The Impossibility of Technology-Based Drm and a Modest Suggestion
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What's the Download® Music Survival Guide
WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing. -
A Critique of the Digital Millenium Copyright Act's
THINKPIECE ACRITIQUE OF THE DIGITAL MILLENIUM COPYRIGHT ACT’S EXEMPTION ON ENCRYPTION RESEARCH: IS THE EXEMPTION TOO NARROW? VICKY KU I. INTRODUCTION.................................................................. 466 II. PART I: WHAT IS ENCRYPTION RESEARCH? ABRIEF HISTORY470 III. PART II: OVERVIEW OF SECTION 1201(A)(1) OF THE DMCA474 A. WHAT DOES IT SAY?.................................................... 474 B. WHAT WAS ITS INTENDED PURPOSE? .......................... 474 C. WHAT IS THE PURPOSE OF 1201(G)? ........................... 475 IV.PART III: IMPACT OF SECTION 1201(G) OF THE DMCA ON ENCRYPTION RESEARCH .................................................. 485 A. WHO IN THE ACADEMIC COMMUNITY HAS BEEN AFFECTED? .................................................................................. 485 V. PART IV: PROPOSED CHANGES TO THE DMCA.................. 488 VI.CONCLUSION ..................................................................... 489 Jointly reviewed and edited by Yale Journal of Law & Technology and International Journal of Communications Law & Policy. Author’s Note. 466 YALE JOURNAL OF LAW &TECHNOLOGY 2004-2005 ACRITIQUE OF THE DIGITAL MILLENIUM COPYRIGHT ACT’S EXEMPTION ON ENCRYPTION RESEARCH: IS THE EXEMPTION TOO NARROW? VICKY KU Section 1201(g) of the Digital Millennium Copyright Act (DMCA) is offered as an exemption for encryption research.1 However, the drafting of the exemption contradicts the purpose of copyright legislation under the terms of the Constitution, which is based upon the idea that the welfare -
The California Supreme Court Holds a Preliminary Injunction Prohibiting
Volume 11 Issue 2 Article 4 2004 Website Operators and Misappropriators Beware - The California Supreme Court Holds a Preliminary Injunction Prohibiting Internet Posting of DVD Decryption Source Code Does Not Violate the First Amendment in DVD Copy Control Association, Inc. v. Bunner Nick Washburn Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Entertainment, Arts, and Sports Law Commons, and the Internet Law Commons Recommended Citation Nick Washburn, Website Operators and Misappropriators Beware - The California Supreme Court Holds a Preliminary Injunction Prohibiting Internet Posting of DVD Decryption Source Code Does Not Violate the First Amendment in DVD Copy Control Association, Inc. v. Bunner, 11 Jeffrey S. Moorad Sports L.J. 341 (2004). Available at: https://digitalcommons.law.villanova.edu/mslj/vol11/iss2/4 This Casenote is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Washburn: Website Operators and Misappropriators Beware - The California Su WEBSITE OPERATORS AND MISAPPROPRIATORS BEWARE! THE CALIFORNIA SUPREME COURT HOLDS A PRELIMINARY INJUNCTION PROHIBITING INTERNET POSTING OF DVD DECRYPTION SOURCE CODE DOES NOT VIOLATE THE FIRST AMENDMENT IN DVD COPY CONTROL ASSOCIATION, INC. V BUNNER I. INTRODUCTION A. DVDs, CSS, and the Creation of the DVD CCA Digital versatile discs ("DVDs") are small discs capable of hold- ing enough information to display a full-length motion picture which can be played on a personal DVD player.' DVDs were cre- ated in the early 1990s to provide higher visual and audio quality in displaying motion pictures over then existing analog tapes. -
1 in the SUPERIOR COURT of FULTON COUNTY STATE of GEORGIA DONNA CURLING, an Individual; ) ) COALITION for GOOD ) GOVERNANC
IN THE SUPERIOR COURT OF FULTON COUNTY STATE OF GEORGIA DONNA CURLING, an individual; ) ) COALITION FOR GOOD ) GOVERNANCE, a non-profit corporation ) organized and existing under Colorado ) Law; ) ) DONNA PRICE, an individual; ) ) JEFFREY SCHOENBERG, an individual; ) ) LAURA DIGGES, an individual; ) ) WILLIAM DIGGES III, an individual; ) ) RICARDO DAVIS, an individual; ) ) Plaintiffs, ) ) v. ) CIVIL ACTION ) FILE NO.: 2017cv292233 BRIAN P. KEMP, in his individual ) capacity and his official capacity as ) Secretary of State of Georgia and ) Chair of the STATE ELECTION BOARD; ) DEMAND FOR ) JURY TRIAL DAVID J. WORLEY, REBECCA N. ) SULLIVAN, RALPH F. “RUSTY” ) SIMPSON, and SETH HARP, in their ) individual capacities and their official ) capacities as members of the STATE ) ELECTION BOARD; ) ) THE STATE ELECTION BOARD; ) ) RICHARD BARRON, in his individual ) capacity and his official capacity as ) 1 Director of the FULTON COUNTY ) BOARD OF REGISTRATION AND ) ELECTIONS; ) ) MARY CAROLE COONEY, VERNETTA ) NURIDDIN, DAVID J. BURGE, STAN ) MATARAZZO and AARON JOHNSON ) in their individual capacities and official ) capacities as members of the FULTON ) COUNTY BOARD OF REGISTRATION ) AND ELECTIONS; ) ) THE FULTON COUNTY BOARD OF ) REGISTRATION AND ELECTIONS; ) ) MAXINE DANIELS, in her individual ) capacity and her official capacity as ) Director of VOTER REGISTRATIONS ) AND ELECTIONS FOR DEKALB ) COUNTY; ) ) MICHAEL P. COVENY, ANTHONY ) LEWIS, LEONA PERRY, SAMUEL ) E. TILLMAN, and BAOKY N. VU ) in their individual capacities and official ) capacities as members of the DEKALB ) COUNTY BOARD OF REGISTRATIONS ) AND ELECTIONS; ) ) THE DEKALB COUNTY BOARD OF ) REGISTRATIONS AND ELECTIONS; ) ) JANINE EVELER, in her individual ) capacity and her official capacity as ) Director of the COBB COUNTY ) BOARD OF ELECTIONS AND ) REGISTRATION; ) ) PHIL DANIELL, FRED AIKEN, JOE ) PETTIT, JESSICA BROOKS, and ) 2 DARRYL O. -
The Anti-Circumvention Amendments to the Hong Kong Copyright Ordinance
Learning the Hard Way: The Anti-Circumvention Amendments to the Hong Kong Copyright Ordinance Robert S. Rogoyski* The 2007 Hong Kong Copyright Amendment Ordinance was passed as part of continuing efforts to balance the interests of copyright owners with the public benefits that flow from the use of copyrighted works. The anticircumvention provisions in the ordinance, closely modeled on the U.S. Digital Millennium Copyright Act (DMCA), create a complex new regime that regulates the circumvention of copy and access controls to copyrighted works, and contains a set of narrow exceptions for some scientific research. Both the specific text of the amendments, and U.S. experience with similar provisions in the DMCA give rise to serious concerns about the potential effects of this legislation. The anticircumvention amendments threaten fair dealing rights in Hong Kong because they unduly expand the power of copyright owners to control the actual use of their works, rendering fair dealing rights moot. Although the amendments provide exceptions for cryptography and security testing, the wording of the exceptions is problematic, and U.S. experience with very similar provisions in the DMCA shows that they will nevertheless chill legitimate research and harm consumers. I. INTRODUCTION ................................................................................... 36 II. THE CO ANTICIRCUMVENTION AMENDMENTS POSE A SERIOUS THREAT TO FAIR DEALING RIGHTS IN HONG KONG ............ 37 A. How Can This Be? ................................................................... -
Copy Protection
Content Protection / DRM Content Protection / Digital Rights Management Douglas Dixon November 2006 Manifest Technology® LLC www.manifest-tech.com 11/2006 Copyright 2005-2006 Douglas Dixon, All Rights Reserved – www.manifest-tech.com Page 1 Content Protection / DRM Content Goes Digital Analog -> Digital for Content Owners • Digital Threat – No impediment to casual copying – Perfect digital copies – Instant copies – Worldwide distribution over Internet – And now High-Def content … • Digital Promise – Can protect – Encrypt content – Associate rights – Control usage 11/2006 Copyright 2005-2006 Douglas Dixon, All Rights Reserved – www.manifest-tech.com Page 2 1 Content Protection / DRM Conflict: Open vs. Controlled Managed Content • Avoid Morality: Applications & Technology – How DRM is impacting consumer use of media – Awareness, Implications • Consumers: “Bits want to be free” – Enjoy purchased content: Any time, anywhere, anyhow – Fair Use: Academic, educational, personal • Content owners: “Protect artist copyrights” – RIAA / MPAA : Rampant piracy (physical and electronic) – BSA: Software piracy, shareware – Inhibit indiscriminate casual copying: “Speed bump” • “Copy protection” -> “Content management” (DRM) 11/2006 Copyright 2005-2006 Douglas Dixon, All Rights Reserved – www.manifest-tech.com Page 3 Content Protection / DRM Content Protection / DRM How DRM is being applied • Consumer Scenarios: Impact of DRM – Music CD Playback on PC – Archive Digital Music – Play and Record DVDs – Record and Edit Personal Content • Industry Model: Content -
Where Is the Music? Au Id #: 1640352
WHERE IS THE MUSIC? AN ANALYSIS OF THE RECORDING INDUSTRY MAJOR LABELS ENDURING DIGITAL MEDIA TRANSFORMATION DANIEL GOODRICH AU ID #: 1640352 DECEMBER 10, 2007 DR. ROBERT EDGELL BUSINESS POLICY AND STRATEGY WHERE IS THE MUSIC? - 2 - GOODRICH HONORS CAPSTONE SUPPLEMENT TABLE OF CONTENTS INTRODUCTION 3 THE MUSIC RECORDING INDUSTRY 4 HISTORY OF RECORDING FORMAT TECHNOLOGY 4 THE “MAJORS” 5 FALL OF CD SALES 9 IMPACT OF DIGITAL MUSIC 12 DIFFERING VIEWS ON DIGITAL RIGHTS MANAGEMENT 14 DRM APPLICATIONS 15 THOUGHTS ON MUSIC 16 OTHER IDEAS 18 TAKING THE MUSIC INTO THEIR OWN HANDS 19 INDUSTRY ANALYSIS 22 VALUE CHAIN ANALYSIS 22 RECOMMENDATIONS 23 CONCLUSION 25 APPENDICES 26 GRAPH 1 26 GRAPH 2 26 GRAPH 3 27 GRAPH 4 27 GRAPH 5 28 GRAPH 6 28 GRAPH 7 29 TABLE 1 30 TABLE 2 31 TABLE 3 32 WORKS CITED 33 WHERE IS THE MUSIC? - 3 - GOODRICH INTRODUCTION Some consider it a universal language that has no limitations. Some are born with a rhythm and grow alongside it. Some hear it in nature. Some devote their lives to studying it, others creating it and delivering it to the world. Some have it embedded within their souls and know that they could not be complete without it. For these individuals, music is the lifeblood of their being. Whether passionate about music, simply a fan, or even incapable of tolerating the sound of a drum, there is something unbelievable about music that seems to spark a change in people; it has the power to evoke every type of emotion. Those within the music recording industry understand this power, and continually search for the best possible and most profitable way to deliver this unique media to the world. -
Digital Rights Management
Journal of Intellectual Property Rights Vol 9, July 2004, pp 313-331 Digital Rights Management: An Integrated Secure Digital Content Distribution Technology P Ghatak, R C Tripathi, A K Chakravarti Department of Information Technology, Electronics Niketan, 6, CGO Complex, New Delhi-110 003 Received 5 December 2003 The ability to distribute copyrighted works in digital form through high capacity prere- corded disks (CD ROMs, DVDs etc.) and Internet-enabled transmissions have brought new challenges to the protections of such content from unauthorized copying and use. Technological advancements in this regard are reviewed. Despite the ease with which digital content owners can now transfer data, images, music, video and multimedia documents across the Internet, cur- rent technology does not let them protect their rights to the works, which has resulted into wide- spread music and video piracy. In fact, although the Internet permits widespread dissemination of digital content, the easy-to-copy nature of digital data limits content owners’ willingness to distribute their documents electronically. Digital Rights Management (DRM) technology is a key enabler for the distribution of digital content. DRM refers to protecting ownership/copyright of electronic content by restricting the extent of usage an authorized recipient is allowed in re- gard to that content. DRM technology has historically been viewed as the methodology for the protection of digital media copyrights. But DRM technology products can be leveraged to ad- dress much larger issues, including the control of rights and usage permissions of content and digital information. DRM presents the opportunity to package, price, distribute and sell content in many new ways that have never been possible before. -
1 Comment Of
Comment of: Edward W. Felten Professor of Computer Science and Public Affairs J. Alex Halderman Department of Computer Science 35 Olden Street Princeton, NJ 08544 Princeton University Represented by: Deirdre K. Mulligan Director Aaron Perzanowski Law Clinic Intern Samuelson Law, Technology & Public Policy Clinic Boalt Hall University of California 346 North Addition Berkeley, CA 94720-7200 Office of the General Counsel U.S. Copyright Office James Madison Memorial Building, Room LM-401 101 Independence Avenue, SE. Washington, DC 20559-6000 December 1, 2005 Re: RM 2005-11 – Exemption to Prohibition on Circumvention of Copyright Protection Systems for Access Control Technologies I. Proposed Class Of Works We respectfully request an exemption to § 1201(A)(1)(a) for sound recordings and audiovisual works distributed in compact disc format and protected by technological measures that impede access to lawfully purchased works by creating or exploiting security vulnerabilities that compromise the security of personal computers. The creation of security vulnerabilities includes running or installing rootkits or other software code that jeopardize the security of a computer or the data it contains. The exploitation of security vulnerabilities includes running or installing software protection measures without conspicuous notice and explicit consent and failing to provide a permanent and complete method of uninstalling or disabling the technological measure. 1 II. Summary of Argument Technological measures protecting works distributed on Compact Discs have been found to pose unreasonable security risks to consumers’ personal computers, corporate and government networks and the information infrastructure as a whole. Vulnerabilities inherent in widely distributed CD protection measures create the potential for a frightening range of abuses. -
The Times They Are A-Changin' IP Strategies in the Music Industry
Research Collection Report The times they are a-changin' IP strategies in the music industry Author(s): Krieger, Michael J. Publication Date: 2008 Permanent Link: https://doi.org/10.3929/ethz-a-006246865 Rights / License: In Copyright - Non-Commercial Use Permitted This page was generated automatically upon download from the ETH Zurich Research Collection. For more information please consult the Terms of use. ETH Library MAS-IP Diploma Papers & Research Reports Year 2008 Paper 35 The Times They Are A-Changin': IP Strategies in the Music Industry Michael J. Krieger ETH Z¨urich This working paper site is hosted by The Berkeley Electronic Press (bepress). http://www.bepress.com/ndsip/papers/art35 Copyright c 2008 by the author. The Times They Are A-Changin': IP Strategies in the Music Industry Abstract IP strategies in the music industry is a complex matter. There are four iden- tifiable factors that result in a highly dynamic environment where IP strategies change constantly. The four factors, the recording industry, the consumers, new emerging technology and the law depend and influence each other. Look- ing from a historical viewpoint at IP strategies in the music industry shows us that many issues did not arise only recently but are a phenomenon that traces back to the first sound recording devices. The wide-spread of digital music has revolutionized the music business. The traditional business model based on sales of CDs in retails stores seems to falter. The music industry is blam- ing mainly illegal downloads for the decline in revenues, however independent research points to the changing economy in the digital age and the industries' lack of flexibility to adapt to the new economy in the digital age. -
Content Protection Technologies for Consumer Equipments
CONTENT PROTECTION TECHNOLOGIES FOR CONSUMER EQUIPMENTS Serkan EMEK [email protected] DigiTurk, Digital Platform İletişim Hizmetleri A.Ş., 34353, Beşiktaş, İstanbul YTÜ FBE Elektronik ve Haberleşme Müh., Haberleşme Doktora Programı , Yıldız, İstanbul ABSTRACT unauthorized reproduction and distribution only in a digital environment. If protected digital content is Digital piracy is most important problem for multimedia converted to analog format these content protection services because of tremendous development of new IT mechanisms are eliminated or reduced. This presents a technologies. There is no one solution to the challenge of problem in that digital devices can capture and digitize digital piracy. There is today a robust and growing unprotected analog signals with complete disregard for market for content protection systems, and a number of current copy protection mechanisms, thus enabling a technologies have been developed and implemented, or major source of unauthorized duplication and/or are available for implementation.. In this work, we give a redistribution. Such analog to digital conversions are easy brief about current copy protection technology and to accomplish with the use of widely available, effects of technology for consumer equipments as well as inexpensive PC technology and other digital recording new STBs, DVRs, PVRs, DVD players and recorders, devices with analog inputs. VCRs, DV Camcoders. 2.1. WATERMARKING 1. INTRODUCTION The primary means to address the analog hole is via The success of the Internet, cost-effective and popular embedded watermarks Watermarking is a type of Copy digital recording, storage a and player devices, and the Control Information (CCI) marking system. These promise of higher bandwidth and quality of services for systems allow usage rules to be conveyed with the both wired and wireless networks have made it possible content. -
Case 1:13-Cv-03994-WHP Document 26 Filed 08/26/13 Page 1 of 48
Case 1:13-cv-03994-WHP Document 26 Filed 08/26/13 Page 1 of 48 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK AMERICAN CIVIL LIBERTIES UNION; AMERICAN CIVIL LIBERTIES UNION FOUNDATION; NEW YORK CIVIL LIBERTIES UNION; and NEW YORK CIVIL LIBERTIES UNION FOUNDATION, Plaintiffs, v. No. 13-cv-03994 (WHP) JAMES R. CLAPPER, in his official capacity as ECF CASE Director of National Intelligence; KEITH B. ALEXANDER, in his official capacity as Director of the National Security Agency and Chief of the Central Security Service; CHARLES T. HAGEL, in his official capacity as Secretary of Defense; ERIC H. HOLDER, in his official capacity as Attorney General of the United States; and ROBERT S. MUELLER III, in his official capacity as Director of the Federal Bureau of Investigation, Defendants. MEMORANDUM OF LAW IN SUPPORT OF PLAINTIFFS’ MOTION FOR A PRELIMINARY INJUNCTION Case 1:13-cv-03994-WHP Document 26 Filed 08/26/13 Page 2 of 48 TABLE OF CONTENTS TABLE OF AUTHORITIES .......................................................................................................... ii Introduction ..................................................................................................................................... 1 Legal and Factual Background ....................................................................................................... 2 I. The Foreign Intelligence Surveillance Act ......................................................................... 2 II. The Mass Call-Tracking Program ......................................................................................