Rapid River Magazine March 2008
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PIONEERS: FIRST WOMEN FILMMAKERS Distribuidora: Kino Lorber Zona
PIONEERS: FIRST WOMEN Idle Wives (Lois Weber, 1916, 23:5’) FILMMAKERS * Too Wise Wives (Lois Weber, 1921, 69:5’) Distribuidora: Kino Lorber What Do Men Want? (Lois Weber, 1921, 40:75’) Zona: Región 1 Lois Weber documentary, 12’ Contenido: seis discos en DVD (con contenidos adicionales en Blu-ray*) más un libreto ilustrado DVD 3 / Pioneers of Genre de 76 páginas * Hazards of Helen, Ep. 09: «Leap From the Wa- ter Tower» (Helen Holmes, 1915, 11’) DVD 1 / Alice Guy-Blaché Hazards of Helen, Ep.13: «The Escape on the Mixed Pets (Alice Guy-Blaché, 1911, 14:1’) Fast Freight» (Helen Holmes, 1915, 11:25’) Tramp Strategy (Alice Guy-Blaché, 1911, 12’) Hazards of Helen, Ep. 26: «The Wild Engine» (Helen Holmes, 1915, 10:5’) Greater Love Hath No Man (Alice Guy-Blaché, 1911, 16:25’) * The Purple Mask, Ep. 5: «Part 1» (Grace Cu- nard, 1917, 13’) Algie the Miner (Alice Guy-Blaché, 1912, 10’) The Purple Mask, Ep. 12: «Vault of Mystery» Falling Leaves (Alice Guy-Blaché, 1912, 11:75’) (Grace Cunard, 1917, 19:5’) The Little Rangers (Alice Guy-Blaché, 1912, 11:5’) The Purple Mask, Ep. 13: « The Leap» (Grace Canned Harmony (Alice Guy-Blaché, 1912, 16’) Cunard, 1917, 10:5’) A Fool and His Money (Alice Guy-Blaché, 1912, A Daughter of “The Law” (Grace Cunard, 1921, 10:75’) 21:75’) The High Cost of Living (Alice Guy-Blaché, 1912, Eleanor’s Catch (Cleo Madison, 1916, 13:25’) 14:5’) ‘49 - ‘17 (Ruth Ann Baldwin, 1917, 70:25’) * The Coming of Sunbeam (Alice Guy-Blaché, Caught in a Cabaret (Mabel Normand, 1914, 1913, 11:25’) 23:5’) * Burstup Homes’ Murder Case (Alice -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6. -
GANZ GROSS Ihre Kurzen Popsongs Wirken Zunächst Klein Und Unscheinbar
21 Grossstadtkind: Greta Kline Tagträumend im alias Frankie Cosmos. Haifischbecken: Chris Cohen. FRANKIE COSMOS UND CHRIS COHEN GANZ GROSS Ihre kurzen Popsongs wirken zunächst klein und unscheinbar. Doch das täuscht. Zwei Oden an zwei Songwriter, die in ihrer beglückenden Musik einiges verstecken. VON BENEDIKT SARTORIUS FRANKIE COSMOS CHRIS COHEN INDIE Lieder über das Dasein als während derer sie singt: «Ich bin INDIE Musik ist sein Hobby. Sagt psychedelischem und melancholi- Teenager, die die Euphorie und alle 20 Jahre alt – und bereits abge- einer, der bei einer beträchtlichen schem Einschlag, die sehr vertraut anderen Aufwühlungen des Heran- wrackt und erledigt.» Und könne Anzahl kalifornischer Under- anmuten und ihren im besten Sinne wachsens dokumentieren, sind der ihr mal jemand zeigen, was cool ist? groundhelden mitgewirkt hat. heimlifeissen Charakter erst nach Urantrieb der Popmusik. Einer Dabei gilt Kline – die Tochter Denn Chris Cohen bastelte zu Be- und nach entdecken. Denn da sind Popmusik, die gerne für immer jung der Schauspieler Kevin Kline und ginn der Nullerjahre mit seiner auch kuriose Geräuschschichten bleiben möchte. Und nun kommt Phoebe Cates – als cool schlechthin. Band Curtains windschiefen Heim- und leicht verschobene Bass linien da eine 22-Jährige, die Folgendes In über 50, meist ultrakurzen Alben pop, spielte als Gitarrist bei der und Schlagzeugbeats auszumachen, berichtet: «Ich habe über das Jung- auf der Plattform Bandcamp hat sie freigeistigen Noiserock-Combo die die klaren Gitarren- und Kla- sein gehört. Aber ich weiss nicht unter wechselnden Pseudonymen Deerhoof und war im Hintergrund vierharmonien und Cohens tagträu- genau, wie das geht.» Greta Kline ihr eigenes Aufwachsen in der beim Enfant terrible Ariel Pink mende Stimme zart aufscheuchen. -
Theology in Silent Films, 1902 to 1927
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Skin and Redemption: Theology in Silent Films, 1902 to 1927 Susan Craig Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1794 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Skin and Redemption: Theology in Silent Films, 1902 to 1927 by Susan Craig A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 Susan Jean Craig All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Martin J. Burke Date Chair of Examining Committee Prof. Helena Rosenblatt Date Executive Officer Prof. Donald Scott Prof. Jonathan Sassi Prof. Marc Dolan THE CITY UNIVERSITY OF NEW YORK Prof. Richard Koszarski RUTGERS UNIVERSITY Supervisory Committee iv Abstract Theology in Silent Films by Susan Craig Adviser: Prof. Martin J. Burke This dissertation analyzes theological concepts in silent moving pictures made for commercial distribution from 1902 to 1927, and examines how directors and scenarists sorted through competing belief systems to select what they anticipated would be palatable theological references for their films. A fundamental assumption of this study is that, the artistic and aesthetic pretensions of many silent-era filmmakers notwithstanding, directors generally made decisions in the conception, production and marketing of films primarily to maximize profits in a ruthlessly competitive environment. -
Chris Cohen As If Apart Lp/Cd
CHRIS COHEN AS IF APART LP/CD • Hometown: Los Angeles, CA • Formerly Contributing Member of Deerhoof, The Curtains and Cryptacize • Former Touring Player of Cass McCombs, Haunted Graffiti and Danielson • Touring in 2015; National college and specialty radio campaign via AAM As If Apart, the long-awaited sequel to Chris Cohen’s 2012 soft psych garden of un- earthly alter-pop earworms and studio-sonic delights Overgrown Path, follows on its predecessor with another bittersweet ensemble of dreamy, complex songs. Pushing the idiosyncrasies of Cohen’s melodic and rhythmic approach into even more fractured, shift- ing spaces, As if Apart unsettles lazy pop conventions, upending jaded heads and hearts with an expansive, moody psychedelia. Where Overgrown Path plunged within, As if Apart voyages out. And up. Sometimes as a leader, sometimes as a sideman and collaborator; sometimes as an invis- CT-247 ible musician but you’ve heard him: the chest-high bass drum thump, the tightly paired flight of guitars in odd harmony, the disorienting shift in time and texture that resolves itself 01. Torrey Pine into song. Chris Cohen has plied the inside and outside folds of pop musical possibility 02. As If Apart since at least 1978, when he first set infant drumstick to skin at the tender age of three, 03. Drink From a Silver Cup initiating decades of sonic experimentation across multiple bands and nearly a dozen 04. Memory recordings. 05. In a Fable 06. Needle and Thread Cohen’s songwriting isn’t so much disjunctive as subjunctive, asking “what if,” playing 07. The Lender against the expected and building suspense, breaking like waves or the patterns at the 08. -
Hitchiker's Guide to the Galaxy
MUSIC: Cultural music Full makes its way to L.A. MOVIE: Ice Cube displays his multi talent in ‘XXX’ FASHION: Broke students EFFECTTitan Entertainment Guide can bargin shop in style Coachella 2005 Page 3 Hitchiker’s Guide to the Galaxy A zany trip to outer space Page 4 M a y 0 5, 2 0 0 5What’S Inside CONTENTS 02 News Briefs—The Buzz 03 Music—Coachella brings best of indie to festival Sex—Liven your relationship by doing it BY NIYAZ PIRANI outdoors Daily Titan Assistant News Editor 04 Movie—Adaption takes viewers to another galaxy The boys of Yellowcard have been hard at work on the follow-up ‘Interpreter’ translates into suspensful thriller to their debut record Ocean Avenue. Tanner clan kept us laughing Since January, singer Ryan Key 05 Movie—Sequel follows same action flick and bassist Pete Mosely have been formula in New York penning new songs YellowCard Music—Zion improves musical vision for the disc. The band will reunite in Orlando later this month to start 06 Run Run Run could do better the recording process … Legend- Hanks will become the band’s gui- bum, TheFutureEmbrace, on June Band not too shy about rocking ary UK band Gang of Four has a tarist and they will search for a 21. Among collaborations with Raggeton impacts L.A. music scene remix record in the works. Guests new bassist … Staind have set an former Pumpkins drummer Jimmy 07 Style Scout—Those on a budget can who will appear on the record in- Aug. 9 release date for their next Chamberlain, the disc will feature remain in style clude Futureheads, the Dandy War- album, Chapter V. -
PDF File About Claire Windsor
r ..~- Claire Windsor One Fan's Fond Remembrance by Al Bohrer Claire Windsor was born Clara Viola "Ola" Cronk in Cawker City, Kansas, on April 14, 1897\An early marriage, to William Bowes, ended in divorce. With her infant son, she moved with her parents to Seattle, Washington, where she entered and won a local beauty contest. Later, she moved to California and took the advice of a friend who suggested that the burgeoning film industry could help her support her little boy. She first hired on as an extra and toiled anonymously for a while. Then, one day she caught the eye of Lois Weber, the pioneer producer and director of silent pictures. Weber was impressed by Olaas rare beauty and signed her to a contract for $150 per week. She did a string of five movies from 1920 through 1922. The second year of her contract her salary increased to $350 per week. She was ideally suited to the kind of melodramas the Weber pictures called for. Another newcomer, Louis Calhern,' was her leading man in two of these, The Blot and Whatas Worthwhile (both 1921). In June of 1921, a feverish headline in the San Francisco Chronicle proclaimed: "Chaplin Offers $1000 Reward for Missing Star." This started the ball rolling. Claire was the "missing film star." Of course, this was nothing more th~n a publicity stunt. Claire had been a frequent Chaplin date. Claire and Buddy were regulars at William Randolph Hearstas "Xanadu" castle in the late 1920s. Among the many books written on this social phenomenon, the late Ken Murray did a marvelous job with his, "The Golden Days at San Simeon." Claire figured prominently in the book, among the many stars who spent happy hours frolicking in the luxurious setting. -
22.00H ALEX Berlin 21.00 – 22.00H Rerun: Saturday 15.00 - 17.00H Hosted By: Sandra Zettpunkt First Airdate: 29.07.20
AUSZEIT radio show on byte.fm & 917xfm every second wednesday, 20.00 - 22.00h ALEX Berlin 21.00 – 22.00h rerun: saturday 15.00 - 17.00h hosted by: sandra zettpunkt first airdate: 29.07.20 Artist Track Label Max Gowan My Kind Z Tapes Stuart Moxham & Louis Philippe Tidy Away Tiny Global Productions Emitt Rhodes Someone Died A & M Records Emitt Rhodes Promises I've Made Dunhill Ron Sexsmith Apparently Au Pair Cooking Vinyl Night Heron I Can Always Tell the Difference nightheron.bandcamp.com Green Pepper Joni's Garden Neon Tatra Snowgoose Everything Glass Modern Small Forward Bound smallforward.bandcamp.com Small Forward Delicate Days smallforward.bandcamp.com Lisa Mychols & SUPER 8 Your Summer Theme Beautiful Music Deerhoof The Loved One Joyful Noise Orange Crate Art Interplanetary Word Salad orangecrateart.bandcamp.com Leah Senior Dreary Day Flightless Becca Mancari Stay With Me Captured Tracks Indigo Bunting I Fell Through indigobuntingmusic.bandcamp.com Aksak Maboul Un Caïd Crammed Chris Cohen Physical Address Looking Glass Fullbloods Soft And Virtual Touch High Dive Order of the Toad Lady's Mantle Gringo/Reckless Yes Green Seagull Aerosol Mega Dodo Green Seagull This Wheel Mega Dodo Yves Jarvis Victim Anti- Records Snails A Mystery To Me Glass Modern Leah Senior Ocean Quilt Lady Flightless Leah Senior Graves Flightless Andy Shauf Judy Anti- Records Thibault Drama Chapter Music BOB What a Performance 3 Loop Music BOB Plastic Optic Nerve Recordings The Crystal Furs Drag You Away Subjangle Woods Next to You and the Sea Woodsist Thank you for the music! sandra zettpunkt * weissenbühlweg 2 * 3007 bern * switzerland http://goldenglades.de * https://twitter.com/golden_glades . -
Disparities for Women Filmmakers in the Film Industry Bobbie Lucas
Vassar College Digital Window @ Vassar Senior Capstone Projects 2015 Behind Every Great Man There Are More Men: Disparities for Women Filmmakers in the Film Industry Bobbie Lucas Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Lucas, Bobbie, "Behind Every Great Man There Are More Men: Disparities for Women Filmmakers in the Film Industry" (2015). Senior Capstone Projects. Paper 387. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College “Behind Every Great Man There Are More Men:” Disparities for Women Filmmakers in the Film Industry A research thesis submitted to The Department of Film Bobbie Lucas Fall 2014 ACKNOWLEDGMENTS “Someday hopefully it won’t be necessary to allocate a special evening [Women in Film] to celebrate where we are and how far we’ve come…someday women writers, producers, and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.” --Sigourney Weaver For the women filmmakers who made films and established filmmaking careers in the face of adversity and misogyny, and for those who will continue to do so. I would like to express my appreciation to the people who helped me accomplish this endeavor: Dara Greenwood, Associate Professor of Psychology Paul Johnson, Professor of Economics Evsen Turkay Pillai, Associate Professor of Economics I am extremely grateful for the valuable input you provided on my ideas and your willing assistance in my research. -
Published Tuesday, June 27, 2006
Published Tuesday, August 28, 2007 Jerry Farley — Transformer WU president has led a campus renaissance; we can't wait to see what next decade brings The Topeka Capital-Journal Editorial Board Washburn University president Jerry Farley this summer completed his first 10 years at the helm of Topeka's municipal university. Here's hoping he decides to stay for another 10. Jerry Farley The man with the bow ties and "can do" attitude has orchestrated a major transformation at Washburn that has touched nearly every facet of the university — from students and student housing to academics and facilities. The latest good news from Farley's tenure at the university was announced Aug. 17 by U.S. News and World Report, which ranked WU sixth among the Midwest's 52 public master's- level universities. It was WU's eighth consecutive year in the magazine's top 10. Farley took the reins at WU on July 1, 1997. That fall, the university's enrollment was 6,281, a combination of full-time and part-time students that computed to the equivalent of 4,618 full- time students. Enrollment numbers for fall 2007 aren't yet final, but in fall 2006 the university's total enrollment of full-time and part-time students was 7,153, for a full-time equivalent of 5,558 students. The breakdown of full-time and part-time students has moved from 56 percent and 44 percent, respectively, in 1997, to 67 percent and 33 percent in 2006. And hundreds of those new full-time students live on the campus nestled between S.W. -
El Cine Como Recurso Didáctico
El cine como recurso didáctico 2. Historia del Cine: Cine Mudo 2012 El cine como recurso didáctico Formación en Red El cine como recurso didáctico Cine Mudo En este apartado veremos la evolución del Cine Mudo en Francia, Estados Unidos y Suecia antes de 1918. Buster Keaton La guerra introducirá cambios importantes que son tratados en el Cine de Posguerra: Francia: Escuela Impresionista y los Movimientos Vanguardistas. Alemania: Escuela Expresionista, La Kammerspislfilm y la Corriente Realista. Cine Soviético: Cine Prerrevolucionario,Cine Postrevolucionario y la Etapa de Madurez. Estados Unidos: Star-System, las Superproducciones y los Europeos en Hollywood. Por último revisaremos a los autores más destacados del Cine Mudo: David Wark Griffith, Abel Gance, Vsevold Pudovkin y Sergei Mikhailovich Eisenstein. Antes de 1918 La evolución de la industria cinematográfica está estrechamente ligada al desarrollo de los acontecimientos económicos, sociales y políticos. Así, la irrupción de la Primera Guerra Mundial (1914-1918) repercute sobre la situación del mercado cinematográfico mundial, alterando, de manera decisiva, la posición alcanzada por las diferentes cinematografías nacionales. Los países que participan en la contienda verán disminuir su producción de películas, especialmente Francia que antes de la guerra acapara el 80 por 100 de los mercados mundiales, pero que muy pronto será incapaz de atender su propia demanda. Estos serán los años en los que el cine norteamericano, aprovechando el receso en la producción francesa, vivirá su gran desarrollo, tanto a nivel industrial como artístico, sentando las bases sobre las que habrá de construirse el nuevo arte. Actividad 1 Visiona el reportaje de Días de cine: Homenaje al cine mudo Francia En estos años, la casa Gaumont compite con la Pathé, ampliando la producción de películas. -
Post-Marketplace Version
AMERICAN BUS MARKETPLACE 2017 DIRECTORY OF PARTICIPANTS Cleveland, OH Jan. 14-17, 2017 111 K Street NE, 9th Fl. • Washington, DC 20002 (800) 283-2877 (U.S & Canada) • (202) 842-1645 • Fax (202) 842-0850 [email protected] • www.buses.org This Directory includes Buyers, Sellers and Associate delegates. It does not include Operators attending Marketplace as other registration types. Directory as of Jan. 17, 2017 To find more information about the companies and delegates in this publication, please click on the Research Database stamp in your Marketplace Passport, ABA Marketplace 2017 App or visit My ABA. Section I MOTORCOACH AND TOUR OPERATOR BUYERS Motorcoach & Tour Operators (Buyers) page 3 AT&T Charter Service Inc. www.corporatecoachesfla.com AAA East Central 10 Jilden Dr. Mike Castro, V.P. Business Dev. 5900 Baum Blvd. Louisburg, NC 27549 [email protected] Pittsburgh, PA 15206 www.attcharterservice.com www.aaa.com Kendra Love Academy Bus LLC Claudia Zuzak 111 Patterson Ave. [email protected] Hoboken, NJ 07030-6012 Marlene Santini A Yankee Line Inc [email protected]> 15 County Ave. www.academybus.com Myrna Blanda, Gp. Sales Coord. Secaucus, NJ 07094 Dave Bolen [email protected] [email protected] Frank Smith Rose Marie Bakos. Francis Tedesco, Pres. [email protected] [email protected] AAA Ohio Auto Club Stephanie Ventura, Gp. Trvl. Coord. for Gregory Tedesco, Sales and Marketing NEO 90 E. Wilson Bridge Rd. [email protected] [email protected] Worthington, OH 43085 Michael Coyle, Safety Mgr. www.aaa.com [email protected] Michael Horak, Dir., Operational Risk AAA Northwest Ohio Beth Mowry, Group Travel Coordinator [email protected] Mgmt.