect to technical information. binding for quilt tops with curved Interweave Press LLC grants permission to edges. Sherrie Spangler cleverly photocopy any patterns published in this issue for personal use only. demonstrates a nontraditional method POKEY BOLTON for framing a quilt top simply by Editorial Director PUT MORE ININ YOUR LIFE fabric dXb\fm\ip. 28 texture FROM MISTAKE TO MASTERPIECE QUILTING ARTS MAGAZINE® explores ideas, textiles, and techniques for related to embellished and contemporary art quilting. tips QUILTentering SHOWS inside, you’ll find design inspiration, directions, step-by-step from photo gorgeous photo graphy, and for developing your to motivation ART QUILTp. 14 personal style, at all skill levels. Thread sketching made easy p. 46 800.406.5283 (U.S. & Canada) quiltingarts.com 760.291.1519 (International) QUILTING ARTS MAGAZINE®, P.O. Box 469087, Escondido, CA 92046-9350 HOW TO BIND A QUILT: 12 NEW QUILT BINDING AND FINISHING METHODS FOR YOUR ART QUILTS QUILTINGARTS.COM 2 ©Interweave Press LLC HOW TO BIND A QUILT 12 QUILT BINDING METHODS AD A PTED FRO M QUILTING ARTS MA G A ZINE AUGUST /SEPTE M BER 2007 A ND OCTOBER /NOVE M BER 2007 he edge T N O B Y SA R A H ANN SM ITH The mini-quilt shown here illustrates most of the binding challenges you will face, including standard edges and corners, inside and outside curved edges, and a point. hat if” may be the most useful phrase in an artist’s vocabulary. What if I used a pillowcase back “Winstead of a bias binding? What if I used a sheer fabric instead of cotton or silk? How would it look if I stitched an accent line inside the bias binding? In this article, we’ll look at all of these options for finishing quilt edges. When you’re ready to use one of the techniques, be sure to read through all of the steps before proceeding. Sometimes one alternative is clearly the edges? If your quilt is designed for most of the challenges you will face. better looking or more suitable to the the wall, you can use any edge-finish The sample quilt includes standard intended use of the piece, but other (or lack thereof) you want. If you are edges and corners, plus inside and times the answer is what looks best making a garment or bed/lap quilt, outside curved edges, and a point. to you. The question then becomes, you’ll want a durable finish that will To bind a curved edge smoothly, “How do I choose?” The answer is: stand up to washing and the wear and you must use bias (fabric that is cut “Make visual decisions visually.” Copy tear of use. on a 45º angle to the woven edge) that sentence, post it front and center in your studio, then abide by it. DOUBL E -FOL D PERFECT Once your quilt is nearly finished, set BIAS BI nd I N G out your fabric and fiber options and miters really look at them. Do you—gulp, The double-fold bias binding with a For Sarah’s instructions on how to gasp, gleefully watch the “quilt police” mitered corner is probably the most make a perfect miter with any width of bias binding, check her blog entry shake their heads—leave the edges familiar edge finish for contemporary quilts. For demonstration purposes, dated July 20, 2007. Go to raw with the batting artfully hanging sarahannsmith.com and click on I created a mini-quilt that illustrates out, perhaps painted? Do you enclose the Blog link. HOW TO BIND A QUILT: 12 NEW QUILT BINDING AND FINISHING METHODS FOR YOUR ART QUILTS QUILTINGARTS.COM 3 ©Interweave Press LLC HOW TO BIND A QUILT 12 QUILT BINDING METHODS because bias stretches. The narrower the binding, the easier it is to get it smooth and flat, especially on curves. A double-fold bias will wear substantially longer than a binding cut on the straight of the grain, so it is particularly good for garments and bed/lap quilts that will get a lot of use. 1 Diagram 1 ⁄4" Diagram 2 MAKI N G TH E STRIP 1. Cut your binding strips 6 times the width of the desired binding, plus 1 1 ⁄4" (add an additional ⁄4" wiggle room if desired). For a binding that Fold First fold 3 finishes at ⁄8" you will need 21⁄ "-wide strips (not including 2 Diagram 3 Second fold wiggle room). Diagram 4 2. Sew your binding strips end-to-end, using diagonal seams 1 with a ⁄4" seam allowance, until you have the length of your quilt perimeter plus several inches. 3 Press under a ⁄8" 3. Fold the strip in half lengthwise, seam allowance finger-pressing orlightly pressing Diagram 5 Trim ending tail Diagram 6 Finish the seam with an iron. Add I N G TH E BI nd I N G 1. Align the binding raw edges with 1 the quilt raw edge and, using a ⁄4" seam allowance, sew the binding to the quilt, beginning at least 4"–6" from a corner, and leaving a tail of the strip with the next side of the tail. Allowing a 1⁄ "–1" overlap, about 4"–6" (on large quilts, leave 2 quilt. Starting at the corner, stitch trim away the excess. (Diagram 5) a tail of about 12"). When stitching down the next side. (Diagram 3) is about 2" from the corner, place 2. Refold the beginning tail so the 1 Repeat at the remaining corners. a pin to mark ⁄4" from the corner. ending tail is tucked inside; pin. Stitch up to the pin and backstitch. 4. Stop stitching about 4"–6" from Finish the seam. (Diagram 6) Remove the pin. Remove the quilt where you began; backstitch. 3. Turn the binding to the back. Fold from the machine and cut the Remove the quilt from the machine the mitered corners in opposite threads. and cut the threads. (Diagram 4) (Diagram 1) directions on the front and back to 2. Fold the binding up to make a 45º JOI N I N G TH E TAIL balance the bulk. angle as shown. (Diagram 2) end S A nd FINISHING 4. Blindstitch the binding to the back 3 3. Fold the strip back down (covering 1. Press under a ⁄8" seam allowance using an invisible hand-appliqué the 45º fold). Align the new fold on the beginning tail. Tuck the stitch or stitch in the ditch from with the edge of the quilt and align ending tail inside the beginning the front. Blindstitch the join. HOW TO BIND A QUILT: 12 NEW QUILT BINDING AND FINISHING METHODS FOR YOUR ART QUILTS QUILTINGARTS.COM 4 ©Interweave Press LLC HOW TO BIND A QUILT 12 QUILT BINDING METHODS tips • I like to start the binding on the lower left side, where the join is relatively unnoticed as the eye A subtle line of travels in its accustomed path (from color can be added left to right and top to bottom) by using a triple-stretch stitch in the across a quilt. ditch where the binding meets the quilt top (see the red stitching along the binding of this piece). For a perfect finish, sew in the ditch • Loosely run the binding strip before hand sewing the binding to the back; this will cover the line of machine stitching.
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